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		<title>CY on Music Theory Print</title>
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		<description>Recent content in CY on Music Theory Print</description>
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				<title>Cynthia Cozette Lee</title>
				<link>https://musictheoryprint.com/composers/cy/cynthia-cozette-lee/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
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				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Cynthia Cozette Lee, also known as Cynthia Cozette or Nazik Cynthia Cozette (born October 19, 1953, in Pittsburgh, Pennsylvania) is a contemporary African-American classical music composer and librettist. Cozette was the first African-American woman to graduate from the University of Pennsylvania with a Master of Arts degree in music composition. Cozette was also the first African-American woman graduate of the University of Pennsylvania to be instructed in music composition by the American composers, George Crumb and George Rochberg. She began her formal music training at 8 years old by studying piano with Carmen Rummo, a Duquesne University professor. She began studying flute at 10 years old. Her early flute teachers were Alois Hrabak, a former flutist with the Pittsburgh Symphony Orchestra, and Bernard Goldberg, the principal flutist of the Pittsburgh Symphony Orchestra. She received the Victor Saudek Flute Award in 1969 to study with Goldberg. She began her musical composition training at 16 years old with Joseph Willcox Jenkins, a Duquesne University music composition professor. Her prize for winning an honorable mention award in the Pittsburgh Flute Club Composition Contest i&lt;/p&gt;</description>
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				<title>Cynthia Morgan</title>
				<link>https://musictheoryprint.com/composers/cy/cynthia-morgan/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/cy/cynthia-morgan/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Cynthia Ikponmwenosa Morgan (born 23 September 1991), popularly known by her previous stage name Cynthia Morgan, now Madrina, is a Nigerian born songwriter and singer. Her music is a fusion of pop, hip hop, dancehall and rap. She gained popularity following the release of two singles titled &amp;ldquo;Don&amp;rsquo;t Break My Heart&amp;rdquo; and &amp;ldquo;Lead Me On&amp;rdquo;, which received massive airplay and positive reviews from critics. Cynthia made her acting debut in 2016 Nollywood movie &amp;ldquo;The Wrong Number&amp;rdquo; Directed by Saint Joseph Ovensehi, and Ay&amp;rsquo;s comedy movie &amp;lsquo;A trip to Jamaica&amp;rsquo;. Early life and education Cynthia Morgan was born in Benin City, Edo State where she completed her basic formal education. At the age of 3, she was a backup singer for her mother&amp;rsquo;s musical band. she calls herself &amp;ldquo;Killa Marshal&amp;rdquo; which is her Ego on stage. A few months later, she released two chart-topping singles &amp;ldquo;Don&amp;rsquo;t Break My Heart&amp;rdquo; and &amp;ldquo;Lead Me On&amp;rdquo; which got positive reviews from fans; the latter went on to be nominated for &amp;ldquo;Best Reggae/Dancehall Single&amp;rdquo; at The Headies 2014 On 23 May 2020, Cynthia Morgan who had not released songs for years revealed in an Instagram Live session that she lost her stage name, “Cynthia Morgan”, her VEVO accou&lt;/p&gt;</description>
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				<title>Cyprian Bazylik</title>
				<link>https://musictheoryprint.com/composers/cy/cyprian-bazylik/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
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				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Cyprian Bazylik (c. 1535 in Sieradz – c. 1600) was a Polish composer, usually designated as C.B. or C.S. (Cyprian of Sieradz). Besides writing music, he was also a writer, poet, and printer. Biography He was a townsman from Sieradz. In the semester of 1550/1551 he matriculated at the Krakow Academy. He had already leaned towards Calvinism. He created poetic and musical works. Thanks to the support of Mikołaj Radziwiłł the Black, he received a position in the chancellery of Sigismund Augustus in Vilno. In 1557 he met Jacob Heraclides Basilicus and with his support was ennobled under his patron&amp;rsquo;s coat of arms and name, as well as the title poeta laureatus. In 1558 he went to Lithuania, where he became a musician and rhyme-maker at the court of Mikolaj Radziwill the Black (along with Wacław of Szamotuły, who was already there). In 1569 he was secretary to Sieradz voivode Olbracht Łaski. He also soon married Agnes Lern, daughter of Stanislaw, a townsman from Krakow. He was a chanceller, printer and translator of Calvinist publications. In 1569-1570 he was the owner of the Radziwill printing house in Brest. He held the office of alderman in Mielnik and in the affiliated village of Orlov&lt;/p&gt;</description>
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				<title>Cyril Ornadel</title>
				<link>https://musictheoryprint.com/composers/cy/cyril-ornadel/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
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				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Simon Cyril Ornadel (2 December 192422 June 2011) was a British conductor, songwriter and composer, chiefly in musical theatre. He worked regularly with David Croft, the television writer, director and producer, as well as Norman Newell and Hal Shaper. He was awarded the Gold Badge of Merit by the British Academy of Songwriters, Composers and Authors for services to British Music and won a total of four Ivor Novello Awards. Life and career Simon Cyril Ornadel was born into a middle-class Jewish family in London, England, and studied at the Royal College of Music. During the 1950s, he was famous for conducting the orchestra for the hit TV show Sunday Night at the London Palladium. &amp;ldquo;At My Time of Life&amp;rdquo; from Great Expectations was recorded by Bing Crosby in 1976. Ornadel&amp;rsquo;s contribution to music for television includes scores for the remake of Brief Encounter (1974) starring Richard Burton and Sophia Loren, Edward the Seventh (1975), which won a BAFTA, starring Timothy West as Edward VII, and the music for the British television science-fiction series Sapphire &amp;amp; Steel (1979). He also conducted music with the London Symphony Orchestra for The Strauss Family, by the eponymous composers,&lt;/p&gt;</description>
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				<title>Cyril Scott</title>
				<link>https://musictheoryprint.com/composers/cy/cyril-scott/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/cy/cyril-scott/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Cyril Meir Scott (27 September 1879 – 31 December 1970) was an English composer, writer, poet, and occultist. He created around four hundred musical compositions including piano, violin, cello concertos, symphonies, and operas. He also wrote around 20 pamphlets and books on occult topics and natural health. Biography Scott was born in Oxton, Cheshire to Henry Scott (1843-1918), shipper and scholar of Greek and Hebrew, and Mary (née Griffiths), an amateur pianist of Welsh origin. He showed a talent for music from an early age and was sent to the Hoch Conservatory in Frankfurt, Germany to study piano in 1892 at age 12. He studied with Iwan Knorr and belonged to the Frankfurt Group, a circle of composers who studied at the Hoch Conservatory in the late 1890s. At 20, the German poet Stefan George helped Scott organize a performance of Scott&amp;rsquo;s first symphony. He played his Piano Quartet with Fritz Kreisler, Emil Kreuz, and Ludwig Lebell in St. James&amp;rsquo; Hall in 1903. In 1902 he met the pianist Evelyn Suart, with whom he had a long artistic association. She championed his music, premiering many of his works, and introducing him to his publisher, Elkin, with whom he remained for the rest of&lt;/p&gt;</description>
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				<title>Cyrill Kistler</title>
				<link>https://musictheoryprint.com/composers/cy/cyrill-kistler/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
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				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Cyrill Kistler (12 May 1848 in Großaitingen, Swabia, Germany – 1 January 1907 in Bad Kissingen, Lower Franconia, Germany) was a German composer, music theoretician, Music educator and Music publisher. Life Born into a Swabian family of craftsmen, Kistler attended the Lehrerseminar (Teacher seminar) in Lauingen (Swabia) from 1864 to 1867. Subsequently, he first worked as a teacher at various places in Middle Swabia. However, when he was no longer content with this way of making a living, he, instead, concentrated merely on making and composing music. From 1876 to 1878, he was a student at the Königliche Musikschule (Royal Music School) in Munich in the subjects organ and composition; one of his teachers was Josef Rheinberger. Afterwards, in 1883, he took over the position of a teacher for Music theory at the Fürstliches Konservatorium (Baronial Academy of Music) at Sondershausen. In 1876, he got to know Richard Wagner at Bayreuth, whose work exerted a deep influence on Kistler. From 1884 on, he worked at Bad Kissingen in Lower Franconia, where he founded his own music school. From 1880 on, he published the music journal „Musikalische Tagesfragen. Organ für Musiker, Musikfreunde und&lt;/p&gt;</description>
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				<title>Cyrillus Kreek</title>
				<link>https://musictheoryprint.com/composers/cy/cyrillus-kreek/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
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				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Cyrillus Kreek (born Karl Ustav Kreek; 3 December 1889 in Võnnu, Lääne county – 26 March 1962 in Haapsalu) was an Estonian composer. Kreek studied trombone and composition at the Saint Petersburg Conservatory from 1908 to 1916 in the years immediately prior to the Russian Revolution, then worked as music teacher first in his native Haapsalu (in western Estonia), at the Tartu Higher Music College and later at the Tallinn Conservatory. Kreek started collecting religious folksongs in 1911 in the Haapsalu region. He systematically collected the folk music of his native country, and many of his folk melody arrangements have since become part of the permanent repertoire of Estonian choral societies. He was the first Estonian collector to use the phonograph for this purpose and the harmonisations he made became a lifelong preoccupation. His beautiful psalm settings have an unmistakable folk tinge, and yet they are much more than simple folksong arrangements, with their carefully graded choral colouring and passing use of imitation. Kreek&amp;rsquo;s magnum opus was his Requiem, using an Estonian translation of the text of Mozart&amp;rsquo;s Requiem, but his essence is perfectly expressed in these choral mini&lt;/p&gt;</description>
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