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		<title>DO on Music Theory Print</title>
		<link>https://musictheoryprint.com/composers/do/</link>
		<description>Recent content in DO on Music Theory Print</description>
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				<title>Dobe Newton</title>
				<link>https://musictheoryprint.com/composers/do/dobe-newton/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/do/dobe-newton/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Dobe Newton OAM (born 14 July 1948) is an Australian musician and member of folk and country music group the Bushwackers from 1973. He co-wrote the patriotic song &amp;ldquo;I Am Australian&amp;rdquo; in 1987 with Bruce Woodley. For his service to the performing arts as an entertainer and advocate he was appointed to the Order of Australia in 2013. Career Dobe Newton was born on 14 July 1948 in Sydney. During the 1960s he acquired a lagerphone and tin whistle after hearing Irish folk group the Dubliners. He joined Australian bush band the Bushwackers (initially the Original Bushwhackers and Bullockies Bush Band) in 1973 on vocals and lagerphone. As the group&amp;rsquo;s longest-serving member he became their leader during the 1980s. Outside of performing Newton ran workshops and seminars on music in both Western Australia and Victoria. In 2013 he also became President of Country Music Association of Australia (CMAA) replacing John Williamson. As of March 2022 he still held that position. He was awarded an Order of Australia Medal on Australia Day, 2013 for &amp;ldquo;service to the performing arts as an entertainer and advocate.&amp;rdquo; Along with fellow Bushwacker Roger Corbett, Newton was added to the Australasian Country Mus&lt;/p&gt;</description>
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				<title>Dobri Hristov</title>
				<link>https://musictheoryprint.com/composers/do/dobri-hristov/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/do/dobri-hristov/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Dobri Hristov (; 14 December 1875 – 23 January 1941) was one of the major Bulgarian composers of the 20th century. He wrote mainly choral music, as well as some church music and music for the orchestra. Hristov was born in Varna, then in the Ottoman Empire. He graduated from the Prague Conservatory in 1903 (under the directorship of the famous Czech composer Antonín Dvořák). He returned to Bulgaria and helped with the development of Bulgarian music culture, using many Bulgarian folklore elements in his compositions. He was conductor of The Seven Saints ensemble and choir in the church of the same name in Sofia, Bulgaria between 1911 and 1928. He died in Sofia in 1941 at age 65. Works * Blagoslovi, soul moia, Gospoda * Heruvimskaya pesn&amp;rsquo; No. 4 * Nyne otpushchayeshi * Sviatii Bozhe No. 4 * You Poem References External links *Hristov depicted on the 500 leva banknote&lt;/p&gt;</description>
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				<title>Dobrinka Tabakova</title>
				<link>https://musictheoryprint.com/composers/do/dobrinka-tabakova/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/do/dobrinka-tabakova/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Dobrinka Tabakova (Bulgarian: Добринка Табакова; born 1980, Plovdiv, Bulgaria) is a Bulgarian-British composer. Early life and education Dobrinka Tabakova was born in Plovdiv, Bulgaria, to medical physicists Vassilka and Slavik Tabakov. She won the Jean-Frederic Perrenoud Prize of the 4th International Competition of Music in Vienna when she was 14 years old. She studied at Alleyn&amp;rsquo;s School London and the Royal Academy of Music in London and graduated from Guildhall School of Music and Drama (GSMD) in London. Afterwards she was awarded a Ph.D. in composition from King&amp;rsquo;s College, London. She studied composition under Simon Bainbridge, Diana Burrell, Robert Keeley and Andrew Schultz. She has also attended master classes given by John Adams, Louis Andriessen, Alexander Goehr, Olav Anton Thommessen and Iannis Xenakis. Compositional career Dobrinka Tabakova&amp;rsquo;s &amp;ldquo;Praise&amp;rdquo; was sung at St. Paul&amp;rsquo;s Cathedral to celebrate the Golden Jubilee of Queen Elizabeth II in 2002. She won the GSMD Lutosławski Composition Prize in 1999 and the Adam Prize of King&amp;rsquo;s College London in 2007. In 2011 Dobrinka Tabakova was awarded first prize and medal of the Sorel Organization&amp;rsquo;s choral competition in New York. T&lt;/p&gt;</description>
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				<title>Doina Rotaru</title>
				<link>https://musictheoryprint.com/composers/do/doina-rotaru/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/do/doina-rotaru/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Marilena Doinița Rotaru (known as Doina, also Nemţeanu-Rotaru; born 14 September 1951, Bucharest) is a Romanian composer best known for her orchestral and chamber works. She has won prizes from the Romanian Composers&amp;rsquo; Union seven times, and was awarded the Romanian Academy of Arts and Sciences prize in 1986. She won first prize in the GEDOK Competition in Mannheim in 1994 for her second symphony. She is a professor of harmony at the Bucharest Conservatory. Biography Marilena Doinița Rotaru was born in Bucharest and studied with Tiberiu Olah at the Bucharest Conservatory in Bucharest from 1970–1975. In 1991, she continued her studies with Theo Loevendie in Amsterdam. In 1991 she also took a position as a professor at the National University of Music, and has served several times as a guest lecturer in Darmstadt, Germany and the Gaudeamus Composers Workshop in Amsterdam. Her music has been commissioned and performed internationally in Europe, Asia and the Americas. She is a member of the Romanian Composers Union. In 1986, Rotaru published an article with Liviu Comes on the counterpoint techniques of Johann Sebastian Bach and Giovanni Pierluigi da Palestrina in Editura Muzicala. Her m&lt;/p&gt;</description>
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				<title>Dol Dauber</title>
				<link>https://musictheoryprint.com/composers/do/dol-dauber/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/do/dol-dauber/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Adolf Dauber (known also as Dol, Doli or Dolfi Dauber) (born 27 July 1894 – died 15 September 1950) was a jazz violinist, bandleader, composer and music arranger of Jewish origin, who was active in the first half of the 20th century in Central Europe, mainly in Austria, Czechoslovakia and Germany. During his career, he collaborated with international jazz personalities, led numerous orchestras and ensembles, and created music for several films. Biography Dauber was born to a musical family in Vyzhnytsia (Wijnitz), Bukovina, Ukraine (then Austria-Hungary). He started his musical education at the age of 4, under the mentorship of his older sister, Clara. While still in his childhood, his sister arranged an audience with Carl Flesch, a violin virtuoso and teacher at the Bucharest Conservatory. His talent impressed Flesch and Dauber joined his class as the youngest pupil to be accepted. In 1911, Flesh recommended him to the renowned Czech violinist and teacher, Otakar Ševčík. The performances were noted particularly for inventive and modern arrangements of classical repertoire, operetta melodies and waltzes. For this label he recorded hundreds of songs over the course of the next 15 ye&lt;/p&gt;</description>
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				<title>Dolores Claman</title>
				<link>https://musictheoryprint.com/composers/do/dolores-claman/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/do/dolores-claman/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Dolores Olga Claman (6 July 192717 July 2021) was a Canadian composer and pianist. She is best known for having composed the 1968 theme song for Canadian Broadcasting Corporation&amp;rsquo;s (CBC) Hockey Night In Canada show, known simply as &amp;ldquo;The Hockey Theme&amp;rdquo;, which many consider Canada&amp;rsquo;s unofficial second national anthem. She is also known for &amp;ldquo;A Place to Stand&amp;rdquo;, the tune that accompanied the film of the same name at Montreal&amp;rsquo;s Expo 67 Ontario pavilion. Early life Claman was born in Vancouver on 6 July 1927. Her mother worked as an opera singer and Claman first learned the piano in her hometown. After graduating from high school by the age of 16, she studied music and drama at the University of Southern California. She later moved to Toronto with her writing partner and husband, lyricist Richard Morris. Together they composed over 3,000 commercial jingles in a 30-year period and won more than 40 awards internationally for their work. Claman&amp;rsquo;s two best-known compositions, &amp;ldquo;A Place to Stand&amp;rdquo; and &amp;ldquo;The Hockey Theme&amp;rdquo;, were also orchestrated by Jerry Toth. He, his brother Rudy Toth, and Richard Morris all worked together at Quartet Productions from 1965 until 1970. Claman commenced legal action&lt;/p&gt;</description>
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				<title>Dolores Paterno</title>
				<link>https://musictheoryprint.com/composers/do/dolores-paterno/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/do/dolores-paterno/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Dolores Paterno y de Vera-Ignacio (March 10, 1854 – July 3, 1881) was a Filipina composer known for the song &amp;ldquo;La Flor de Manila&amp;rdquo; (also known as &amp;ldquo;Sampaguita&amp;rdquo;). Biography Dolores Paterno e Ignacio (anglicized as Dolores Paterno-Ignacio) was born on March 10, 1854, in Santa Cruz, Manila, Philippines. She was one of the thirteen children of Máximo Molo-Agustín-Paterno y Yamzon and Carmen de Vera-Ignacio y Pineda Dolores Paterno came from the wealthy mestizo sangley Paterno family. She was the sister of Lcdo. Dr. Pedro Alejandro Paterno, a Filipino politician, poet, and novelist. Her sisters and stepsisters, Águeda, Jácoba, Paz, Concepcion, and Adelaida, were celebrated painters and jewellers whose works were exhibited at the Exposición Regional de Filipinas in Manila in 1895 and at the St. Louis World&amp;rsquo;s Fair in 1904. She was also related to the Asuncion brothers, among them Justiniano Asuncion who painted her portrait in 1870. Musically inclined at a young age, she was sent by her parents to the Santa Isabel College, Manila, an all-girls Catholic school managed by the Daughters of Charity. She devoted much of her time to learning the piano. In 1879, at the age of 25 she composed her on&lt;/p&gt;</description>
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				<title>Dom Capuano</title>
				<link>https://musictheoryprint.com/composers/do/dom-capuano/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/do/dom-capuano/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Dom Capuano (born Domenico Capuano, 21 April 1975) is an Italian composer, record producer, and songwriter. He is known for his work in electronic dance music and pop during the late 1990s and early 2000s. From the 2010s onward, his activities have expanded to include composing music for film, television, and video games. Capuano contributed to several internationally successful projects, including releases by Eiffel 65 and collaborations with artists such as Gabry Ponte and Karmah. Alongside his ongoing work in music production, he has increasingly focused on scoring independent and international screen productions. Early life and career Capuano studied music at the Giuseppe Verdi Conservatory in Turin, where he focused on double bass. He later expanded his training to include piano, composition, and conducting. During the early 1990s, he began working as a composer and record producer within the Italian dance music scene. In 1993, he composed &amp;ldquo;Let Me Be&amp;rdquo; for Da Blitz, which entered the Italian music charts. Additional releases followed throughout the decade, leading to further chart appearances in Italy and Europe. Worldwide recognition The album Europop by Eiffel 65 was released&lt;/p&gt;</description>
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				<title>Dom Um Romão</title>
				<link>https://musictheoryprint.com/composers/do/dom-um-romao/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/do/dom-um-romao/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Dom Um Romão (3 August 1925 – 27 July 2005) was a Brazilian jazz drummer and percussionist. Noted for his expressive stylings with the fusion band Weather Report, Romão also recorded with artists such as Cannonball Adderley, Paul Simon, Antonio Carlos Jobim, Jorge Ben, Sergio Mendes and Brasil &amp;lsquo;66, and Tony Bennett. He was the percussionist Tom Jobim brought to the studio for the album Jobim recorded with Frank Sinatra in 1967 for Reprise Records, Francis Albert Sinatra &amp;amp; Antônio Carlos Jobim. He died in Rio de Janeiro shortly after suffering a stroke. * 1990 Samba de Rua (Vogue Records) * 1993 Saudades (Waterlilly) * 1999 Rhythm Traveller (Natasha) * 2001 Lake of Perseverance (Irma) * 2002 Nu Jazz meets Brazil (Cuadra) As sideman With Cannonball Adderley * Cannonball&amp;rsquo;s Bossa Nova (Riverside, 1962) With Harry Belafonte * Turn the World Around (Columbia, 1977) With Jorge Ben * Samba Esquema Novo (Philips, 1963) With Blood, Sweat &amp;amp; Tears *Mirror Image (Columbia, 1974) With Luiz Bonfa and Maria Toledo * Braziliana (Philips, 1965) With Ron Carter * Yellow &amp;amp; Green (CTI, 1976) With João Donato * A Bad Donato (Blue Thumb, 1970) With Peter Giger and Family of Percussion * Mozambique Meets&lt;/p&gt;</description>
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				<title>Domènec Terradellas</title>
				<link>https://musictheoryprint.com/composers/do/domenec-terradellas/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/do/domenec-terradellas/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Domènec Terradellas (baptized 13 February 1713, Barcelona – 20 May 1751, Rome) was a Spanish opera composer. The birthdate is sometimes incorrectly given as 1711. Carreras i Bulbena did extensive research in contemporary documents, such as baptismal records, and found that the correct date was 1713. All his works are thoroughly Italian in style. Career Born in Barcelona, the son of a day laborer, his early musical training is unknown. It has been said that Terradellas studied with the composer Francisco Valls in Barcelona, but Carreras i Bulbena&amp;rsquo;s research in Barcelona uncovered no evidence of this. On 23 May 1732, he entered in Naples as a student in the . He studied composition with the famous Neapolitan composer, Francesco Durante. Terradellas was one of a group of foreign-born composers who studied in Italy and adopted the Italian style. The reason for this is that Italian opera was by far the dominant genre of opera at this time, attracting composers from all across Europe: George Frideric Handel, Johann Adolph Hasse, Johann Christian Bach (all Germans), Thomas Arne (an Englishman), Josef Mysliveček (a Czech), and Vicente Martín y Soler (a Spaniard). Italy His first work, an o&lt;/p&gt;</description>
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				<title>Domenico Alberti</title>
				<link>https://musictheoryprint.com/composers/do/domenico-alberti/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/do/domenico-alberti/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Domenico Alberti (c. 1710 – 14 October 1746 (according to other sources: 1740 and studied music with Antonio Lotti. He wrote operas, songs, and sonatas for keyboard instruments, for which he is best known today. His sonatas frequently employ arpeggiated accompaniment in the left hand in one of several patterns that are now collectively known as Alberti bass. Alberti was one of the earliest composers to use those patterns, but was not the first or only one. The most well-known of these patterns consists of regular broken chords, with the lowest note sounding first, then the highest, then the middle and then the highest again, with the pattern repeated. Today, Alberti is regarded as a minor composer, and his works are played or recorded only irregularly. However, the Alberti bass was used by many later composers, and it became an important element in much keyboard music of the classical music era. An example of Alberti bass (Mozart&amp;rsquo;s Piano Sonata, K 545): In his own lifetime, Alberti was known as a singer, and often used to accompany himself on the harpsichord. In 1736, he served as a page for Pietro Andrea Cappello, the Venetian ambassador to Spain. While at the Spanish court, the f&lt;/p&gt;</description>
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				<title>Domenico Allegri</title>
				<link>https://musictheoryprint.com/composers/do/domenico-allegri/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/do/domenico-allegri/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Domenico Allegri (c. 1585 – 5 September 1629) was an Italian composer and singer of the early Baroque Roman School. He was the second son of the Milanese coachman Costantino Allegri, who lived in Rome with his family, and was a younger brother of the more famous Gregorio Allegri. Costantino sent three sons, Gregorio, Domenico and Bartolomeo, to study music at San Luigi dei Francesi, under the maestro di capella Giovanni Bernardino Nanino, brother of Giovanni Maria Nanino. The little boy had as schoolmates his elder brother Gregorio and then Antonio Cifra, Domenico Massenzio and Paolo Agostini. In 1606, Allegri was maestro di cappella of the church of Santa Maria at Spello, and from September 1609 until April 1610 served in the same role at the church of Santa Maria in Trastevere in Rome. From 3 April 1610 until his death, he held the same position at the Basilica di Santa Maria Maggiore, where he was buried. Allegri is mainly famous for being one of the first to include specific instrumental accompaniments to sacred vocal music on a small scale. While much of his music is lost, one piece which has survived is the Modi quos expositis in choris of 1617 which has accompaniments to the&lt;/p&gt;</description>
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				<title>Domenico Bartolucci</title>
				<link>https://musictheoryprint.com/composers/do/domenico-bartolucci/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/do/domenico-bartolucci/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Domenico Bartolucci (7 May 1917 – 11 November 2013) was an Italian cardinal of the Catholic Church. He was the former director of the Sistine Chapel Choir and the Accademia Nazionale di Santa Cecilia, and was recognised in the field of music both as a director and a prolific composer. Considered among the most authoritative interpreters of Giovanni Pierluigi da Palestrina, Bartolucci led the Sistine Chapel Choir in performances worldwide, and also directed numerous concerts with the Choir of the Academy of Santa Cecilia, including a tour of the former Soviet Union. On 20 November 2010, Pope Benedict XVI elevated him to the College of Cardinals. Because Bartolucci was over the age of 80, he was never eligible to participate in any papal conclave. Biography Early career At a very young age, Bartolucci entered the seminary in Florence, where he was recruited as a singer. Upon the death of his master Bagnoli, Bartolucci succeeded him as director of the Chapel of the Duomo of Florence. In those years, he began to compose his first masses, motets, and organ music, as well as madrigals and chamber music. At the end of 1942, Bartolucci went to Rome in order to deepen his knowledge of sacre&lt;/p&gt;</description>
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				<title>Domenico Bellando</title>
				<link>https://musictheoryprint.com/composers/do/domenico-bellando/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/do/domenico-bellando/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Domenico Bellando (1868-1922) was an Italian organist, teacher and composer, best known as a composer of music for church services, piano pieces and songs. Life Domenico Bellando was born in Genoa in 1868. Details of his early musical education are obscure. At the age of 17 he was appointed organist of Genoa&amp;rsquo;s Metropolitan Cathedral, a post he retained for 27 years. In 1904 he was appointed the head of organ studies at Genoa&amp;rsquo;s Conservatorio Niccolò Paganini. Selected work Choral * 18?: Mass in the 6th tone, with interludes in F for organ/harmonium. * 1908: Mass for two equal voices and organ/harmonium. * 1911: 3 &amp;lsquo;O salutaris hostia&amp;rsquo; : soprano or tenor, solo. * 1911: 6 &amp;lsquo;Tantum ergo&amp;rsquo; : 3 male voices. * 1911: &amp;lsquo;Tantum ergo&amp;rsquo; : medium voice, solo. Orchestra * 1916?: Inni for small orchestra . Organ * (n.d.): Notturnino. * 189?: Élévation. * 1896: Offertory in G. * 1897: Toccata. * 19?: 6 pieces. Organ/harmonium * 18?: 40 versetti in various keys. * 189?: 30 Interludes (20 in G, 10 in Gm). * 19?: Andantino pastorale. Organ/Piano * 192?/repr.1931: Bethleem! : pastorale. Piano * (n.d.): Characteristic pieces (incl: Canzonetta; In sogno; L&amp;rsquo;arcolaio). * (n.d.): Fiori di nozze : melody. * (n.d&lt;/p&gt;</description>
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				<title>Domenico Brescia</title>
				<link>https://musictheoryprint.com/composers/do/domenico-brescia/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/do/domenico-brescia/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Domenico Brescia (28 April 1866 – 1939) was an Italian composer who taught in Chile and Ecuador, then became known in the United States for writing chamber music as well as musical accompaniment for dramatic performances. Brescia led the Music Theory department at Mills College. Brescia influenced two students who would later make names for themselves in Ecuadorian contemporary music: Segundo Luis Moreno and Luis H. Salgado. Ecuadorian Indian moods were used in two musical numbers. Brescia wrote in the notes to the score that he thought it was the first time that a chromatic set of cowbells, spanning an octave and a half, had been used as a symphony instrument. Brescia brought Marcelli into the Bohemian Club where Marcelli wrote the music for the next year&amp;rsquo;s Grove Play. In 1921, Brescia&amp;rsquo;s Dithyrambic Suite for woodwind quintet premiered at Elizabeth Sprague Coolidge&amp;rsquo;s Berkshire Chamber Music Festival, with the performance featuring flautist Georges Barrère. Reviewer Carl H. Tollefsen commented on the name Dithyrambic, writing &amp;ldquo;After hearing the music and in order to link my recollections of it with the title, I decided that the words &amp;lsquo;Did he ramble&amp;rsquo; would bring back both. I&amp;rsquo;ll say&lt;/p&gt;</description>
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				<title>Domenico Cimarosa</title>
				<link>https://musictheoryprint.com/composers/do/domenico-cimarosa/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/do/domenico-cimarosa/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Domenico Cimarosa (; 17 December 1749 – 11 January 1801) was an Italian composer of the Neapolitan School and of the Classical period. He wrote more than eighty operas, the best known of which is Il matrimonio segreto (1792); most of his operas are comedies. He also wrote instrumental works and church music. Cimarosa was principally based in Naples, but spent some of his career in various other parts of Italy, composing for the opera houses of Rome, Venice, Florence and elsewhere. He was engaged by Catherine the Great of Russia as her court composer and conductor between 1787 and 1791. In his later years, returning to Naples, he backed the losing side in the struggle to overthrow the monarchy there, and was imprisoned and then exiled. He died in Venice at the age of 51. Life and career Early years Cimarosa was born in Aversa, a town near Naples. His family name was Cimmarosa, which is how he is recorded on his baptismal record. He appears to have been an only child. His father, Gennaro, was a stonemason, and within days of Domenico&amp;rsquo;s birth the family moved to Naples where Gennaro found employment on the construction of the Palace of Capodimonte. His teachers were Gennaro Manna and&lt;/p&gt;</description>
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				<title>Domenico Colla</title>
				<link>https://musictheoryprint.com/composers/do/domenico-colla/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/do/domenico-colla/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Domenico Colla was an 18th-century Brescian composer and performer who traveled Europe in the 1760s, performing in the most important theaters and salons. Together with his brother Giuseppe, he was one of the Colla brothers. The brothers played in royal circles; they performed before Frederick the Great in 1765 in the palace at Sanssouci. The brothers played the colascione and colascioncino and guitar. Each sonata lists either the colascioncino or colascioncino of two strings. *Sonata in G major *Sonata in G major *Sonata in D major *Sonata in E major *Sonata in E-flat major *Sonata in F major References External links *British Museum, drawing from 1749 by Ghezzi that preceded the later 1752 engraving by Oesterreich. *RISM page for Domenico Colla; has link to pages about his works. *Record for Colla&amp;rsquo;s sonatas in Dresden library. * Colla&amp;rsquo;s sonatas in RISM.&lt;/p&gt;</description>
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				<title>Domenico Dall&#39;Oglio</title>
				<link>https://musictheoryprint.com/composers/do/domenico-dall-oglio/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/do/domenico-dall-oglio/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Domenico dall&amp;rsquo;Oglio (c. 1700 – 1764) was an Italian violinist and composer. Biography Domenico dall&amp;rsquo;Oglio was born in Padua, Republic of Venice. He was probably a pupil of Giuseppe Tartini, either after 1721 when Tartini was appointed Maestro di Cappella at the Basilica di Sant&amp;rsquo;Antonio in Padua, or perhaps after 1726 when Tartini founded his violin school. In 1732, dall&amp;rsquo;Oglio was appointed violinist at the Basilica di Sant&amp;rsquo;Antonio, but in 1735 he left Padua to go to the Russian Empire with his brother Giuseppe, a cellist. Both brothers remained in St Petersburg for nearly 29 years in the service of the imperial court. Court records make frequent reference to Domenico&amp;rsquo;s activities as a virtuoso violinist and composer, and as a participant in the intrigues of the court. For relaxation he liked to build musical instruments – violins and lutes. He died in Narva, then part of the Russian Empire (today in Estonia), on his return journey to Italy. Musical style Most of dall&amp;rsquo;Oglio&amp;rsquo;s works are instrumental compositions, but at the imperial court of St Petersburg, in the absence of the maestro di cappella Francesco Araja, dall&amp;rsquo;Oglio was several times called on to produce music for the theatr&lt;/p&gt;</description>
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				<title>Domenico Della-Maria</title>
				<link>https://musictheoryprint.com/composers/do/domenico-della-maria/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/do/domenico-della-maria/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Domenico Della Maria (1768 – 9 March 1800) was a mandolin virtuoso and dramatic composer of operas. Early years Domenico Della Maria was born in Marseille in 1768. He was the son of Italian parents. His father Domenico was a roving mandolin player, who with his wife and friends formed an itinerant company of musicians—mandolinists, guitarists, and vocalists. During their wanderings they visited Marseille, where their playing and singing attracted more than ordinary attention. This success induced Della Maria and his wife to settle in this city, where they first commenced to teach their instruments, Domenico was born. He was taught the mandolin while a child, and a few years later he received instruction on the violoncello. He appeared publicly as an infant prodigy upon both instruments. When he was eighteen years of age Della Maria wrote his first opera, it being performed in the theatre of his native town. This work caused a great sensation among musicians of Marseille, as bearing the stamp of genius. After this success, Della Maria travelled through Italy as a mandolinist and violoncellist and did not continue his musical education until he came under the influence of Paisiello i&lt;/p&gt;</description>
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				<title>Domenico Dragonetti</title>
				<link>https://musictheoryprint.com/composers/do/domenico-dragonetti/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/do/domenico-dragonetti/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Domenico Carlo Maria Dragonetti (7 April 1763 – 16 April 1846) was an Italian double bass virtuoso and composer with a three string double bass. He stayed for thirty years in his hometown of Venice, Republic of Venice and worked at the Opera Buffa, at the Chapel of San Marco and at the Grand Opera in Vicenza. By that time he had become notable throughout Europe and had turned down several opportunities, including offers from the Tsar of Russia. In 1794, he finally moved to London to play in the orchestra of the King&amp;rsquo;s Theatre, and settled there for the remainder of his life. In fifty years, he became a prominent figure in the musical events of the English capital, performing at the concerts of the Philharmonic Society of London as well as in more private events, where he would meet the most influential persons in the country, like the Prince Consort and the Duke of Leinster. He was acquainted with composers Joseph Haydn and Ludwig van Beethoven, whom he visited on several occasions in Vienna, and to whom he showed the possibilities of the double bass as a solo instrument. His ability on the instrument also demonstrated the relevance of writing scores for the double bass in the orch&lt;/p&gt;</description>
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				<title>Domenico Ferrabosco</title>
				<link>https://musictheoryprint.com/composers/do/domenico-ferrabosco/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/do/domenico-ferrabosco/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Domenico Maria Ferrabosco (14 February 1513 – February 1574) Little is known about his early life. He was a singer at the cathedral of San Petronio, and by 1540 had established a high enough reputation for his various musical activities that the city officials gave him a lifetime stipend to oversee the palace musicians. Sometime in the 1540s he went to Rome, and he became magister puerorum (director of the boy&amp;rsquo;s choir) for the Julian Chapel in 1546. However, due to family obligations he returned to Bologna in 1547, and became maestro di cappella (choir director) at San Petronio, the church where he had previously been a singer, in 1548. The Bolognese Senate also granted him a non-musical position, Regulator et scriba campionis creditorum Montis portarum. Palestrina was one of the other composers and singers working in the principal Roman chapels at that time, and the two of them, along with all the other married singers, were removed from their posts, on pension, in September 1555 under an edict by the new Pope Paul IV, who decided to more rigidly enforce the rule on celibacy for his musicians than had his predecessors. Ferrabosco probably did not go back to Bologna after this, but&lt;/p&gt;</description>
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				<title>Domenico Fischietti</title>
				<link>https://musictheoryprint.com/composers/do/domenico-fischietti/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/do/domenico-fischietti/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Domenico Fischietti (1725–1810) was an Italian composer. He was born in Naples and studied at the Conservatory of Sant&amp;rsquo;Onofrio Porta Capuana under the leadership of Leonardo Leo and Francesco Durante. His first opera, Armindo, premiered in 1742 at the Teatro dei Fiorentini in Naples, though there are doubts about whether he could have started composing at such a young age - it may have been by his father. In 1755 he was in Venice to present Lo speziale (the apothecary), the first opera with a libretto by Carlo Goldoni. He followed this success with La ritornata a Londra (The Return to London) in 1756, Il mercato di Malmantile (The Market of Malmantile) in 1758, Il signor dottore (The Doctor) also in 1758, and La fiera di Sinigaglia in 1760. These works, all drammi giocosi, represent Fiscietti&amp;rsquo;s chief claim to fame. In 1764, he moved to Prague where he was associated with the impresario Giuseppe Bustelli at the Divadlo v Kotcích (German &amp;ldquo;Kotzentheater&amp;rdquo;). Besides a number of operas, it is known that Fischietti&amp;rsquo;s oratorio La morte d&amp;rsquo;Abel was staged in this theater in 1763. In 1766 he became the master of the chapel court and the director of sacred music in Dresden. Here he worked with&lt;/p&gt;</description>
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				<title>Domenico Freschi</title>
				<link>https://musictheoryprint.com/composers/do/domenico-freschi/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/do/domenico-freschi/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Giovanni Domenico Freschi (26 March 1634 – 2 July 1710) was an Italian composer and Roman Catholic priest. From the age of 22 until his death he worked as a church musician and composer in Vincenza. He was also active as an opera composer from 1671 to 1685. Life and career Born in Bassano del Grappa, Freschi was appointed the maestro di cappella at the Cathedral of Vicenza on 14 December 1656; just a few years after his ordination. He remained in that post until his death in Vincenza 53 and a half years later. His sacred music compositions were frequently performed at the cathedral and at other major churches in Vincenza during his lifetime. In addition to his work as a church musician and composer, Freschi also had an active career as an opera composer. Of his 16 known operas, 11 of them premiered at theatres in Venice and 5 of them at the opera house in Villa Contarini, Piazzola sul Brenta. His first opera, Ifide greca (libretto by Nicolò Minato), premiered in Venice in 1671. His second opera, Helena rapita da Paride was performed for the inauguration of the Teatro Sant&amp;rsquo;Angelo in Venice in 1677. His last opera to premiere, Gl&amp;rsquo;amori d&amp;rsquo;Alidaura, was performed in Piazzola sul Brenta&lt;/p&gt;</description>
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				<title>Domenico Picciché</title>
				<link>https://musictheoryprint.com/composers/do/domenico-picciche/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/do/domenico-picciche/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Domenico Picciché (; born 18 July 1970), is an Italian pianist, composer and jurist. Biography Originary from Alcamo, in the Province of Trapani, he started the study of piano when aged only six and got his secondary school diploma, with honours, at the Liceo Scientifico Giuseppe Ferro in Alcamo. In 1988, when aged only eighteen, he earned his Academic Diploma in Piano from the Conservatory of Music Alessandro Scarlatti in Palermo, magna cum laude. He studied pianoforte with giants of world pianism, such as Jörg Demus, Maria Tipo, Franco Scala, Boris Petrushansky, Aldo Ciccolini; composition with Eliodoro Sollima; analysis with Piero Rattalino. 1st prize at &amp;ldquo;Città di Roma&amp;rdquo; Competition. 2nd prize (1st not assigned) at Enna &amp;ldquo;F. P. Neglia&amp;rdquo; International Competition. Specialized in piano transcription repertoire, he discovered and interpreted piano transcriptions by famous and unknown musicians (from Jan Sibelius to Antonio Scontrino). He also composed piano transcriptions, like La Valse by Maurice Ravel New York University; Tokyo Opera City Concert Hall; Französischer Dom, Berlin; Auditorium S. Cecilia, Rome; Eglise Saint-Merri and Centre Européen des Activités Artistiques, Paris; Tüb&lt;/p&gt;</description>
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				<title>Domenico Sarro</title>
				<link>https://musictheoryprint.com/composers/do/domenico-sarro/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/do/domenico-sarro/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Domenico Natale Sarro, also Sarri (24 December 1679 – 25 January 1744) was an Italian composer. Born in Trani, Apulia, Kingdom of Naples, he studied at the Neapolitan conservatory of S. Onofrio. He composed extensively in the early 18th century. His opera Didone abbandonata, premiered on 1 February 1724 at the Teatro San Bartolomeo in Naples, was the first setting of a major libretto by Pietro Metastasio. He is best remembered today as the composer of Achille in Sciro, the opera that was chosen to open the new Teatro di San Carlo in 1737. Of his many intermezzi, &amp;lsquo;Dorina e Nibbio&amp;rsquo; or L&amp;rsquo;impresario delle Isole Canarie (1724) has had an extensive performance history. With a libretto by Pietro Metastasio (his only comic libretto), it was performed often and imitated internationally (with versions by Albinoni, Gasparini, Leo, Martini and others). In recent years it was performed in the State Theatre of Stuttgart, the Bochum Symphony as well as the Semperoper Dresden. In addition to his Operas and other large scale works, Sarro has written a considerable number of vocal cantatas which show great charm and inventiveness. &amp;lsquo;Coronatemi il crin&amp;rsquo; for Alto, two violins and continuo, is perhaps h&lt;/p&gt;</description>
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				<title>Domenico Scarlatti</title>
				<link>https://musictheoryprint.com/composers/do/domenico-scarlatti/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/do/domenico-scarlatti/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;h2 id=&#34;italy&#34;&gt;Italy&lt;a class=&#34;anchor&#34; href=&#34;#italy&#34;&gt;#&lt;/a&gt;&lt;/h2&gt;&#xA;&lt;p&gt;Scarlatti was born in Naples, Kingdom of Naples, then belonging to the Spanish Empire. He was born in 1685, the same year as Johann Sebastian Bach and George Frideric Handel. Although his early musical education is unclear, he may have studied under Gaetano Greco, Francesco Gasparini, and Bernardo Pasquini. Scarlatti was appointed as a composer and organist at the Chapel Royal of Naples in 1701 and briefly worked under his father, who was then the chapel&amp;rsquo;s maestro di cappella. Domenico&amp;rsquo;s first two operas were produced in Naples in 1703: Ottavia Restituita al Trono and Il GiustIno. In 1703 he revised Carlo Francesco Pollarolo&amp;rsquo;s opera Irene for performance at Naples. Soon after Alessandro sent Domenico to Venice by way of Florence and gave him a letter for Fernando de&amp;rsquo; Medici in the hope that there would be appointments from the Prince for Domenico and for himself. He thought that Venice would offer more opportunities for his son than Rome, even if no royal appointments were bestowed and they were not. After this, nothing is certain of his life until 1709, when he went to Rome and entered the service of the exiled Polish queen Marie Casimire. Some of these works, including Tolomeo e Alessandro (1711) and Amor d&amp;rsquo;un&amp;rsquo;ombra e gelosia d&amp;rsquo;un&amp;rsquo;aura (1714), were composed especially for Queen Casimir&amp;rsquo;s private theatre. He also composed religious works like a Stabat Mater for ten voices. When the exiled queen ran out of money and left Italy, Scarlatti became a musical director at the Julian Chapel at St. Peter’s from 1714 to 1719. While in Rome he met Thomas Roseingrave, who would later describe his harpsichord skills to Charles Burney. Scarlatti was already an accomplished harpsichordist; there is a story of a trial of skill with George Frideric Handel at the palace of Cardinal Ottoboni in Rome, where Scarlatti was judged possibly superior to Handel on the harpsichord, although inferior on the organ. Later in life, he was known to cross himself in veneration when speaking of Handel&amp;rsquo;s skill. In Lisbon he became musical director to King John V of Portugal, as well as music master to the king’s younger brother Don Antonio and Princess Maria Magdalena Barbara. He also knew of and probably met the 16-year-old Carlos Seixas, who was also at the court of John V.&lt;/p&gt;</description>
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				<title>Domenico Zipoli</title>
				<link>https://musictheoryprint.com/composers/do/domenico-zipoli/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/do/domenico-zipoli/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Domenico Zipoli (1688–1726) was an Italian composer from the Baroque period who worked in Córdoba, in the Viceroyalty of Peru, Spanish Empire (in modern Argentina). He became a Jesuit in order to work in the Reductions of Paraguay where he taught music among the Guaraní people. He is remembered as the most accomplished musician among Jesuit missionaries. Early training and career Zipoli was born in Prato, where he received elementary musical training. However, there are no records of him having entered the cathedral choir. In 1707, and with the patronage of Cosimo III, Grand Duke of Tuscany, he was a pupil of the organist Giovani Maria Casini in Florence. In 1708 he briefly studied under Alessandro Scarlatti in Naples, then Bologna and finally in Rome under Bernardo Pasquini. Two of his oratorios date to this early period: San Antonio di Padova (1712) and Santa Caterina, Virgine e martire (1714). Around 1715 he was made the organist of the Church of the Gesù (the mother church for the Society of Jesus), in Rome, a prestigious post. At the very beginning of the following year, he finished his best-known work, a collection of keyboard pieces titled Sonate d&amp;rsquo;intavolatura per organo e&lt;/p&gt;</description>
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				<title>Domingo Crisanto Delgado Gómez</title>
				<link>https://musictheoryprint.com/composers/do/domingo-crisanto-delgado-gomez/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/do/domingo-crisanto-delgado-gomez/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Domingo Crisanto Delgado Gómez (1806, Güímar, Tenerife, Spain – 1858, San Juan, Puerto Rico) was one of the most famous composers of the nineteenth century Canary Islands; and first organist of the Cathedral of San Juan Bautista in Puerto Rico. Early life He born in 1806 in the town of Güímar on the island of Tenerife. In 1821 he became a cantor in the music chapel of La Laguna Cathedral of his native island. Then he stood out for his talent and wrote numerous scores for the cathedral and the Convento de Santa Catalina de Siena. When Crisanto was a teacher he had among his students the composer Felipe Gutiérrez y Espinosa. See also *List of Spanish composers References&lt;/p&gt;</description>
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				<title>Domingo Prat</title>
				<link>https://musictheoryprint.com/composers/do/domingo-prat/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/do/domingo-prat/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Domingo Prat (17 March 1886 – 22 November 1944) was an Argentine guitarist, composer, and music educator of Spanish origin, considered one of the most important guitarists in Buenos Aires in the early 20th century. Life Born in Barcelona, Spain, Prat was the son of amateur guitarist Tomás Prat Puig. He received his initial musical training at the Municipal School of Music in Barcelona. He studied guitar with Miguel Llobet and Francisco Tárrega from 1898 to 1904. In 1904, he moved to Argentina and established himself as a guitar teacher in Buenos Aires in 1907. There, he spread the Tárrega school. Domingo Prat married guitarist Carmen Farré Ors, daughter of León Farré Duro, who worked with him, in 1909. In 1934, he published the Diccionario de Guitarristas (Dictionary of Guitarists) in a limited-edition of 1605 copies, which is still used today as a reference work. Thanks to his work, he became one of the most important guitarists in Buenos Aires in the early 20th century, alongside Julio Salvador Sagreras. Prat founded a conservatory in Haedo and taught many renowned guitarists, such as María Luisa Anido (from 1914). Prat died in Haedo, Buenos Aires Province, Argentina, aged 58. Wo&lt;/p&gt;</description>
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				<title>Dominic Lewis</title>
				<link>https://musictheoryprint.com/composers/do/dominic-lewis/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/do/dominic-lewis/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Dominic Alexander Charles Lewis (born January 29, 1985) is an English film and television composer and singer. He first worked on various music departments for film projects before transitioning into more solo work starting with Free Birds. His other credits include The Man in the High Castle, DuckTales, Peter Rabbit, Peter Rabbit 2: The Runaway, Monsters at Work, Bullet Train, My Adventures with Superman, The Fall Guy, Karate Kid: Legends, Nobody 2 and How to Rob a Bank. He also served as the singing voice for Lurch in The Addams Family 2 and for Donald Duck in the DuckTales reboot. Life and career Lewis was born and raised in London, England. Both his parents are musicians and he began learning the cello at age three. He also played the piano and guitar, sang in choirs, formed rock bands, and wrote songs while growing up. He cites his early influences as John Williams, Alan Silvestri, Strauss, Claude Debussy, Maurice Ravel, The Beatles, The Beach Boys, Eric Clapton, and Jimi Hendrix. He studied at the Royal Academy of Music in London where he was classically trained in cello and music composition. During his time there, he was under the mentorship of film composer, Rupert Gregson&lt;/p&gt;</description>
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				<title>Dominic Muldowney</title>
				<link>https://musictheoryprint.com/composers/do/dominic-muldowney/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/do/dominic-muldowney/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Dominic Muldowney (born 19 July 1952 in Southampton) is a British composer. Biography Dominic Muldowney studied at the University of Southampton with Jonathan Harvey, at the University of York (with Bernard Rands and David Blake), and privately with Harrison Birtwistle. From 1974 to 1976 he was composer-in-residence to the Southern Arts Association. In 1976 he was invited by Birtwistle to become assistant music director of the Royal National Theatre in London. He succeeded Birtwistle as Music Director in 1981, remaining in that post until 1997. Muldowney&amp;rsquo;s orchestral music includes a number of concerti (for piano, saxophone, oboe, violin, percussion, trumpet and trombone), many of which explore his fascination with polyrhythms. Other works include Three Pieces for Orchestra (1991), the song cycle Lonely Hearts (1988) and three full-length ballets, including The Brontës (1994). Muldowney’s radio opera The Voluptuous Tango (1996) won the Prix Italia in 1997, and the Gold Award for Best Radio Drama at 1997 Sony Drama Awards, and received its stage premiere in Hoxton New Music Days, London in 2000. Muldowney has written much music for TV, radio and film including The Ploughman’s Lunch&lt;/p&gt;</description>
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				<title>Dominick Argento</title>
				<link>https://musictheoryprint.com/composers/do/dominick-argento/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/do/dominick-argento/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Dominick Argento (October 27, 1927 – February 20, 2019) was an American composer best known for his operatic and choral music. His compositions include the operas Postcard from Morocco, Miss Havisham&amp;rsquo;s Fire, The Masque of Angels, and The Aspern Papers. His song cycle From the Diary of Virginia Woolf won the Pulitzer Prize for Music in 1975. Argento spent most of his time in Minnesota, where he taught at the University of Minnesota. Critics have described his style as blending tonal and atonal elements, sometimes incorporating twelve-tone technique. During the 1950s, Argento spent extended periods in both the United States and Italy, often working in Florence, where he spent some time each year. As a university professor, he taught theory and composition. In 1963, he helped establish the Center Opera Company (now the Minnesota Opera). Argento wrote 14 operas and numerous song cycles, orchestral works, and choral pieces for both small and large ensembles. Many of these were commissioned for and premiered by Minnesota-based artists. His wife, soprano Carolyn Bailey, frequently performed his compositions. Bailey died in 2006. In 2009, Argento received the Brock Commission from the Amer&lt;/p&gt;</description>
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				<title>Dominique Le Gendre</title>
				<link>https://musictheoryprint.com/composers/do/dominique-le-gendre/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/do/dominique-le-gendre/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Dominique Le Gendre (born 16 September 1960 in Trinidad and Tobago) is a music composer based in London, England. Le Gendre is a former associate of the Royal Opera House and received an opera commission. She has also provided music for the Shakespeare Globe Theatre, Talawa Theatre Company, and the Theatre of Black Women, among other places. She provided the music for an opera with words by Seamus Heaney. Early life and career Le Gendre was born and brought up in Trinidad and Tobago and her involvement in music began from an early age, playing the guitar for her local church choir from age 10. Le Gendre&amp;rsquo;s Bird of Night was her first full-length opera which premiered at Linbury Studio Theatre, London. She has composed music for theatre, dance, art installations, film, television and radio drama for BBC Radio 3 and Radio 4. She has composed and produced music for all 38 Shakespeare plays recorded for the audio CD collection, The Complete Arkangel Shakespeare, directed by Clive Brill. In 2018 Le Gendre composed and directed music for the critically acclaimed Production of Richard II at Shakespeare&amp;rsquo;s Globe. She has composed music for many films like Dreams in Transit, Sixth Happiness,&lt;/p&gt;</description>
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				<title>Dominique Phinot</title>
				<link>https://musictheoryprint.com/composers/do/dominique-phinot/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/do/dominique-phinot/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Dominique Phinot (c. 1510 – c. 1556) was a Franco-Flemish composer of the Renaissance, active in Italy and southern France. He was highly regarded at the time for his motets, which anticipate the style of Palestrina, and in addition he was an early pioneer of polychoral writing. Life He may have been French in origin, since Girolamo Cardano, writing about him in his Theonoston (1560) called him &amp;ldquo;Gallus&amp;rdquo;, and French was evidently his native language. Few details of his life are known with certainty, but some inferences can be made. Much of his career he spent in Italy, and he worked at both the court and cathedral in Urbino in 1544 and 1545. Some of his life he also probably spent in Lyon, as evidenced by several publications there, the music of which contains items of local interest; in addition the dedications are to citizens of Lyon. While stylistically some of his music seems likely to have been connected with Venice, there is no evidence of his activity there; however he published two books of psalm settings in Venice in 1554. According to Cardano he was executed for &amp;ldquo;homosexual practices&amp;rdquo;, probably in Lyon in 1556. Cardano relates that &amp;lsquo;Jacob Bonfadius, a man otherwise not in&lt;/p&gt;</description>
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				<title>Dominique Vellard</title>
				<link>https://musictheoryprint.com/composers/do/dominique-vellard/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/do/dominique-vellard/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Dominique Vellard (born 1953) is a French tenor and specialist in medieval music. In 1979 he founded the Ensemble Gilles Binchois, a leading ensemble in the performance of Ars Nova music. He is also a composer. Selected discography Harmonic: *Gregorian Chant. Ensemble Gilles Binchois - Dominique Vellard Harmonic 8827 * Les Escholiers de Paris - Motets, Chansons et Estampies du XIIIe siècle. Ensemble Gilles Binchois - Dominique Vellard Harmonic reissued Cantus Records: * Machaut: Messe de Notre Dame * Machaut: Le Jugement du Roi de Navarre Ballades, motets, virelais. Ensemble Gilles Binchois - Dominique Vellard Cantus Virgin Veritas: * Jehan de Lescurel: Fontaine de grace Ballades, virelais et rondeaux Ensemble Gilles Binchois - Dominique Vellard Virgin Veritas 45066 * Guillaume Dufay: Missa Ecce ancilla Domini Ensemble Gilles Binchois - Dominique Vellard Virgin Veritas 45050 * Le Banquet du Voeu 1454. Ensemble Gilles Binchois - Dominique Vellard Virgin Veritas 59043 * Le Manuscrit du Puy. Ensemble Gilles Binchois - Dominique Vellard Virgin Veritas 59238 * Les premiers polyphonies française. Ensemble Gilles Binchois - Dominique Vellard, dir. Virgin Veritas 45135 * El Misteri d&amp;rsquo;Elx.&lt;/p&gt;</description>
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				<title>Don Jaffe</title>
				<link>https://musictheoryprint.com/composers/do/don-jaffe/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/do/don-jaffe/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Don Jaffe (or Jaffé) (; born 24 January 1933) is a German-Israeli-Latvian musician and composer. Biography Family Jaffe was born in 1933 in Riga, Latvia, to Ella Jaffe who had attended a German business school in Riga, and Jakov Jaffe, who had studied electrical engineering in Berlin. After his studies, Jakov Jaffe returned to Riga. In 1941, when the German Wehrmacht conquered Latvia, the Jaffe family – Jakov, Ella, Don, and his two siblings – had to flee to Siberia. After World War II, the Jaffes decided to return to Riga. All their relatives who couldn&amp;rsquo;t escape to the Soviet Union were murdered. In 1956, Don Jaffe married Elza Jaffe, born Peterson. They have two children: Ramon (born 1962, a cellist) and Diana (born 1969), a book author and expert in gender marketing). Since 1975, Don Jaffe has lived in Bremen. Career At the age of fourteen, Jaffe started to learn Cello at the Emīls Dārziņš Music School, the junior music conservatory in Riga. In 1951, he was the first string player to graduate from this music school. Jaffe finished his studies there in only four years instead of the regular ten. From 1951 to 1956 he studied Cello at the Jāzeps Vītols Latvian Academy of Music in R&lt;/p&gt;</description>
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				<title>Don Kay (composer)</title>
				<link>https://musictheoryprint.com/composers/do/don-kay-composer/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/do/don-kay-composer/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Donald Henry Kay AM (born 25 January 1933) is an Australian classical composer. Kay was born on 25 January 1933 in Smithton, Tasmania. He attained a Bachelor of Music degree at the University of Melbourne after which he taught music at Colac High School, Victoria, 1957–59. He then went on to teach music at Peckham Manor Comprehensive School for Boys, London, UK 1959-64 and was director of music there from 1962 to 1964. He studied composition privately at this time with Malcolm Williamson. Kay returned to Tasmania in 1965 with a young family of two daughters as lecturer of music at the Hobart Teachers College. the Hobart City Organist, in 1967. Active as a music tutor from the late 1960s to the middle 1970s with the Tasmanian Youth Theatre, Secheron House, Battery Point, Kay also composed a number of scores for production by the Tasmanian Puppet Theatre as well as Theatre Royal professional productions e.g. Richard II (Shakespeare), The Imaginary Invalid (Molière), the Wakefield Miracle Plays (Tasmania Festival, 1970) at that time. In 1984 Kay wrote an opera, The Golden Crane, with a libretto by Gwen Harwood. During these years Kay was also contributing to Creative Music and arts wo&lt;/p&gt;</description>
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				<title>Don Spike</title>
				<link>https://musictheoryprint.com/composers/do/don-spike/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/do/don-spike/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Kim Min-su (; born January 24, 1977), better known by his stage name Don Spike () is a South Korean singer, composer and entertainer. Personal life Relationships In May 2022, it was reported that Don Spike would hold a wedding with his girlfriend on June 4, 2022. Drug use allegations On September 27, 2022, Don Spike was arrested due to test resulted in a positive test for narcotics of using methamphetamine. According to news reports, the Nowon Police Station in Seoul had arrested Don Spike at around 8 pm on the 26th at a hotel in Gangnam, Seoul. Discography Singles As producer Filmography Television Web shows References External links *&lt;/p&gt;</description>
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				<title>Don Wright (composer)</title>
				<link>https://musictheoryprint.com/composers/do/don-wright-composer/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/do/don-wright-composer/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Don Wright, (September 6, 1908 - June 27, 2006) was a Canadian composer, musician, educator and philanthropist. He was a successful Canadian musician and popular music composer during his career from the 1930s to the 1960s and later became known for his large charitable donations and projects to fund music education in Canada. Early life Wright was born in Strathroy, Ontario, in 1908. His father, James Wright, was a known business man in the area who started the Wright Piano Co., which produced and sold upright and grand pianos. At an early age, Wright began studying the cello and trumpet and quickly started to show talent, winning a national gold medal for trumpet performance at age 14. Wright Brothers&amp;rsquo; Orchestra With three of his brothers (Clark on Alto Sax, Ernest on Banjo, and William on Drums) Don organized the Wright Brothers&amp;rsquo; Orchestra, which performed jazz and swing music from 1922 to 1935 in dance halls across Ontario. The band played three summers from 1922 to 1925 at Brights Grove Pavilion in Sarnia, Ontario, and during this time Don was beginning to display his talents as arranger and finding out how to produce big band sounds with smaller instrumentation. During the su&lt;/p&gt;</description>
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				<title>Dona Onete</title>
				<link>https://musictheoryprint.com/composers/do/dona-onete/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/do/dona-onete/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Dona Onete (born June 18, 1939) is a Brazilian singer and composer. She has been referred to as the &amp;ldquo;Queen of Carimbó&amp;rdquo;. Career She was born Ionete da Silveira Gama in Cachoeira do Arari and grew up in Igarapé-Miri. By the time that she was fifteen, she was singing songs from traditional music genres such as sambas, quadrilles and boi bumba. She taught history and Amazonian studies in Igarapé-Mir and conducted research into rhythms, dances and traditions of the region. She helped establish music and dance groups which preserved traditional music and customs. From 1993 to 1996, she served as secretary of culture for the municipality. She developed her own hybrid genre of music carimbó chamegado. After she retired to , she continued to perform. Together with a local band, she has performed throughout Brazil as well as in the United Kingdom, France, Portugal, Germany and New York City. In 2017, she was named to the Brazilian Ordem do Mérito Cultural. In 2018, Onete appeared in the documentary film Amazônia Groove. Her album Rebujo was considered one of the 25 best Brazilian albums of the first half of 2019 by the São Paulo Association of Art Critics. References&lt;/p&gt;</description>
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				<title>Donald Alexander Cochrane</title>
				<link>https://musictheoryprint.com/composers/do/donald-alexander-cochrane/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/do/donald-alexander-cochrane/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Donald Alexander Cochrane (born 1928) is a Canadian composer, responsible for compositions, including symphonies, quintets and mixed choral/orchestra pieces. Education and Teaching Donald Alexander Cochrane, Canadian composer and pianist was born in Cornwall, Ontario. After high-school graduation he moved to New York City to study piano under Dr. Alexander Klahr, a former associate of the University of Vienna, Austria. He earned his BSc. degree from Columbia University, NYC. After that, he proceeded to study music composition with Dr. Hans Sachsse of the Munich High School for Music. For twenty-five years Cochrane worked as a high-school music department head in the Toronto area. After retirement, he continued work with computer music software. Composer He is a prolific composer whose oeuvre consists of 12 piano concerti (the last one was written in 2008), 10 symphonies, the last in 2004, 2 albums of piano music, 6 sets of orchestral variations, chamber music, a viola concerto for small Orchestra, 2 string quartets, 2 piano quintets, woodwind quintet, brass quintet, clarinet quartet, saxophone quartet, vocal music, settings from William Blake&amp;rsquo;s &amp;ldquo;Songs of Innocence&amp;rdquo; – a capella – wi&lt;/p&gt;</description>
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				<title>Donald Erb</title>
				<link>https://musictheoryprint.com/composers/do/donald-erb/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/do/donald-erb/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Donald Erb (January 17, 1927 – August 12, 2008) was an American composer best known for large orchestral works such as Concerto for Brass and Orchestra and Ritual Observances. Early years Erb was born in Youngstown, Ohio, graduated from Lakewood High School, a Cleveland suburb, and gained early recognition as a trumpet player for a local dance band. Following a stint in the Navy during World War II, he continued his career as a jazz trumpeter and enrolled at Kent State University, where he earned a Bachelor of Science degree in music in 1950. Honors and awards In the course of his career, Erb earned considerable recognition. He received the 1992 Rome Prize and was composer-in-residence with the St. Louis Symphony Orchestra. He was Distinguished Professor of Composition, Emeritus, at the Cleveland Institute of Music in Cleveland, Ohio. Selected works * 1966 Concerto for Solo Percussionist * 1964 Symphony of Overtures * 1965 Phantasma for four musicians * 1966 Diversion For Two (other than sex) for trumpet and percussion * 1966 String Trio for violin, electric guitar and violoncello * 1967 Reconnaissance for instruments and electronic sounds * 1968 In No Strange Land for instruments&lt;/p&gt;</description>
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				<title>Donald Harris (composer)</title>
				<link>https://musictheoryprint.com/composers/do/donald-harris-composer/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/do/donald-harris-composer/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Donald Harris (April 7, 1931, in St. Paul, Minnesota March 29, 2016, in Columbus, Ohio) was an American composer who taught music at Ohio State University for 22 years. He was Dean of the College of the Arts from 1988 to 1997. Harris earned a bachelor&amp;rsquo;s degree and a master&amp;rsquo;s degree in music from the University of Michigan. He completed further studies at the Tanglewood Music Center and the Centre Français d&amp;rsquo;Humanisme Musical in Aix-en-Provence. He studied with Ross Lee Finney, Max Deutsch, Nadia Boulanger, Boris Blacher, Lukas Foss, and André Jolivet. He founded the Contemporary Music Festival at Ohio State in 2000. Prior to joining the faculty at Ohio State, he served on the faculties and as an administrator of the New England Conservatory of Music and the Hartt School of Music. From 1954 to 1968, Harris lived in Paris, where he served as music consultant to the United States Information Agency and produced the city&amp;rsquo;s first postwar Festival of Contemporary American Music. A documentary about Harris entitled Sonata 1957 was produced by Daniel Beliavsky through opus1films in 2011. It explores Harris&amp;rsquo;s development in mid-20th-century Paris, when pre-war musical thought bridged with p&lt;/p&gt;</description>
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				<title>Donald Heins</title>
				<link>https://musictheoryprint.com/composers/do/donald-heins/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/do/donald-heins/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Donald Heins (19 February 1878 – 1 January 1949) was a Canadian violinist, violist, conductor, organist, composer, and music educator of English birth. He notably founded the first professional orchestra in Ottawa, the Ottawa Symphony Orchestra (no relation to the current orchestra of that name), in 1902, serving as its director until 1927. He also served in a variety of positions with the Toronto Symphony Orchestra from 1927 to 1949, including concertmaster, principal violist, and assistant conductor. He was highly active as an educator, notably founding the instrumental music program at Ottawa&amp;rsquo;s public school system and teaching on the faculties of the Canadian Conservatory of Music (1902–1927) and the Toronto Conservatory of Music (1927–1948). His compositions include several motets and anthems, some chamber music for string instruments, a small amount of orchestral music, the Saint Ursula Mass for female choir and small orchestra, and two short operettas, An Old Tortugas (1936) and Yellow Back (1939), both of which were commissioned by the Canadian Broadcasting Corporation. Early life and education Born in Hereford, Heins was the grandson of a German piano maker who had immigra&lt;/p&gt;</description>
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				<title>Donald Knaack</title>
				<link>https://musictheoryprint.com/composers/do/donald-knaack/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/do/donald-knaack/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Donald Knaack is an American percussionist. He performs on and composes for recycled materials exclusively. His album Junk Music was nominated for a Grammy Award, and he has played in many prominent venues worldwide, including the Lincoln Center, the Kennedy Center, the Vans Warped Tour, the Sundance Film Festival, the Burlington Discover Jazz Festival, the Kansas City International Jazz Festival and more. Biography Donald Knaack (aka The Junkman) is a classically trained percussionist and composer who has used recycled materials as his instruments of music since long before the eco-green movement was cool. He calls it Junk Music and it all began with his mentor and collaborator, John Cage encouraged the further development of his attraction to the sounds of found objects. He&amp;rsquo;s performed at Lincoln Center, The Van&amp;rsquo;s Warped Tour (with Eminem, Black Eyed Peas and Blink-182), The United Nations, The Kennedy Center, Sundance Film Festival, concerts with Phish, Seoul Drum Festival, Summer Series Dubai, many schools and colleges and a solo concert at the United Nation&amp;rsquo;s COP 16 Conference on Climate Change in Cancun, Mexico, where he was awarded the &amp;ldquo;Cantando por el Planeta&amp;rdquo; award by the&lt;/p&gt;</description>
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				<title>Donald Martino</title>
				<link>https://musictheoryprint.com/composers/do/donald-martino/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/do/donald-martino/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Donald James Martino (May 16, 1931 – December 8, 2005) was a Pulitzer Prize winning American composer. Biography Born in Plainfield, New Jersey, Martino attended Plainfield High School. He began as a clarinetist, playing jazz for fun and profit. He attended Syracuse University, where he studied composition with Ernst Bacon, who encouraged him in that direction. He then attended Princeton University as a graduate student, where he worked with composers Roger Sessions and Milton Babbitt. He also studied with Luigi Dallapiccola in Italy as a Fulbright Scholar. He became a lecturer and teacher himself, working with students at Yale University, the New England Conservatory of Music (where he became chair of the composition department), Brandeis University, and Harvard University. He won the Pulitzer Prize for music in 1974 for his chamber work Notturno. In 1991, the journal Perspectives of New Music published a 292-page tribute to Martino. Martino died in Antigua in 2005. A memorial concert was held at the New England Conservatory on May 8, 2007. A recording of the concert was released by Navona Records in 2009. Music Most of Martino&amp;rsquo;s mature works (including pseudo-tonal works such as&lt;/p&gt;</description>
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				<title>Donald Patriquin</title>
				<link>https://musictheoryprint.com/composers/do/donald-patriquin/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/do/donald-patriquin/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Donald Patriquin (born October 21, 1938, in Sherbrooke, Quebec) is a Canadian composer, organist, and choral conductor. Known internationally for choral and instrumental arrangements of folk music, Patriquin was a member of the Faculty of Music of McGill University from 1965 to 1996. He currently resides in the Eastern Townships of Quebec. Musical background Patriquin began composing at the age of 11, winning several awards through his youth while studying composition with Jean Papineau-Couture during summer sessions. He completed a biology degree at Bishop&amp;rsquo;s University in 1959 before beginning his formal studies in music. He studied composition at McGill University with István Anhalt and at the University of Toronto with John Weinzwig, earning a Bachelor of Music degree from McGill in 1964 and an M.A. from Toronto in 1970. He also holds an A.Mus. degree in organ performance from McGill and an RCCO Music Patriquin&amp;rsquo;s compositions are best known for the use of folk music elements, and in his instrumental work for abstract noises imitating sounds of nature. This compositional style can be seen in such pieces as the Fantasy for Fiddle and the Hangman&amp;rsquo;s Reel/Suite Carignan. Some of Patr&lt;/p&gt;</description>
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				<title>Donald Quan</title>
				<link>https://musictheoryprint.com/composers/do/donald-quan/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/do/donald-quan/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Donald Quan (born 1962) is a Canadian composer of film and world music, best known for writing the scores to television shows Relic Hunter and Mutant X. Career Born in Toronto, Ontario, and schooled at the Berklee College of Music in Boston, Quan was the recipient of the Joe Venuti scholarship for stringed instrument performance. After Quan left college, he ventured into pop/rock music with the Canadian rock band Lighthouse and played with them for three years. In 1988, Quan joined the Canadian rock group Eye Eye as a keyboardist and violist. He also performed as a multi-instrumentalist with the performance artist Meryn Cadell, the Celtic-rock band Enter the Haggis, alt-rock band Cliché Verre and Juno nominated Afro-Canadian pop ensemble Kaleefah. Quan has been a long-time band member of Canadian singer Loreena McKennitt and has assisted in the production of several studio albums and recordings including the acclaimed The Book of Secrets. Quan collapsed onstage on Saturday, August 8, 2009, playing keyboards with Derek Miller in Kitchener, Ontario, for the Kitchener Bluesfest. He has since fully recovered. Since 2007, Donald Quan&amp;rsquo;s music shop of musical instrument curiosities MUSIDE&lt;/p&gt;</description>
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				<title>Donald Steven</title>
				<link>https://musictheoryprint.com/composers/do/donald-steven/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/do/donald-steven/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Donald Steven (born 26 May 1945) is a Canadian-American composer, music educator, and academic administrator. An associate composer of the Canadian Music Centre, he won a BMI Student Composer Award in 1970, the Canadian Federation of University Women&amp;rsquo;s Golden Jubilee Creative Arts Award in 1972, the 1987 Juno Award for Classical Composition of the Year (for Pages of Solitary Delights) and the 1991 Jules Léger Prize for New Chamber Music (for In the Land of Pure Delight). His musical compositions are characterized by their emphasis on instrumental colour and atmosphere. Perhaps his most well known piece is his Illusions for solo cello, which has been widely performed in concert and on television and radio broadcasts. Life and career Born in Montreal, he attended Selwyn House School, followed by Ashbury College. He began his career performing and arranging folk and rock music in the 1960s (most notably with The Raftsmen) before pursuing professional studies in music. In 1968 he entered McGill University where he was a music composition student of Bruce Mather. After graduating from McGill with a Bachelor of Music in 1972, he entered the graduate music program at Princeton University&lt;/p&gt;</description>
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				<title>Donald Sur</title>
				<link>https://musictheoryprint.com/composers/do/donald-sur/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/do/donald-sur/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Donald Young Sur (1 February 1935 – 24 May 1999) was a Korean American composer and musicologist. Although he is best known for his large-scale oratorio, Slavery Documents, most of his works were composed for small chamber ensembles. Sur was born in Honolulu and moved with his family to Los Angeles after World War II. He studied at the University of California and Princeton before spending four years in Korea researching ancient Korean court music. After receiving his doctorate from Harvard in 1972, he settled in Boston, Massachusetts, where many of his works were premiered and where he taught at several local universities, including Harvard, MIT, and Tufts. Life and career Donald Sur was born in Honolulu in 1935 to parents of Korean descent. His paternal grandfather had emigrated to Hawaii in 1903 to work in the sugarcane plantations. His mother was a Korean picture bride. The first instrument he learned to play as a child was the ukulele; the second was the mandolin, which remained his favorite instrument throughout his life and figures in several of his scores. Sur&amp;rsquo;s family moved to the mainland United States in 1951 and eventually settled in Los Angeles. He studied ethnomusicol&lt;/p&gt;</description>
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				<title>Donald Swann</title>
				<link>https://musictheoryprint.com/composers/do/donald-swann/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/do/donald-swann/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Donald Ibrahim Swann (30 September 1923 – 23 March 1994) was a British composer, musician, singer and entertainer. He was one half of Flanders and Swann, writing and performing comic songs with Michael Flanders. Early life Donald Swann was born in Llanelli, Carmarthenshire, Wales. His father, Herbert Alfredovich Swann, was a Russian doctor of English descent, from the expatriate community that started out as the Muscovy Company. His mother, Naguimé Sultán Swann (born Piszóva), was a Turkmen-Russian nurse from Ashgabat, now part of Turkmenistan. They were refugees from the Russian Revolution. Swann&amp;rsquo;s great-grandfather, Alfred Trout Swan, a draper from Lincolnshire, emigrated to Russia in 1840 and married the daughter of the horologist to the tsars. Some time later the family added a second &amp;rsquo;n&amp;rsquo; to their surname. His uncle Alfred wrote the first biography of Alexander Scriabin in English. The family moved to London, where Swann attended Dulwich College Preparatory School and Westminster School. It was at the latter that he first met Michael Flanders, a fellow pupil. The pair then went their separate ways during World War II, but were later to establish a musical partnership. A lifelon&lt;/p&gt;</description>
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				<title>Donald Tovey</title>
				<link>https://musictheoryprint.com/composers/do/donald-tovey/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/do/donald-tovey/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Sir Donald Francis Tovey (17 July 187510 July 1940) was a British music analyst, musicologist, writer on music, composer, conductor and pianist. He had been best known for his Essays in Musical Analysis and his editions of works by Bach and Beethoven, but since the 1990s his (relatively few) compositions have been recorded and performed with increasing frequency. The recordings have mostly been well received by reviewers. Life He was born at Eton, Berkshire, the son of Duncan Crookes Tovey, an assistant master at Eton College, and his wife, Mary Fison. As a child Tovey was privately educated exclusively by Sophie Weisse. She was impressed by his musical gifts evident at an early age and took it upon herself to nurture him. Through her network of associates he was introduced to composers, performers and music critics. These included Walter Parratt, James Higgs and (from the age of 14) Hubert Parry for composition. In 1898, Tovey graduated from Balliol College at Oxford University, where he had studied the classics and developed his interest in music, particularly that of Bach. When Tovey was seven or eight years old, he met violinist Joseph Joachim, another acquaintance of Weisse. T&lt;/p&gt;</description>
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				<title>Donnacha Dennehy</title>
				<link>https://musictheoryprint.com/composers/do/donnacha-dennehy/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/do/donnacha-dennehy/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Donnacha Dennehy (born 17 August 1970) is an Irish composer and leader of the Crash Ensemble specializing in contemporary classical music. According to musicologist Bob Gilmore, Dennehy&amp;rsquo;s &amp;ldquo;high profile of his compositions internationally, together with his work as artistic director of Dublin’s Crash Ensemble, has distinguished him as one of the best-known voices of his generation of Irish composers&amp;rdquo;. Career and works Dennehy was born in Dublin, where he read music at Trinity College where he studied composition with Hormoz Farhat. His post-doctoral musical period included a stint at IRCAM, with Gérard Grisey, and studies in the Netherlands with Louis Andriessen. In 1997, Dennehy returned to Dublin and subsequently co-founded the Crash Ensemble, which focuses on the performance and recording of contemporary music. His works for the Crash Ensemble include Junk Box Fraud, Derailed, and For Herbert Brun. He later returned to Trinity College Dublin as a lecturer in music. His 2005 work for chorus and orchestra, Hive, displays his developing interest in microtones and harmonies based on harmonic spectra. His composition Grá Agus Bás, which was premiered in February 2007, incorporated mus&lt;/p&gt;</description>
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				<title>Donny Kees</title>
				<link>https://musictheoryprint.com/composers/do/donny-kees/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/do/donny-kees/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Donny Kees is an American songwriter and musician. Kees has written songs for numerous artists and charted several singles on the Billboard country charts. Since 1984, Kees has continued to write hit songs for other artists, most notably George Strait, Kenny Chesney, Reba McEntire, George Jones, Conway Twitty, Joe Nichols, Bryan White and Diamond Rio. Early life Kees was born in Carbondale, West Virginia, The family soon moved to Chesapeake, West Virginia, where Kees grew up. His father, an insurance salesman, musician and blues singer, influenced Kees&amp;rsquo; to pursue a career in music. After high school, he enlisted in the United States Air Force while attending University of Maryland and served in the Vietnam War in 1967 and 1968. Career During the 1970&amp;rsquo;s, Kees continued to perform and write music. He moved to Nashville, Tennessee, in 1984 after scoring cuts for Conway Twitty and others to pursue a career in songwriting, eventually signing a publishing deal with Acuff/Rose and an artist deal with 16th Avenue Records. Kees has had 3 number one singles on Billboard Country Charts and R&amp;amp;R charts along with five Top 10 singles. In 1993, Kees&amp;rsquo; song &amp;ldquo;When Did You Stop Loving Me&amp;rdquo; from the Pu&lt;/p&gt;</description>
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				<title>Dora Bright</title>
				<link>https://musictheoryprint.com/composers/do/dora-bright/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/do/dora-bright/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Dora Estella Knatchbull (née Bright; 16 August 1862 – 16 November 1951) was a British composer and pianist. She composed works for orchestra, keyboard and voice, and music for opera and ballet, and as a captain of the Hallamshire Volunteer Rifle Corps. He was an amateur violinist and in 1873 Dora, aged nine, performed alongside him in a benefit concert for his military unit. Charles Dibdin Pitt, who was a son of the dramatist George Dibdin Pitt, was lessee of the Theatre Royal, Sheffield, until his death on 21 February 1866, aged 47, and was succeeded as lessee of that theatre by his widow. Kate Pitt&amp;rsquo;s works included the plays Not False but Fickle, Noblesse Oblige, Bracken Hollow and Naomi&amp;rsquo;s Sin. Royal Academy and touring While at the Royal Academy of Music during 1881–89, Thereafter she lived at Babington House in Babington, Somerset, She was also the composer for ballets created with Adeline Genée, Later career and death Bright continued to compose orchestral music into the 20th century: her Variations for Piano and Orchestra was completed during a stay in Paris in 1910. Suite bretonne was performed at the Proms in August 1917. On 28 April 1939 the BBC broadcast her playing from&lt;/p&gt;</description>
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				<title>Dora Cojocaru</title>
				<link>https://musictheoryprint.com/composers/do/dora-cojocaru/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/do/dora-cojocaru/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Dora Cojocaru (born 20 August 1963 in Baia Mare) is a Romanian composer. Cojocaru studied at the Gheorghe Dima Music Academy in Cluj-Napoca and obtained diplomas in composition, pedagogy and piano there in 1986. After studying with Johannes Fritsch at the Hochschule für Musik Köln, she was awarded a master&amp;rsquo;s degree in composition. In 1997, she obtained a Ph.D. in musicology with a thesis on György Ligeti. After publication in 1999, the work was awarded the prize of the Romanian Composers&amp;rsquo; Union. From 1990 to 2002, Cojocaru taught at the Music Academy of Cluj-Napoca, and from 1993 to 1995 she worked for the Westdeutscher Rundfunk. She has been living in Montreal since 2002 and teaches at different music institutions. Work *Structuri for orchestra, 1985 *Luci, soare, luci, cantata for choir and orchestra, 1986 *Bocet pentru Manole, cantata for vocal soloists and chamber ensemble, 1987 *Cantos ll for mezzo-soprano and clarinet, 1991 *Vitalitate! for string orchestra, 1991 *Poarta Soarelui for flute and percussion, 1992 *A3 for clarinet, piano and percussion, 1992 (CD: Hungaroton, Budapest, 1998) *Trills, string trio, 1992 *String Quartet No. 1, 1994 *Riga Crypto si Lapona Enigel, Cham&lt;/p&gt;</description>
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				<title>Dora Pejačević</title>
				<link>https://musictheoryprint.com/composers/do/dora-pejacevic/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/do/dora-pejacevic/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Countess Maria Theodora Paulina &amp;ldquo;Dora&amp;rdquo; Pejačević (; 10 September 1885 – 5 March 1923) was a Croatian composer, pianist and violinist and one of the first composers to introduce the orchestral song to Croatian music. Her Symphony in F-sharp minor is considered by scholars to be the first modern symphony in Croatian music. Pejačević is noted for her vocal compositions, piano miniatures, and string quartets, In her early career, Pejačević’s primary themes were highly representative of the Romantic period, but this would change after her experience working as a paramedic in the First World War after which her works reflected the philosophic movement of nihilism and discussed motifs of death, isolation, and futility of war. In one of her diaries, she commented on 470 books she had read in the period from 1902 to 1921, which covered fields of literature, philosophy, music, religion, history, and natural sciences. The couple soon moved to Munich and had their first child, which proved to be fatal for Pejacevic. Her life is the subject of the fictionalized Croatian biographical film Countess Dora (1993), directed by Zvonimir Berković and starring Alma Prica and Rade Šerbedžija. List of wor&lt;/p&gt;</description>
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				<title>Doreen Carwithen</title>
				<link>https://musictheoryprint.com/composers/do/doreen-carwithen/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/do/doreen-carwithen/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Doreen Mary Carwithen (15 November 19225 January 2003) was a British composer of classical and film music. She was also known as Mary Alwyn following her marriage to William Alwyn. Biography Doreen Carwithen was born at 8 High Street, Haddenham, Buckinghamshire on 15 November 1922, At the age of 16 Doreen Carwithen began composing by setting Wordsworth&amp;rsquo;s &amp;ldquo;I Wandered Lonely as a Cloud&amp;rdquo; for voice and piano. In 1938 she began taking cello lessons with Peers Coetmore, and in 1941 she entered the Royal Academy of Music and played the cello in a string quartet and with orchestras. She was a member of the harmony class of William Alwyn, who began to teach her composition. Her first orchestral work, the overture ODTAA (One Damn Thing After Another), was premiered at Covent Garden by the London Philharmonic Orchestra, conducted by Adrian Boult on 2 March 1947. The previous year she had become the first recipient of a J. Arthur Rank Film Scholarship. In 1961 she became William Alwyn&amp;rsquo;s devoted secretary and amanuensis, becoming his second wife in 1975, adopting Mary Alwyn as her married name, as she disliked the name Doreen, and Mary was her middle name. She later worked as a Sub Professor of&lt;/p&gt;</description>
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				<title>Dorian Le Gallienne</title>
				<link>https://musictheoryprint.com/composers/do/dorian-le-gallienne/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/do/dorian-le-gallienne/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Dorian Leon Marlois Le Gallienne (19 April 1915 – 27 July 1963) was an Australian composer, teacher and music critic. Biography Dorian Le Gallienne was born in Melbourne in 1915. His father, an actor, was born in France, and his mother, a pianist who had studied with G. W. L. Marshall-Hall, was the daughter of the Assistant Astronomer at the Melbourne Observatory. His parents separated in 1924, and his father lived in England thereafter. He attended Melbourne Church of England Grammar School. He was diagnosed with diabetes at age 16. After leaving school, he studied with A. E. H. Nickson at the Melbourne Conservatorium and with Arthur Benjamin and Herbert Howells at the Royal College of Music in London in 1938. In 1939, he travelled in Europe with Richard Downing, a future Chairman of the Australian Broadcasting Commission (ABC), and with whom he later lived in Melbourne in a mud-brick house at Eltham. He returned to Australia, where he worked for the Commonwealth Department of Information in the overseas broadcasting service, later joining the ABC. He was employed as music critic for The Argus and The Age, both Melbourne newspapers, from 1950 until his death. In an article called&lt;/p&gt;</description>
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				<title>Dorothea Anne Franchi</title>
				<link>https://musictheoryprint.com/composers/do/dorothea-anne-franchi/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/do/dorothea-anne-franchi/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Dorothea Anne Franchi (17 February 1920 – 22 August 2003) was a New Zealand pianist, harpist, music educator and composer. Early life and education Franchi was born in Auckland, New Zealand, in 1920, the daughter of Peter Rudolph and Gertrude Franchi. She studied at the Auckland Teachers College and the University of Auckland, where she graduated BMus in 1939. She then went to the Royal College of Music in London in 1948. Career Franchi taught music at Epsom Girls&amp;rsquo; Grammar School in Auckland before going to study in London. Honours and awards * Lionel Tertis Prize for Viola Rhapsody, 1950 * Philip Neill Memorial Prize, 1947 * The Composers Association of New Zealand KBB Citation for Services to New Zealand Music, 2000 Works Franchi composed for orchestra, chamber ensemble, voice and instrumental performance. Selected works include: * A Man of Life Upright for bass and piano * A Wet Night in Greymouth for voice and piano * Abel Tasman for voice, piccolo, piano and drum * Apple-Picking Time for voice and piano * Concertino for harmonica, harp and strings * Do-Wack-A-Do (1956) – orchestral suite from the ballet of the same name * El Bailador Inamorado song cycle for tenor and piano *&lt;/p&gt;</description>
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				<title>Dorothea Austin</title>
				<link>https://musictheoryprint.com/composers/do/dorothea-austin/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/do/dorothea-austin/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Dorothea Austin Banner (1921 – 25 June 2011) was an Austrian-born American pianist and composer who specialized in electronic and computer generated music. Biography Austin was born Dorothea Blaukopf into a Jewish family in Vienna, Austria. As a child, she was already performing as a concert pianist. She fled to England before World War II on the last Kindertransport sponsored by the Red Cross. Her brother Viktor and her parents died during the war. In England she worked at a factory for a while to support herself, but was eventually taken in by Quaker philanthropists Nelly and Rachel Leighton. She studied piano at the Royal College of Music and the Royal Academy of Music with Tobias Matthay in London, and afterward worked as a concert pianist. She married Dr. Hermann Augapfel (Harry Austin), who was held during the war in a British camp for foreigners from enemy countries. She began serving as a piano teacher at that time, and continued this work after the couple emigrated to the United States in 1949. The Austins settled in Valley Stream, Long Island, where they lived until Harry Austin died in 1974. As her performing career had been interrupted by the war, Austin attended Queens&lt;/p&gt;</description>
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				<title>Dorothy Buchanan (composer)</title>
				<link>https://musictheoryprint.com/composers/do/dorothy-buchanan-composer/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/do/dorothy-buchanan-composer/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Dorothy Quita Buchanan (born 28 September 1945) is a New Zealand composer and teacher. Life Buchanan was born in Christchurch on 28 September 1945, the second of six daughters in a musical family, and was educated at St Mary&amp;rsquo;s College. She graduated with a Bachelor of Music degree from the University of Canterbury in 1967 and a teaching degree from Christchurch Teachers&amp;rsquo; College in 1975. She married physician and endocrinologist David Carroll, and the couple went on to have one child. Buchanan has been active in music education. In 1976 she became New Zealand&amp;rsquo;s first composer-in-schools, remaining in that role until 1993, and has been a guest lecturer, adjudicator, musical director, advisor to teacher support services and an assessor with Creative New Zealand panels. In 1979 she served as president of the Composers’ Association of New Zealand and founded the Christchurch Music Workshops. In 1980 she co-founded the music publishing cooperative Nota Bene, which provides a hire library of music for schools and community use. Buchanan was the composer in residence at the New Zealand Film Archive from 1984 to 1993. Honours and awards In 1995 Buchanan was awarded the Philip Neill Memoria&lt;/p&gt;</description>
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				<title>Dorothy Dittrich</title>
				<link>https://musictheoryprint.com/composers/do/dorothy-dittrich/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/do/dorothy-dittrich/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Dorothy Dittrich is a Canadian playwright and musical theatre director and composer from Vancouver, British Columbia, who won the Governor General&amp;rsquo;s Award for English-language drama at the 2022 Governor General&amp;rsquo;s Awards for her play The Piano Teacher: A Healing Key. Prior to its print publication in 2022, The Piano Teacher had its theatrical premiere at Vancouver&amp;rsquo;s Arts Club Theatre in 2017, Her other plays have included When We Were Singing, The Dissociates and Lesser Demons. She has also released Short Stories, an album of original piano compositions which was produced by June Millington. Dittrich is out as lesbian, and wrote The Dissociates during a writers&amp;rsquo; residency at Buddies in Bad Times. References External links *&lt;/p&gt;</description>
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				<title>Dorothy Freed</title>
				<link>https://musictheoryprint.com/composers/do/dorothy-freed/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/do/dorothy-freed/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Dorothy Whitson Freed (10 February 1919 – 1 April 2000) was a New Zealand author, composer, and music historian. She made significant contributions to the field of music librarians, and authored several books and articles regarding musical information and resources in New Zealand. Early life and family Freed was born in Dunedin, New Zealand. Her father was James Gerald Stokely Doorly, a mariner and Antarctic explorer, musician, and author, and her mother was Forrestina Muriel Whitson. She was the younger of two daughters. Early in her childhood, her family moved from New Zealand to Williamstown, a suburb of Melbourne, Australia. She completed her public education in Melbourne, before returning to New Zealand in 1936, when she was 17. In New Zealand, she found work in a secretarial and media role. She married her husband William Ian Freed in 1940, and together they had three children. Neither wanted marriage, but wed out of necessity after a casual affair resulted in pregnancy and the two failed to find an abortionist. The marriage was unhappy and the two eventually separated. Education While Freed was raising her three children, she enrolled at Victoria University College to study&lt;/p&gt;</description>
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				<title>Dorothy Hindman</title>
				<link>https://musictheoryprint.com/composers/do/dorothy-hindman/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/do/dorothy-hindman/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Dorothy Hindman (born March 13, 1966) is an American composer and music educator. Early life and studies Born in Miami, Florida on March 13, 1966, Hindman had intense early exposure to classical music from her mother, Dorothy Hindman Lyon, a gifted classical pianist and scientist, and her father, William Murphy Hindman, an actor and manager at that time of WTMI, Miami&amp;rsquo;s classical radio station. Formal music study began late for her, at age 16, when she entered Miami-Dade College as a piano major with the intention to study synthesis. This path led her to avant-garde electronic music and at 19 she began a composition major at the University of Miami, studying with composer Dennis Kam, and graduating magna cum laude with a Bachelor of Music in 1988. Her studies continued at Duke University with Stephen Jaffe and Thomas Oboe Lee, receiving her Master of Arts in the composition in 1989. In 1990, she became a University Fellow at the University of Miami, resuming her studies with Dennis Kam, with whom she shared deep interests in philosophy, musical meaning, individual perception, originality, and profundity. In November–December 1994, she completed additional studies at the Atlantic Ce&lt;/p&gt;</description>
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				<title>Dorothy Howell (composer)</title>
				<link>https://musictheoryprint.com/composers/do/dorothy-howell-composer/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/do/dorothy-howell-composer/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Dorothy Gertrude Howell (25 February 1898 – 12 January 1982) was an English composer and pianist. She received the nickname of the &amp;ldquo;English Richard Strauss&amp;rdquo; in her lifetime. Early life and education Howell was born in Birmingham, and grew up in Handsworth and Wollescote House, Stourbridge; from a young age, her studies of piano and composition were encouraged by her parents. One of six children, she came from a musical family, and enjoyed playing instruments (mainly violin and piano) and singing together. Her talents were greatly acknowledged by all her teachers at RAM, and she won the Hine Prize for composition of an English Ballad in 1914. Lamia and early success Howell achieved fame with her symphonic poem Lamia (inspired by the Keats poem) which Sir Henry Wood premiered at The Proms on 10 September 1919; McEwen introduced Wood to the work. but after 1940 the piece was neglected until its revival at the 2010 Proms season. It received a centenary performance at the Proms in 2019. Howell dedicated Lamia on its 1921 publication to Wood. Her nickname of &amp;ldquo;English Strauss&amp;rdquo; was written in a press review of Lamia &amp;rsquo;s first Proms performance. Premiere recordings of Koong Shee, The Rock an&lt;/p&gt;</description>
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				<title>Dorothy Ker</title>
				<link>https://musictheoryprint.com/composers/do/dorothy-ker/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/do/dorothy-ker/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Dorothy Ker (born 1965) is a New Zealand-born composer of instrumental and vocal music who has lived in the UK since 1992. She is known for her inter-disciplinary collaborations and experimentation with live electronic music performances. Early life Ker was born in Carterton, in the North Island of New Zealand in 1965. Education Ker completed B.Mus and M.Mus degrees at the University of Auckland, where she studied composition and electronic music with John Rimmer and Douglas Mews. She emigrated to the UK in 1992, and completed a Ph.D in composition at the University of York in 1998. Career Following her graduation, Ker took up a position at the University of Reading. She later moved to the position of Research Fellow at the University of Sheffield, before becoming a lecturer in Composition there, and most recently, a Senior Lecturer in Music. In 2008, a collaboration with the mathematician Marcus du Sautoy resulted in the creation and performance of a piece of experimental music, The 19th Step. The research with du Sautoy was later the basis for a mixed-media theatre piece produced in collaboration with the sculptor Kate Allen in 2010. In July 2013, Ker began a year-long position i&lt;/p&gt;</description>
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				<title>Dorothy Lawson</title>
				<link>https://musictheoryprint.com/composers/do/dorothy-lawson/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/do/dorothy-lawson/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Dorothy Lawson is a Canadian cellist and composer based in New York City. She is best known as a co-founder and artistic director of the string quartet ETHEL. On the founding of ETHEL she says, &amp;ldquo;we&amp;hellip; realized that we were in the middle of a really powerful new upsurge of creative energy in music of our time that we were kind of the perfect vehicle for.&amp;rdquo; Prior to ETHEL, Lawson toured with Mikhail Baryshnikov&amp;rsquo;s White Oak Dance Project, Bang on a Can All-Stars and Orpheus Chamber Orchestra. She was a founding member of the Rossetti and Roerich String Quartets, and served 10 years as faculty of Joseph Fuchs&amp;rsquo; Alfred University Summer Chamber Music Institute. Lawson was an orchestra member of the 2002 Off-Broadway production of Jason Robert Brown&amp;rsquo;s The Last Five Years and the 2005 Broadway production of The Woman in White. She has been a member of the Ron Carter Nonet. Lawson appears on multiple recordings, including the GRAMMY Award-winning album Dedicated to You: Kurt Elling Sings the Music of Coltrane and Hartman She is a member of acclaimed Brazilian jazz pianist Marcelo Zarvos +Group. Lawson is a graduate of the Juilliard School and a current faculty at the Preparatory Division of&lt;/p&gt;</description>
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				<title>Dorothy Parke</title>
				<link>https://musictheoryprint.com/composers/do/dorothy-parke/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/do/dorothy-parke/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Dorothy Parke (29 July 1904 – 15 February 1990) was a composer and music teacher from Northern Ireland, noted for children&amp;rsquo;s works. Early life and education Parke was born in 1904, at Dunfield Terrace in Derry. She studied piano with Ambrose Coviello, and composition with Paul Corder at the Royal Academy of Music in London (LRAM, 1929). Among her pupils were Norma Burrowes, Derek Bell, She also composed a substantial amount of piano and chamber music, many of which remain largely unknown and overlooked. *Wee Hughie *Over The Hills and Far Away References See also&lt;/p&gt;</description>
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				<title>Dorothy Rudd Moore</title>
				<link>https://musictheoryprint.com/composers/do/dorothy-rudd-moore/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/do/dorothy-rudd-moore/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Dorothy Rudd Moore (June 4, 1940 – March 30, 2022) was an American composer and music educator. She was one of the co-founders of the Society of Black Composers. She is considered one of the leading women composers of color for her generation and did commissions for the National Symphony, Opera Ebony, the Buffalo Philharmonic, and solo artists. She was a member of the American Composers Alliance, BMI, New York Singing Teachers Association, and New York Women Composers. Her works were unpublished, but are available through the American Composers Alliance. Biography Moore was born in New Castle, Delaware. She was born to a musical family, her mother encouraged her to pursue studies in music and to explore all of her interests one of them being piano lessons Moore knew she wanted to become a composer at a young age and took piano lessons as a child at the Wilmington School of Music, where she studied with Harry Andrews. She learned to play clarinet in order to join the Howard High all-male band. Moore started her undergraduate studies at Howard University as a music education major but later switched to composition, as she was constantly inventing songs and melodies when she played, &amp;quot;&lt;/p&gt;</description>
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				<title>Dorothy Wanderman</title>
				<link>https://musictheoryprint.com/composers/do/dorothy-wanderman/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/do/dorothy-wanderman/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Dorothy Cherurg Wanderman (October 20, 1897 – July 1988) was an American composer and pianist who was born in New York. She studied music with Isidor Philipp and David Saperton. She married Dr. Seymour Wanderman and they had two daughters, Helene and Carol. Wanderman socialized with composer Leopold Godowksy, who was the father-in-law of her teacher Saperton. Godowsky dedicated his composition Waltz Poem No. 2 to her. Wanderman was a member of the American Society of Composers, Authors and Publishers (ASCAP). Her music was published by the Boston Music Company, and includes the following works for piano: *In a Vietnamese Garden *Playful Mouse *Playtime March *Swiss Alpine Waltz References External links * Find a Grave&lt;/p&gt;</description>
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				<title>Dorsey Dixon</title>
				<link>https://musictheoryprint.com/composers/do/dorsey-dixon/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/do/dorsey-dixon/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Dorsey Murdock Dixon (October 14, 1897 – April 18, 1968) was an American old-time and country music songwriter and musician. He was also a millworker who spent much of his life working in textile mills in North and South Carolina. Dixon&amp;rsquo;s best known songs were &amp;ldquo;Wreck on the Highway&amp;rdquo;, which resulted in a copyright dispute with country musician Roy Acuff, and &amp;ldquo;Babies in the Mill&amp;rdquo;, which was about the Southern textile industry&amp;rsquo;s exploitation of child labor in the early 20th century. Biography Dixon was born on October 14, 1897, in Darlington, South Carolina. He was one of seven children, all of whom, together with their father, worked at the local textile mill, Darlington Cotton Manufacturing Company. References Cited works * Further reading * *Russell, Tony, and Bob Pinson. Country Music Records: A Discography, 1921–1942 (Oxford: Oxford University Press, 2004), p. 321 External links *&amp;ldquo;The Wreck on the Highway&amp;rdquo; at Documenting the American South – contains the lyrics and an audio file of the song performed by Dorsey Dixon. *Illustrated Dixon Brothers discography&lt;/p&gt;</description>
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				<title>Doru Popovici</title>
				<link>https://musictheoryprint.com/composers/do/doru-popovici/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/do/doru-popovici/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Ionel Doru Popovici (February 17, 1932 – March 5, 2019) was a Romanian composer, musicologist, writer and musical concerts manager. Biography Ionel Doru Popovici was born in Reșița, Romania, a city close to the border of what was formerly Yugoslavia, now Serbia. His father was Ioan Popovici, a surgeon who was assassinated in 1959 in the Gherla political prison, accused of being an &amp;ldquo;Enemy of the Romanian State&amp;rdquo; because he helped write the Hungarian Counter-Revolution. His mother, Eugenia Popa, was the daughter of an Orthodox priest. Popovici graduated from the Constantin Diaconovici Loga High School in Timișoara in 1950 and in the same year decided to pursue a musical career. He moved to Bucharest where he was admitted to the Ciprian Porumbescu Music Conservatory from which he graduated in 1955 with a degree in composition. Popovici studied under Mihail Andricu, Mihail Jora, Paul Constantinescu in harmony, Martian Negrea in counterpoint, Theodor Rogalski in instrumentation, and Zeno Vancea in music history. In 1966, Popovici married Alina Musat, a music teacher, musicologist, and author of Ottorino Respighi, (Ed. Muzicala, 1972). Starting in 1968 Popovici made regular trips to Darms&lt;/p&gt;</description>
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				<title>Dougie MacLean</title>
				<link>https://musictheoryprint.com/composers/do/dougie-maclean/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/do/dougie-maclean/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Dougie MacLean, OBE (born 27 September 1954) is a Scottish singer-songwriter, composer, multi-instrumentalist, and record producer. Described by AllMusic as &amp;ldquo;one of Scotland&amp;rsquo;s premier singer-songwriters&amp;rdquo;, MacLean has performed both under his own name, and as part of multiple folk bands, since the mid 1970s. His most famous pieces include &amp;ldquo;Caledonia&amp;rdquo;, which is often dubbed Scotland&amp;rsquo;s &amp;ldquo;unofficial national anthem&amp;rdquo;; and &amp;ldquo;The Gael&amp;rdquo;, which became the main theme to the 1992 film The Last of the Mohicans. MacLean&amp;rsquo;s songs have been covered by numerous popular artists. Aside from his career as a touring singer-songwriter, MacLean founded the Dunkeld Records label and recording studio with his wife Jennifer in 1983. Origins and early work MacLean grew up in the Perthshire countryside, where his father was a gardener. His mother played melodeon, and his father played the fiddle. To support himself in the 1970s, MacLean was a driver for Doc Watson and Merle Watson during their tour around Europe. He maintained a friendship afterward and has appeared at Merlefest. In 1976, MacLean began touring with Scottish folk band The Tannahill Weavers, with whom he also participated in a studio recording. I&lt;/p&gt;</description>
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				<title>Douglas Allanbrook</title>
				<link>https://musictheoryprint.com/composers/do/douglas-allanbrook/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/do/douglas-allanbrook/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Douglas Allanbrook (April 1, 1921 – January 29, 2003) was an American composer, concert pianist and harpsichordist. He was associated with a group of mid-twentieth century Boston composers who were students of Nadia Boulanger. His compositions are described by the Kennedy Center as &amp;ldquo;smooth, showing astute sense, assertiveness, and originality.&amp;rdquo; Early life Allanbrook was born on April 1, 1921, in Melrose, Massachusetts, a suburb of Boston. He had one sister, Jean. Education After high school, Allanbrook studied at Boston University for one year. In 1939 he was hired as a music teacher at the Mary Wheeler finishing school, She heard some of Allanbrook&amp;rsquo;s music and immediately took him under her wing. When the war ended, he returned to Boston to enter Harvard University Although he taught part-time at the Peabody Conservatory in Baltimore he chose to stay at St. John&amp;rsquo;s for the duration of his teaching career. Allanbrook was on the faculty at St. John&amp;rsquo;s for 45 years, teaching music, math, philosophy, Greek, and French. He retired from the college in May 1986, he continued to teach and perform there until his death. For many years, he was a member of the board at the Yaddo artists colony&lt;/p&gt;</description>
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				<title>Douglas Guest</title>
				<link>https://musictheoryprint.com/composers/do/douglas-guest/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/do/douglas-guest/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Douglas Albert Guest (9 May 1916 – 18 November 1996) was an English organist, conductor, teacher and composer best known for his 1971 anthem for remembrance, For the Fallen. where he studied with Sir Ernest Bullock, among others. He became Organ Scholar of King&amp;rsquo;s College, Cambridge from 1935 until 1939. Career During the Second World War he served as a Major in the Royal Artillery and was involved in the battle for the liberation of Caen, Normandy. He was &amp;rsquo;twice severely wounded&amp;rsquo; From there he became Organist of Salisbury Cathedral, a post which he held from 1950 until 1957, before moving to become Organist and Master of the Choristers at Worcester Cathedral. Compositions and awards His most well-known composition is a setting of Lawrence Binyon&amp;rsquo;s poem, &amp;ldquo;For the Fallen&amp;rdquo;, composed in 1971 for the Choir of Westminster Abbey. He also composed music for the organ, including a Voluntary for Easter, composed in 1956. The following year, he wrote Missa brevis. His other appointments have included being professor at the Royal College of Music (1963-1981), In 1975 he was appointed CVO. References External links *Biography (archived) *Obituary&lt;/p&gt;</description>
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				<title>Douglas Leedy</title>
				<link>https://musictheoryprint.com/composers/do/douglas-leedy/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/do/douglas-leedy/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Douglas Leedy (March 3, 1938; Portland, Oregon – March 28, 2015; Corvallis, Oregon ) was an American composer, performer and music scholar. Biography Born in Portland, Oregon, Leedy studied with Karl Kohn at Pomona College and at the University of California, Berkeley, where he was in a composition seminar with membership including La Monte Young and Terry Riley. An orchestral hornist, harpsichordist, and singer, he studied South Indian music in Madras with K. V. Narayanaswamy, North Indian vocal music with Pandit Pran Nath, and was first music director of the Portland Baroque Orchestra and the musical director of the 1985 Portland Handel Festival, during which he conducted complete, period-instrument performances of Handel&amp;rsquo;s oratorios Jephtha and Theodora. He taught music at UCLA, the Centro Simon Bolivar (Caracas), and at Reed College. He founded the electronic music studio at UCLA, and his synthesized music was among the earliest commissioned album-length recordings of the Moog Synthesizer and Buchla Synthesizer. The triple album Entropical Paradise was both the first triple album of synthesized &amp;ldquo;musical environments&amp;rdquo;—perhaps the first recording of explicitly ambient music—and f&lt;/p&gt;</description>
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				<title>Douglas Lilburn</title>
				<link>https://musictheoryprint.com/composers/do/douglas-lilburn/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/do/douglas-lilburn/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Douglas Gordon Lilburn (2 November 19156 June 2001) was a New Zealand composer. Early life Lilburn was born in Whanganui and spent his early years on the family sheep farm in the upper Turakina River valley at Drysdale. He attended Waitaki Boys&amp;rsquo; High School from 1930 to 1933, before moving to Christchurch to study journalism and music over the next three years at Canterbury University College, then part of the University of New Zealand. In 1936 his career in music was set when his tone poem Forest won visiting composer Percy Grainger&amp;rsquo;s national composition competition. In 1937 he began studying at the Royal College of Music in London, tutored in composition by Ralph Vaughan Williams until 1939. The two men remained close: in later years Lilburn sent Vaughan Williams gifts of New Zealand honey, knowing that the older man was fond of it. Letters of thanks from Vaughan Williams in 1947 and 1948 confirm this. Lilburn&amp;rsquo;s early works display the influence of Jean Sibelius; the symphonic poem Forest (1936), in which Lilburn depicts the autumn scenery of Mount Peel in South Canterbury, finds its composer, according to Robert Hoskins, &amp;ldquo;tracking Sibelius through the shadowy woods, keeping his&lt;/p&gt;</description>
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				<title>Douglas Mews (composer)</title>
				<link>https://musictheoryprint.com/composers/do/douglas-mews-composer/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/do/douglas-mews-composer/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Douglas Kelson Mews (22 September 1918 – 3 August 1993) was a Canadian-born composer, organist and church musician who worked in England and New Zealand. He taught composition at the University of Auckland from 1969 to 1983. Mews was a church organist and Director of Music at Auckland&amp;rsquo;s Catholic cathedral from 1970 to 1982. He composed a significant body of music for the liturgy as well as choral works, operas, piano and instrumental pieces and works for the accordion, much of it composed after he emigrated to New Zealand in 1969. Early life and education Mews was born on 22 September 1918 in St John&amp;rsquo;s, Newfoundland, Canada His father Arthur was an organist in the Methodist church and his mother Florence was a pianist and piano teacher. He was called up in 1939 to the British Army, serving in Europe and North Africa in World War II until 1946. He graduated with a DMus in 1961. He was particularly skillful at improvisation on the organ and piano. One of Mews&amp;rsquo;s sons had recited the poem at his school prize-giving prompting Mews to set it to music played by the sopranino and bass recorder and drum. It has continued to be part of the choral repertoire Other influences on his compositio&lt;/p&gt;</description>
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				<title>Douglas Moore</title>
				<link>https://musictheoryprint.com/composers/do/douglas-moore/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/do/douglas-moore/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Douglas Stuart Moore (August 10, 1893 – July 25, 1969) was an American composer, songwriter, organist, pianist, conductor, educator, actor, and author. A composer who mainly wrote works with an American subject, his music is generally characterized by lyricism in a popular or conservative style which generally eschewed the more experimental progressive trends of musical modernism. Composer Virgil Thomson described Moore as a neoromantic composer who was influenced by American folk music. While several of his works enjoyed popularity during his lifetime, only his folk opera The Ballad of Baby Doe (1956) has remained well known into the 21st century. His father built another nearby home for his family on the Moore family&amp;rsquo;s farm, named Quawksnest, in which Moore and his family spent their summers. As an adult Moore lived on the family&amp;rsquo;s Cutchogue property until his death in 1969. Moore&amp;rsquo;s father made a living as a publisher of among other things the literary magazine Ladies&amp;rsquo; World, a business which he sold to S. S. McClure upon his retirement in 1913. At the age of 13 he matriculated to the Fessenden School, a boys boarding school in West Newton, Massachusetts which he attended for the&lt;/p&gt;</description>
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				<title>Douglas September</title>
				<link>https://musictheoryprint.com/composers/do/douglas-september/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/do/douglas-september/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Douglas September (born September 25, 1972, in Cape Breton, Nova Scotia) is a Canadian musician. He is known for his poetic lyrics, as well as his innovative musical style that blends folk and blues with a caustic modern commentary. As a composer, musician, producer and engineer, September&amp;rsquo;s passion for arranging music from the ordinary every day into a unique auditory experience has evolved into a singular style. His music has been likened to Bob Dylan, Tim Buckley, and Tom Waits. Career September has collaborated with many talented musicians, such as Michael Shrieve (1998 release, Producer-Ten Bulls; Gold Circle/Samson Music), Bill Frisell (1998 release, Lead Guitar-Ten Bulls; Gold Circle/Samson Music), David Torn (2001 release, Producer-Oil Tan Bow; Lupins), Robby Aceto (2001 release, Oil Tan Bow; Lupins and 1999 release, IO; Gold Circle/Samson Music), Rich DePaolo; (1999 release, IO;Gold Circle/Samson Music), Wayne Horvitz (1998 release, Ten Bulls; Gold Circle/Samson Music), David Bearwald and Steve Lindsey (The Runner, 2000). He has four albums as a solo performer with two where he is involved in co-production, and composing music for The Runner and was signed previously with&lt;/p&gt;</description>
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				<title>Douglas Townsend</title>
				<link>https://musictheoryprint.com/composers/do/douglas-townsend/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/do/douglas-townsend/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Douglas Townsend (New York, November 8, 1921 – New York, August 1, 2012) was an American composer and musicologist. Born in Manhattan, Townsend became interested in composition while a student at the Fiorello H. LaGuardia High School of Music &amp;amp; Art and Performing Arts, in New York City. He taught himself composition, counterpoint and orchestration. In 1941, he began studying composition privately, with Tibor Serly, Stefan Wolpe, Aaron Copland, Otto Luening and Felix Greissle, among others. Townsend taught at Brooklyn College, CUNY (1958–69), Lehman College, CUNY (1970–71), the University of Bridgeport (Connecticut; 1973–5) and Purchase College (also known as SUNY Purchase) (1973–6). From 1977 to 1980, he was editor of Musical Heritage Review. Townsend’s research into 18th- and 19th-century music has resulted in editions, recordings and performances, most notably of a Carl Czerny overture and a mass by Sigismund Neukomm. He received research grants from the Martha Baird Rockefeller Fund (1965) and the New York State Council on the Arts (1975). Townsend’s compositions include several orchestral works, chamber music pieces, choral works, film and television scores, three operettas, an&lt;/p&gt;</description>
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				<title>Dov Seltzer</title>
				<link>https://musictheoryprint.com/composers/do/dov-seltzer/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/do/dov-seltzer/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Dov &amp;ldquo;Dubi&amp;rdquo; Seltzer (; born 1931) is a Romanian-born Israeli composer and conductor. Early life and education Seltzer was born in Iași, Romania, and raised in Bucharest, where he began studying music at an early age. He received instruction in music theory and harmony from Alfred Mendelsohn and Mihail Jora. At the age of 15, he immigrated to Mandatory Palestine. A musical comedy he had composed prior to his emigration continued to be performed for two years by a professional youth theater in Bucharest. He completed his secondary education while living in Kibbutz Mishmar HaEmek. On the recommendation of pianist Frank Pelleg, he was awarded a scholarship to pursue further musical studies at conservatories in Haifa and Tel Aviv-Jaffa. At 18, Seltzer joined the Israel Defense Forces, where he became one of the founders and the first official composer of the Lehakat HaNahal military ensemble. His work with the ensemble and subsequent compositions became part of the core repertoire of Israeli music. He also performed as an accordionist and arranger for the Israeli musical group Oranim Zabar, and was married to its lead singer, Geula Gill. During his military service, Seltzer received a sp&lt;/p&gt;</description>
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				<title>Doyne Bell</title>
				<link>https://musictheoryprint.com/composers/do/doyne-bell/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/do/doyne-bell/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Doyne Courtenay Bell (3 August 1830 ― 26 March 1888) was an English court servant, antiquary, and composer. Early life Bell was born in Gower Street, Bloomsbury, the son of a wine merchant. After University College School and King&amp;rsquo;s College, London, he went to live in the Duchy of Brunswick to learn German, which he mastered. On his return to England, a clergyman uncle, George Hamilton, recommended him to Sir William Reid, who took him on as an assistant in the preparations for the Great Exhibition of 1851. Work While the Exhibition was ongoing, Prince Albert, impressed by Bell&amp;rsquo;s abilities, hired him to work in the royal household to help with Privy Purse correspondence. Bell struck up a friendship with George Scharf, director of the National Portrait Gallery, a fellow Old Gower, and built up a good knowledge of historic portraits, not least those in the Royal Collection. Bell was also Secretary of the committee which after Prince Albert&amp;rsquo;s death in 1861 planned the Albert Memorial in Hyde Park, finally completed in 1872. Dating from 1876, his setting to music of Blake&amp;rsquo;s &amp;ldquo;Can I see another&amp;rsquo;s woe&amp;rdquo;, from Songs of Innocence and of Experience, is the earliest such work inspired by Blake&lt;/p&gt;</description>
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				<title>Doyoung</title>
				<link>https://musictheoryprint.com/composers/do/doyoung/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/do/doyoung/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Kim Dong-young (; born February 1, 1996), known professionally as Doyoung (), is a South Korean singer, actor, and host. He is a member of the South Korean boy band NCT through the sub-units NCT 127 and NCT DoJaeJung. Doyoung was first introduced as a trainee through pre-debut team SM Rookies in January 2015. Doyoung was introduced as the first batch member of the boy band NCT and debuted through their rotational unit NCT U in April 2016. In January 2017, he was added as a new member of the Seoul-based sub-unit NCT 127. He later debuted in the trio sub-unit NCT DoJaeJung in April 2023. In April 2024, Doyoung began his solo debut with the release of his first studio album Youth. Doyoung has ventured into acting. Following his supporting role in the third season of the drama series Midnight Cafe – The Curious Stalker and the musical Marie Antoinette in 2021, he starred in the web series Dear X Who Doesn&amp;rsquo;t Love Me (2022). On television, Doyoung also appeared on the beauty show Lipstick Prince (2016–2017) and the variety show Law of the Jungle (2019) and hosted music show Show Champion (2015) and Inkigayo (2017–2018). He was previously a cast member of Master in the House from July 3,&lt;/p&gt;</description>
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