<?xml version="1.0" encoding="utf-8" standalone="yes"?>
<rss version="2.0" xmlns:atom="http://www.w3.org/2005/Atom">
	<channel>
		<title>AT on Music Theory Print</title>
		<link>https://musictheoryprint.com/composers/at/</link>
		<description>Recent content in AT on Music Theory Print</description>
		<generator>Hugo</generator>
		<language>en</language>
		
		
		
		
			<atom:link href="https://musictheoryprint.com/composers/at/index.xml" rel="self" type="application/rss+xml" />
			<item>
				<title>Atle Bakken</title>
				<link>https://musictheoryprint.com/composers/at/atle-bakken/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/at/atle-bakken/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Atle Bakken (born 1962 in Sandefjord, Norway), is a composer, performer and producer from Norway, known on both sides of the Atlantic, through his work with Stevie Wonder, Sting, Diana Ross, Andy Summers, Snoop Dogg, Andraé Crouch and scoring credits such as the Fox/HBO award-winning TV comedy series Martin, starring Martin Lawrence. Bakken has since 1986 been a journalist for music magazines such as Keyboard magazine (US), Ballade (NO), Sonic Shocks (UK) and Musikkpraksis (NO). Life and career Atle Bakken started his music involvement at 5 years of age by copying Glenn Miller&amp;rsquo;s “Moonlight Serenade” on a Hohner melodica. He took up classical studies at 10 with Dr. Norbert Bojanowski, going through the repertoire of Grieg, Bach, Mozart and Liszt, and the likes. At 14 Bakken started his own organ jazz trio and started to perform concerts in the spirit of Larry Young and Jimmy Smith, and recorded his first radio show (at NRK). He also started performing R&amp;amp;B and soul with a band a la Tower of Power. At age 15, Bakken was discovered by Sony Music A&amp;amp;R, Kristian Lindeman by having recorded his own material for local talent scout &amp;amp; manager, Fredrik Friis. Bakken was noted nationally in Nor&lt;/p&gt;</description>
			</item>
			<item>
				<title>Atli Heimir Sveinsson</title>
				<link>https://musictheoryprint.com/composers/at/atli-heimir-sveinsson/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/at/atli-heimir-sveinsson/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Atli Heimir Sveinsson (21 September 1938 – 20 April 2019) was an Icelandic composer. Atli Heimir was born in Reykjavík, Iceland and started piano lessons at the age of 10. He studied piano with Rögnvaldur Sigurjónsson at the Reykjavík College of Music and took his diploma in 1957. He went on to study at the State Academy in Cologne, Germany, from 1959, studying composition with Günter Raphael and Rudolf Petzold, instrumentation with Bernd Alois Zimmermann, conducting with Wolfgang von der Nahmer and piano with Hermann Pillney and Hans Otto Schmidt. He also took private lessons with Gottfried Michael Koenig. He took his diploma in composition and theory in 1963, a year in which he also attended summer courses in Darmstadt, making the acquaintance of Olivier Messiaen, Pierre Boulez, György Ligeti and Bruno Maderna. In 1964 he studied with Karlheinz Stockhausen, Henri Pousseur, Christoph Caskel and Frederic Rzewski. In 1965 he went to the Netherlands and studied electronic music with Gottfried Michael Koenig in Bilthoven. He was president of the Icelandic Composers Association from 1972 to 1983. In 1976 he received the Nordic Council Music Prize for his Flute Concerto, which was writt&lt;/p&gt;</description>
			</item>
			<item>
				<title>Atli Ingólfsson</title>
				<link>https://musictheoryprint.com/composers/at/atli-ingolfsson/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/at/atli-ingolfsson/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Atli Ingólfsson (born 1962) is a composer. His works have been performed in new music festivals across Europe and occasionally overseas. His oeuvre comprises a big range of different works, from solo to orchestral to music theatre. Of his chamber works, the most widely performed might be Object of Terror for chamber group (Ed. Ricordi, Milan), present on his profile CD Enter, issued by BIS in Stockholm in 2005 Early life and education He was born in Njarðvík, Iceland where he completed his studies in classical guitar, composition and philosophy before proceeding his composition studies in Italy (Milan Conservatory) and France, finally studying privately with Gérard Grisey. Career as composer After living in Italy from 1990 to 2005 he returned to Iceland where he presently teaches composition at the Iceland Academy of the Arts. In recent years, Atli has composed three music theatre works which have been staged by Cinnober Theater in Gothenburg, directed by Svante Aulis Löwenborg. These are: Suzannah (on a text by Jon Fosse), 2005, Play Alter Native (text by Finn Iunker), 2011, and Njals saga (text by Ludvig Uhlbors), 2015. &amp;ldquo;His music has been widely performed at European festivals a&lt;/p&gt;</description>
			</item>
			<item>
				<title>Atli Örvarsson</title>
				<link>https://musictheoryprint.com/composers/at/atli-orvarsson/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/at/atli-orvarsson/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Atli Örvarsson (; born 7 July 1970) is an Icelandic-American BAFTA-winning and Emmy-nominated film score composer. Atli&amp;rsquo;s credits include composing and orchestrating music for some of Hollywood&amp;rsquo;s biggest projects, including the Pirates of the Caribbean series, Angels &amp;amp; Demons, The Holiday, The Eagle, Vantage Point, Babylon A.D., Thick as Thieves, The Fourth Kind, and Season of the Witch. Atli&amp;rsquo;s most recent credits include Apple TV&amp;rsquo;s Silo and Defending Jacob, The Mortal Instruments: City of Bones, Hansel &amp;amp; Gretel: Witch Hunters, A Single Shot, NBC series Chicago Fire, and together with Hans Zimmer contributed music to the Zack Snyder Superman reinstallment Man of Steel. Guan Hu, Fei Zhenxiang - 2026 Ladies First Thea Sharrock - Television References External links * * * Interview with Atli Örvarsson at FilmMusicSite&lt;/p&gt;</description>
			</item>
			<item>
				<title>Attila László</title>
				<link>https://musictheoryprint.com/composers/at/attila-laszlo/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/at/attila-laszlo/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Attila László (born 10 July 1953) is a Hungarian jazz guitarist and composer. László is one of the leaders of Hungary&amp;rsquo;s second generation of jazz musicians, which includes Lakatos, Dés, Kőszegi, and Pege. He was president of the Hungarian Jazz Federation (1999–2005) and performed with Anthony Jackson, Randy Brecker, James Moody, David Friedman, Gary Willis, Bob Mintzer, Peter Erskine, Hiram Bullock, Miroslav Vitous, Ilaiyaraaja, Russell Ferrante, and Jimmy Haslip. Laszlo won the Golden Cross of Merit prize. Biography After finishing his studies at Béla Bartók Secondary School of Music he performed with prominent jazz bands in Hungary. In 1975 he founded a jazz band by the name of Kaszakő and recorded his first album with them in 1983. He worked as a musician in the studio of Magyar Rádió, Hungary&amp;rsquo;s publicly funded radio broadcasting organization, from 1980 to 1988. In 1985 he joined Tony Lakatos to form his second band, Things. They performed at various events, including performances on Hungarian television. Since 1987 he has been teaching at Franz Liszt Academy of Music. He is the leader of its big band. It was not until 1992 that László formed his own band, the László Attila Band&lt;/p&gt;</description>
			</item>
			<item>
				<title>Attila Pacsay</title>
				<link>https://musictheoryprint.com/composers/at/attila-pacsay/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/at/attila-pacsay/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Attila Pacsay (born October 30, 1970) is a Hungarian composer who is particularly known for his music written for films, television, and the theatre. His compositions encompass a wide variety of music from chamber music and symphonic works to jazz pieces and contemporary music. Career He began his musical studies in piano, trumpet, and trombone at age 7. A few years later, he started preparing for a career as composer. His compositions were performed by his own band. At age 14, he was accepted in the composition class of László Draskóczy and Attila Reményi at the János Richter Conservatory in the city of Győr. He received his college degree in composition at the Budapest Ferenc Liszt Academy of Music, where he studied in the class of Emil Petrovics. After graduation, Mr. Pacsay began working as freelancer. Initially, he composed music for television and radio programs, and, in 1997, he met his childhood musician friend the director Géza M. Tóth, who was searching for a composer for his animated films. Their collaboration resulted in hundreds of short animated television ID-s and several animated short films. During these years, besides film scores, Mr. Pacsay composed music for the&lt;/p&gt;</description>
			</item>
			<item>
				<title>Attilio Ariosti</title>
				<link>https://musictheoryprint.com/composers/at/attilio-ariosti/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/at/attilio-ariosti/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Attilio Malachia Ariosti (or Frate Ottavio) (5 November 1666 – 1729) was a Servite Friar and Italian composer in the Baroque style. He produced more than 30 operas and oratorios, numerous cantatas and instrumental works. Life Ariosti was born in Bologna into a middle-class family. He became a monk in 1688 at age 22, but he soon obtained permission to leave the order and become a composer in the court of the Duke of Mantua and Monferrato. He became a deacon in 1692, the same year he achieved the post of organist at Santa Maria dei Servi in Bologna. In 1697, he went to Berlin at the request of Sophia Charlotte of Hanover, Queen of Prussia, a great-granddaughter of James I of England and daughter of the Electress Sophia of Hanover, an enlightened patroness of the arts with a keen interest in music. After enjoying the favor of the Queen, Ariosti wrote and collaborated in the writing of a number of stage works performed for the court in Berlin. He resided in Berlin as the court composer until 1703. A portrait painting of Ariosti, by Anthoni Schoonjans (1655–1726), is still present in Charlottenburg Palace. His first opera was performed in Venice in 1697. From 1703 to 1709 he was the Gen&lt;/p&gt;</description>
			</item>
			<item>
				<title>Attilio Brugnoli</title>
				<link>https://musictheoryprint.com/composers/at/attilio-brugnoli/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/at/attilio-brugnoli/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Attilio Brugnoli (7 October 1880 – 10 July 1937) was an Italian composer, pianist and musicologist. Life and career Born in Rome, Brugnoli graduated in piano and composition at the San Pietro a Maiella Conservatory. He soon began a concert career, both as a member of the Waldemar Mayer quartet and as a soloist. In 1907 he was simultaneously offered the positions of academic chair of the piano faculties at the Naples Conservatory and the Parma Conservatory, ultimately deciding to accept the position in Parma, and later became professor at the Conservatorio Luigi Cherubini in Florence and at the Conservatorio Santa Cecilia in his hometown. He was author of several publications about piano teaching and piano techniques. Married with pianist Elvira Silla, he suddenly died in Bolzano, where he had gone as to serve as commissioner for the final exams at the city conservatory. References Further reading * External links * * Attilio Brugnoli at Musicalics.com&lt;/p&gt;</description>
			</item>
			<item>
				<title>Attilio Parelli</title>
				<link>https://musictheoryprint.com/composers/at/attilio-parelli/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/at/attilio-parelli/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Attilio Enrico Paparella, known professionally as Attilio Parelli (31 May 1874 – 26 December 1944) was an Italian conductor and composer. Born in the village of Monteleone d&amp;rsquo;Orvieto, about 35 km southwest of Perugia, he studied with Cesare de Sanctis at the Accademia Nazionale di Santa Cecilia in Rome between 1891 and 1899. He started work as a conductor in Italy and Paris, before moving to the United States. From 1906 he collaborated with Cleofonte Campanini at the Manhattan Opera House and the Chicago Grand Opera Company. His most important opera, I dispettosi amanti (The Lovers&amp;rsquo; Quarrel), received its premiere at the Metropolitan Opera House, Philadelphia, in March 1912. In 1925 Parelli returned to Italy and became artistic director of the newly formed Unione Radiofonica Italiana (Italian Radio Union; now RAI) in Milan. In 1926, I dispettosi amanti became the first opera to be broadcast in its entirety on Italian radio. Parelli married his student Isolina Rapalli. They had no children. He died in Monteleone d&amp;rsquo;Orvieto on 26 December 1944 and lies buried in the cemetery of his native village. References Further reading *Brumana, Biancamaria (2002). Il fondo musicale Attilio Parell&lt;/p&gt;</description>
			</item>
	</channel>
</rss>
