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		<title>DI on Music Theory Print</title>
		<link>https://musictheoryprint.com/composers/di/</link>
		<description>Recent content in DI on Music Theory Print</description>
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				<title>Diana Ringo</title>
				<link>https://musictheoryprint.com/composers/di/diana-ringo/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/di/diana-ringo/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Diana Ringo (born 8 March 1992) is a Finnish film director, composer and visual artist. She is best known for the films Quarantine (2021) and 1984 (2023). Biography Diana was born in the family of Finnish researcher Reijo Mononen and Russian-Finnish artist Elena Ringo. Her great-grandfathers are inventor Josef Ringo Her director debut is dystopian feature film drama Quarantine (2021) which was shortlisted for the 2022 Golden Globes as a foreign entry. She was also composer of the film and for the film&amp;rsquo;s score she wrote 26 original tracks. In November 2022 it was announced that her feature film based on George Orwell&amp;rsquo;s dystopian novel Nineteen Eighty-Four would be released in 2023. Her film 1984 was released on 15 November 2023. In February 2025, the trailer for The Curse of Modigliani was released. The film, starring Edward Pishiyski and based on an original screenplay by Diana Ringo, marks her first English-language feature. Shot in Helsinki, the film was released on 7 December 2025. Diana Ringo&amp;rsquo;s directorial style has been compared to the works of Andrei Tarkovsky, Terrence Malick and Aleksandr Sokurov. Her music for the film Million Loves in Me by Sampson Yuen won the award for&lt;/p&gt;</description>
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				<title>Dianaruthe Wharton</title>
				<link>https://musictheoryprint.com/composers/di/dianaruthe-wharton/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/di/dianaruthe-wharton/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Dianaruthe Wharton (born May 7, 1951) is an American musician. A 1990 Guggenheim Fellow, she was a pianist and singer for Sweet Honey in the Rock joining as the 5th member of the group in 1974 until leaving the group in 1978. and released the album African Pop from the New World. Biography Dianaruthe Wharton was born in Baltimore on May 7, 1951. She also worked at RCA Records as an editor and proofreader. In 1983, she was awarded a National Endowment for the Arts Fellowship for Jazz Composers, which she then used for her work Fulani Me. Mike Joyce of The Washington Post said that her 1989 Baird Auditorium concert, where she was pianist and vocalist, &amp;ldquo;bore witness to the inspiration she draws from the music, dance and culture of her ancestral home, Africa&amp;rdquo;. In 1990, Wharton was awarded a Guggenheim Fellowship in music composition. As part of her work with the Fellowship, she and her family spent time in Senegal. In 2015, she was composer for Mai Sennaar&amp;rsquo;s play The Fall of the Kings. Wharton worked for the Howard County Public School System as a music teacher. Wharton and her husband have two children, In 1991, she lived in the western area of Baltimore. Discography * African Pop fro&lt;/p&gt;</description>
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				<title>Diane Juster</title>
				<link>https://musictheoryprint.com/composers/di/diane-juster/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/di/diane-juster/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Diane Juster, née Rivet (born March 15, 1946) is a Canadian singer-songwriter and composer from Montreal, Quebec. Although she had some success as a performer in her own right, she has been most prominent as a songwriter for other artists, including Julie Arel, Ginette Reno, Robert Charlebois, Johanne Blouin and Céline Dion. After studying piano at the Université de Montréal, she began writing songs in 1971. and in 2023 she was named a Knight of the National Order of Quebec. In 2024 she was named as a recipient of the Governor General&amp;rsquo;s Performing Arts Awards. Discography * 1974 - Mélancolie * 1975 - M&amp;rsquo;aimeras-tu demain * 1976 - Mes plus belles chansons * 1977 - Regarde en moi * 1981 - Tu as laissé passer l&amp;rsquo;amour * 1984 - Rien qu&amp;rsquo;amoureuse * 1987 - J&amp;rsquo;ai besoin de parler * 1993 - Diane Juster * 2002 - Je suis venue vous dire&amp;hellip; * 2004 - Ma musique et mes chansons References&lt;/p&gt;</description>
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				<title>Diane Thome</title>
				<link>https://musictheoryprint.com/composers/di/diane-thome/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/di/diane-thome/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Diane Thome (January 25, 1942 - January 12, 2025) was an American composer. She studied piano with Dorothy Taubman and Orazio Frugoni and composition with Robert Strassburg, Roy Harris, Darius Milhaud, A.U. Boscovich, and Milton Babbitt. Life and work Thome graduated with two undergraduate degrees from Eastman School of Music with distinction in piano and composition, a Master of Arts in theory and composition from the University of Pennsylvania and a Master of Fine Arts and Ph.D in composition from Princeton University. She was the first woman to receive a Ph.D. in music from Princeton University. After completing her studies, Thome became a professor and then chair of the Composition Program at the University of Washington School of Music. Thome&amp;rsquo;s compositions have been performed in Europe, China, Australia, Canada, Israel and the United States. She has been composer-in-residence at the University of Sussex and the Chamber Music Conference and Composers&amp;rsquo; Forum of the East (Bennington, Vermont). Her compositions have been featured on French radio. Thome has received commissions from organizations including the Bremerton Symphony Association, Seattle Symphony, New Jersey Symphony O&lt;/p&gt;</description>
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				<title>Dianne Goolkasian Rahbee</title>
				<link>https://musictheoryprint.com/composers/di/dianne-goolkasian-rahbee/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/di/dianne-goolkasian-rahbee/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Dianne Goolkasian Rahbee (born February 9, 1938) is an Armenian-American contemporary classical composer and pedagogue. Biography Rahbee was born in Somerville, Massachusetts and raised in Waltham, Massachusetts. Her father, Peter Aharon Goolkasian, was a survivor of the 1915 Armenian genocide. Rahbee began her early musical training as a pianist with Antoine Louis Moeldner, and continued study at Juilliard School as a piano major. She continued her work at the Mozarteum University of Salzburg in Salzburg, Austria. She later studied piano with David Saperton in New York and Lily Dumont, Russell Sherman, and Veronica Jochum in Boston. At age 40, Rahbee began concentrating on composing and produced a large body of works. Her music has been described as &amp;ldquo;postserial in persuasion&amp;rdquo;, and marries influences of Armenian folk music, neo-tonal musicality and rhythmic drive. Maurice Hinson in Guide To The Pianist’s Repertoire commented that Goolkasian-Rahbee&amp;rsquo;s pedagogical works for piano are among the finest such works. Rahbee traces her lineage of piano study directly to Ludwig van Beethoven through Antoine Louis Moeldner. Moeldner studied with Helen Hopekirk and Ignacy Jan Paderewski, who b&lt;/p&gt;</description>
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				<title>Dick Farney</title>
				<link>https://musictheoryprint.com/composers/di/dick-farney/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/di/dick-farney/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Farnésio Dutra e Silva (14 November 1921 – 4 August 1987), better known as Dick Farney, was a Brazilian jazz pianist, composer, and singer who was popular in Brazil from the late 1940s to the mid-1970s and 1980s. Biography He began playing piano as a child, as his father Eduardo Dutra taught him classical music and his mother taught him how to sing. In 1937, he debuted as a singer on the show Hora Juvenil of Radio Cruzeiro do Sul in Rio de Janeiro, performing the song &amp;ldquo;Deep Purple&amp;rdquo; composed by Peter DeRose. Farney was invited by César Ladeira to Radio Mayrink Veiga to host the program Dick Farney, the Voice and Piano. He then formed the group Os Swing Maniacos with his brother Cyll Farney on drums. The band accompanied Edu da Gaita for the recording of &amp;ldquo;Indian Song&amp;rdquo; by Nikolai Rimsky-Korsakov. From 1941 to 1944, Farney sang with the orchestra of Carlos Machado at the Casino da Urca when gambling was still allowed in Brazil. In 1946, he was invited to the United States after meeting the arranger Bill Hitchcock and pianist Eddy Duchin at the Copacabana Palace Hotel. In November 1947, Farney had a Billboard chart hit with the song &amp;ldquo;I Wish I Didn&amp;rsquo;t Love You So&amp;rdquo;, which reached number 13&lt;/p&gt;</description>
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				<title>Dick Higgins</title>
				<link>https://musictheoryprint.com/composers/di/dick-higgins/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/di/dick-higgins/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Dick Higgins (15 March 1938 – 25 October 1998) was an American artist, composer, art theorist, poet, publisher, printmaker, and a co-founder of the Fluxus international artistic movement (and community). Inspired by John Cage, Higgins was an early pioneer of electronic correspondence. Higgins coined the word intermedia to describe his artistic activities, defining it in a 1965 essay by the same name, published in the first number of the Something Else Newsletter. His most notable audio contributions include Danger Music scores and the Intermedia concept to describe the ineffable inter-disciplinary activities that became prevalent in the 1960s. Life Dick Higgins was the son of Carter Chapin Higgins and Katherine Huntington Bigelow. He was born in Cambridge, England in 1938 into a rather rich family, due to his father owning Worcester Pressed Steel in Worcester, Massachusetts. He grew up with a brother and sister, Mark and Lisa. His younger brother Mark Huntington Higgins was murdered in the Congo in 1960. As a boy, Higgins grew up and was educated in private boarding schools around the New England area, including Worcester, Massachusetts; Putney, Vermont; and Concord, New Hampshire.&lt;/p&gt;</description>
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				<title>Dick Kattenburg</title>
				<link>https://musictheoryprint.com/composers/di/dick-kattenburg/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/di/dick-kattenburg/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Dick Kattenburg (11 November 1919 in Amsterdam – 30 September 1944 in Auschwitz) was a Dutch Jewish composer who was murdered at Auschwitz at the age of 24. His works have been recovered and recorded. He was of Jewish descent, grew up in Naarden in the Netherlands and attended the HBS in Bussum. He graduated violin and theory at the College Musical Belge in Antwerp, where he worked with lessons from Hugo Godron. A good friend of that time was a painter and violinist Theo Kroeze. In 1941 he obtained a state diploma of theory and violin in The Hague. He was taught by Leo Smit. Kattenburg and his family were hiding in Utrecht. On 5 May 1944 he was arrested during a raid. He was then transported to camp Westerbork and sent to Auschwitz between 22 May and 30 September 1944. He wrote about thirty songs. This included solo pieces and chamber music and orchestral works. He wrote some Jewish and Palestine songs which he called Romanian folk music. It was thought that there had been preserved only one composition from him. However, in 2004 a family member found a box in the attic with more compositions. In January 2010 his work appeared for the first time on CD performed by the Leo Smit Ense&lt;/p&gt;</description>
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				<title>Dick Rogers</title>
				<link>https://musictheoryprint.com/composers/di/dick-rogers/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/di/dick-rogers/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Richard Rogers (1912–1970) was a singer, comedian, songwriter, and pianist, who wrote the lyrics for &amp;ldquo;Harlem Nocturne&amp;rdquo;. Rogers was associated with Will Osborne, a &amp;ldquo;star crooner&amp;rdquo; who was on the radio in the 1930s. Osborne&amp;rsquo;s band was on the decline in 1940. The magazine called him capable, saying he could sing, compose, play and lead. * &amp;ldquo;Spaghetti Rag&amp;rdquo; (music by Lyons and Yosco) (1950) * &amp;ldquo;Magazines (Are Magic for Lonely People)&amp;rdquo; (sung by Theresa Brewer) (1958) * &amp;ldquo;I Guess I&amp;rsquo;ll Get the Papers and Go Home&amp;rdquo; (sung by the Mills Brothers, written with Hughie Prince, Hal Kanner) (1946) * &amp;ldquo;Would&amp;rsquo;st Could I But Kiss Thy Hand, Oh Babe&amp;rdquo; (written with Will Osborne) (sung by &amp;ldquo;Doghouse&amp;rdquo; Dale Jones) * &amp;ldquo;Between 18th And 19th On Chestnut Street&amp;rdquo; (written with Will Osborne) (sung by Dale Jones and Dick Rogers) (1939) * Dozens more. Footnotes External links * Billboard magazine, Rogers talked about. * Dick Rogers talked about in the book Serge Chaloff: A Musical Biography and Discography By Vladimir Simosko&lt;/p&gt;</description>
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				<title>Diderik Wagenaar</title>
				<link>https://musictheoryprint.com/composers/di/diderik-wagenaar/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/di/diderik-wagenaar/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Diderik Wagenaar (born 10 May 1946 in Utrecht) is a Dutch composer and musical theorist. Life and work Wagenaar has lived and worked all his adult life in The Hague. Born to a musical family that includes Johan Wagenaar, he began playing piano at the age of eight and by the time he was fourteen had set his sights on a musical vocation. As a teenager in the early 1960s he loved Renaissance music, Bach, Ravel, and Thelonious Monk; at the age of eighteen he began studying music theory with Jan van Dijk, Hein Kien and Rudolf Koumans and piano with Simon Admiraal at the Royal Conservatory in The Hague. As a composer he is essentially self-taught. It was during his student&amp;rsquo;s chamaar years in the mid-60s that Wagenaar began to develop as a composer. Although fascinated by the concerts given by Pierre Boulez and Bruno Maderna with the Hague Philharmonic, he admits to having &amp;ldquo;no real grip&amp;rdquo; at that time on the musical avant-garde, and began to look around for other starting-points for his own music. In addition to his fascination with jazz, an important encounter at that time was with the music of Charles Ives, which taught him the value of inclusivity. It also encouraged his tendency to att&lt;/p&gt;</description>
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				<title>Didier Marouani</title>
				<link>https://musictheoryprint.com/composers/di/didier-marouani/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/di/didier-marouani/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Didier &amp;ldquo;Ecama&amp;rdquo; Marouani (born 14 July 1953) is a French composer and musician born in Monaco. External links *&lt;/p&gt;&#xA;&lt;/div&gt;</description>
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				<title>Diego Luzuriaga</title>
				<link>https://musictheoryprint.com/composers/di/diego-luzuriaga/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/di/diego-luzuriaga/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Diego Luzuriaga (born 1955, in Loja) is an Ecuadorian composer of classical music. He was awarded the Guggenheim Fellowship for Music Composition in 1993. Luzuriaga composed Manuela y Bolívar, the first Ecuadorian opera, which relates the love and death of Manuela Sáenz and Simón Bolívar. It premiered in November 2006 at the Sucre National Theater (Teatro Nacional Sucre). He was awarded the Eugenio Espejo National Prize in 2006. This prize is the highest recognition given to an Ecuadorian artist and it is awarded biannually by the president of Ecuador. Andean folk and Latin American music are influences in Luzuriaga&amp;rsquo;s work. His &amp;ldquo;Responsorio&amp;rdquo; has been performed by several major American symphony orchestras as part of &amp;ldquo;Caminos del Inka&amp;rdquo;, a program championed by conductor Miguel Harth-Bedoya. Education Luzuriaga earned an architecture degree from the Central University of Ecuador in Quito, before pursuing an education in musical composition at the École Normale in Paris, the Manhattan School of Music in New York, and Columbia University. References External links * Diego Luzuriaga&amp;rsquo;s website * Review of Manuela y Bolívar&lt;/p&gt;</description>
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				<title>Diego Masson</title>
				<link>https://musictheoryprint.com/composers/di/diego-masson/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/di/diego-masson/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Diego Masson (born 21 June 1935) is a French conductor, composer, and percussionist. The son of artist André Masson and brother of the singer and actor Luís Masson, Diego Masson was born in Tossa de Mar, Spain. He studied piano and composition at the Paris Conservatoire. Upon graduation, he joined the Domaine Musical as percussionist and began studying conducting with the group&amp;rsquo;s director, Pierre Boulez. In 1966 he formed Musique Vivante, a group specializing in contemporary music which he still directs. Musique Vivante has introduced many important compositions by French and foreign composers, in particular the music of Boulez and Karlheinz Stockhausen. In 1969 Masson conducted the world première of Stockhausen&amp;rsquo;s Stop, which is dedicated to him, and the group also took part in the premières of &amp;ldquo;Setz die Segel zur Sonne&amp;rdquo; from Aus den sieben Tagen and the 1972 version of Momente. In addition to conducting specialist new-music groups like the Asko Ensemble, Xenakis Ensemble, the Composers Ensemble, Klangforum Wien, the London Sinfonietta, Ensemble Alternance, Ensemble Modern, and Musik Fabrik, he has worked with major orchestras including all the BBC Orchestras, Berlin Symphony Orche&lt;/p&gt;</description>
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				<title>Diego Ortiz</title>
				<link>https://musictheoryprint.com/composers/di/diego-ortiz/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/di/diego-ortiz/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Diego Ortiz (c. 1510 – c. 1576) was a Spanish composer and music theorist in service to the viceroy of Naples ruled by the Spanish monarchs Charles V and Philip II. Ortiz published the first manual on ornamentation for bowed string instruments, and a large collection of sacred vocal compositions. Biography Very little is known about Ortiz&amp;rsquo;s life. He is believed to have been born in Toledo and probably died in Rome, where his trail is lost. In 1553 Ortiz was living in the viceroyalty of Naples. Five years later, the third duke of Alba, Fernando Álvarez de Toledo, appointed him maestro di cappella of the Chapel Royal of Naples. In 1565 Ortiz still held the post under the Viceroy Pedro Afán de Ribera, duke of Alcalá. A recent study suggests that Diego Ortiz could have been the model for a very relevant personage in the famous work of Paolo Caliari Veronese &amp;ldquo;The Wedding at Cana&amp;rdquo;, based on the instrumental ensemble represented by the painter, the edition date of Ortiz&amp;rsquo;s second book Musices liber primus in Venice, the repeated confusions and misattributions about this person in the literature down to the present, and the striking resemblance of the painted character with the only known e&lt;/p&gt;</description>
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				<title>Diego Pisador</title>
				<link>https://musictheoryprint.com/composers/di/diego-pisador/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/di/diego-pisador/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Diego Pisador (1509/10? – after 1557) was a Spanish vihuelist and composer of the Renaissance. Life Little is known of the details of Pisador&amp;rsquo;s life, not even the exact dates of his birth and death. It is known that he was born in Salamanca around the years 1509 or 10. He was the oldest son of Alonso Pisador and Isabel Ortiz, who married in 1508. Ortiz&amp;rsquo;s father, Alfonso III of Fonseca, Archbishop of Santiago, was a great patron of music. Alonso Pisador worked as a notary in the audience of the archbishop and, in 1524, he moved to Toledo, following his steps. There he entered the service of the count of Monterrey, possibly Alonso de Acevedo y Zúñiga, who was also a grandson of Alfonso III. In 1526 Pisador took minor orders, but did not continue in an ecclesiastical career. In 1532, his father moved to Galicia following Alonso de Acevedo y Zúñiga as the corregidor of Monterrey. He would not return to Salamanca until 1551, after his wife died in September 1550. He settled in Salamanca in the care of his mother and his younger brother. He had charge of the economic affairs of the family and the position of majordomo/administrator in the city of Salamanca, once held by his father. At th&lt;/p&gt;</description>
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				<title>Dieter Dolezel</title>
				<link>https://musictheoryprint.com/composers/di/dieter-dolezel/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/di/dieter-dolezel/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Dieter Dolezel (born 28 July 1977) is a German composer and electronic guitarist. Life Dolezel was born in Munich. After initially studying philosophy at LMU Munich, he first studied guitar at the . This was followed by composition studies with Wilfried Hiller and Louis Andriessen as well as various master classes with Tristan Murail, Alvin Curran and Richard Ayres, among others. In 2002, he founded the doArte Foundation, for which he is still active in an advisory capacity. Performances of his works have taken place at the Gaudeamus Foundation Music Week, the Hamburg Klangwerktage, novembermusic, at the Prinzregententheater in Munich and at the Auditorium Parco della Musica Santa Cecilia in Rome. Among the performers of his music are the Ensemble Modern, the King&amp;rsquo;s Singers, Mike Svoboda, John Snijders, the Holland Symfonia, Fabrice Bollon, as well as the ensemble unitedberlin. In 2007, he was a scholarship holder at the Villa Massimo in Rome. Work ;Orchestra * aber vielleicht (2006) * aber vielleicht for 20 strings (2004) ;Chamber music * realtime fragments for string quartet (2006) * pLasTik for flute, bassoon, percussion (2), viola, cello and double bass (2005) * fanfare 2003 fo&lt;/p&gt;</description>
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				<title>Dieter Kaufmann</title>
				<link>https://musictheoryprint.com/composers/di/dieter-kaufmann/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/di/dieter-kaufmann/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Dieter Kaufmann (22 April 1941 – 23 September 2025) was an Austrian composer, and a pioneer of electroacoustic music. He headed the new Institut für Komposition und Elektroakustik at the Vienna Music Academy from 1970, following models in Paris and Cologne. He held leading positions in Austrian and international organisations. He composed for voices, traditional instruments and electronics, often in combinations. Some were inspired by his socio-political interests. Life and career Kaufmann was born in Vienna on 22 April 1941 Personal life Kaufmann was married to Gunda König, a singer and actress. He died on 23 September 2025, at the age of 84. External links * * * Dieter Kaufmann (Composer) Bach Cantatas&lt;/p&gt;</description>
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				<title>Dieter Salbert</title>
				<link>https://musictheoryprint.com/composers/di/dieter-salbert/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/di/dieter-salbert/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Dieter Salbert (2 August 1932 – 6 July 2006) was a German composer. Life Born in Berlin, Salbert received piano lessons from 1938 and began early with improvisations on piano and accordion. After his Abitur in 1952 at the Humboldt-Gymnasium in Berlin-Tegel, he studied composition and piano at the Stern Conservatory and passed the final examination in composition in 1957. From 1959, he lived in Nuremberg, where he presented his own works in the Kabarett &amp;ldquo;Die Roten Funken&amp;rdquo;. Afterwards, he studied school music at the Hochschule für Musik und Theater München. In the following years he was at the , at the and at the Fachhochschule Braunschweig. In 1986, he received his doctorate in Hamburg. In 1981, he founded the &amp;ldquo;Neue Akademie Braunschweig&amp;rdquo; and established the Synthesizer Music Festival Braunschweig, which he directed until 2001. Salbert published over 200 compositions, including orchestral and choral works, chamber music and radiophonic productions. Salbert died in Meine aged 83. Honours * 1965: Förderpreis der Stadt Nürnberg * 1975: Richard-Wagner-Medaille der Stadt Bayreuth * 1985: Niedersächsisches Künstlerstipendium * 1986: Verdienstorden der Bundesrepublik Deutschland am Bande *&lt;/p&gt;</description>
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				<title>Dieter Schnebel</title>
				<link>https://musictheoryprint.com/composers/di/dieter-schnebel/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/di/dieter-schnebel/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Dieter Schnebel (14 March 1930 – 20 May 2018) was a German composer, theologian and musicologist. He composed orchestral music, chamber music, vocal music and stage works. From 1976 until his retirement in 1995, Schnebel served as professor of experimental music at the Hochschule der Künste, Berlin. Career Schnebel was born in Lahr/Baden. He began general private music studies with Wilhelm Siebler from 1942 until 1945, when he started piano lessons with Wilhelm Resch, and continued study with him until 1949 at the age of 19. He continued with music history through 1952, under Eric Doflein. Simultaneously he began to study composition, from 1950, with Ernst Krenek, Theodor W. Adorno and Pierre Boulez, among others. He entered formal studies at the University of Tübingen where he took musicology with Walter Gerstenberg, as well as theology, philosophy and further piano studies. In 1955, he left with a degree in theology, but with a dissertation about Arnold Schoenberg. Soon after, he married Camilla Riegger in 1956, and the couple had a son and daughter. Schnebel became a minister, and taught theology and religion until 1963 when he began teaching philosophy and psychology. After his&lt;/p&gt;</description>
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				<title>Dieterich Buxtehude</title>
				<link>https://musictheoryprint.com/composers/di/dieterich-buxtehude/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/di/dieterich-buxtehude/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Dieterich Buxtehude (; born Diderich Hansen Buxtehude, ; – 9 May 1707) His parents were Johannes (Hans Jensen) Buxtehude and Helle Jespersdatter. His father originated from Oldesloe in the Duchy of Holstein, which at that time was a part of the Danish realms in Northern Germany. Scholars dispute both the year and country of Dieterich&amp;rsquo;s birth, although most now accept that he was born in 1637 in Helsingborg in the province of Scania/Skåne, which was part of Denmark at the time (but it is now part of Sweden). His obituary stated that &amp;ldquo;he recognized Denmark as his native country, whence he came to our region; he lived about 70 years&amp;rdquo;. Others, however, claim that he was born at Oldesloe. Later in his life he Germanized his name and began signing documents Dieterich Buxtehude. Lübeck: Marienkirche Buxtehude&amp;rsquo;s last post, from 1668, was at the Marienkirche, Lübeck which had two organs, a large one for big services and a small one for devotionals and funerals. There he succeeded Franz Tunder and followed in many of the footsteps of his predecessor. He married Tunder&amp;rsquo;s daughter Anna Margarethe in 1668 – it was not uncommon practice that a man marry the daughter of his predecessor in his occ&lt;/p&gt;</description>
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				<title>Diether de la Motte</title>
				<link>https://musictheoryprint.com/composers/di/diether-de-la-motte/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/di/diether-de-la-motte/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Diether de la Motte (30 March 1928 – 15 May 2010) was a German musician, composer, music theorist, music critic and academic teacher. Life Born in Bonn, Schott, Mainz 1960 * Harmonielehre. Bärenreiter-Verlag Karl Vötterle, Kassel/Basel/Tours/London, and dtv, Munich 1976; additional editions: Deutscher Verlag für Musik, Wiesbaden 1977, dtv, Munich 2004, . * Musikalische Analyse. Textteil u. Notenteil. 2 volumes. Bärenreiter, Kassel 1978, . * Musik bewegt sich im Raum. 16 Konzepte für Laien-Professionals aus Musik, Sprache, Sprachmusik und Bewegung. Moeck, Celle 1987, . * Kontrapunkt. Ein Lese- und Arbeitsbuch. Bärenreiter, Munich 1981 u. dtv, Munich 2002, . * Melodie. Ein Lese- und Arbeitsbuch. dtv, Munich 1993, . * Musik Formen. Phantasie, Einfall, Originalität. Wißner, Augsburg 1999, . * Wege zum Komponieren. Ermutigung und Hilfestellung. Bärenreiter, Kassel 2001, . * Gedichte sind Musik. Musikalische Analysen von Gedichten aus 800 Jahren. Bärenreiter, Kassel 2002, . References External links * * &amp;ldquo;Harmonielehre&amp;rdquo; (in German) kholopov.ru * * Motte, Diether de la operone.de&lt;/p&gt;</description>
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				<title>Dietmar Bonnen</title>
				<link>https://musictheoryprint.com/composers/di/dietmar-bonnen/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/di/dietmar-bonnen/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Dietmar Bonnen (born 27 July 1958 in Cologne, Germany) is a German composer and pianist. Life Dietmar Bonnen studied music and fine arts in Cologne and Düsseldorf. In 1981 he founded the avantgarde-rock ensemble Fleisch, with whom he recorded several CDs with his own compositions. After two years of production he published a CD called “Bonnen spielt …” with organ music of the 20th century. This production was the first, which combined different organs and acoustics from different churches made possible by recording techniques taken from pop music. Beside works of György Ligeti, Paul Hindemith, Charles Ives and Max Reger, he also played compositions written especially for this project and that cannot be performed on conventional organs. It contains premieres of two works of John Cage; “Solo with Obbligato Accompaniment of Two Voices in Canon, and Six Short Inventions on the Subjects of the Solo” from 1933/34 and “Composition for Three Voices” from 1934. Later, Bonnen produced several CDs in several different musical genres, as for example the soundscape-composition “Bonnen in Beijing”, recorded 1993/94 for WDR in Beijing and Cologne. Other works present music of other composers in n&lt;/p&gt;</description>
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				<title>Dietrich Erdmann</title>
				<link>https://musictheoryprint.com/composers/di/dietrich-erdmann/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/di/dietrich-erdmann/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Dietrich Erdmann (20 July 1917 – 22 April 2009) was a German composer and university lecturer. Life Erdmann was born in Bonn. His father was the publicist and trade union official Lothar Erdmann, his mother Elisabeth Erdmann-Macke, the painter August Macke&amp;rsquo;s widow. Erdmann had lived in Berlin since he was eight years old. His childhood was characterised by a family environment with a strong cultural interest. He received his first piano lessons at the age of nine. Already during his school days at the Humanistisches Gymnasium In Berlin, he paid visits to the composers Paul Hindemith, Ernst-Lothar von Knorr and Harald Genzmer. In 1931, he began his cello lessons with Pál Hermann. From 1934 to 1938, Erdmann studied choir conducting and musical composition with Kurt Thomas and conducting with Walter Gmeindl at the Universität der Künste Berlin. He completed his studies with the in choral conducting and the private music teacher examination in musical composition. Erdmann was co-founder of the Arbeitskreis für Neue Musik at the Berlin University of the Arts. From 1947, Erdmann taught at the , where he became head of the music seminar two years later. He then was appointed associate pro&lt;/p&gt;</description>
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				<title>Dilys Elwyn-Edwards</title>
				<link>https://musictheoryprint.com/composers/di/dilys-elwyn-edwards/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/di/dilys-elwyn-edwards/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Dilys Elwyn-Edwards (née Roberts; 19 August 1918 – 13 January 2012) was a Welsh-language composer, lecturer and accompanist. Biography Dilys Roberts was born on 19 August 1918 in Dolgellau, Wales. She attended Dr Williams&amp;rsquo; School for Girls, a grammar school which educated girls ages 7–18 from 1878 to 1975. She was offered the Turle Music Scholarship at Girton College, Cambridge and the Dr. Joseph Parry Scholarship, from Cardiff University. She elected to study at Cardiff and received her BMus degree. She taught music at her old school, Dr Williams&amp;rsquo;, Dolgellau, for the next three years. She then received the Open Scholarship in Composition from the Royal College of Music in London and studied composition with Herbert Howells and piano with Kathleen McQuitty there. She moved to Oxford while her husband attended Mansfield College. She taught music from 1946 to 1972. In the 1960s they moved back to Wales, Music She was known for her soft, melodic art songs (Lied) for voice in both Welsh and English. Charlotte Church and Aled Jones have recorded Caneuon y Tri Aderyn (Three Welsh Bird Songs; 1962): Y Gylfinir (The Curlew), Tylluanod (Owls), and her most famous song, Mae Hiraeth yn y Môr&lt;/p&gt;</description>
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				<title>Dimitri Nicolau</title>
				<link>https://musictheoryprint.com/composers/di/dimitri-nicolau/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/di/dimitri-nicolau/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Dimitri Nicolau (21 October 1946 in Keratea, Greece - 29 March 2008 in Rome, Italy) was a composer, stage director, conductor, musicologist, writer and professor. He was born in Keratea, Greece and became a naturalized citizen of Italy. He began to compose and perform his compositions publicly in 1959. His catalogue today comprises more than 290 compositions- 5 symphonies, 10 string quartets, 3 lyric operas, chamber music, concerts, strassenmusik, vocal compositions, music for Plectra, sax music and cantatas. He frequented the faculty of Modern Letters in Rome University. Fundamental for his artistic formation is the relationship with the theory and the Collective Analysis of Massimo Fagioli. He dedicated several years to didactic activity as a teacher of stage song, vocal theatrical technique and as a composer of original music at the Institute of Ancient Drama (INDA) of Syracuse, the Theatrical Academy of Calabria, the Theater Calabria, etc. Reviews *Dimitri Nicolau with his composition &amp;ldquo;La melodia ritrovata&amp;rdquo; opus 41 (1975) it not only shows us to have a lot of new and original ideas but also to know how to write them. A really important composition of the recent years. The autho&lt;/p&gt;</description>
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				<title>Dimitri Scarlato</title>
				<link>https://musictheoryprint.com/composers/di/dimitri-scarlato/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/di/dimitri-scarlato/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Dimitri Scarlato (born 21 April 1977) is an Italian composer and conductor, based in London. Early life and education He received his degree in Composition, Conducting and Score Reading in 2004 at the Conservatorio Santa Cecilia in Rome while studying privately Jazz Piano and Classical Piano. After his studies in Rome, he studied conducting with Milen Nachev and Alexander Polyanichko in Saint Petersburg. In 2004, he moved to London in order to pursue a Master’s in Composition at the Guildhall School of Music &amp;amp; Drama. In 2014, he was awarded a Doctorate in Composition at the Royal College of Music, which in 2010 selected him as an RCM Rising Star. Film and theatre scoring In 2003, he composed the music for the musical Piaf…l’Hymne à l’Amour, directed by Carlo Lizzani. The musical was performed at several prestigious Italian theatres, including the Teatro Regio in Parma and the Teatro Argentina in Rome. In 2007, he worked on the music pre-production for the film Sweeney Todd: The Demon Barber of Fleet Street directed by Tim Burton. While completing his Master’s in London, he began to collaborate with young directors from the London Film School and composed the music for several proje&lt;/p&gt;</description>
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				<title>Dimitri Terzakis</title>
				<link>https://musictheoryprint.com/composers/di/dimitri-terzakis/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/di/dimitri-terzakis/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Dimitris Terzakis (; born March 12, 1938) is a Greek composer. His father was the author Angelos Terzakis. Biography Terzakis was born on March 12, 1938 in Athens. From 1959 to 1964, Terzakis studied composition with Yannis Papaioannou at the Athens Hellenic Conservatory, followed by five years spent at the Hochschule für Musik in Cologne, Germany where he studied composition with Bernd Alois Zimmermann and electronic music with Herbert Eimert. Works by Terzakis have been performed at the International Society for Contemporary Music Festival in Basel (1970), the Darmstadt Artists&amp;rsquo; Colony summer courses (1970) and the Hamburg Das Neue Werk series (1972). He taught counterpoint and fugue (1974–94) and Byzantine music and composition (1989–94) at the Musikhochschule, Düsseldorf. In 1980, he began to organize summer courses in Western and south-eastern European music in Nafplion. In 1985–6 he was guest professor of composition at the Hochschule für Musik Hanns Eisler. From 1994 to his retirement, he held the chair for composition at the Leipzig Felix Mendelssohn College of Music and Theatre. He has been a German citizen since 1985 and is living and composing in Leipzig, Germany, and Na&lt;/p&gt;</description>
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				<title>Dimitri Voudouris</title>
				<link>https://musictheoryprint.com/composers/di/dimitri-voudouris/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/di/dimitri-voudouris/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Dimitri Voudouris (Greek: Δημήτριος Βουδούρης), is an electroacoustic, new music composer, scientific researcher and pharmacist living in South Africa who pioneered UNYAZI,the first electronic music festival and symposium on the African continent in 2005 that took place at University of the Witwatersrand, in Johannesburg, South Africa. He lectures part-time at Witwatersrand University in electronic music composition. He composes for acoustic instruments, electronic sound sources, multimedia, including dance and theatre. He bases his technical and theoretical compositional approach in scientific research e.g. Study of traffic flow patterns, biochemical dynamics of energy formation, flow / resistance of fluids travelling through various transport systems, cognitive psycho-acoustic behavioural patterns in humans and the behaviour of sound in relationship to continued environmental changes. His sociocultural interests have led him to research the survival of music in the 21st century and the impact that media and technology have on the composer. These theories help to create moments of isolation allowing for the morphological study of each individual sound source, a strategic necessity&lt;/p&gt;</description>
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				<title>Dimitrie Cuclin</title>
				<link>https://musictheoryprint.com/composers/di/dimitrie-cuclin/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/di/dimitrie-cuclin/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Dimitrie Cuclin (April 5 1885  – February 7, 1978) was a Romanian classical music composer, musicologist, philosopher, translator, and writer. Biography Early life Cuclin was born in the city of Galaţi, a port on the left shore of the Danube. His father was an immigrant from czarist Bessarabia, from the village of Cucleni, near the town of Izmail. He had studied music at the Theological Seminar of Izmail and at the Universities of Iaşi and Bucharest. At the time of Dimitrie&amp;rsquo;s birth he was a music teacher at the Vasile Alecsandri High School in Galați. His mother was of peasant origin, from the village of Pechea, located about 25 miles from Galați; she was a housewife. Cuclin completed his primary and secondary studies in his native city, where his father was his first music teacher. During high-school, he began to compose small musical pieces, which impressed the composer G.D. Kiriac, who thus suggested that Cuclin should go to Bucharest to study music. Studentship The young composer applied first at the Conservatory (1903), where he was rejected for being above the age limit, and then at the Royal Academy of Music (1904), where he was accepted at the section of Theory and Harmony.&lt;/p&gt;</description>
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				<title>Dimitrios Lalas</title>
				<link>https://musictheoryprint.com/composers/di/dimitrios-lalas/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/di/dimitrios-lalas/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Dimitrios Stergios Lalas or Lallas () was a significant Greek composer and musician. Biography Lalas was born in 1844 or 1848 in Magarevo, then Ottoman Empire (now North Macedonia). He soon became the conductor of an Orchestra in Salzburg, while in Presburg he replaced the conductor Hans Richter at a concert of Wagner&amp;rsquo;s works in the presence of Wagner himself. He cooperated with fellow Greek Macedonians, with whom he co-founded &amp;ldquo;Macedonian Defense&amp;rdquo; at the end of 1902, committees of which appeared in Greek Macedonian towns and villages, preparing its inhabitants for the upcoming Macedonian Struggle. At some point, before 1906, Lalas composed a musical work on the Macedonian Struggle, entitled &amp;ldquo;Makedonikos Paian&amp;rdquo; (Μακεδονικός Παιάν). He died of cholera in 1911 in Monastir, and his works were lost in 1917. References&lt;/p&gt;</description>
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				<title>Dimitrios Levidis</title>
				<link>https://musictheoryprint.com/composers/di/dimitrios-levidis/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/di/dimitrios-levidis/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Dimitrios Levidis (; 8 April 1885 or 1886, Athens - 29 May 1951, Palaio Faliro) was a Greek composer, later naturalized French (1929). Background He descended from an aristocratic family with Byzantine roots in Constantinople. Levidis studied in Athens, Lausanne and Munich. His teachers included Friedrich Klose, Felix Mottl and Richard Strauss, the latter being his composition teacher from 1907 to 1908. Levidis won the Franz Liszt Prize for his Piano Sonata op.16. After a short period in Greece he settled in Paris (1910–1932), served in the French Army during World War I and took French nationality in 1929. Career He wrote abundantly, in many genres, with a refined technique combining Straussian harmony and Ravelian impressionism, also exploiting Greek modes, in an appealing style of greater homogeneity than that of many of his Greek contemporaries. Levidis was more impressed by Debussy&amp;rsquo;s harmonic brevity as shown in his last works. He was a notable experimenter with novel combinations and new instruments: His interest in new sounds led him to be among the first to write for the Ondes Martenot (his Poème symphonique, a modernistic Symphonic Poem for Electrical Instrument and Orches&lt;/p&gt;</description>
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				<title>Dimitris Dragatakis</title>
				<link>https://musictheoryprint.com/composers/di/dimitris-dragatakis/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/di/dimitris-dragatakis/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Dimitris Dragatakis (Greek: Δημήτρης Δραγατάκης; 22 January 1914 – 18 December 2001) was a Greek composer of classical music and Greek art music. He was born in Platanoussa, Epirus in 1914 and studied the violin from 1930 to 1939 at the Greek National Conservatory in Athens. Later on, he switched to the viola and from 1949 started composition lessons with Leonidas Zoras and Manolis Kalomiris, receiving his diploma in 1955. Chamber music for mixed ensembles Sources: ) *Dragatakis: Piano Works (complete) (Naxos 8.570789 ) *Dimitris Dragatakis: Chamber Music I (Irida Classical: IRIDA 001 ) *Ballades for saxophone and orchestra (along with works by Tomasi, Ravel, Piazzola and Iturralde) (Naxos 8.557454 ) External links *Dimitris Dragatakis Archive Official Website * Dragatakis biography at Naxos.com *&amp;ldquo;Dimitris Dragatakis&amp;rdquo; Music Grove Online article References&lt;/p&gt;</description>
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				<title>Dina Appeldoorn</title>
				<link>https://musictheoryprint.com/composers/di/dina-appeldoorn/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/di/dina-appeldoorn/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Christina Adriana Arendina (Dina) Koudijs-Appeldoorn (26 December 1884 in Rotterdam, the Netherlands – 4 December 1938 in The Hague) was a Dutch composer and pianist whose works, such as her two symphonic poems Noordzee-symfonie and Volkfeest, were written in the Romantic style. She also had a predilection for programme music, as is evidenced by her four movement suite Woudsproke. Her works for amateur singers and choruses have been described as energetic. In them, Appeldoorn used simple tonal melodies and set the texts predominantly syllabically. In contrast, her accompaniments show a spicy harmonic language filled with dissonances which illustrate the text, such as in Frissche bloemen. Biography Dina Appeldoorn attended the Royal Conservatory of The Hague, where she studied composition under F.E.A. Koeberg and later with Johan Wagenaar. The later would become a close friend whom she would continue to consult throughout her life. She graduated the conservatory in 1910, at which time twenty of her songs had already been published. Her early work met with mixed reviews from Dutch music critics with some pieces, like Frissche bloemen, getting better reviews than others. Appeldoorn wo&lt;/p&gt;</description>
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				<title>Dina Koston</title>
				<link>https://musictheoryprint.com/composers/di/dina-koston/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/di/dina-koston/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Dina Koston (b. 1929?, d. 2009, Washington, D.C.) was an American pianist, music educator and composer. Life and career Dina Koston began the study of music at age two with her mother. She continued her studies at the American Conservatory of Music and later studied with Gavin Williamson in harpsichord, Mieczyslaw Horszowski and Leon Fleisher in piano, and with Luciano Berio and Nadia Boulanger. She spent one summer studying at Darmstadt. Koston taught at the Peabody Conservatory and at Tanglewood. She wrote music for theatrical productions at Café La Mama and the Arena Stage. With Leon Fleisher she co-founded and co-directed the Theater Chamber Players from 1968-2003, which was the first resident chamber ensemble of the Smithsonian Institution and of The Kennedy Center. Koston married Dr. Roger L. Shapiro (1927-2002), a research psychiatrist and psychoanalyst. She suffered from a long illness at the end of her life and died in Washington, D.C. A bequest after her death established the Dina Koston and Roger Shapiro Fund for New Music. This fund provides for commissions and performance of new music at the Library of Congress in Washington, D.C. Works Koston composed for a variety of&lt;/p&gt;</description>
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				<title>Dina Nurpeisova</title>
				<link>https://musictheoryprint.com/composers/di/dina-nurpeisova/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/di/dina-nurpeisova/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Dina Nurpeisova or Nurpeissova (1861 - 31 January 1955) was a composer from the western part of Kazakhstan in the Uralsk area. She was also a noted dombyra player. For her musical accomplishments, she was recognized as the National Artist of Kazakhstan. as well as a small village, Dina Nurpeisova. On the 150th anniversary of her birth, in 2011, a postage stamp was issued to commemorate her. Biography Nurpeisova was born in the village of Beketay-kum, currently in West Kazakhstan Region of Kazakhstan, and her father, a dombyra player, taught her how to play at a young age. As a young girl, she met the composer, Kurmangazy, who became her mentor. In 1885, her first husband died, and she married his younger brother. In April 2021, the country of Kazakhstan celebrated the 160th anniversary of Dina Nurpeisova’s birth. Work Nurpeisova&amp;rsquo;s interpretations of traditional music created a link between the past and modern dombyra music. The type of traditional Kazakh folk music she worked with was called kyuy or kyui. V. Belyaev, a Soviet musicologist, wrote that she &amp;ldquo;raised the value of folk musical instruments.&amp;rdquo; Selected compositions * Ana buirigi * Bulbul * Bayzhuma * Enbek ery * Kogentup *&lt;/p&gt;</description>
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				<title>Ding Shande</title>
				<link>https://musictheoryprint.com/composers/di/ding-shande/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/di/ding-shande/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Ding Shande (; November 12, 1911 – December 8, 1995) was a Chinese composer, pianist, and music teacher. Biography Ding was born in Kunshan, Jiangsu. He studied music with teachers including Huang Tzu at the Shanghai Conservatory of Music. Ding taught at the Shanghai Conservatory in the late 1930s. From 1947 to 1949, he studied composition in the Paris Conservatoire with Noël Gallon, Tony Aubin, and Nadia Boulanger. He also attended the courses of Arthur Honegger. From 1949, he taught at the Shanghai Conservatory again and became a vice president of the conservatory later. He died in Shanghai in 1995. Works * Long March, symphony * New China, symphonic suite * Spring, symphonic Poem * Symphonic Overture * Piano Concerto in B flat major * String Quartet in E minor * Piano Trio in C major * Ode to the Huangpu River, cantata * Variations on Themes of Chinese Folk-songs, for piano * Happy Festival, children&amp;rsquo;s piano suite * Xinjiang Dances Nos. 1 and 2, for piano * Blue Mist, art song * My Husband Gives Me a Sunflower, art song * Ode to Orange, art song * Children&amp;rsquo;s Suite - Chen Jie, Naxos 8.570602, 2007. * Spring Suite and other piano works - Ding Jiannuo, Marco Polo 82083, 2000. * Xin&lt;/p&gt;</description>
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				<title>Dinorá de Carvalho</title>
				<link>https://musictheoryprint.com/composers/di/dinora-de-carvalho/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/di/dinora-de-carvalho/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Dinorá Gontijo de Carvalho (1 June 1895 – 28 February 1980) was a Brazilian pianist, conductor, music educator and composer. Life Carvalho was born in Uberaba, Minas Gerais, Brazil, and began her study of piano at the Conservatório Musical in São Paulo at age six with Maria Lacaz Machado and Carlino Crescenzo. She made her debut as a pianist at age seven playing Mozart and Mendelssohn, and later studied with Isidor Philipp in Paris on a Ministry of Culture scholarship. She continued her studies in Brazil with Lamberto Baldi, Martin Brawnvieser, Ernest Mehelich and Camargo Guarnieri. After completing her studies, Carvalho worked as a pianist, composer, conductor and music educator. She became the first woman member of the Brazilian Academy of Music and became the first woman Brazilian maestro, founding an all-woman orchestra, the Orquestra Feminina de São Paulo. In 1960, having composed about 400 works, Dinorá was invited by the Ministry of Culture of Brazil to go in a cultural mission around Europe, playing her compositions as well as other Brazilian composers. Her work Missa Profundis received first prize for Best Vocal Work of 1977 from the Associação Paulista de Críticos de Arte&lt;/p&gt;</description>
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				<title>Diomedes Cato</title>
				<link>https://musictheoryprint.com/composers/di/diomedes-cato/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/di/diomedes-cato/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Diomedes Cato (1560 to 1565 – d.1627 in Gdansk) was an Italian-born composer and lute player, who lived and worked entirely in Poland and Lithuania. He is known mainly for his instrumental music. He mixed the style of the late Renaissance with the emerging Baroque, and also Italian idioms with Polish folk material; and in addition he was one of the first native-born Italian composers to visit Sweden. Life He was born near Treviso between 1560 and 1565, possibly at Serravale where his father is documented as being a teacher. Around 1565 his family, who were Protestants, fled Italy to escape the Inquisition, and settled in Poland. Cato, who had left Italy before the age of five, received all of his musical education in Kraków, where the family settled. The first record of his employment dates from 1588, when he was hired as a lutenist by the court of King Sigismund III Vasa, a position he kept until 1593. In 1591 he wrote music for the wedding of Jan Kostka at Świecie castle; the Kostka family may have been patrons of his, since Stanisław Kostka left him a considerable legacy in 1602. In 1593 and 1594 he went with King Sigismund to Sweden, where his fame as a lutenist and composer wa&lt;/p&gt;</description>
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				<title>Dionisio Aguado y García</title>
				<link>https://musictheoryprint.com/composers/di/dionisio-aguado-y-garcia/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/di/dionisio-aguado-y-garcia/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Dionisio Aguado y García (8 April 178429 December 1849) was a Spanish classical guitarist and composer of the late Classical and early Romantic periods. Biography Born in Madrid, he studied with Miguel García. In 1826, Aguado visited Paris, where he met and became friends with and for a while lived with Fernando Sor. Sor&amp;rsquo;s duo Les Deux Amis (&amp;ldquo;The Two Friends&amp;rdquo;) commemorated the friendship: one part is marked &amp;ldquo;Sor&amp;rdquo; and the other &amp;ldquo;Aguado.&amp;rdquo; Aguado&amp;rsquo;s major work Nuevo Metodo Para Guitarra was a guitar tutorial published in 1843. In the Nuevo Metodo Aguado describes his use of fingernails on the right hand as well as his invention of a &amp;ldquo;tripodison&amp;rdquo;: a device that held the guitar and thus minimized the damping effect of the player&amp;rsquo;s body on the guitar&amp;rsquo;s back and sides. Aguado&amp;rsquo;s other works include numerous waltzes, minuets, and other light pieces. The more extended works require a virtuoso technique and left-hand stretches that are almost impossible on the longer string lengths of modern guitars. (See Frederick Noad, &amp;ldquo;The Classical Guitar&amp;rdquo;) Aguado returned home to Madrid in 1837 and died there aged 65. List of works *Op. 1 : Douze Valses *Op. 2 : Trois Rondo Brillants *Op. 3 : Huit Petites&lt;/p&gt;</description>
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				<title>Dionysis Savvopoulos</title>
				<link>https://musictheoryprint.com/composers/di/dionysis-savvopoulos/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/di/dionysis-savvopoulos/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Dionysis Savvopoulos (; 2 December 1944 – 21 October 2025) was a Greek singer-songwriter. As a musician and songwriter, he made significant contributions to modern Greek music as part of the Greek New Wave. Early life and career Savvopoulos was born in the city of Thessaloniki, Greece, in a middle-class family. He passed his university entrance exams and enrolled in the Aristotle University of Thessaloniki to study law, but after his first year of his studies, his passion for music and politics led to an argument with his father and he dropped out in 1963. Savvopoulos then hitchhiked on a truck to Athens and took various odd jobs, including working as a nude model for students in the Athens School of Fine Arts and as a journalist in a newspaper. In Athens, he began singing and playing guitar in various night clubs and became closely associated with the so-called Greek New Wave. Although Savvopoulos was not famed for his voice, his talent in songwriting impressed Alekos Patsifas, the director of the Lyra record company in Greece which was specializing in artists of the Greek New Wave, who signed him. Savvopoulos remained with this label until 1983. His debut album To Fortigho (&amp;ldquo;The&lt;/p&gt;</description>
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				<title>Dirk Brossé</title>
				<link>https://musictheoryprint.com/composers/di/dirk-brosse/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/di/dirk-brosse/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Dirk, Knight Brossé (born 18 February 1960, Ghent) is a Belgian conductor and composer. He has composed over 200 works, including concerti, oratorios, lieder, chamber music and symphonic works. Brossé has also composed extensively for stage, cinema, television. His score for the BBC/HBO series Parade&amp;rsquo;s End (2012) was nominated for an Emmy Award. Dirk Brossé is currently music director of the Chamber Orchestra of Philadelphia and of the Ghent Film Festival. John Williams chose him as Principal Conductor of the Star Wars in Concert World Tour. Brossé is also professor of composition and conducting at the Royal Conservatory of Ghent. Dirk Brossé has conducted international orchestras, both at home and abroad. Amongst them, the London Symphony Orchestra, London Philharmonic Orchestra, Royal Philharmonic orchestra, Vancouver Opera, Opéra National de Lyon, BBC Concert Orchestra, Hong Kong Chinese Orchestra, Orchestre de la Suisse Romande and the Philharmonic Orchestra of Brussels, Antwerp, Rotterdam, Basel, Madrid, Porto, Birmingham, Ulster, Shanghai, Hong Kong, Seoul, Queensland, St Petersburg, Los Angeles and Boston. In 2008, he made his first appearance at the Royal Albert Hall in Lon&lt;/p&gt;</description>
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				<title>Dirk Kaftan</title>
				<link>https://musictheoryprint.com/composers/di/dirk-kaftan/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/di/dirk-kaftan/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Dirk Kaftan (born 1971) is a German opera and concert conductor. Career Born in Marburg, West Germany, Kaftan grew up in Wittlich and Canada. At the age of 18 he began employment as a repetiteur at the Theater Trier. Kaftan then studied sound engineering (Tonmeister) at the Hochschule für Musik Detmold. Kaftan was Erster Kapellmeister at the Graz Opera from 2006 to 2009. From 2009 to 2014 he was Generalmusikdirektor (GMD) in Augsburg. His contract with the Theater Augsburg was to have run till 2016; however he vacated the Augsburg post early to return to Graz Opera as their GMD. His debut in June 2013 was a performance of Schönberg&amp;rsquo;s Gurre-Lieder with soloists, the expanded opera chorus, the Wiener Singverein and the Grazer Philharmonisches Orchester. In September 2025, the city of Bonn announced the approval of the most recent extension of Kaftan&amp;rsquo;s contract as GMD, through 31 July 2032. Recordings Kaftan&amp;rsquo;s recordings include the operas Der ferne Klang by Franz Schreker, recorded live in Augsburg in 2011, and Jenůfa by Leoš Janáček, recorded during staged performances in Graz in 2015. References External links * Dirk Kaftan homepage * Dirk Kaftan, Dirigent / Terminplan Operabase *&lt;/p&gt;</description>
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				<title>Dismas Hataš</title>
				<link>https://musictheoryprint.com/composers/di/dismas-hatas/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/di/dismas-hatas/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Dismas Hataš (; 1 December 1724 – 13 October 1777) was a Czech composer and violinist of the early classical period. Life Hataš was born on 1 December 1724 in Vysoké Mýto, to a musical family. Many of his relatives were cantors and organists in Bohemia. In May 1751, he married the singer Anna Franziska Benda, the sister of Franz and Jiří Antonín Benda, and in October of that year was recommended by Jiří Antonín for a position as a violinist in the court orchestra in Gotha. He was to keep this position for the rest of his life. In 1756, his son Jindřich Krištof Hataš was born, whom he taught to play the violin, and who later became a composer. From December 1768 to early 1769, he performed with his wife and colleagues from Gotha in four concerts in the Netherlands. Dismas&amp;rsquo; younger brother, Jan Václav Hataš (1727–1752) was also a composer. Works Hataš&amp;rsquo; compositional style is typical of that which prevailed in Northern Germany in the middle of the 18th century. It preserves many baroque idioms while absorbing many classical developments which were already common in other parts of Europe. His output includes: * 3 sonatas for violin and basso continuo (in C major; G major; A major) * 6&lt;/p&gt;</description>
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