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Turkish March piano sheet music: the opening theme with letters

Turkish March piano sheet music: the opening theme of Mozart’s Rondo alla Turca with letter names, A minor, 2/4. Play it, print it (A4, Letter PDF).

Two kinds of page: the tune with a letter name under every note, and a worksheet with the names left blank.

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Quick answer

Turkish March on this page is the opening theme (pick-up and bars 1 to 8, right hand): 38 notes in 8 bars of 2/4, in A minor, with a range of G♯4 to C6 (16 semitones). It begins on B4 and ends on E5. Below: the letter names with octave numbers, the notes on the staff, a version you can play, a note-name worksheet and the checks that were run. It is a simplified melody: what is left out is listed under “What is on this page”.

Turkish March at a glance

Key
A minor (no sharps or flats)
Time signature
2/4: two beats to the bar, each a quarter note
Range
G♯4 to C6, 16 semitones
Notes and bars
38 notes, 8 bars after a pick-up
First note
B4 (scale degree 2)
Last note
E5 (scale degree 5)
Notes outside the key signature
D♯, F♯ and G♯ (accidentals in the tune)
Piece
Piano Sonata No. 11 in A major, K. 331 / 300i, third movement: Rondo alla Turca (the “Turkish March”)
Composer
Wolfgang Amadeus Mozart
Published
by Artaria in 1784, together with the sonatas Nos. 10 and 12 (Wikipedia)
Title
Mozart himself titled the rondo “Alla turca”; it imitates the sound of Turkish Janissary bands (Wikipedia)
Key of the movement
the A section is in A minor and the refrain in A major (Wikipedia)
Part on this page
pick-up and bars 1 to 8 of the movement, right hand, top notes only (an excerpt, see below)
Tempo on this page
quarter note = 100; a practice speed chosen for this page; the score printed in the Wikipedia article is marked Allegretto
Hands
Right hand: the melody shown on the staff. The left hand is not shown on this page; play the tune with the right hand alone, or add any simple bass notes.
Level
Harder: wider than a major sixth (16 semitones); wider than an octave; 5 notes outside the key signature; sixteenth notes. How the level is worked out

What is on this page

This is an excerpt. The staff shows the right hand of the very beginning of the Rondo alla Turca: the four-note pick-up and the first eight bars of the A section, which Wikipedia describes as a rising sixteenth-note melody followed by a falling eighth-note melody. Where the right hand plays two notes at once (bars 5 to 7) only the top note is shown. The left hand’s staccato chords, the small grace notes that the Mutopia edition writes before the first note of bars 5 to 7 and everything after the theme are not included.

Turkish March

A minor · 2/4 · melody with note names · the opening theme

Key A minor (no sharps or flats) Range G♯4 to C6 Music Wolfgang Amadeus Mozart (Piano Sonata No. 11, K. 331, published 1784)

Scale of A minor A B C D E F G Middle C is C4, the C nearest the middle of the keyboard

Melody: Mutopia Project, "Sonate Opus KV 331 - Rondo Alla Turca", right hand (Rune Zedeler and Chris Sawer) (Public Domain; Mutopia-2015/08/13-108), checked note by note against 4 other sources. Simplified: the opening theme (pick-up and bars 1 to 8, right hand). Free to print and share. musictheoryprint.com/charts/turkish-march-piano-notes

Turkish March: name the notes

A minor · 2/4 · worksheet

Name Date Class

Write the letter name of every note on the line under it. The key signature tells you which notes are sharp: . The home note of the key is A.

Check your answers against the sheet with the note names. Extra: circle every note that is a A, the home note of the key.

Melody: Mutopia Project, "Sonate Opus KV 331 - Rondo Alla Turca", right hand (Rune Zedeler and Chris Sawer) (Public Domain). Simplified: the opening theme (pick-up and bars 1 to 8, right hand). Free to print and share. musictheoryprint.com/charts/turkish-march-piano-notes

The notes of Turkish March, bar by bar

38 notes in 8 bars, after a pick-up, in A minor. Each note is a letter and an octave number: C4 is middle C, the C nearest the middle of the keyboard, and the numbers go up by one at every C. The ♯ and ♭ mean the black key above or below the letter. “held” means a tied note that is not played again; “rest” is silence.

BarRight hand (melody)do re mi
pick-upB4 A4 G♯4 A4re do ti do
1C5 rest D5 C5 B4 C5ri (rest) fa ri re ri
2E5 rest F5 E5 D♯5 E5sol (rest) si sol fi sol
3B5 A5 G♯5 A5 B5 A5 G♯5 A5re do ti do re do ti do
4C6 A5 C6ri do ri
5B5 A5 G5 A5re do li do
6B5 A5 G5 A5re do li do
7B5 A5 G5 F♯5re do li la
8E5sol

do re mi uses movable do: do is A.

Which keys to press

The tune spans 11 letter names, from G♯4 to C6, more than an octave, so the hand has to travel along the keyboard. Try the notes on the virtual piano or press a note on the staff above to hear it.

What the tune is made of

How the melody moves

Each of the 37 moves from one note to the next, counted.

  • step up or down (a second)31 84%
  • third5 14%
  • fifth1 3%

Which note lengths it uses

Every note counted by its length, as a fraction of a whole note.

  • quarter note2 5%
  • eighth note16 42%
  • sixteenth note20 53%

Most-used note: A5 (10 times). Longest run of one repeated note: 1. Different pitches: 14, made from 10 note names (some are used in two octaves). Biggest leap: 7 semitones.

How the notes were checked

Not one note on this page was typed in or remembered. The melody is read by a program from Mutopia Project, "Sonate Opus KV 331 - Rondo Alla Turca", right hand (Rune Zedeler and Chris Sawer) (Public Domain; Mutopia-2015/08/13-108), cut to the opening theme (pick-up and bars 1 to 8, right hand). A second program then looked for the same notes, in the same order, in each of the sources below, which were typeset or encoded by other people. The number is the share of this page’s notes that are found there, whatever key the other source is in; where a source covers only the start of the tune, only that part is compared (it is named in the table).

SourceLicenceNotes thereSame pitchesSame pitches and lengths
Wikipedia, "Piano Sonata No. 11 (Mozart)" (score 1 in the article)revision 1347395038 of 2026-04-06CC BY-SA 4.03387%74%
Where it differs in pitch: bar 0 beat 1: this page has B, the other source has no matching note; bar 1 beat 2: this page has D, the other source has no matching note; bar 2 beat 2: this page has F, the other source has no matching note; bar 3 beat 1: this page has B, the other source has no matching note; bar 3 beat 2: this page has B, the other source has no matching note.
Wikimedia Commons, "Mozart - Turkish March.mid"uploaded 2019-06-06, SHA-1 f8ff735361CC BY-SA 3.0 de1218100%87%
Wikimedia Commons, "Mozart K331 Sonate piano 11 3emvt debut mainD.midi"uploaded 2021-05-12, SHA-1 d0553afdac; compared on the pick-up and bars 1 to 3 and the first beat of bar 4 of this pageCC023100%91%
Wikimedia Commons, "Mozart KV-331 III start.mid"uploaded 2010-10-12, SHA-1 1fc7543ed5; compared on the pick-up and bars 1 to 3 and the first beat of bar 4 of this pageCC BY-SA 3.023100%30%

The second column is lower than the first because editions write the same long notes in different ways (a half note and a tied pair, a held last note) and because performance MIDI files shorten or lengthen notes. Pitch is the part that matters for the letter names. A MIDI file of a whole piano piece does not say which notes are the melody, so the program takes the highest note at each moment; a melody note that sits under a higher accompaniment note can be missed, and that is the usual reason for a “no matching note” above.

Turkish March: questions people ask

What are the letter notes of Turkish March?

The first notes, with their octave numbers, are B4 A4 G♯4 A4 C5 D5 C5 B4 C5 E5 F5 E5. Every note of the opening theme is in the table above, one bar per row (middle C is C4, the C nearest the middle of the keyboard; the next C up is C5).

What key and time signature is Turkish March in?

On this page it is in A minor (no sharps or flats), in 2/4: two beats to the bar, each a quarter note. A minor has no sharps or flats in its key signature, but this theme uses G♯ (the leading note of A minor), D♯ and F♯ as accidentals. Wikipedia says every movement of the sonata is in A major or A minor, and the A section of the Rondo alla Turca is in A minor.

Why are there sharps, flats or naturals that are not in the key signature?

The key signature of A minor gives no sharps or flats. In this tune the notes are written with an accidental sign (D♯, F♯ and G♯): the pick-up: G♯4; bar 2: D♯5; bar 3: G♯5; bar 7: F♯5. A sharp, flat or natural sign before a note applies to that note for the rest of the bar.

Which hand plays what, and how high and low does it go?

The range is G♯4 to C6, 16 semitones. The tune spans 11 letter names, from G♯4 to C6, more than an octave, so the hand has to travel along the keyboard.

Is this the whole of Turkish March?

No. It is the first 8 bars of the third movement, which Wikipedia calls a rondo with several contrasting sections and a coda. The movement, the Turkish March, is only the last of the three movements of the sonata.

Is Turkish March free to print and share?

Mozart’s sonata was published by Artaria in 1784, according to Wikipedia, so the music is far out of copyright. The edition used here is the Mutopia Project typesetting made from the IMSLP score, marked Public Domain by its typesetters. The sheets are made by this site and may be printed and shared. Modern arrangements and recordings have their own rights.

How do I know the notes are right?

The melody is read by a program from Mutopia Project, "Sonate Opus KV 331 - Rondo Alla Turca", right hand (Rune Zedeler and Chris Sawer), never typed in. A second program then compares it, note by note and in order, with 4 other sources: Wikipedia's score (87% of its notes); MIDI file “Mozart - Turkish March” (100% of its notes); MIDI file “Mozart K331 Sonate piano 11 3emvt debut mainD” (100% of its notes, the pick-up and bars 1 to 3 and the first beat of bar 4); MIDI file “Mozart KV-331 III start” (100% of its notes, the pick-up and bars 1 to 3 and the first beat of bar 4). 3 of the 4 agree with this page on every pitch. Where they differ, the page lists every note and bar, so you can see the difference.

What is the Turkish March?

It is the third movement of Mozart’s Piano Sonata No. 11 in A major, K. 331, called the Rondo alla Turca or “Turkish Rondo”. Wikipedia says it is often heard on its own and regarded as one of Mozart’s best-known piano pieces.

Why is it called “alla turca”?

Mozart himself titled the rondo “Alla turca”. Wikipedia says it imitates the sound of Turkish Janissary bands, whose music was much in vogue at the time.

Why does the Wikipedia score not match every note?

Five of this page’s 38 notes, the B of the pick-up, the D of bar 1, the F of bar 2 and the two B notes of bar 3, are written in the score in the Wikipedia article as small grace notes, which the check does not count. The other 33 notes agree.

How do the first notes go?

The four-note pick-up is B4 A4 G♯4 A4, four sixteenth notes that circle around A. Then comes C5, a rest, and a second group D5 C5 B4 C5. Wikipedia describes this as a rising sixteenth-note melody followed by a falling eighth-note melody.

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Turkish March in real music: the numbers

In A minor the tune uses 10 of the 12 notes of the chromatic scale, 3 of them outside the key signature. It moves by step 31 times out of 37, and ends on degree 5.

This tune against real art songs

WhatThis tuneOpenScore Lieder (352 minor-key songs)
First noteB4 (degree 2)1.7% start on degree 2
Last noteE5 (degree 5)17.0% end on degree 5
Range of the tune16 semitones (G♯4 to C6)39% of 1,458 first vocal lines span fewer semitones, 51% more

The art-song numbers are for the first vocal line of every minor-key song whose key signature does not change; the numbers for this tune are counted on the melody printed above.

Which scale degrees the tune uses

Every note of the tune counted by its place in the scale, from the home note (degree 1). The note on each bar compares it with the share of all notes in the art-song melodies.

  • 1 (do) 12 31.6% 31.6% of the notes here; art songs: 16.2%
  • 2 (re) 7 18.4% 18.4% of the notes here; art songs: 11.3%
  • ♭3 (ri) 5 13.2% 13.2% of the notes here; art songs: 12.1%
  • 4 (fa) 1 2.6% 2.6% of the notes here; art songs: 10.6%
  • ♯4/♭5 (fi) 1 2.6% 2.6% of the notes here; art songs: 2.3%
  • 5 (sol) 4 10.5% 10.5% of the notes here; art songs: 18.5%
  • ♭6 (si) 1 2.6% 2.6% of the notes here; art songs: 8.1%
  • 6 (la) 1 2.6% 2.6% of the notes here; art songs: 3.5%
  • ♭7 (li) 3 7.9% 7.9% of the notes here; art songs: 7.6%
  • 7 (ti) 3 7.9% 7.9% of the notes here; art songs: 3.8%

How common A minor is

CollectionItems with a keyShare in A minorRank
OpenScore Lieder1,4626.1%7 of 24
Mutopia1,9746.1%6 of 24
MusicBrainz works13,6695.7%9 of 24
MusicBrainz works5,3406.3%8 of 24
Open Opus work titles3,5874.6%11 of 24
AcousticBrainz recordings63,1248.0%2 of 24

Counts of key signatures (and estimated major or minor) in the collections the site has measured; see the key page for A minor.

Where the tune sits among singers' ranges

Voice type (as labelled in the scores)Typical range of a real song lineThis tune (G♯4 to C6)
SopranoE♭4 to F5wider than this range by 2 semitones
Alto / ContraltoC4 to C5wider than this range by 4 semitones
TenorF3 to F♯4wider than this range by 3 semitones
BaritoneC3 to E4fits if moved down 20 semitones
BassA2 to C4wider than this range by 1 semitone

Typical range = the median across song lines of the lowest and highest notes (ignoring one stray note each side), from 285 vocal lines in the OpenScore Lieder Corpus. "Fits" means both ends of the tune are inside it.

Method

  • This tune's own numbers are counted by a script on the decoded melody (tied notes counted once, rests ignored).
  • Art-song numbers are read from the files behind the site's statistics pages (OpenScore Lieder Corpus: key and scale-degree counts for the first vocal line of every piece, vocal ranges of 1,458 lines).
  • Key counts for Mutopia and MusicBrainz come from the same published statistics; a key is counted from its key signature.

Data: computed from the OpenScore Lieder Corpus (CC0), 1,462 scores. Snapshot: commit 6b2dc542ce (2026-04-07).

Background

Excerpts from open reference works, reproduced as published (references, images and tables removed). Every excerpt names its source, licence and original article.

About “Turkish March”

Overview

The Piano Sonata No. 11 in A major, K. 331 / 300i, by Wolfgang Amadeus Mozart is a piano sonata in three movements.

The sonata was published by Artaria in 1784, alongside Nos. 10 and 12 (K. 330 and K. 332).

The third movement of this sonata, the "Rondo alla Turca", or "Turkish March", is often heard on its own and regarded as one of Mozart's best-known piano pieces.

III. Alla turca

The last movement, marked Alla turca, is popularly known as the "Turkish Rondo" or "Turkish March".

Mozart himself titled the rondo "Alla turca". It imitates the sound of Turkish Janissary bands, the music of which was much in vogue at that time. The form of this movement is an irregular rondo, structured as A–B–C–B–A–B followed by a coda, with B serving as the refrain in which the sounds of Turkish Janissary band instruments are imitated.

  • Section A: This section, in A minor, consists of a rising sixteenth-note melody followed by a falling eighth note melody over a staccato eighth-note accompaniment. A melody in thirds and eighth notes is played before the sixteenth-note melody returns slightly varied.
  • Section B: This section is the refrain. It is a forte march in octaves over an arpeggiated chord accompaniment. The key changes to A major.
  • Section C: This section, in F♯ minor, consists of sixteenth note melody over a broken-chord accompaniment.
  • Coda: A forte theme consisting mostly of chords (arpeggiated and not) and octaves. There is a brief piano restatement of the theme in the middle of the coda followed by a final forte restatement before an ending in octaves.

Source: Wikipedia, “Piano Sonata No. 11 (Mozart)” — CC BY-SA 4.0 — text excerpted; see the article for the full text and authors. Revision of 2026-04-06.

Sources and licences for the text, scores and recordings on this page are on the credits page.

Sources: Mutopia Project, "Sonate Opus KV 331 - Rondo Alla Turca", right hand (Rune Zedeler and Chris Sawer), Wikipedia, "Piano Sonata No. 11 (Mozart)" (score 1 in the article), Wikimedia Commons, "Mozart - Turkish March.mid", Wikimedia Commons, "Mozart K331 Sonate piano 11 3emvt debut mainD.midi", Wikimedia Commons, "Mozart KV-331 III start.mid".