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Byron Adams

Mon, 01 Jan 0001 00:00:00 +0000

Byron Adams (born 1955) is an American musicologist, composer, and conductor. Education Adams received his bachelor of music degree from Jacksonville University, his master of music degree from the University of Southern California, and his doctor of musical arts degree from Cornell University. Career Adams is a composer of tonal music. His music was performed at the Warsaw Autumn, Bargemusic, the Da Camera Society of Los Angeles, and the Conservatoire Américain de Fontainebleau in Fontainebleau, France (where he taught in the summer of 1992), as well as by such ensembles as Cantus, the West Virginia Symphony Orchestra, and the Philharmonia Orchestra. As a musicologist, Adams specializes in British and French music of the nineteenth and twentieth centuries. and Music & Letters. In 2007, he was appointed scholar-in-residence and a member of the program committee for the Bard Music Festival, for which he was the editor of Edward Elgar and His World (Princeton, 2007). He also gave pre-concert lectures and contributed program notes. Other notable organizations for which he has written programs notes include the Philadelphia Orchestra and the American Symphony Orchestra, among others. I

Byttering

Mon, 01 Jan 0001 00:00:00 +0000

Byttering (also Bytering, Bytteryng, or Biteryng; ) was an English composer during the stylistic transitional from medieval to Renaissance music. Five of his compositions have survived in the Old Hall Manuscript, where the musicologist Peter Wright contends they “form a small yet distinctive corpus of work notable for its technical ambition and musical accomplishment”. Identity and career Extremely little is known of Byttering, whose name is variously spelled as Bytering, Bytteryng, and Biteryng. The musicologist Margaret Bent has suggested he was Thomas Byteryng, though his identity remains uncertain. Byteryng was a canon at Hastings Castle between 1405 and 1408, and was a rector somewhere in London in 1414. There is no information on the composer in the Old Hall Manuscript other than that his surname is attached to several pieces. Those pieces stand out from many of the works in the manuscript by their relatively advanced stylistic traits. Music Byttering’s surviving music includes five compositions: three mass sections—two Glorias and a Credo—a motet and an antiphon. The latter, Nesciens Mater, is “famous for its remarkable camouflaging of the plainsong by means of transposition