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Moonlight Sonata piano notes: the first-movement melody with letters

Moonlight Sonata piano notes: the first-movement melody with letter names and octaves, C♯ minor, 2/2, E4 to B4. Play it, print it (A4, Letter PDF).

Two kinds of page: the tune with a letter name under every note, and a worksheet with the names left blank.

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Quick answer

Moonlight Sonata on this page is the melody of the first movement, bars 5 to 14: 23 notes in 9 bars of 2/2, in C♯ minor, with a range of E4 to B4 (7 semitones). It begins on G♯4 and ends on F♯4. Below: the letter names with octave numbers and the left hand, the notes on the staff, a version you can play, a note-name worksheet and the checks that were run. It is a simplified melody: what is left out is listed under “What is on this page”.

Moonlight Sonata at a glance

Key
C♯ minor (four sharps)
Time signature
2/2: two beats to the bar, each a half note (alla breve)
Range
E4 to B4, 7 semitones
Notes and bars
23 notes, 9 bars after a pick-up
First note
G♯4 (scale degree 5)
Last note
F♯4 (scale degree 4)
Notes outside the key signature
G♮ (accidentals in the tune)
Piece
Piano Sonata No. 14 in C♯ minor, “Quasi una fantasia”, Op. 27 No. 2, first movement (Adagio sostenuto)
Composer
Ludwig van Beethoven
Date
completed in 1801, dedicated in 1802 to his pupil Countess Julie “Giulietta” Guicciardi
The nickname
not Beethoven’s: the title “Moonlight Sonata” was proposed in 1832 by the poet Ludwig Rellstab, after the composer’s death
Part on this page
the melody only, bars 5 to 14 of the movement (a simplification, see below)
Tempo on this page
quarter note = 52; the score printed in the Wikipedia article marks quarter note = 52 for Adagio sostenuto
Hands
Right hand: the melody shown on the staff. Left hand: the bass notes of each bar, from the same edition, are in the table below.
Level
Medium: 7 notes outside the key signature; sixteenth notes. How the level is worked out

What is on this page

This is a simplification. Only the melody of the first movement is shown, one note at a time: bars 5 to 14 of the movement, the first two phrases. In the original the right hand also plays a steady triplet pattern under this melody from the first bar, and the left hand plays bass octaves; none of that is on the staff. The left-hand column in the table gives the lowest note of the bass chord at the start of each bar. The first four bars (accompaniment only) and everything after bar 14 are not included.

Moonlight Sonata

C♯ minor · 2/2 · melody with note names · the first-movement melody

Key C♯ minor (four sharps: F♯, C♯, G♯, D♯) Range E4 to B4 Music Ludwig van Beethoven (completed 1801)

Scale of C♯ minor C♯ D♯ E F♯ G♯ A B Middle C is C4, the C nearest the middle of the keyboard

Melody: Mutopia Project, "Sonata No. 14 “Moonlight” (1st Movement: Adagio sostenuto)", upper melody line (Stewart Holmes) (CC BY-SA 2.5; Mutopia-2007/02/11-276), checked note by note against 2 other sources. Simplified: the melody of the first movement, bars 5 to 14. Free to print and share under the same licence, CC BY-SA 2.5. musictheoryprint.com/charts/moonlight-sonata-piano-notes

Moonlight Sonata: name the notes

C♯ minor · 2/2 · worksheet

Name Date Class

Write the letter name of every note on the line under it. The key signature tells you which notes are sharp: F♯, C♯, G♯, D♯. The home note of the key is C♯.

Check your answers against the sheet with the note names. Extra: circle every note that is a C♯, the home note of the key.

Melody: Mutopia Project, "Sonata No. 14 “Moonlight” (1st Movement: Adagio sostenuto)", upper melody line (Stewart Holmes) (CC BY-SA 2.5). Simplified: the melody of the first movement, bars 5 to 14. Free to print and share under the same licence, CC BY-SA 2.5. musictheoryprint.com/charts/moonlight-sonata-piano-notes

The notes of Moonlight Sonata, bar by bar

23 notes in 9 bars, after a pick-up, in C♯ minor. Each note is a letter and an octave number: C4 is middle C, the C nearest the middle of the keyboard, and the numbers go up by one at every C. The ♯ and ♭ mean the black key above or below the letter. “held” means a tied note that is not played again; “rest” is silence. The left-hand column gives the bass notes of each bar, read from the same edition; “held” there means a bass note that is still sounding from the bar before.

BarRight hand (melody)Left hand (bass)do re mi
pick-upG♯4 G♯4C♯2sol sol
1G♯4 G♯4 G♯4B♯1sol sol sol
2G♯4 A4C♯2 F♯1sol si
3G♯4 F♯4 B4B1 B1sol fa li
4E4 rest restE2ri (rest) (rest)
5rest rest G4 G4E2(rest) (rest) fi fi
6G4 G4 G4D2fi fi fi
7G4 F♯4C2 B1 A♯1fi fa
8F♯4 G4 E4B1 E2 G2fa fi ri
9F♯4 F♯4F♯2 F♯1fa fa

do re mi uses movable do: do is C♯.

Which keys to press

The whole tune stays inside 5 letter names, E4 to B4, which is what one hand covers in a five-finger position (five neighbouring white keys), so the hand does not have to move. Try the notes on the virtual piano or press a note on the staff above to hear it.

What the tune is made of

How the melody moves

Each of the 22 moves from one note to the next, counted.

  • same note again12 54%
  • step up or down (a second)6 27%
  • third2 9%
  • fourth1 4%
  • fifth1 4%

Which note lengths it uses

Every note counted by its length, as a fraction of a whole note.

  • dotted half note3 13%
  • half note6 26%
  • quarter note6 26%
  • dotted eighth note4 17%
  • sixteenth note4 17%

Most-used note: G♯4 (7 times). Longest run of one repeated note: 6. Different pitches: 6. Biggest leap: 7 semitones.

How the notes were checked

Not one note on this page was typed in or remembered. The melody is read by a program from Mutopia Project, "Sonata No. 14 “Moonlight” (1st Movement: Adagio sostenuto)", upper melody line (Stewart Holmes) (CC BY-SA 2.5; Mutopia-2007/02/11-276), cut to the melody of the first movement, bars 5 to 14. A second program then looked for the same notes, in the same order, in each of the sources below, which were typeset or encoded by other people. The number is the share of this page’s notes that are found there, whatever key the other source is in.

SourceLicenceNotes thereSame pitchesSame pitches and lengths
Wikimedia Commons, "Beethoven - Moonlight Sonata 1st Movement.mid"uploaded 2019-06-06, SHA-1 5f3973b151CC BY-SA 3.0 de117100%96%
Wikimedia Commons, "Moonlight Sonata.mid"uploaded 2005-12-04, SHA-1 cb79de2b2b; in another key, compared after moving it by -2 semitonesPublic domain71791%17%
Where it differs in pitch: bar 8 beat 2: this page has G, the other source has no matching note; bar 8 beat 2.5: this page has E, the other source has no matching note.

The second column is lower than the first because editions write the same long notes in different ways (a half note and a tied pair, a held last note) and because performance MIDI files shorten or lengthen notes. Pitch is the part that matters for the letter names. A MIDI file of a whole piano piece does not say which notes are the melody, so the program takes the highest note at each moment; a melody note that sits under a higher accompaniment note can be missed, and that is the usual reason for a “no matching note” above.

Moonlight Sonata: questions people ask

What are the letter notes of Moonlight Sonata?

The first notes, with their octave numbers, are G♯4 G♯4 G♯4 G♯4 G♯4 G♯4 A4 G♯4 F♯4 B4 E4 G4. Every note of the first-movement melody is in the table above, one bar per row (middle C is C4, the C nearest the middle of the keyboard; the next C up is C5).

What key and time signature is Moonlight Sonata in?

On this page it is in C♯ minor (four sharps), in 2/2: two beats to the bar, each a half note (alla breve). The key signature has four sharps (F♯, C♯, G♯, D♯); the first movement is marked alla breve, two half-note beats to the bar.

Why are there sharps, flats or naturals that are not in the key signature?

The key signature of C♯ minor gives four sharps. In this tune the note is written with an accidental sign (G♮): bar 5: G♮4; bar 6: G♮4; bar 7: G♮4; bar 8: G♮4. A sharp, flat or natural sign before a note applies to that note for the rest of the bar.

Which hand plays what, and how high and low does it go?

The range is E4 to B4, 7 semitones. The whole tune stays inside 5 letter names, E4 to B4, which is what one hand covers in a five-finger position (five neighbouring white keys), so the hand does not have to move.

Is this the whole of Moonlight Sonata?

No. It is bars 5 to 14 of the first movement, which is about 69 bars long in the edition used, and the sonata has two more movements. The page is a simplified melody for reading letter names, not a playable version of the movement.

Is Moonlight Sonata free to print and share?

Beethoven completed the sonata in 1801 and dedicated it in 1802, so the music is free to use. The edition used here is the Mutopia Project typesetting of a 1908 edition (Berners, edited by A. Winterberger) by Stewart Holmes, licensed CC BY-SA 2.5: the sheets on this page are shared under the same licence, so you can print and share them if you keep the credit line. Other editions and recordings have their own rights.

How do I know the notes are right?

The melody is read by a program from Mutopia Project, "Sonata No. 14 “Moonlight” (1st Movement: Adagio sostenuto)", upper melody line (Stewart Holmes), never typed in. A second program then compares it, note by note and in order, with 2 other sources: MIDI file “Beethoven - Moonlight Sonata 1st Movement” (100% of its notes); MIDI file “Moonlight Sonata” (91% of its notes). 1 of the 2 agree with this page on every pitch. Where they differ, the page lists every note and bar, so you can see the difference.

What notes does the Moonlight Sonata melody start with?

The melody enters on the last beat of bar 5 of the movement. Its first twelve notes are G♯4 G♯4 G♯4 G♯4 G♯4 G♯4 A4 G♯4 F♯4 B4 E4 G4: a repeated note in a dotted rhythm, a step up to A4 and back to G♯4, then F♯4, a leap up to B4 and a drop to E4. The first four bars of the movement have no melody, only the accompaniment.

Who called it the Moonlight Sonata?

Not Beethoven. The first edition is headed “Sonata quasi una fantasia”. Wikipedia says the title “Moonlight Sonata” was proposed in 1832, after the composer’s death, by the poet Ludwig Rellstab, and that many sources trace it to Rellstab comparing the first movement to moonlight on Lake Lucerne.

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Moonlight Sonata in real music: the numbers

In C♯ minor the tune uses 6 of the 12 notes of the chromatic scale, 1 of them outside the key signature. It moves by step 6 times out of 22, and ends on degree 4.

This tune against real art songs

WhatThis tuneOpenScore Lieder (352 minor-key songs)
First noteG♯4 (degree 5)46.6% start on degree 5
Last noteF♯4 (degree 4)2.8% end on degree 4
Range of the tune7 semitones (E4 to B4)0% of 1,458 first vocal lines span fewer semitones, 100% more

The art-song numbers are for the first vocal line of every minor-key song whose key signature does not change; the numbers for this tune are counted on the melody printed above.

Which scale degrees the tune uses

Every note of the tune counted by its place in the scale, from the home note (degree 1). The note on each bar compares it with the share of all notes in the art-song melodies.

  • ♭3 (ri) 2 8.7% 8.7% of the notes here; art songs: 12.1%
  • 4 (fa) 5 21.7% 21.7% of the notes here; art songs: 10.6%
  • ♯4/♭5 (fi) 7 30.4% 30.4% of the notes here; art songs: 2.3%
  • 5 (sol) 7 30.4% 30.4% of the notes here; art songs: 18.5%
  • ♭6 (si) 1 4.3% 4.3% of the notes here; art songs: 8.1%
  • ♭7 (li) 1 4.3% 4.3% of the notes here; art songs: 7.6%

How common C♯ minor is

CollectionItems with a keyShare in C♯ minorRank
OpenScore Lieder1,4621.0%21 of 24
Mutopia1,9740.3%21 of 24
MusicBrainz works13,6690.9%19 of 24
MusicBrainz works5,3400.7%19 of 24
Open Opus work titles3,5870.7%18 of 24
AcousticBrainz recordings63,1241.8%21 of 24

Counts of key signatures (and estimated major or minor) in the collections the site has measured; see the key page for C♯ minor.

Where the tune sits among singers' ranges

Voice type (as labelled in the scores)Typical range of a real song lineThis tune (E4 to B4)
SopranoE♭4 to F5fits as written
Alto / ContraltoC4 to C5fits as written
TenorF3 to F♯4fits if moved down 5 semitones
BaritoneC3 to E4fits if moved down 7 semitones
BassA2 to C4fits if moved down 11 semitones

Typical range = the median across song lines of the lowest and highest notes (ignoring one stray note each side), from 285 vocal lines in the OpenScore Lieder Corpus. "Fits" means both ends of the tune are inside it.

Method

  • This tune's own numbers are counted by a script on the decoded melody (tied notes counted once, rests ignored).
  • Art-song numbers are read from the files behind the site's statistics pages (OpenScore Lieder Corpus: key and scale-degree counts for the first vocal line of every piece, vocal ranges of 1,458 lines).
  • Key counts for Mutopia and MusicBrainz come from the same published statistics; a key is counted from its key signature.

Data: computed from the OpenScore Lieder Corpus (CC0), 1,462 scores. Snapshot: commit 6b2dc542ce (2026-04-07).

Background

Excerpts from open reference works, reproduced as published (references, images and tables removed). Every excerpt names its source, licence and original article.

About “Moonlight Sonata”

Overview

The Piano Sonata No. 14 in C♯ minor, marked Quasi una fantasia, Op. 27, No. 2, is a piano sonata by Ludwig van Beethoven, completed in 1801 and dedicated in 1802 to his pupil Countess Julie "Giulietta" Guicciardi. Although known throughout the world as the Moonlight Sonata (German: Mondscheinsonate), it was not Beethoven who named it so. The title "Moonlight Sonata'" was proposed in 1832, after the composer’s death, by the poet Ludwig Rellstab.

Names

The first edition of the score is headed Sonata quasi una fantasia ("sonata resembling a fantasy"), the same title as that of its companion piece, Op. 27, No. 1. Grove Music Online translates the Italian title as "sonata in the manner of a fantasy". "The subtitle reminds listeners that the piece, although technically a sonata, is suggestive of a free-flowing, improvised fantasia."

I. Adagio sostenuto

The first movement, in C♯ minor and alla breve, is written in modified sonata-allegro form. Donald Francis Tovey warned players of this movement to avoid "taking [it] on a quaver standard like a slow ".

The movement opens with an octave in the left hand and a triplet figuration in the right. A melody that Hector Berlioz called a "lamentation", mostly by the left hand, is played against an accompanying ostinato triplet rhythm, simultaneously played by the right hand. The movement is played pianissimo (pp) or "very quietly", and the loudest it gets is piano (p) or "quietly".

Source: Wikipedia, “Piano Sonata No. 14 (Beethoven)” — CC BY-SA 4.0 — text excerpted; see the article for the full text and authors. Revision of 2026-06-25.

Sources and licences for the text, scores and recordings on this page are on the credits page.

Sources: Mutopia Project, "Sonata No. 14 “Moonlight” (1st Movement: Adagio sostenuto)", upper melody line (Stewart Holmes), Wikimedia Commons, "Beethoven - Moonlight Sonata 1st Movement.mid", Wikimedia Commons, "Moonlight Sonata.mid", Wikipedia: Piano Sonata No. 14 (Beethoven).