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		<title>DE on Music Theory Print</title>
		<link>https://musictheoryprint.com/composers/de/</link>
		<description>Recent content in DE on Music Theory Print</description>
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				<title>Dean Burry</title>
				<link>https://musictheoryprint.com/composers/de/dean-burry/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/de/dean-burry/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Dean Burry (born 1972 in St. John&amp;rsquo;s, Newfoundland) is a Canadian composer, librettist, and educator. He is best known for his children&amp;rsquo;s opera &amp;ldquo;The Brothers Grimm&amp;rdquo; premiered in 2001 which is likely the most performed Canadian opera with over 600 performances, as well as his operatic adaptation of J. R. R. Tolkien&amp;rsquo;s The Hobbit. Early life Burry began his passion in music at age 10. He was inspired by a teacher to compete in piano competitions. He was also interested in theater, writing plays and musicals for his school drama club. College Burry first attended college at Mount Allison University in Sackville, New Brunswick. While at Mount Allison, he produced and conducted The Resurrection, Joe and Mary Had a Baby, and Unto the Earth: Vignettes of a War. He later went to the University of Toronto and studied composition. Awards *In 2011, Burry was given the Louis Applebaum Composers Award. Music Operas *Unto the Earth: Vignettes of a War *The Brothers Grimm (for the Canadian Opera Company) *The Hobbit (for the Canadian Children’s Opera Company) *The Vinland Traveller *Isis and the Seven Scorpions (for the Canadian Opera Company) *Pandora&amp;rsquo;s Locker (for The Glenn Gould School at The Ro&lt;/p&gt;</description>
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				<title>Dean Drummond</title>
				<link>https://musictheoryprint.com/composers/de/dean-drummond/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/de/dean-drummond/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Dean Drummond (January 22, 1949 – April 13, 2013) was an American composer, arranger, conductor and musician. His music featured microtonality, electronics, and a variety of percussion. He invented a 31-tone instrument called the zoomoozophone in 1978. From 1990 to his death he was the conservator of the Harry Partch instrumentarium. Biography Born in Los Angeles, Drummond studied trumpet and composition at the University of Southern California and California Institute of the Arts. He studied trumpet with Don Ellis and John Clyman, and studied composition with Leonard Stein. Drummond then worked as a musician for and assistant to the maverick composer and instrument builder Harry Partch. He performed in the premieres of Partch’s large-scale works Daphne of the Dunes, And on the Seventh Day Petals Fell in Petaluma, and Delusion of the Fury. Drummond also participated in recordings made by Partch for the Columbia Masterworks label in the late 1960s. In 1976, Drummond moved to New York City. A year later he co-founded (with flutist Stefani Starin) the contemporary music ensemble Newband. Newband recorded works by Partch, John Zorn, Joan LaBarbara, John Cage, Anne LeBaron, James Puglie&lt;/p&gt;</description>
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				<title>Dean Rosenthal</title>
				<link>https://musictheoryprint.com/composers/de/dean-rosenthal/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/de/dean-rosenthal/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Dean Rosenthal is an American composer of instrumental and electronic music, sound installations, and field recordings. His pieces have included field recordings, text scores, digital pastiche, and instrumental works focussed on natural observations of properties in mathematics such as perfect tilings, combinations, graph theory, and permutations. He has conducted and performed internationally since 1996. He is the composer of the ongoing international community experimental music work Stones/Water/Time/Breath that is celebrated annually by Fête de la Musique in multiple cities across North America and Europe. He also serves as co-editor of The Open Space Web Magazine and is a contributing editor to The Open Space Magazine. He has worked closely with Guggenheim Fellow David Parker&amp;rsquo;s dance company The Bang Group on several works, including their collaboration Turing Tests. Most recently, he was commissioned by the Oral History of American Music at Yale to compose a new work on the life of Vivian Perlis. This piece, There Was Only One of Her (Vivian Perlis), was placed in the Rodgers and Hammerstein Archives of Recorded Sound at the New York Public Library for the Performing Arts. Hi&lt;/p&gt;</description>
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				<title>Deanna C. C. Peluso</title>
				<link>https://musictheoryprint.com/composers/de/deanna-c-c-peluso/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/de/deanna-c-c-peluso/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Deanna C. C. Peluso (born 1979) is a Canadian, educator in Counselling and School Counselling, musician, composer, music educator, author and researcher in Vancouver, British Columbia. Peluso&amp;rsquo;s work centers on arts-based, relational, and culturally responsive approaches to school counselling and education. She is a Principal Faculty Member and Graduate Supervisor in the Master of Education in School Counselling and Master of Arts in Counselling programs at City University in Canada. Academic and professional work Peluso earned bachelor&amp;rsquo;s degrees in Music and Psychology and a PhD in Education from Simon Fraser University. She also completed a Master of Education in Educational and Organizational Leadership at the University of Victoria. Since the mid-2010s, Peluso has been a faculty member at City University in Canada, where she serves as a Principal Faculty Member and Graduate Supervisor in the Master of Education in School Counselling and Master of Counselling programs. Her teaching and supervision focus on arts-based, multimodal, and culturally responsive approaches to counselling and education, emphasizing relational practice, student wellbeing, and inclusive pedagogies. Peluso&lt;/p&gt;</description>
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				<title>Death of Ludwig van Beethoven</title>
				<link>https://musictheoryprint.com/composers/de/death-of-ludwig-van-beethoven/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/de/death-of-ludwig-van-beethoven/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;The German composer Ludwig van Beethoven died in his apartment in the Schwarzspanierhaus, Vienna, on 26 March 1827 at the age of 56, following a prolonged illness. His death was witnessed by his sister-in-law, possibly by his secretary Karl Holz, and by his close friend Anselm Hüttenbrenner, who provided a vivid description of the event. Beethoven&amp;rsquo;s funeral was held three days later, and the procession was witnessed by a large crowd. He was originally buried in the cemetery at Währing, although his remains were moved in 1888 to the Vienna Central Cemetery. Hüttenbrenner&amp;rsquo;s account has been used to ascribe motivations of resistance and anger to Beethoven in his final moments. Beethoven&amp;rsquo;s last words and the exact cause of his death have also been the subject of some historical debate, with causes such as liver disease and lead poisoning being theories. Final days and illness Beethoven suffered declining health throughout the last years of his life, including the so-called &amp;ldquo;Late period&amp;rdquo; when he produced some of his most admired work. The last work he was able to complete was the substitute final movement of the String Quartet No. 13, Op. 130, composed to replace the difficult Große Fug&lt;/p&gt;</description>
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				<title>Death of Pyotr Ilyich Tchaikovsky</title>
				<link>https://musictheoryprint.com/composers/de/death-of-pyotr-ilyich-tchaikovsky/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/de/death-of-pyotr-ilyich-tchaikovsky/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;On , nine days after the premiere of his Sixth Symphony, the Pathétique, Pyotr Ilyich Tchaikovsky died in Saint Petersburg, at the age of 53. The official cause of death was reported to be cholera, most probably contracted through drinking contaminated water several days earlier. This explanation was accepted by many biographers of the composer. However, even at the time of Tchaikovsky&amp;rsquo;s death, there were many questions about this diagnosis. The timeline between when Tchaikovsky drank unboiled water, how he obtained this at a reputable restaurant during a cholera epidemic with strict health regulations, and the emergence of symptoms was brought into question. While cholera infected all levels of Russian society, it was considered a disease of the lower classes. The resulting stigma from such a manner of death for Tchaikovsky was considerable, to the point where its possibility was inconceivable for many people. The accuracy of the medical reports from the two physicians who had treated Tchaikovsky was questioned. The handling of Tchaikovsky&amp;rsquo;s corpse was also scrutinized as it was reportedly not in accordance with official regulations for victims of cholera. This was remarked upon b&lt;/p&gt;</description>
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				<title>Death of Wolfgang Amadeus Mozart</title>
				<link>https://musictheoryprint.com/composers/de/death-of-wolfgang-amadeus-mozart/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/de/death-of-wolfgang-amadeus-mozart/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;On 5 December 1791, the composer Wolfgang Amadeus Mozart died at his home in Vienna at the age of 35. The circumstances of his death have attracted much research and speculation. The principal sources of contention are: # Whether Mozart declined gradually, experiencing great fear and sadness, or whether he was fundamentally in good spirits toward the end of his life, then felled by a relatively sudden illness # What disease caused Mozart&amp;rsquo;s death # Whether his funeral arrangements were the normal procedures for his day, or whether they were of a disrespectful nature There is a range of views on each of these points, many of which have varied radically over time. The course of Mozart&amp;rsquo;s final illness Traditional narrative Mozart scholarship long followed the accounts of early biographers, which proceeded in large part from the recorded memories of his widow Constanze and her sister Sophie Weber as they were recorded in the biographies by Franz Xaver Niemetschek and Georg Nikolaus von Nissen. For instance, the important biography by Hermann Abert largely follows this account. The following is a summary of this view. When in August 1791 Mozart arrived in Prague to supervise the performa&lt;/p&gt;</description>
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				<title>Deborah Drattell</title>
				<link>https://musictheoryprint.com/composers/de/deborah-drattell/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/de/deborah-drattell/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Deborah Drattell (born 1956) is an American composer. She was born in Brooklyn, New York and started her career in music as a violinist. She has been lauded as &amp;ldquo;a remarkably original voice&amp;rdquo; by Opera News and is noted for her contributions to contemporary classical music. Her compositions have been performed by the New York Philharmonic, Orchestra of St. Luke&amp;rsquo;s, the Tanglewood and Caramoor Music Festivals, and many other groups and venues. She rewrote the role of the villain in Nicholas and Alexandra, Rasputin, from baritone to tenor when Plácido Domingo expressed interest in singing the role. Early Life and Education Drattell was born in Brooklyn, New York. She developed her musical foundation as a violinist before shifting her focus to composition. She earned a Ph.D. in composition from the University of Chicago, where she studied under Ralph Shapey. Career Opera Her operas include: “Festival of Regrets&amp;quot; (1999): A one-act opera with a libretto by Wendy Wasserstein, premiered at the Glimmerglass Opera and later performed as part of the Central Park trilogy at the New York City Opera. &amp;ldquo;Lilith&amp;rdquo; (2001): A full-length opera exploring the biblical figure of Adam&amp;rsquo;s first wife, premiered&lt;/p&gt;</description>
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				<title>Deborah Lurie</title>
				<link>https://musictheoryprint.com/composers/de/deborah-lurie/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/de/deborah-lurie/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Deborah Ruth Lurie (born March 9, 1974) is an American composer, arranger, and music producer. She has scored several films such as Sleepover (2004), An Unfinished Life, Mozart and the Whale, (both 2005), Sydney White (2007), Dear John (2010), One for the Money (2012), Safe Haven (2013), and Poms (2019). She has been a string arranger for musicians such as Brandi Carlile, Kelly Clarkson, Allison Iraheta, Adam Lambert, and Katy Perry. Lurie has also been a string arranger for several rock bands such as 3 Doors Down, Bon Jovi, Creed, Halestorm, Papa Roach, Simple Plan, The All-American Rejects, and Three Days Grace, though her best known collaborations have been with Hoobastank and Theory of a Deadman. In 2015, the American Society of Composers, Authors and Publishers awarded Lurie the Shirley Walker Award for her contributions to the diversity of film and television music. She was one of the composers interviewed in Score: A Film Music Documentary. The Academy of Motion Picture Arts and Sciences extended membership to Lurie in 2016 for her contributions to motion pictures. Filmography Composer Arranger/Producer *The SpongeBob Movie: Sponge Out of Water (song arranger) *Annie (additi&lt;/p&gt;</description>
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				<title>Deborah Mollison</title>
				<link>https://musictheoryprint.com/composers/de/deborah-mollison/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/de/deborah-mollison/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Deborah Mollison (born 29 May 1958) is a British composer and songwriter, Her work includes the score for the 1999 film East is East. Life and Education Mollison began composing at the age of seven, having received free music lessons at school. From the age of thirteen, she studied composition, piano and flute at the Royal Academy of Music where she won the Else Cross Prize for pianoforte. Whilst undertaking a Master’s degree at Lancaster University, she was inspired and mentored by the composer Elisabeth Lutyens. She then went to UCLA to study with Don Ray, Gerry Immel, Jerry Goldsmith after which she returned to UK to Middlesex University where she received her PhD in music. She has composed for commissions from the London Philharmonic Orchestra and the Britten Sinfonia. * Earth Story (1998) TV documentary mini-series * Simon Magus (1999) * Secrets of the Ancients (1999) TV documentary mini-series * East Is East (1999) * The Thing About Vince (2000) TV mini-series * What the Romans Did for Us (2000) TV documentary series * The Boys of Sunset Ridge (2001) * Landscape Mysteries (2003) * Souli (2004) * Too Much Too Young (2005) * Violin concerto: Ocean Witness * Horn concerto: Globa&lt;/p&gt;</description>
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				<title>Dee Libbey</title>
				<link>https://musictheoryprint.com/composers/de/dee-libbey/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/de/dee-libbey/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Anastasia Delores Rohde Libbey (1 November 1919 – 4 July 1988) was an American composer who studied with Nadia Boulanger and wrote classical music as well as popular hit songs like &amp;ldquo;Mango&amp;rdquo;. She published her music under the name Dee Libbey and the pseudonym Q&amp;rsquo;Adrianne Rohde. Life and career Libbey was born in Deland, Florida, to Anastasia Delores Shumate and Clifford Kahrwald Rohde. She won awards for playing xylophone in high school, then studied music at Stetson University; the American Conservatory in Fontainebleau, France, and Chicago; and privately with several teachers. She sang tenor in at least one church choir. Her teachers included Nadia Boulanger, Dr. William Duckwitz, the xylophonist John Heney, and Leo Sowerby. She married Edwin B. Libbey and they had one son. As Q&amp;rsquo;Adrianne Rohde, Libbey copyrighted a drawing in 1973 called The Unity Eagle. Her works were recorded by Columbia Records and published by G. Schirmer Inc. and Lawson Gould Music Publishers. Operetta *Gretchen&amp;rsquo;s Dream (for children) Vocal *&amp;ldquo;Chinchilla&amp;rdquo; *Cry Out (chorus) *Tolling Bells (chorus) *Wee Little Boy (women&amp;rsquo;s chorus) *&amp;ldquo;Wild Horses Run Free&amp;rdquo; References External links *Hear Rosemary Clooney sing &amp;ldquo;Mango&lt;/p&gt;</description>
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				<title>Deekay</title>
				<link>https://musictheoryprint.com/composers/de/deekay/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/de/deekay/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Deekay is a Danish production and songwriting team founded by Lars Halvor Jensen, Martin Michael Larsson with other members Tim &amp;ldquo;Data&amp;rdquo; McEwan, Daniel &amp;ldquo;Obi&amp;rdquo; Klein and Johannes &amp;ldquo;Josh&amp;rdquo; Jørgensen. The name Deekay comes from the acronym dk, which means Denmark. Deekay have written and produced for artists like Jason Derulo, Jordin Sparks, Lil Wayne, Diddy, Sugababes, Orianthi, JLS, Tinie Tempah, Jake Zyrus, Allison Iraheta, Method Man, Fat Joe, Styles P, Lemar, Medina, Mietta, Girls&amp;rsquo; Generation, Red Velvet, Loona, Exo, TVXQ and others. Selected production/songwriting credits Selected releases &amp;amp; recordings written and/or produced fully or in part by DEEKAY New Kids on the Block *&amp;ldquo;Remix (I Like The)&amp;rdquo; – Produced &amp;amp; co-written&amp;rsquo;, Top 40 US Billboard Adult Radio *&amp;ldquo;10&amp;rdquo; – Entire album produced, co-written and mixed, except track 10 &amp;amp; 11, #6 US Billboard 200 Album Chart Diddy-Dirty Money feat. Lil Wayne *&amp;ldquo;Strobe Lights&amp;rdquo; – Co-produced &amp;amp; co-written From Diddy/Dirty Money album Last Train to Paris, #7 US Billboard 200 Album Chart Orianthi *&amp;ldquo;Believe&amp;rdquo; – co-written Title-track on Orianthi&amp;rsquo;s 2nd studio album, which has reached certified Gold status in Japan and Australia. JLS *&amp;ldquo;Kickstart&amp;rdquo; &amp;amp; &amp;ldquo;Only Tonigh&lt;/p&gt;</description>
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				<title>Deems Taylor</title>
				<link>https://musictheoryprint.com/composers/de/deems-taylor/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/de/deems-taylor/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Joseph Deems Taylor (December 22, 1885 – July 3, 1966) was an American composer, radio commentator, music critic, and author. Nat Benchley, co-editor of The Lost Algonquin Roundtable, referred to him as &amp;ldquo;the dean of American music.&amp;rdquo; He was elected a member of the American Philosophical Society in 1934. Early life and family Deems Taylor was born in New York City to JoJo and Katherine Taylor. He attended Ethical Culture Elementary School, followed by New York University. Taylor married three times. His first wife was Jane Anderson. They were married in 1910, but divorced in 1918. In 1921, he married Mary Kennedy, who was an actress and a writer. They had a daughter, Joan Kennedy Taylor, in 1926, and divorced in 1934. He was involved romantically with soprano Colette D&amp;rsquo;Arville after his divorce. Taylor married a third and last time in 1945, to costume designer Lucille Watson-Little. They were divorced eight years later. Taylor died on July 3, 1966, of leukemia at the age of 80. He is interred at Kensico Cemetery in Valhalla, New York. Career Composer Taylor initially planned to become an architect; however, despite minimal musical training he soon took to music composition. The resul&lt;/p&gt;</description>
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				<title>Deirdre Gribbin</title>
				<link>https://musictheoryprint.com/composers/de/deirdre-gribbin/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/de/deirdre-gribbin/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Deirdre Gribbin (born 14 May 1967) is a composer from Northern Ireland. Career Gribbin was born in Belfast. She studied at Queen&amp;rsquo;s University Belfast where, at the age of twenty, she began to compose. Further studies were in London (at the Guildhall School of Music with (Robert Saxton) and in Denmark (with Per Nørgård). Her first professional success came when her piano piece Per Speculum in Aenigmate won the Huddersfield Contemporary Music Festival Composition Prize. Subsequent major works have included the piano quartet Jack B. (inspired by the work of the Irish painter Jack B. Yeats), the piano trio How to Make the Water Sound, the opera Hey Persephone!, the violin concerto Venus Blazing, which was directed by Lou Stein with lighting by Jeff Ravitz, and The Binding of The Years, for piano and orchestra. Celestial Pied Piper was published as part of Faber&amp;rsquo;s Millennium Series. She lived in New York where she was a Fulbright Fellow. Several of her works respond to the political climate of her homeland, such as the ensemble piece Tribe, the orchestral work Unity of Being, which was performed by the Ulster Orchestra as part of the UK WITH NY Festival in New York after 9/11, and her e&lt;/p&gt;</description>
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				<title>Dejan Despić</title>
				<link>https://musictheoryprint.com/composers/de/dejan-despic/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/de/dejan-despic/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Dejan Despić (, ; 11 May 1930 – 16 November 2024) was a Serbian classical composer, author, music theoretician and pedagogue. Biography Despić studied composition with Marko Tajčević and conducting with Mihajlo Vukdragović between 1950 and 1955 at the Music Academy in Belgrade. After his studies, he devoted himself to composing and teaching. From 1956 to 1965 he was teacher at “Mokranjac” music school in Belgrade and from 1956 to 1995 he worked as a Professor at the Belgrade Music Academy (FMU). Despić was a full member of the Serbian Academy of Sciences and Arts (SANU). Despić was the author of more than 240 compositions - with a special penchant for concertante genres and chamber music – and an opera, in addition to several scientific and theoretical studies, and numerous textbooks (music theory, harmony, harmony analysis, orchestration) for both school and university level. Despić died on 16 November 2024, at the age of 94. Music Despić won many awards for his music; his &amp;ldquo;Manchester Trio for flute, violoncello, and piano, Op. 93&amp;rdquo; (1987) – composed specifically for a Manchester performance – and &amp;ldquo;Diptih, Op. 166, for English horn and chamber orchestra&amp;rdquo; (2005) – for which he won t&lt;/p&gt;</description>
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				<title>Dejan Orešković</title>
				<link>https://musictheoryprint.com/composers/de/dejan-oreskovic/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/de/dejan-oreskovic/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Dejan Orešković (born March 24, 1970), also known by his nickname Klo, is a Croatian record producer and guitarist. He is a current member of rock band Zabranjeno Pušenje and a former member of heavy metal band Divlje jagode. Life and career Orešković was born and raised in Slavonski Brod, SFR Yugoslavia (nowadays Croatia). At the age of six he went to his first music concert. It was the Bijelo Dugme concert, because his parents were their fans. Shortly thereafter, he had got an acoustic guitar and learned to play the first song &amp;ldquo;The House of the Rising Sun&amp;rdquo;. By the end of elementary education, he started playing in his first rock band with whom he plays songs of the Rolling Stones and similar rock bands. In the following period, he played in various local bands, and in 1988, he became a member of the most popular local band Casablanca, at that time in a contract with Jugoton. At the beginning of the Croatian War of Independence he relocated to Munich, Germany. He performed on their last four studio albums; Muzej revolucije (2009), Radovi na cesti (2013), Šok i nevjerica (2018), and Karamba! (2022). In 2025, he performed on the band&amp;rsquo;s two live albums, Pušenje ubija and Uživo u Lisi&lt;/p&gt;</description>
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				<title>Del B</title>
				<link>https://musictheoryprint.com/composers/de/del-b/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/de/del-b/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Ayodele Joseph Basil, better known as Del B, is a Nigerian composer, sound engineer, record producer. and songwriter. He is best known for producing Kcee&amp;rsquo;s hit single &amp;ldquo;Limpopo&amp;rdquo;, which went on to be voted Song of The Year at the 2013 edition of The Headies. In 2012, he produced the single &amp;ldquo;Shake&amp;rdquo; by Flavour N&amp;rsquo;abania, which received critical acclaim among music critics. Early life and career Del B was born in Kano State, Northern Nigeria, to parents who are natives of Kwale. Prior to achieving recognition, he worked as a studio engineer at MidiCorp Studios. While there, he produced D&amp;rsquo;banj&amp;rsquo;s &amp;ldquo;Why Me&amp;rdquo; single. He recorded the chart-topping single by Kcee entitled &amp;ldquo;Limpopo&amp;rdquo;—the song that got him nominated at the 2013 Headies. He produced two songs: &amp;ldquo;Kind Love&amp;rdquo; and &amp;ldquo;On Top Your Matter&amp;rdquo; off Wizkid&amp;rsquo;s critically acclaimed studio album, Ayo. &amp;ldquo;On Top Your Matter&amp;rdquo; was met with positive reviews among music critics. It debuted at number nine on the MTV Base Official Naija Top 10 music video chart. It subsequently went on to top the charts for several weeks, earning Del B more recognition. Del B has been credited as producer on studio albums including Seyi or Shay by Seyi Shay; Testify by Harryson&lt;/p&gt;</description>
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				<title>Delaney Bramlett</title>
				<link>https://musictheoryprint.com/composers/de/delaney-bramlett/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/de/delaney-bramlett/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Delaine Alvin &amp;ldquo;Delaney&amp;rdquo; Bramlett (July 1, 1939 – December 27, 2008) was an American singer and guitarist. He was best known for his musical partnership with his wife Bonnie Bramlett in the band Delaney &amp;amp; Bonnie and Friends, which included a wide variety of other musicians, many of whom were successful in other contexts. Early life Bramlett was born in Pontotoc, Mississippi. He began playing guitar when he was 8 years old, but did not get serious about the instrument until he was a teenager. He started singing in school and at twelve he had a quartet. Bramlett joined the United States Navy before he was 17, serving for two and a half to three years. He took boot camp at Naval Station Great Lakes, spending over half his hitch there. After his discharge, he moved to Los Angeles in the early 1960s, where he worked as a bartender before he started performing in clubs. Career Bramlett was performing at the Palomino Club in North Hollywood when he was asked to appear in a pilot for a new television show, Shindig!. During this time, he worked with J.J. Cale and Leon Russell and released some unsuccessful solo singles. Bramlett was the first artist signed to Independence Records, headed by&lt;/p&gt;</description>
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				<title>Delfina de la Cruz</title>
				<link>https://musictheoryprint.com/composers/de/delfina-de-la-cruz/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/de/delfina-de-la-cruz/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Delfina de la Cruz Zañartu (24 February 1837 – 8 May 1905), also known as Delfina Pérez, was a Chilean pianist, composer and First Lady of Chile during 1876 to 1881. De la Cruz was the first female composer of choral music in Chile. De la Cruz was the paternal granddaughter of Luis de la Cruz, and the cousin of Manuel Bulnes. On 24 November 1855 De la Cruz married Aníbal Pinto, a lawyer, politician and future 9th President of Chile. Through marriage De la Cruz was related to two other First Ladies of Chile, her sister-in-law of Enriqueta Pinto, and her mother-in-law of Luisa Garmendia. Career De la Cruz was an accomplished pianist and composer. Under the pseudonym Delfina Perez, de la Cruz published 12 works throughout the 19th century, surpassed in volume only by Isidora Zegers. Her work was praised by local press in Valparaíso and Santiago, where she sometimes performed benefit concerts. Several of her pieces also attained international recognition, including &amp;ldquo;The Star of Night&amp;rdquo; (&amp;quot;&amp;quot;), a polka for piano which was played in Paris, as well as &amp;ldquo;Armando the Gondolier&amp;rdquo; (&amp;quot;&amp;quot;), a waltz for piano later performed in Germany. She is also the first Chilean woman to venture into the compositio&lt;/p&gt;</description>
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				<title>Delores Dufner</title>
				<link>https://musictheoryprint.com/composers/de/delores-dufner/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/de/delores-dufner/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Delores Dufner is an American sacred music composer, librettist, and organist whose works have been included in Catholic hymnals in the United States, Canada, the United Kingdom and Australia. Dufner is a nun of the Order of Saint Benedict at Saint Benedict&amp;rsquo;s Monastery in Saint Joseph, Minnesota. She is on the faculty of Saint Benedict&amp;rsquo;s College and Saint John&amp;rsquo;s University, Collegeville, Minnesota. &amp;ldquo;One of the best-known hymn writers in the church today. More than twenty different publishers have included her texts in their hymnals and hymn collections. In 2017 Dufner received the Christus Rex (“Christ the King”) award from the Lutheran Valparaiso University. References External links *WPL Biography *Delores Dufner profile at Allmusic *Books of hymn texts&lt;/p&gt;</description>
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				<title>Delphin &amp; Romain</title>
				<link>https://musictheoryprint.com/composers/de/delphin-romain/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/de/delphin-romain/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Delphin &amp;amp; Romain was an American classical piano duo formed by pianists Wilfred Delphin and Edwin Romain. Active from 1977 to 1995, the duo was among the first African American piano duos to perform on the international professional concert circuit. Delphin &amp;amp; Romain performed widely throughout the United States as well as in South America, Europe, and Asia. Its repertoire included standard works for piano duo alongside music by African American and other Black composers. In addition to appearing in major concert venues, the duo also performed in smaller communities, sometimes transporting their own pianos to facilitate performances. Delphin &amp;amp; Romain has been credited with helping expand opportunities for Black classical pianists in the United States beginning in the late 1970s and continuing throughout its career, which ended shortly before the death of Edwin Romain in 1995. Education and career Wilfred Delphin (b. 1949) and Edwin Romain (1950–1995) met as undergraduate students at Xavier University of Louisiana in New Orleans in 1968. They later pursued graduate studies at Southern Illinois University Carbondale (SIUC) and earned doctoral degrees from the University of Southern Mi&lt;/p&gt;</description>
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				<title>Delphine Ugalde</title>
				<link>https://musictheoryprint.com/composers/de/delphine-ugalde/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/de/delphine-ugalde/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Gabrielle Delphine Ugalde, née Beaucé (3 December 1829 – 19 July 1910), was a French soprano and composer. She was the mother of Marguerite Ugalde. Biography Delphine Ugalde was born in Paris. After studies with her mother and the tenor Théodore-François Moreau-Sainti in Paris, she made her debut at the Opéra Comique in 1848 as Angèle in Auber’s Le Domino noir, followed by L&amp;rsquo;Ambassadrice. She went on to create roles in several popular operas of the time including the title role in Galathée by Victor Massé on 14 April 1852, Virginie in Le Caïd by Thomas on 3 January 1849 and Coraline in Le Toréador on 18 May 1849. After a break, she returned for Psyché (Eros) by Thomas on 26 January 1857. She sang in Auber&amp;rsquo;s L’Enfant prodigue in London in 1851. In 1858, she made her debut at the Théâtre Lyrique, where she sang Suzanne in Les Noces de Figaro, Carabosse Mélodine in La Fée Carabosse by Massé (28 February 1859), Blondine in L&amp;rsquo;Enlèvement au Sérail (1859), Martine in Ma tante dort (21 Jan 1860), and the title role in Gil Blas (24 March 1860). Her final benefit performance on 14 May 1860 was a lavish affair with, as well as many popular singers, contributions from Massé, Sarasate and Gouno&lt;/p&gt;</description>
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				<title>Delphine von Schauroth</title>
				<link>https://musictheoryprint.com/composers/de/delphine-von-schauroth/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/de/delphine-von-schauroth/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Delphine von Schauroth (13 March 1813 – 1887) was a German pianist and composer. Biography Delphine von Schauroth was born in Magdeburg, the daughter of Eduard Friedrich Roger Georg von Schauroth (1774–1829) and his second wife (married 10 April 1810) Louise Teltz (1792–1847). She began piano studies at an early age with Friedrich Kalkbrenner in Paris, and in 1822 made her debut in Frankfurt am Main at a concert organized by Karl Friedrich Wilhelm Guhr. This was followed by a European tour the next year, including appearances in Paris and London, and later by additional tours. When Felix Mendelssohn visited Munich in 1830, he considered marriage with Von Schauroth. It was at her behest that he revised his Rondo capriccioso, Op. 14, which he completed in June of that year. He later wrote to his sister Fanny that she had composed a passage of his Piano Concerto in G minor &amp;ldquo;that makes a startling effect.&amp;rdquo; However, he never revealed what passage she had written. The concerto premiered in 1831 and Mendelssohn dedicated the work to her. In 1833, Von Schauroth married English clergyman Edwin Hill-Handley and moved to London, but continued her concert appearances. In 1837, she separated fr&lt;/p&gt;</description>
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				<title>Dem Jointz</title>
				<link>https://musictheoryprint.com/composers/de/dem-jointz/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/de/dem-jointz/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Dwayne Allen Abernathy Jr. (born July 17, 1976), known professionally as Dem Jointz, is an American record producer, songwriter and singer. He has been credited with production work for artists including Kanye West, Rihanna, Anderson .Paak, Eminem, Snoop Dogg, Chris Brown, Jennie, NCT 127, Exo, Aespa, Itzy, and Nmixx, among others. He served as in-house talent for Dr. Dre&amp;rsquo;s Aftermath Entertainment in 2015, during which he produced four tracks on Dre&amp;rsquo;s third album, Compton (2015). That same year, he produced several tracks on Janet Jackson&amp;rsquo;s Billboard 200-number one album, Unbreakable (2015). Since 2020, Abernathy has contributed production or backing vocals to West&amp;rsquo;s albums Donda (2021) and Donda 2 (2022), as well as on his 2020 single &amp;ldquo;Nah Nah Nah&amp;rdquo;. His record label, U Made Us What We Are, was founded in 2015 and has signed artists including Maryland-based rapper K.A.A.N., gospel singer Keedron Bryant, and his spouse, singer Stalone. He formed the supergroup Read the PDF with fellow Aftermath producers, Mr. Porter and Focus&amp;hellip; in 2022. He has won a Grammy Award from two nominations. Early life Dem Jointz was born on July 17, 1976, in Compton, California. He was inclined to music a&lt;/p&gt;</description>
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				<title>Demetrio Stratos</title>
				<link>https://musictheoryprint.com/composers/de/demetrio-stratos/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/de/demetrio-stratos/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Efstratios Dimitriou (; 22 April 1945 – 13 June 1979), known professionally as Demetrio Stratos, was a Greek-Italian vocalist, songwriter, multi-instrumentalist and music researcher, best known as the co-founder, frontman and lead singer of the Italian progressive rock band Area – International POPular Group. Born and raised in Alexandria, Egypt, of Greek parents, he studied piano and accordion at the &amp;ldquo;National Conservatoire&amp;rdquo;. In 1957 he was sent to Nicosia, Cyprus, and, at the age of 17, moved to Milan, Italy, to attend the Politecnico di Milano University at the Architecture Faculty, where he formed his first musical group. In 1967, Demetrio Stratos joined the Italian beat band I Ribelli, and in 1972, founded Area. Stratos recorded many records, and toured festivals in Italy, France, Portugal, Switzerland, Netherlands, Cuba, and the United States with Area, as well as a solo artist and in collaboration with other artists. He worked with Mogol, Lucio Battisti, Gianni Sassi, Gianni Emilio Simonetti, Juan Hidalgo, Walter Marchetti, John Cage, Tran Quang Hai, Merce Cunningham, Jasper Johns, Andy Warhol, Grete Sultan, Paul Zukofsky, Nanni Balestrini, Claude Royet-Journoud, and Antonio&lt;/p&gt;</description>
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				<title>Denes Agay</title>
				<link>https://musictheoryprint.com/composers/de/denes-agay/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/de/denes-agay/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Denes Agay (June 10, 1911 – January 24, 2007) was a Hungarian-born, Hungarian-American composer, music educator, arranger and author. Agay is known for compiling the million-selling music collection Best Loved Songs of the American People (1975). Early life and career Agay was born on June 10, 1911 in Kiskunfélegyháza, Austria-Hungary (present-day, Hungary) to Hungarian-Jewish family. Agay began playing piano at the age of three. In 1934 he completed his musical studies at the Franz Liszt Academy of Music in Budapest. He was simultaneously studying law at the University of Budapest, but dropped out a year before earning his degree to concentrate on music. Agay conducted the Budapest Philharmonic Orchestra in a performance of a symphony which he composed. He worked as a film composer; one film assignment was writing the background music for Hedy Lamarr&amp;rsquo;s nude scene in the 1933 film Ecstasy. Move to the US Agay was Jewish, and after the rise of Nazism, he emigrated to New York in 1939. His parents were murdered in Auschwitz. In 1942 he became an American citizen and joined the military, entertaining patients in the hospital wards in Tuscaloosa, Alabama. After the war Agay returned to&lt;/p&gt;</description>
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				<title>Dénes von Buday</title>
				<link>https://musictheoryprint.com/composers/de/denes-von-buday/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/de/denes-von-buday/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Buday Dénes (Denes von Buday) was a Hungarian composer, born in Budapest. He was a well known composer of both poems and music for films made between 1930 and 1950. Buday studied at the Academy of Music, which is today known as the Franz Liszt Academy of Music, where his teacher, Hans von Koessler, held his lectures in German. Work Opera Buday&amp;rsquo;s only opera, the comedy Loreley, premiered in 1919 in Vienna. Operettas Buday authored many operettas and musical comedies, which were shown on stage between 1916 and 1947. Movie composer References Book Reference * * External links * by Gyula Juhász; the composer is singing and playing the piano * ≈I love you Ágnes with János Sárdy * ≈Hearth could not pour forth with Janka Sólyom&lt;/p&gt;</description>
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				<title>Denis ApIvor</title>
				<link>https://musictheoryprint.com/composers/de/denis-apivor/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/de/denis-apivor/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Denis ApIvor (14 April 191627 May 2004) was a British composer, best known for his ballet score Blood Wedding. He had a parallel career as a consultant anaesthetist. Biography ApIvor (pronounced Ap Ivor) was born in Collinstown, County Westmeath, Ireland, to Welsh parents. He attended Hereford Cathedral School and was a chorister at Christ Church, Oxford, and Hereford Cathedral. Because his parents opposed a career in music, he studied medicine in London, but had also pursued the study of music from an early age. He began his medical studies at the University of Aberystwyth in 1933, moving the next year to University College London. Inspired by hearing the first performance in England of Wozzeck (at the Queen&amp;rsquo;s Hall, 14 March 1934 conducted by Adrian Boult) and encouraged by Cecil Gray, ApIvor also studied composition privately with Patrick Hadley and Alan Rawsthorne. At the outbreak of World War II he was for a time house physician at the Hospital of St John and St Elizabeth, Hampstead. In 1942 he was called up, mostly serving as a war doctor in India. After the war ApIvor continued with his medical career, eventually retiring in 1979 from the Mid Kent Group. But he also returned&lt;/p&gt;</description>
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				<title>Denis Bédard</title>
				<link>https://musictheoryprint.com/composers/de/denis-bedard/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/de/denis-bedard/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Denis Bédard (born 13 January 1950) is a Canadian composer of organ works (solo, duet, and with other instruments) and choral pieces (a cappella, with organ, and with piano). He founded Éditions Cheldar, which publishes his works. His compositions are performed internationally. Early life and education Bédard was born in Quebec City, Quebec. He was trained at the Conservatoire de musique du Québec à Québec where he obtained a deuxième prix harmony in 1966, a premier prix counterpoint in 1970, a premier prix for fugue in 1971, premier prix for organ in 1972, and a premier prix for harpsichord and premier prix chamber music in 1973. Among his teachers at the conservatoire were Tania Krieger (piano), Claude Lavoie (organ), André Mérineau (harmony), Magdeleine Martin (counterpoint and fugue), and Donald Thomson (harpsichord). A series of grants from the Canada Council enabled him to pursue studies in Paris with André Isoir (organ) and Laurence Boulay (harpsichord and figured bass realization) and in Montreal with Bernard Lagacé (organ and harpsichord) between 1973 and 1975. After winning the Prix d&amp;rsquo;Europe in 1975 for his harpsichord performance, he studied piano, harpsichord, and organ&lt;/p&gt;</description>
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				<title>Denis Dufour</title>
				<link>https://musictheoryprint.com/composers/de/denis-dufour/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/de/denis-dufour/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Denis Dufour (born 9 October 1953) is a composer of art music. Works Discography References External links * * Contemporary music portal * Who&amp;rsquo;s Who in France * Larousse encyclopedia * Society of authors, composers and editors of music * Maison ONA&lt;/p&gt;&#xA;&lt;/div&gt;</description>
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				<title>Denis Gaultier</title>
				<link>https://musictheoryprint.com/composers/de/denis-gaultier/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/de/denis-gaultier/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Denis Gaultier (Gautier, Gaulthier; also known as Gaultier le jeune and Gaultier de Paris) (1597 or 1602/3 – 1672) was a French lutenist and composer. He was a cousin of Ennemond Gaultier. Life Gaultier was born in Paris; two conflicting sources point to either 1597 or 1603 as the year of birth. The former can be deduced from an account by Thorian, who claimed that Gaultier died in 1672 at the age of seventy-five. However, an archival document from the Hôtel-Dieu de Paris hospital states that Gaultier was twenty-three at the time of his convalescence in the hospital, which was from 24 October 1626 to 12 December 1626. Very little is known about Gaultier&amp;rsquo;s career. He may have studied under Charles Racquet, since he commemorated the lutenist&amp;rsquo;s death with a tombeau. Until at least 1631 Denis&amp;rsquo;s career was closely linked to that of his older cousin, Ennemond; so much that contemporary writers referred to either composer by surname only, making no attempt to distinguish between them. Both lutenists had connections with Blancrocher and Henri de L&amp;rsquo;Enclos, and both secured a high reputation comparable to that of François Dufaut, Jacques Gallot, or Charles Mouton. In 1635 Denis married Franç&lt;/p&gt;</description>
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				<title>Denis Gougeon</title>
				<link>https://musictheoryprint.com/composers/de/denis-gougeon/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/de/denis-gougeon/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Denis Gougeon (born November 16, 1951) is a Canadian composer and music educator. His more than 80 compositions encompass a wide variety of genres, including orchestral works, chamber music, opera, ballet, and pieces for solo instruments and voice. Notable ensembles to have included his compositions in their performance repertoire include the Bavarian State Ballet, the Canadian Opera Company, the I Musici de Montréal Chamber Orchestra, Le Nouvel Ensemble Moderne, New Music America, the Norwegian National Opera and Ballet, the Quebec Contemporary Music Society, and the Vancouver New Music Society. Early life and education Born in Granby, Quebec, Gougeon began his career as a primarily self-taught composer. He later entered the Université de Montréal (UdeM) where he studied music composition with Serge Garant and André Prévost. Career From 1984 to 1988 Gougeon taught music composition at McGill University. In 1989 he became the first composer-in-residence of the Montreal Symphony Orchestra, holding that post until 1992. In 2000 he won the Opus Prize for Composer of the Year from the Conseil québécois de la musique. In 2001 Gougeon joined the music faculty at the Université de Montréa&lt;/p&gt;</description>
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				<title>Denis King</title>
				<link>https://musictheoryprint.com/composers/de/denis-king/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/de/denis-king/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Denis Andrew King (born 25 July 1939) is an English composer and singer. He is best remembered as a member of a family ensemble, The King Brothers. Early career: the King Brothers King was born in Hornchurch, Essex, England. — considered to be Britain’s first boy band. Denis played the piano, Mike the guitar, and Tony the double bass. To date, he has created themes and incidental music for over two hundred television series including Within These Walls, If It Moves File It, Dick Turpin, Two&amp;rsquo;s Company, Minder on the Orient-Express, Lovejoy, We&amp;rsquo;ll Meet Again and Hannay, where in 2012 he staged an amateur version of his own musical, Wind in the Willows. In 2025, Denis King released a thirteen-part podcast of his memoirs – Key Changes – from child star in the King Brothers to composer for stage and screen, featuring his own music (often with King on the piano), old recordings and archive material. References External links * * Denis King at the Internet Off Broadway Database&lt;/p&gt;</description>
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				<title>Denis Le Grant</title>
				<link>https://musictheoryprint.com/composers/de/denis-le-grant/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/de/denis-le-grant/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Denis Le Grant (died March 1352), also known as Dionysius Magni, was a French composer in the ars nova style of late medieval music. Only known for the chace Se ie chans, he was well associated with the French musicians of his time, including Johannes de Muris, Philippe de Vitry and probably Guillaume de Machaut. Life and career Extremely little is known of Denis Le Grant. In 1349 he is known to have been master of the French royal chapel. Some point before 1350 he was the treasurer of Saint-Frambourg in Senlis. He left this post in 23 December 1350, and from then on he was Bishop of Senlis; Denis died in March 1352. The musicologists Richard Hoppin and Suzanne Clercx have identified him with &amp;lsquo;Dionisius Normannus&amp;rsquo;, mentioned in the Musicalis/Scientia motet, though this is uncertain. He is mentioned in the motet Apollinis/Zodiacum, along with other musicians including Johannes de Muris, Philippe de Vitry and Henricus Helene. Denis is known to have been acquainted with Vitry, and borrowed music and astronomy books from Muris. His musical quotation of Guillaume de Machaut suggests he was associated with him as well. Music Denis is only known for a single composition, a chace entitled&lt;/p&gt;</description>
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				<title>Denis of Portugal</title>
				<link>https://musictheoryprint.com/composers/de/denis-of-portugal/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/de/denis-of-portugal/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Denis (, ; 9 October 1261 – 7 January 1325), called the Farmer King (Rei Lavrador) and the Poet King (Rei Poeta), was King of Portugal from 1279 until his death in 1325. Denis was the eldest son of Afonso III of Portugal by his second wife, Beatrice of Castile, and grandson of Afonso II of Portugal. Denis succeeded his father in 1279. He was married to Elizabeth of Aragon, who was later canonised as a saint of the Roman Catholic Church. Denis ruled Portugal for over 46 years. He worked to reorganise his country&amp;rsquo;s economy and gave an impetus to Portuguese agriculture. He ordered the planting of a large pine forest (that still exists today) near Leiria to prevent soil degradation that threatened the region, and to serve as a source of raw materials for the construction of the royal ships. He was also known for his poetry, which constitutes an important contribution to the development of Portuguese as a literary language. Early life and background Born on 9 October 1261 in Lisbon, Denis was the eldest son of Afonso III of Portugal and Beatrice of Castile, an illegitimate daughter of King Afonso X of Castile. Beatrice and Afonso were married 1253 to settle a dispute regarding the sover&lt;/p&gt;</description>
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				<title>Denis Smalley</title>
				<link>https://musictheoryprint.com/composers/de/denis-smalley/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/de/denis-smalley/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Denis Arthur Smalley (born 1946 in Nelson, New Zealand) is a composer of electroacoustic music, with a special interest in acousmatic music. Biography Denis Smalley studied at the University of Canterbury and Victoria University in his native New Zealand, and later at the Paris Conservatoire with Olivier Messiaen, with the Groupe de Recherches Musicales (GRM), and at the University of York. He initially composed onto tape, but as early as the 1980s realised his works using computer software. His composition Pentes (1974) is regarded as one of the classics of electroacoustic music. featuring the development of sounds in time. A lecturer at the University of East Anglia, England, from 1976 to 1994, he was professor of music at City University, London from 1994 until his retirement. His music has been performed around the world and most of his major works appear on commercially released CDs. Recordings * Impacts intérieurs (empreintes DIGITALes, IMED 0409, 2004) * Sources/scènes (empreintes DIGITALes, IMED 0054, 2000) * Névé (Effects Input, EI 03, 1994) * Tides (Ode Records (New Zealand), MANU 1433, 1993) * Impacts intérieurs (empreintes DIGITALes, IMED 9209, 1992) List of works * Bas&lt;/p&gt;</description>
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				<title>Denise Boucher</title>
				<link>https://musictheoryprint.com/composers/de/denise-boucher/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/de/denise-boucher/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Denise Boucher (December 12, 1935 – March 18, 2025) was a Canadian writer from Quebec. Life and career The daughter of Alexandre Boucher, police chief, and Justine Bélair, she was born in Victoriaville, Quebec. She received a teaching certificate from the École normale Marguerite-Bourgeoys in Sherbrooke in 1953. She taught school in Victoriaville until 1961 when she began a career in journalism and broadcasting, moving to Montreal. She contributed to various newspapers and was a freelance journalist for Radio Canada. In 1978, she published the feminist work Cyprine: essai collage pour être une femme, which incorporates prose, poetry and quotations. In 1978, her noted feminist play was presented at the Théâtre du Nouveau Monde in Montreal. The play was met with strong opposition from the Catholic Church for its portrayal of the Virgin Mary. An English translation The Fairies are Thirsty was prepared by Alan Brown. Her play Les Divines was presented at the Théâtre d&amp;rsquo;Aujourd&amp;rsquo;hui in 1996. Her collections of poetry include Paris Polaroïd (1990) and Grandeur nature (1993). She participated in numerous poetry festivals around the globe. Boucher also wrote a rock opera Rose Ross (1983) and&lt;/p&gt;</description>
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				<title>Denise Roger</title>
				<link>https://musictheoryprint.com/composers/de/denise-roger/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/de/denise-roger/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Denise Isabelle Roger (21 January 1924 – 15 November 2005) was an award-winning French composer who wrote both instrumental and vocal works. Roger was born in Colombes, Hauts-de-Seine in the northwest suburbs of Paris. She entered the Paris Conservatoire in 1933 at age nine to study composition, piano and voice. Her teachers included Jean Batella, Henri Busser, Jeanne Chapard, the brothers Jean Gallon and Noel Gallon, Yvonne Lefebure, Marguerite Long and Mme Massart. Roger received several first prizes in music: *1934 Paris Conservatoire; *1942 Paris Conservatoire; *1948 Paris Conservatoire; and *1952 Concours International in Geneva. Roger set works by the following writers to music for solo and ensemble voices: Guillaume Apollinaire, Jean-Antoine de Baif, Robert Brasillach, Paul Claudel, Johann Wolfgang von Goethe, Friedrich Hoelderlin, Hugo von Hofmannsthal, Andre Maurel, Gerard de Nerval, Rainer Maria Rilke, Arthur Rimbaud, Pierre de Ronsard, Alain Suied, Georg Trakl, and Paul Verlaine. Roger’s compositions were published by Southern Music. *Sonatine (flute and piano) Orchestra *Concertino (oboe and orchestra) *Concerto (piano and orchestra) *Symphony for Strings Piano *Five Pi&lt;/p&gt;</description>
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				<title>Dennis Báthory-Kitsz</title>
				<link>https://musictheoryprint.com/composers/de/dennis-bathory-kitsz/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/de/dennis-bathory-kitsz/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Dennis Báthory-Kitsz (born March 14, 1949, in Plainfield, New Jersey) (pseudonyms: Dennis Bathory, Dennis Kitsz, Dennis J. Kitsz, Dennis Bathory Kitsz, Kalvos Gesamte, Grey Shadé, D.B. Cowell, Brady Kynans, Kalvos Zondrios, Báthory Dénes, Orra Maussade, Don Johnson, Kerry Merritt, Calvin Dion, Enimtu Bemanyna) is a Hungarian-American author and composer. Aside from music, he was an author during the first generation of personal computers (1979–85), and interviewed Bill Gates. His career in technology is evident in over 600 articles and books on the subject. He was involved in the post-Fluxus art movement (1973–78), and was also director of Vermont&amp;rsquo;s Alliance of Independent Country Stores (2001–2010). Since 2010 he has been adjunct professor composition, theory, and music technology at Johnson State College. Báthory lives in Northfield, Vermont. He claims to be a descendant of the Báthory family, a prominent central European clan during the Middle Ages but no proof of this can be found. Music and works A prolific composer, Báthory-Kitsz has more than 1,100 compositions, sound installations, and electronic works for all manner of vocal and instrumental combinations. His compositions&lt;/p&gt;</description>
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				<title>Dennis Berry</title>
				<link>https://musictheoryprint.com/composers/de/dennis-berry/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/de/dennis-berry/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Dennis Alfred Berry (21 August 1921 – 21 June 1994) was an English musician, composer, arranger, and producer. His work has been used in film-making and television productions. Early life Born in London, England, Berry was involved in music from the age of fourteen. He played bass, guitar, and saxophone. He also taught himself French, Dutch, Afrikaans, and German. Marriage and family In 1949 he married Netherlands-born Aaltje Wolschryn, and they had one child. He had lived in London until his marriage. Then he and his wife moved to the new town of Stevenage, before building a house on a plot of land (which they bought from Peter Sellers) in the centre of Welwyn Garden City. Career In 1939 Berry joined Francis, Day, and Hunter as a copyist before going on to Boosey &amp;amp; Hawkes as a staff arranger, then to Lawrence Wright and Paxton Music, and finally Peer-Southern. He arranged for Carroll Gibbons, The Squadronaires, and Ted Heath. As Paxton&amp;rsquo;s representative he was based in Amsterdam, and became staff arranger for the Skymasters Dance Orchestra and freelanced for The Ramblers and the Metropole. He was a correspondent for Variety and Melody Maker. In 1949 he returned to Paxton&amp;rsquo;s offices&lt;/p&gt;</description>
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				<title>Dennis Eberhard</title>
				<link>https://musictheoryprint.com/composers/de/dennis-eberhard/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/de/dennis-eberhard/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Dennis Eberhard (1943-2005 ) was an American composer. In his youth he was crippled by polio, which contributed to respiratory problems that contributed to his death in 2005. Eberhard was an active composer for more than 30 years and was a member of the Cleveland Composers Guild and Vox Novus. Education He was educated at Cleveland Institute of Music, Kent State University, the University of Illinois at Urbana–Champaign and the Chopin Institute in Warsaw, Poland. His teachers included: Marie Martin, Frederic Coulter, Salvatore Martirano, Wlodzimierz Kotonski, Gordon Mumma and Herbert Brün. Career Composing both concert music and music for film and theater, Mr. Eberhard also worked with John Cage and Lejaren Hiller, participating in the realization of their compositions Music Circus and HPSCHD. He taught at the University of Illinois, Western Illinois University, the University of Nebraska, Oberlin Conservatory of Music, and Cleveland State University, while lecturing widely on his own music at such institutions as the Cleveland Institute of Music, Cornell University, Penn State, the Cincinnati Conservatory of Music, the University of New Mexico, and the São Paulo State University i&lt;/p&gt;</description>
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				<title>Dennis Johnson (composer)</title>
				<link>https://musictheoryprint.com/composers/de/dennis-johnson-composer/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/de/dennis-johnson-composer/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Dennis Lee Johnson (November 19, 1938 – December 20, 2018) was a mathematician and minimal composer. He is the namesake of the Johnson homomorphism in the study of mapping class groups of surfaces. which was written for solo piano in 1959 and later revised. The creation of November was inspired by Johnson&amp;rsquo;s UCLA college friend La Monte Young&amp;rsquo;s Trio for Strings, written in 1958. November is a pensive piano piece that runs for nearly six hours and predates all other known minimalist works in its use of additive process and diatonic tonality. Part of it was recorded by Johnson in 1962 on audio cassette. November was in return an inspiration for Young&amp;rsquo;s later 1964 The Well-Tuned Piano work. Young gave, from his archive, a cassette copy of November to composer, musicologist and writer Kyle Gann. From it Gann made a new recording of it, as well as producing six pages of the original score. Gann first performed a four-and-a-half-hour version in 2009 with Sarah Cahill and he has produced a new performance score based on the original material that R. Andrew Lee recorded in a five hour version released in 2013 by Irritable Hedgehog Music, after receiving good reviews. In 2017 the Dutch piani&lt;/p&gt;</description>
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				<title>Dennis McCarthy (composer)</title>
				<link>https://musictheoryprint.com/composers/de/dennis-mccarthy-composer/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/de/dennis-mccarthy-composer/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Dennis McCarthy (born July 3, 1945) is an American composer of television and film scores. His soundtrack credits include several entries in the Star Trek franchise, including underscores for The Next Generation, His other television credits include Dynasty, V, MacGyver, Sliders, Dawson&amp;rsquo;s Creek, and Project Greenlight. McCarthy has won 18 ASCAP awards and a Primetime Emmy Award for his theme on Deep Space Nine, in addition to nine Emmy nominations for his various Star Trek-related work. He also shares one Emmy for his music direction for the 63rd Academy Awards. Filmography Feature films Television Other media References External links *&lt;/p&gt;</description>
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				<title>Dennis Tobenski</title>
				<link>https://musictheoryprint.com/composers/de/dennis-tobenski/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/de/dennis-tobenski/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Dennis Tobenski (born April 18, 1982, in Kankakee, Illinois) is an American composer of contemporary classical music and art song. Life Born on April 18, 1982, Dennis M. Tobenski grew up in Kankakee, IL. In 2004, he graduated from Illinois State University, where he studied Vocal Performance with baritone John M. Koch, and Music Theory &amp;amp; Composition with Stephen Andrew Taylor, David Feurzeig and Serra Hwang. After graduating from ISU in 2004, he was invited to move to New York City to study privately with composer Daron Hagen. Tobenski was commissioned by the ISU School of Theatre to compose music for Shakespeare&amp;rsquo;s The Tempest: the inaugural production of the newly constructed Center for the Performing Arts, which led him to write for several subsequent School of Theatre mainstage productions. These included Bertolt Brecht&amp;rsquo;s The Caucasian Chalk Circle, Frank McGuinness&amp;rsquo; adaptation of Sophocles’ Electra. The ISU College of Fine Arts commissioned the 2002 Elegy, a work for choir and chamber ensemble commemorating the events of September 11, 2001, and the 2004 Soliloquy for solo flute. Tobenski was commissioned in 2002 by baritone John M. Koch (whose 1996 performance of Il barbiere di&lt;/p&gt;</description>
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				<title>Denys Bouliane</title>
				<link>https://musictheoryprint.com/composers/de/denys-bouliane/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/de/denys-bouliane/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Denys Bouliane (born May 8, 1955) is a Canadian composer and conductor. He is a Professor of Composition at McGill University. Early life and education Bouliane was born in Grand-Mère, Quebec. He is a graduate of Laval University (B.Mus 1977 and M.Mus in 1979). He studied music composition in the Neue Musik Theater class of Mauricio Kagel in Cologne followed by studies with György Ligeti until 1985. Career In 1987 Bouliane was awarded the Jules Léger Prize for New Chamber Music for À propos&amp;hellip; et le baron perché. In the 1990s he organized the festivals Montréal Nouvelles-Musiques and MusiMars. In 2003 Bouliane was composer-in residence at the National Arts Center Orchestra in Ottawa; the orchestra performed his composition &amp;ldquo;Snow Is White, but Water Is Black&amp;rdquo; in November that year. Bouliane has received commissions from various ensembles including the Montreal Symphony Orchestra, Trio Fibonacci, Bozzini Quartet, Goethe Institute of San Francisco, and Pinchas Zukerman. In 2006 he was composer-in-residence for the National Arts Centre Orchestra. Works Denys Bouliane&amp;rsquo;s major works include: * Le Cactus rieur et la demoiselle qui souffrait d&amp;rsquo;une soif insatiable * Concerto for Orchestra (&lt;/p&gt;</description>
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				<title>Denys Sichynsky</title>
				<link>https://musictheoryprint.com/composers/de/denys-sichynsky/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/de/denys-sichynsky/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Denys Sichynsky (; 2 October 1865 – 6 June 1909) was a Ukrainian composer, conductor, and teacher. Biography Denys Sichynsky was born on 2 October 1865 in Kliuvyntsi, now the Khorostkiv urban hromada of the Chortkiv Raion of Ternopil Oblast in Ukraine. In 1888–1891, he studied music in Ternopil and the Lviv Conservatory. In Lviv, Kolomyia, Stanyslaviv, and Przemyśl, he organized and conducted the choir association &amp;ldquo;&amp;rdquo;. In 1894, Sichynsky, along with Ivan Franko, Mykhailo Pavlyk, Osyp Rozdolskyi, Filaret Kolessa, and Ostap Nyzhankivskyi, actively participated in a committee established in Lviv to collect and publish Ukrainian folk songs. From 1899 he lived in Stanyslaviv (now Ivano-Frankivsk). In the city, he founded a music school and the publishing house &amp;ldquo;Muzychna Biblioteka&amp;rdquo; (which published works by Ukrainian composers); he was an active co-founder of the Union of Singing and Music Societies. He died on 6 June 1909 in Stanyslaviv. Works The first professional Ukrainian composer in Galicia. Sichynsky is the author of the opera &amp;ldquo;Roxelana&amp;rdquo;, for which Volodymyr Lutsyk and Stepan Charnetskyi wrote the libretto in 1908. Sichynsky has also composed works for symphony and chamber orchest&lt;/p&gt;</description>
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				<title>Déodat de Séverac</title>
				<link>https://musictheoryprint.com/composers/de/deodat-de-severac/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/de/deodat-de-severac/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Marie-Joseph Alexandre Déodat de Séverac (; 20 July 1872 – 24 March 1921) was a French composer. Life Séverac was born in Saint-Félix-de-Caraman, Haute-Garonne. He descended from a noble family, profoundly influenced by the musical traditions of his native Languedoc. He first studied in Toulouse, then later moved to Paris to study under Vincent d&amp;rsquo;Indy and Albéric Magnard at the Schola Cantorum, an alternative to the training offered by the Conservatoire de Paris. There he took organ lessons from Alexandre Guilmant and worked as an assistant to Isaac Albéniz. He returned to the southern part of France, where he spent much of the rest of his rather short life. His native south was a region that attracted a number of his contemporaries—artists and poets he had met in Paris. He died in Céret, Pyrénées-Orientales, Roussillon aged 48, and was interred in the family grave in his native village of Saint-Félix-Lauragais. Music Séverac is noted for his vocal and choral music, which includes settings of verse in Occitan (the historic language of Languedoc) and Catalan (the historic language of Roussillon) as well as French poems by Verlaine and Baudelaire. His compositions for solo piano have&lt;/p&gt;</description>
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				<title>Deon Lee</title>
				<link>https://musictheoryprint.com/composers/de/deon-lee/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/de/deon-lee/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Deon Lee (Hangul: 디온 리) is a South Korean born composer known for his works on films 1895 and Papa. Upon graduating from Berklee College of Music with a scholarship, he has worked with Velton Ray Bunch as an assistant composer for the television movie The Tenth Circle which premiered on Lifetime channel. In 2008, Lee was asked to score for the Taiwanese film Blue Brave: The Legend of Formosa in 1895 (a.k.a. 一八九五) which was released and distributed by 20th Century Fox Taiwan and has aired on Hakka TV stations. The movie won the Best Drama Series Award at the 14th Asian Television Awards and was chosen the best 10 films of the Chinese Film Critic Association that year. Filmography Films Awards and nominations Lee was the recipient of the Best Soundtrack Award and appeared as a special guest with Stephen McEveety at the 4th Pan Pacific Film Festival in 2011. His music was nominated at the 1st International Fashion Film Awards in La Jolla, California, where his original score to the dance film Lilith by Eric Chang won the Best Creative Concept Award at the La Jolla Fashion Film Festival. In 2014, Badbug, a South Korean drama thriller short film he had scored won the Best Comics-Oriente&lt;/p&gt;</description>
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				<title>Der wilde Alexander</title>
				<link>https://musictheoryprint.com/composers/de/der-wilde-alexander/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/de/der-wilde-alexander/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Der wilde Alexander, also known as Meister Alexander, was a medieval Minnesänger who was active from the mid-1200s until after 1288. His works are considered to be part of the Sangspruchdichtung. Life Perhaps originally from Württemberg or more probably Switzerland, Alexander is mentioned in both the Codex Manesse, where he is portrayed as a wild rider with a red robe, as well as the Jenaer Liederhandschrift. His works date mostly from the latter half of the 13th century, being first mentioned in 1247. Whether Alexander was part of the gentry is not known, but he is generally considered to have been a wandering minstrel who was dependent upon his reception at court. Works Five of Alexander&amp;rsquo;s songs remain, one of which is fragmentary. He uses complex imagery, which suggests that he had a relatively high level of education, and sets a high value upon poetic art, insisting upon its descent from Kings. The majority of his poems deplore the decadence of the age, of which the fall of Acre is considered to be a symptom. His poetry is written in a simple yet expressive style, and always contains a degree of spiritual interpretation; for example, Hie vor dô wir kinder wâren contains one of&lt;/p&gt;</description>
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				<title>Derek Bell (musician)</title>
				<link>https://musictheoryprint.com/composers/de/derek-bell-musician/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/de/derek-bell-musician/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;George Derek Fleetwood Bell, MBE (21 October 1935 – 17 October 2002) was a Northern Irish harpist, pianist, oboist, musicologist and composer who was best known for his accompaniment work on various instruments with The Chieftains. As classical composer and virtuoso Bell was born in Belfast, Northern Ireland. Because he had been misdiagnosed at an early age as having a disease that would lead to blindness, his parents gave him a musical upbringing. He was something of a child prodigy, composing his first concerto at the age of 12. He graduated from the Royal College of Music in 1957. While studying there, he became friends with the flute player James Galway. From 1958 to 1990 he composed several classical works, including three piano sonatas, two symphonies, Three Images of Ireland in Druid Times (in 1993) for harp, strings and timpani, Nocturne on an Icelandic Melody (1997) for oboe d&amp;rsquo;amore and piano and Three Transcendental Concert Studies (2000) for oboe and piano. He had mastered and held a notable collection of instruments, including various harps, harpsichord, piano, cymbalom, and all the members of the oboe family of instruments (musette, oboe, cor anglais, bass oboe) and th&lt;/p&gt;</description>
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				<title>Derek Bermel</title>
				<link>https://musictheoryprint.com/composers/de/derek-bermel/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/de/derek-bermel/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Derek Bermel (born 1967, in New York City) is an American composer, clarinetist and conductor whose music blends various facets of world music, funk and jazz with largely classical performing forces and musical vocabulary. He is the recipient of various awards including a Guggenheim Fellowship and the American Academy in Rome&amp;rsquo;s Rome Prize awarded to artists for a year-long residency in Rome. Life Bermel earned his B.A. at Yale University and later studied at the University of Michigan, Ann Arbor with William Bolcom and William Albright. He also studied with Louis Andriessen in Amsterdam and Henri Dutilleux at Tanglewood. Later, his interest in a wide range of musical cultures sent him to Jerusalem to study ethnomusicology with André Hajdu, Bulgaria to investigate Thracian folk style with Nikola Iliev, Brazil to learn caxixi with Julio Góes, and to Ghana to study Lobi xylophone with Ngmen Baaru. Bermel&amp;rsquo;s output includes pieces for a variety of performing forces, including solo vocal songs, pieces for large and small chamber ensembles, and fourteen orchestral works. Though the ensembles he writes for are largely classical, his voice as a composer has been heavily influenced by both h&lt;/p&gt;</description>
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				<title>Derek Bourgeois</title>
				<link>https://musictheoryprint.com/composers/de/derek-bourgeois/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/de/derek-bourgeois/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Derek David Bourgeois (16 October 1941 – 6 September 2017) was an English composer. Career Derek Bourgeois was born in Kingston upon Thames in 1941. After receiving his university education at Magdalene College, Cambridge (honours degree and doctorate), Bourgeois spent two years at the Royal College of Music, studying composition with Herbert Howells and conducting with Sir Adrian Boult. In 1980 he began conducting the Sun Life Band (now the Stanshawe Band of Bristol), which was his introduction to brass bands. In 1994 Bourgeois was appointed director of music at St Paul&amp;rsquo;s Girls School, London, a position previously held by a number of noted composers, including Gustav Holst and Herbert Howells. After retiring from this post in 2002 he and his wife settled in Mallorca. Following her death in 2006, he remarried in 2008 and moved to New York City, but returned to the United Kingdom in 2009. For his Symphony of Winds, the First International Conference for Conductors, Publishers and Composers awarded him with their main commission in 1981. He also chaired Composer&amp;rsquo;s Guild of Great Britain and served as the artistic director of Bristol Philharmonic Orchestra. He founded the National Yo&lt;/p&gt;</description>
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				<title>Derek Charke</title>
				<link>https://musictheoryprint.com/composers/de/derek-charke/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/de/derek-charke/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Derek Charke (; born 1974) is a Canadian classical composer and flutist. Career In 2012, Derek Charke won the Juno Award for Classical Composition of the Year for his work, &amp;ldquo;Sepia Fragments.&amp;rdquo; The following year Charke&amp;rsquo;s work, &amp;ldquo;Between the Shore and the Ships&amp;rdquo; received an ECMA for Classical Composition of the Year. Derek&amp;rsquo;s compositions increasingly pair electroacoustic elements—many of which are derived from environmental sounds—with acoustic instruments. Ecological sound as an artistic statement on environmental issues has become an impetus for many works, and his interest in the Arctic has like-wise played a role in many of his compositions. His music bridges a divide between this play of pure sound, collecting natural and environmental sound, and a continuation of the Western &amp;ldquo;classical&amp;rdquo; tradition—albeit with contemporary and popular influences. Derek Charke earned his bachelor&amp;rsquo;s degree in composition at the University of North Texas, a master&amp;rsquo;s degree in composition from the Royal Academy of Music, a master&amp;rsquo;s degree in flute and a doctorate degree in composition from the University at Buffalo. While at Buffalo he studied composition with David Felder and flute with Cheryl Gobbet&lt;/p&gt;</description>
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				<title>Derek Healey</title>
				<link>https://musictheoryprint.com/composers/de/derek-healey/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/de/derek-healey/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Derek Edward Healey (born 2 May 1936) is an English composer whose compositions include an opera, a Requiem, orchestral, chamber, choral and organ works. Music is published in the UK, USA, Canada and Germany. Life and career Healey was born in Wargrave, England and studied composition under Herbert Howells and organ under Harold Darke at the Royal College of Music, London from 1952 to 1956. He received his Bachelor of Music degree from the University of Durham in 1961, followed by four years of further study at the graduate summer school of the Accademia Musicale Chigiana, Siena (1961-1963, 1966) with Vito Frazzi, Francesco Lavagnino, and Goffredo Petrassi; and in 1962-1963 studied privately with Boris Porena in Rome. In 1969, he moved to Canada and lived there for the next nine years. He completed his Doctor of Music at the University of Toronto in 1974 and also taught there as well as the University of Victoria, the Waterloo Lutheran University, and the University of Guelph before joining the music faculty of the University of Oregon in 1978. Healey returned to England in 1988 when he became academic professor of music at the RAF School of Music. He retired from teaching in 1996&lt;/p&gt;</description>
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				<title>Derek Holman</title>
				<link>https://musictheoryprint.com/composers/de/derek-holman/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/de/derek-holman/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Derek Holman, (16 May 1931 – 20 May 2019) was a choral conductor, organist and composer. Life and work Born at Illogan, Cornwall, UK, Holman attended the Royal Academy of Music from 1948 to 1952 and studied with Sir William McKie, Eric Thiman and York Bowen. He held the degree of Doctor of Music from the University of London and was a fellow of the Royal Academy of Music, the Royal School of Church Music and the Royal College of Organists. He was an instructor in the Royal Army Educational Corps with the British Army of the Rhine from 1952 to 1954, master at Westminster Abbey Choir School from 1954 to 1956, assistant organist at St Paul&amp;rsquo;s Cathedral from 1956 to 1958, then an organist at Croydon Parish Church from 1958 to 1965. In 1960 he founded the Croydon Bach Society. He also held positions at the Royal School of Church Music from 1956 to 1965. Holman moved to Canada in 1965, working as choirmaster at Bishop Strachan School until 1970 and organist and choirmaster at Toronto&amp;rsquo;s Grace Church on-the-Hill until 1979. He began teaching music at the University of Toronto in 1966. He directed the Concord Singers of Toronto from 1973 to 1975 and the Canadian Children&amp;rsquo;s Opera Company (the&lt;/p&gt;</description>
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				<title>Derek Keller</title>
				<link>https://musictheoryprint.com/composers/de/derek-keller/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/de/derek-keller/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Derek Lawrence Keller (born 1971) is an American composer, guitarist, vocalist, and teacher. Keller previously served as a visiting assistant professor of music composition at Oberlin Conservatory of Music, and he currently curates the music series for St. Paul&amp;rsquo;s Episcopal Church, focusing on highlighting original avant-garde and improvisational music. He also works as an adjunct professor at William Jessup University. Keller earned a B.Mus. in music composition and guitar as well as an M.M. in music composition at the University of Georgia. He holds a Ph.D. in music composition from University of California at San Diego, where he studied under the direction of Pulitzer Prize-winning composer Roger Reynolds. He has also studied composition with Anthony Davis, Chaya Czernowin, Rand Steiger, George Crumb, Jean-Luc Hervé, Brian Ferneyhough, David Lang, and Charles Wuorinen. Keller has received many commissions, including from John Zorn, RedFishBlueFish, Groundworks Dance Theater, Cappella Gloriana, Athens Master Chorale, Truman State University, and MACRO Analysis Creative Research Organization. Keller was born in Philadelphia. He has lived in St. Louis, Atlanta, and La Jolla. He curr&lt;/p&gt;</description>
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				<title>Derek Watson (actor and musicologist)</title>
				<link>https://musictheoryprint.com/composers/de/derek-watson-actor-and-musicologist/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/de/derek-watson-actor-and-musicologist/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Derek Watson (6 November 1948 – 17 September 2018) was a Scottish musicologist, actor, musician and bookseller. He has been described as a Scottish cultural icon. Acting career Watson began work at the Citizens Theatre in 1972. He was initially brought into the company as the musical director of the 1972 Christmas panto. It was a position he would hold until his retirement in the process becoming affectionately known &amp;ldquo;Uncle Derek&amp;rdquo;. After appearing on the Citz stage in non-speaking roles, his first speaking role was in Bertolt Brecht&amp;rsquo;s Puntila and his Servant Matti. He went on to appear in more than 60 shows. Music and writings Watson composed his first piece, a symphonic poem entitled The Battle of Bannockburn at the age of eight. He was sent to piano lessons, and by the time he was 11 had composed his second symphonic poem, The Romans in Britain. He was a music graduate of Edinburgh University and the Royal Academy of Music, London. Watson contributed two volumes to the Master Musicians series of books. These were tomes on Anton Bruckner in 1975, and Franz Liszt in 1989. In 1979 he also wrote a major biography of Richard Wagner. To mark the 2003 Scottish Opera production of Der Ri&lt;/p&gt;</description>
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				<title>Derek Williams (musician)</title>
				<link>https://musictheoryprint.com/composers/de/derek-williams-musician/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/de/derek-williams-musician/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Derek Leslie Williams (born 20 September 1952) is a New Zealand-born Scottish composer, record producer, conductor, and orchestrator known for his scores for The Adventures of Priscilla, Queen of the Desert, Bodysurfer, Children of the Dragon, Come in Spinner, The Crossing, Crush, Frauds, The Other Side of Paradise, Ring of Scorpio, Seven Deadly Sins, Thank God He Met Lizzie, Visionaries, and for Frank Bennett, Stella Cole, Glenfiddich, Sir Robert Helpmann, Grace Knight, Debbie Newsome, Caroline O&amp;rsquo;Connor, Mikkel Rønnow and Torvill and Dean. He is currently serving his 9th term as Chair of the Wagner Society of Scotland, a member of the International Association of Wagner Societies (RWVI) and at the 2024 Assembly of Delegates at Deutsche Oper Berlin, he was elected to serve a 5-year term as board member of the RWVI Presidium. Williams was awarded a doctorate by the University of Edinburgh under Nigel Osborne and Peter Nelson for composition of his eponymous opera Wilde. He is a Fellow of Trinity College London, and an Honorary Member of the Music Arrangers Guild of Australia. Williams is a civil rights activist known for his &amp;lsquo;Save Sibelius&amp;rsquo; campaign in the United Kingdom (2012–2013)&lt;/p&gt;</description>
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				<title>Derrick Wang</title>
				<link>https://musictheoryprint.com/composers/de/derrick-wang/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/de/derrick-wang/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Derrick Wang is an American composer and writer. Education Wang graduated magna cum laude and Phi Beta Kappa from Harvard College, Harvard University, where he composed works including two musicals for the Hasty Pudding Theatricals. He received a master&amp;rsquo;s degree from the Yale School of Music, Both justices wrote forewords to Wang&amp;rsquo;s libretto. One chapter of Ginsburg&amp;rsquo;s 2016 book My Own Words consists of excerpts from the libretto, narrated and performed by Wang in the audiobook. In 2022, Justice Ginsburg&amp;rsquo;s copy of the Scalia/Ginsburg libretto with a one-page autograph manuscript of her handwritten notes was sold at auction for over US$10,000. In 2024, Opera Delaware premiered Wang&amp;rsquo;s new completion of the opera Turandot, praised as &amp;ldquo;adept,&amp;rdquo; &amp;ldquo;respectful,&amp;rdquo; and &amp;ldquo;seamless.&amp;rdquo; Wang&amp;rsquo;s musical drama Fearless, inspired by the life of Women Airforce Service Pilot Hazel Ying Lee, receives its world premiere at Opera Delaware in 2025. Wang, a musical dramatist and forensic musicologist, teaches music and law at Johns Hopkins University. References&lt;/p&gt;</description>
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				<title>Désiré Beaulieu</title>
				<link>https://musictheoryprint.com/composers/de/desire-beaulieu/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/de/desire-beaulieu/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Marie-Désiré Martin-Beaulieu (11 April 1791 – 21 December 1863) was a French composer and concert organizer. Life Born in Paris, Beaulieu was the son of an artillery officer and descendant of a rich cloth merchant family based in Niort. He adopted the name Beaulieu after the Beaulieu estate bought by his grandfather in 1761. Beaulieu had violin lessons with a musician named Alliaume, a student of Isidore Bertheaume (about 1751–1802) and from 1803 with Rodolphe Kreutzer. Since 1805 he had composition lessons with Angelo Maria Benincori (1779–1821), later with Abbé Nicolas Roze. From 1809 he attended the class of Étienne-Nicolas Méhul at the Conservatoire de Paris. In 1811, he won the Premier Grand Prix de Rome with the cantata Héro et Léandre after a libretto by Jacques Bins de Saint-Victor. However, he renounced his stay in Rome and settled with his wife Francoise Caroline Rouget de Gourcez in Niort, where her father had been mayor until the French Revolution. Nevertheless, he fulfilled his obligations as a winner of the Prix de Rome and sent several church music pieces to the Académie des Beaux-Arts. After the death of his teacher Méhul, he composed a Requiem in 1819, which was al&lt;/p&gt;</description>
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				<title>Désiré Dihau</title>
				<link>https://musictheoryprint.com/composers/de/desire-dihau/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/de/desire-dihau/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Désiré Dihau (2 August 1833 – 20 August 1909) was a French bassoonist and composer. He was the bassoonist painted by Edgar Degas in The Orchestra at the Opera () with the cellist Louis-Marie Pilet seated behind him. Biography Désiré Hippolyte Dihau was born 2 August 1833 in Lille. He studied music at the Conservatory of his hometown and then at the Conservatoire de Paris where he obtained a First prize of bassoon in 1857 and a second one in 1865. He was at the pulpits of the orchestras of the Théâtre-Lyrique and of the Théâtre des Bouffes-Parisiens. He was also a solo bassoon at the Eldorado, the Cirque d&amp;rsquo;hiver of Paris for the Pasdeloup Orchestra and at the Théâtre du Châtelet for the Concerts Colonne. He is best known for being the bassoonist of the Paris Opera, where he played from July 1, 1862, to December 31, 1889, immortalized by Edgar Degas in the 1870 painting, , Degas also depicted him in other paintings in which were present the musicians of the Salle Le Peletier, in 1872 and both versions, of 1871 and 1876, of the ballet of Robert le Diable. Degas probably met Dihau at the Mère Lefebvre, in Montmartre where artists and musicians gathered. It is Dihau who introduced Degas&lt;/p&gt;</description>
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				<title>Désiré Magnus</title>
				<link>https://musictheoryprint.com/composers/de/desire-magnus/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/de/desire-magnus/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Désiré Magnus (né Magnus Deutz; 13 June 1828 – 17 December 1883) was a Belgian concert pianist, teacher and composer of salon music who published under the pseudonym D. Magnus. Biography Magnus was born in Brussels and studied piano with Georg Jacob Vollweiler (1770–1847) in Heidelberg and also at the Brussels Conservatory, receiving the First Prize in 1843. After several successful concert tours in England, Germany, Russia, Spain and other countries, he settled in Paris, and quickly gained a reputation as pianist, teacher, composer, and music critic. Magnus&amp;rsquo; performance on the Steinway concert-grand piano at the Exhibition Universelle of 1867 inspired a lithograph by Amédée de Noé. He died in Paris. Selected works ;Opera * La Tolédane (Paris: Salle Taitbout, 1874) ;Chamber music * Les Pleurs de la jeune fille, Nocturne for violin and piano, Op. 13b (1852); original for piano solo * 5ème Nocturne for cello and piano (1877); original version for piano solo * Duo sur des motifs de l&amp;rsquo;opéra &amp;ldquo;Paul et Virginie&amp;rdquo; de Victor Massé for violin and piano (1877); composed in collaboration with Henri Vieuxtemps ;Vocal * O povero garzon! (G. Duprez), Barcarolle vénetienne, Op. 139 (1874) * Sur l&amp;rsquo;o&lt;/p&gt;</description>
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				<title>Désirée Pacault</title>
				<link>https://musictheoryprint.com/composers/de/desiree-pacault/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/de/desiree-pacault/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Désirée Pacault (29 January 1798 – 25 January 1881) was a French poet, composer, journalist and writer. Biography Pacault was the daughter of a rhetoric professor, Désirée Pacault was born in Beaune on the 11th pluviôse of the Year 6. Based at the Hôtel d&amp;rsquo;Aligre, at 123 rue Saint-Honoré in Paris, in 1825 she sold the book Le Participe français mis à la portée de tous les âges, written by the schoolteacher A. Riby and reissued in 1829. She obtained a bookseller&amp;rsquo;s patent on 18 July 1828 and published in 1831 the prospectus Écho littéraire, album poétique. Member in 1831 of the Athénée des arts, sciences et belles lettres de Paris, in 1832 of the Société d&amp;rsquo;enseignement universel, she intervened on 29 October 1832 during a literary evening of the Athénée des arts to read one of her texts entitled &amp;ldquo;L&amp;rsquo;Inspiration&amp;rdquo;. In 1837, she wrote a poem in honour of the marriage of Duke of Orléans and Hélène of Mecklenburg-Schwerin. In December, she replaced Théodore Poupin as editor-in-chief of La Capricieuse, journal des modes parisiennes, where she gave more space to reviews of shows. In 1838, she was a literary critic for the magazine La France littéraire. Member in 1839 of the academies of scien&lt;/p&gt;</description>
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				<title>Desmond Gaspar</title>
				<link>https://musictheoryprint.com/composers/de/desmond-gaspar/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/de/desmond-gaspar/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Desmond Gaspar is a Canadian organist, pianist, conductor, composer and songwriter who works as a freelance concert artist and ballet pianist who won the Associateship and Fellowship diplomas of the Royal Canadian College of Organists in consecutive years while under 30 years of age, thus being one of a very small number of Canadians under that age to achieve that distinction at the time. Gaspar studied under Earle Moss (piano), Molly Sclater (theory), Roman Toi (composition) and Heather Spry (organ and church music) from the University of Toronto and the Royal Conservatory of Music in Toronto, during which time he received numerous performance and competition awards. His eclectic career in liturgical music, dance accompaniment, choir-directing and other disciplines has taken him to various venues in Canada, the United States and Europe. A Fellow of the Royal Canadian College of Organists (winning the Associateship and Fellowship Diplomas in consecutive years as well as the Charles Peaker and the Healey Willan Prizes respectively with those attempts, scoring the highest mark in Canada for the latter), Gaspar was one of a very small number of Canadians who won that professional desi&lt;/p&gt;</description>
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				<title>Detlef Heusinger</title>
				<link>https://musictheoryprint.com/composers/de/detlef-heusinger/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/de/detlef-heusinger/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Detlef Heusinger (born 1956 in Frankfurt) is a German composer and conductor. Since October 2006 he is head of the and thus the successor of André Richard. For 1996/97, he was awarded a scholarship at the Villa Massimo in Rome. In 2009, Heusinger founded the soloist Ensemble Experimental. Work Source. Until 1990 * Ent-Fremdung. For four guitars (1978/1995) * Todesfuge. For baritone, guitar and string quartet (1979–1980) * Aufstieg. For chamber ensemble (1982) * Materialermüdung. Played on two pianos for four hands (1982) * Spiel der Zeit. Three sonnets (Gryphius) with prelude, interlude and postlude for soprano, baritone and chamber orchestra (1983) * Stückwerk. For guitar solo (1983/1987) * Epiphora – Oxymora – Anaphora. Three pieces for piano (1984/1986) * Rhap-Time. For 19 instruments (1985) * Spuren-Elemente/Trace elements. For guitar (1985) * Von Insel zu Insel. For chamber ensemble (1985–1986) * Der Turm. Stage music for vocal soloists, dancers, orchestra and Live-electronic, after the play of the same name by Peter Weiss (1986/1988) * Noema. For flute and guitar (1987/1989) * Ellipsis. For small orchestra (1988) * Rossini a.D. Musical posse for three singers, five dancers an&lt;/p&gt;</description>
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				<title>Detlev Glanert</title>
				<link>https://musictheoryprint.com/composers/de/detlev-glanert/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/de/detlev-glanert/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Detlev Glanert (born 6 September 1960) is a German opera composer, who has also composed numerous works for chamber and full orchestra, including three symphonies. Biography Detlev Glanert was born in Hamburg in 1960. He came to music late, learning his first instrument, the trumpet, at the age of eleven and not starting his formal composition studies until his twenties, when he studied under Diether de la Motte, Günther Friedrichs and Frank Michael Beyer, and then for four years under Hans Werner Henze in Cologne. Having seen his first operas in Hamburg in 1972, The Magic Flute, and then Die Soldaten, he has said that from the first moment he loved opera. It was at Henze&amp;rsquo;s invitation that Glanert produced his first sizeable piece of music-theatre, the opera Leyla und Medjun which opened the first Munich Biennale, established by Henze in 1988. Glanert then became involved in Henze&amp;rsquo;s other festival, the Cantiere Internazionale d&amp;rsquo;Arte in Montepulciano as assistant co-ordinator and head of the music school from 1989 to 1993 and as artistic director from 2009 to 2011. In 1992/93, he was a Stipendiat of the Villa Massimo in Rome. He reached widespread attention with his 1995 opera Der S&lt;/p&gt;</description>
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				<title>Detlev Jöcker</title>
				<link>https://musictheoryprint.com/composers/de/detlev-jocker/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/de/detlev-jocker/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Detlev Jöcker (born 5 October 1951) is a German composer, singer and songwriter, focused on songs with movement for small children. He has sold more than 13 million albums. He founded the publishing house Menschenkinder Verlag. Life and work Born in Münster, Jöcker studied music in his home town from age 15, as a highly gifted young musician (hochbegabter Nachwuchsmusiker): classical guitar, flute and piano. He has toured internationally as &amp;ldquo;Botschafter des deutschen Kinderliedes&amp;rdquo; (ambassador of German children&amp;rsquo;s songs) by the Goethe Institute. * &amp;ldquo;Wo einer dem andern neu vertraut&amp;rdquo; (melody 1986, Evangelisches Gesangbuch Württemberg EG 551) * &amp;ldquo;Gott, dein guter Segen&amp;rdquo; (melody 2009) References External links * * * Menschenkinder Verlag (in German) * Musik für Kinder / Exklusiv-Interview mit Liedermacher Detlev Jöcker (interview, in German) pinolino.de 2017 * Das Glitzerlied (English translation) lyricstranslate.com&lt;/p&gt;</description>
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				<title>Detlev Müller-Siemens</title>
				<link>https://musictheoryprint.com/composers/de/detlev-muller-siemens/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/de/detlev-muller-siemens/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Detlev Müller-Siemens (born 30 July 1957) is a German composer and conductor. Life and career Born in Hamburg, Müller-Siemens began with piano lessons at age six and began composing. * Carillon for orchestra, 1991 * Double Concerto for violin, viola and orchestra, 1992 * Phoenix 1,2,3 for ensemble, 1993–1995 * Maiastra for orchestra, 1995–1996 * Cuts for alto saxophone and ensemble, 1996/97 * Light blue, almost white for ensemble, 1998 * Bing, musical theatre, 1998–2000 * String Trio, 2002 * Die Aussicht for choir and ensemble, 2003/04 * the space of a step for orchestra, 2003/04 * distant traces (in memoriam György Ligeti) for violin, viola and piano, 2007 * lost traces for piano quartet, 2007 * &amp;hellip;called dusk (in memoriam György Ligeti) for violoncello and piano, 2008 * Kommos for large ensemble, 2008/09 * Privacy (in memoriam László Polgár) for clarinet, violin and piano, 2010 * &amp;hellip;called dusk II for string quartet, 2011 * Three piano pieces, 2012 * &amp;hellip; called dusk IV for orchestra, 2012/13 * &amp;hellip; called dusk III for ensemble, 2014 * &amp;hellip; called dusk V for violin solo, 2014 * Subsong 1 for ensemble, 2015 References External links *&lt;/p&gt;</description>
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				<title>Detto Mariano</title>
				<link>https://musictheoryprint.com/composers/de/detto-mariano/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/de/detto-mariano/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Detto Mariano (27 July 1937 – 25 March 2020) was an Italian composer, arranger, lyricist, pianist, record producer and music publisher. Life and career Born Mariano Detto in Monte Urano, Mariano started his career in 1958 but was launched by entering Adriano Celentano&amp;rsquo;s Clan Celentano, becoming keyboardist in his accompanying group &amp;ldquo;I Ribelli&amp;rdquo;, sporadic lyricist and official arranger of all the songs of the Clan between 1962 and 1967. He also collaborated with Lucio Battisti, Mina, Milva, Equipe 84. References External links * * Detto Mariano at Discogs&lt;/p&gt;</description>
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				<title>Deva (composer)</title>
				<link>https://musictheoryprint.com/composers/de/deva-composer/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/de/deva-composer/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Devanesan Chokkalingam, more popularly known as Deva, is an Indian composer and singer who predominantly works in Tamil cinema. He has composed songs and provided background music for Tamil, Kannada, Telugu, and Malayalam films in a career closing in on four decades. He has composed music for more than 400 films. Career Born in 1950 in Mylapore, Chennai, Deva grew up in a financially constrained household and did not receive formal musical training in his early years. He developed an interest in music through exposure to public performances and later taught himself the harmonium while working in the Tamil theatre circuit. He was associated with stage musicians such as Kamesh and Rajamani, initially working in a non-musical capacity before becoming a performer. In 1973, he co-founded a musical troupe with composer Chandrabose. After an early, partial involvement in film projects, Deva briefly stepped away from cinema. During this period, Deva worked in Doordarshan Podhigai channel and composed songs for the show Vayalum Vaazhvum. He learned piano under Dhanraj Master—who also taught Illayaraja—and studied Indian classical music on the harmonium under J. B. Krishna. By the 1980s, he&lt;/p&gt;</description>
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				<title>Devon Rose</title>
				<link>https://musictheoryprint.com/composers/de/devon-rose/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/de/devon-rose/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Devon Rose (formerly Lani Renaldo) known professionally by their stage name dev.m4a, is an American songwriter, multi-instrumentalist, and blogger from Los Angeles, CA. Their music has been recommended by American Songwriter, Wonderland, The Line of Best Fit, Billboard, Wild Honey Pie and LADYGUNN. Early life Rose was born October 21, 1995, in Los Angeles, CA. They graduated from Crossroads School for Arts and Sciences in 2014. They graduated from the University of Southern California in 2018. Career In 2012, Rose was picked to go to the GRAMMY Foundation&amp;rsquo;s GRAMMY CAMP in New York to participate as a songwriter. They appeared in the Samsung Level Music Lab with Halsey. They later opened for her, along with the BadSuns at the Shrine Expo Hall on a date of the Badlands Tour. Rose has written for PopWrapped and was a Campus Editor-At-Large for the Huffington Post. In 2015, they appeared on the daytime talk show The Doctors, after having written an open letter complaining about clothes not fitting. In September 2021, Rose became the face of the color &amp;ldquo;GRAVEDIGGER,&amp;rdquo; for Good Dye Young&amp;rsquo;s campaign &amp;ldquo;METALHEADS.&amp;rdquo; Personal life Rose is as queer. They came out as nonbinary in October 2021, an&lt;/p&gt;</description>
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				<title>Dezso d&#39;Antalffy</title>
				<link>https://musictheoryprint.com/composers/de/dezso-d-antalffy/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/de/dezso-d-antalffy/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Dezso d&amp;rsquo;Antalffy (born Dezső Antalffy-Zsiross; 24July 188529 – April 1945) was a Hungarian organist and composer. He was one of the most significant performing artists of his time. He composed pieces for orchestra, chamber orchestra, choir, piano and organ which were published by Schirmer, Ricordi, Leduc, Salabert, Steingräber, Breitkopf and Universal. Early life Dezso d&amp;rsquo;Antalffy was born into a musical family in Nagybecskerek, Banat, Kingdom of Hungary, Austria-Hungary, (present-day Zrenjanin, Serbia). His mother, a pianist, recognized his musical talent when he was four. At the age of seven, d&amp;rsquo;Antalffy&amp;rsquo;s piano instruction was taken over by Ferenc Ripka. When he turned ten, Herr Ödön supervised his musical progress. As a secondary-school student he practiced eight hours a day, which gave him a firm basis for his technique. Academy of Music Study D&amp;rsquo;Antallfy moved to Budapest in 1902, where he attended the faculty of law at the Hungarian Royal University according to his father&amp;rsquo;s wishes, and studied the organ and composed music at the Franz Liszt Academy of Music. For four years he was the student of Hans Koessler, who taught many Hungarian composers including Kodály, Bartók and Weiner&lt;/p&gt;</description>
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