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		<title>EB on Music Theory Print</title>
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		<description>Recent content in EB on Music Theory Print</description>
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				<title>Ebbe Grims-land</title>
				<link>https://musictheoryprint.com/composers/eb/ebbe-grims-land/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
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				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Ebbe Grims-land Ebbe Grims-land (June 11, 1915 – January 27, 2015) was a Swedish composer and viola player. He was also one of Sweden&amp;rsquo;s foremost mandolin players. Grims-land was born in Malmö and died in Bagarmossen, Enskede, Stockholm. Grims-land made his debut as violinist in Malmö in 1932 and has studied in Copenhagen, Stockholm and Vienna. From 1943 until 1974, he was a violist with the Swedish Radio Symphony Orchestra and other Stockholm ensembles. Grims-land&amp;rsquo;s first compositions written in the 1930s, were for chamber orchestra. He was an early member of Föreningen Svenska Tonsättare (FST) (The Society of Swedish Composers). In 2005 he became an honorary member of the chamber music association Samtida Musik (Contemporary Music), founded 1960 and situated in Stockholm. Selected compositions His oeuvre includes more than 200 compositions. ;Orchestra * Sinfonie-Carl Linnéus ;Concert band * Scherzo-Polka (symphonic brass band) * Bad&amp;rsquo;ner-Kurpark-Tradition (spa orchestra / symphonic brass band) * Bläser-Blues (marimba, brass band) ;Concertante * Concertino for mandolin and 10 instruments * Montafoni (D-trumpet) * Klingender Baum (Marimba) * Concerto for flute and clarinet ;Instrumen&lt;/p&gt;</description>
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				<title>Eberhard Kloke</title>
				<link>https://musictheoryprint.com/composers/eb/eberhard-kloke/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
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				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Eberhard Kloke (born 24 November 1948) is a German conductor and composer. Early life and education Born in Hamburg, Eberhard Kloke studied as a conductor at the Berlin University of the Arts and also for his degree in musicology and German Studies at the Freie Universität Berlin. Early career He began his career as a répétiteur and conductor in Mainz, Darmstadt, Düsseldorf and Lübeck before being appointed General Music Director in Ulm in 1980. He took on the same position in Freiburg/Breisgau in 1983. As a guest conductor Since 1984 he has been taken on engagements as guest conductor at the Deutsche Oper Berlin, the Komische Oper Berlin, also with the Essen Philharmoniker, the Orchestra of the Beethovenhalle Bonn and many European radio orchestras (WDR Symphony Orchestra Cologne, NDR Symphony Orchestra Hamburg , North German Radiophilharmonie Hanover, SWR Symphony Orchestra Saarbrücken, Deutsches Symphonieorchester, RAI Rome, Radio Orchestra Ljubljana, the Slovak Philharmonic Bratislava), and also at the Vienna Festwochen, the Brucknerfest in Linz and the Salzburg Festival. As a music director in Bochum From 1988 to 1994 he was the General Music Director of the Bochumer Symphonik&lt;/p&gt;</description>
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				<title>Ebran</title>
				<link>https://musictheoryprint.com/composers/eb/ebran/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
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				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Ebran (also given as Abran, Abrahan, Ebram , Hebran) was a French Renaissance-era composer who flourished from c. 1543. 12 pieces, all four part vocal works, attributed to Ebran were published in anthologies by Pierre Attaingnant in 1543 and 1549. Three more chansons were published by Nicolas Du Chemin. Adrian Le Roy and his cousin Robert Ballard published two more of his works in 1564, one of which is the composer&amp;rsquo;s best known work, &amp;ldquo;Tant vous allés doux Guillemette&amp;rdquo;. Partial list of compositions *&amp;ldquo;Celer ne puis&amp;rdquo; (1543) *&amp;ldquo;Cesse raou oeil&amp;rdquo; (1543) *&amp;ldquo;Jaquet ung jour&amp;rdquo; (1543) *&amp;ldquo;Mon cueur avez&amp;rdquo; (1543) *&amp;ldquo;Ung jour diver&amp;rdquo; (1545) *&amp;ldquo;Quand jay la nuyct&amp;rdquo; (1547) *&amp;ldquo;Le dire ouy&amp;rdquo; (1549) *&amp;quot; Si je congnois&amp;quot; (1549) *&amp;ldquo;Si seul je puis&amp;rdquo; (1549) *&amp;ldquo;Si vous eussiez&amp;rdquo; (1549) *&amp;ldquo;Ce qu&amp;rsquo; il me faict si aisement&amp;rdquo; (1550) *&amp;ldquo;Las je ne scay de quel nom&amp;rdquo; (1550) *&amp;quot; Quest-ce qu&amp;rsquo; amour, l&amp;rsquo; un dict&amp;quot; (1550) *&amp;ldquo;Tant vous allés doux Guillemette&amp;rdquo; (1564) References&lt;/p&gt;</description>
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