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		<title>FU on Music Theory Print</title>
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		<description>Recent content in FU on Music Theory Print</description>
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				<title>Fulbert of Chartres</title>
				<link>https://musictheoryprint.com/composers/fu/fulbert-of-chartres/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
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				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Fulbert of Chartres (; 952–970–10 April 1028) was the Bishop of Chartres from 1006 to 1028 and a teacher at the Cathedral school there. Fulbert may have been a pupil of Gerbert of Aurillac, who would later become Pope Sylvester II. He was responsible for the advancement of the Nativity of the Virgin&amp;rsquo;s feast day on September 8 and for one of the many reconstructions of the Chartres Cathedral. Most of the information available about him comes from letters he wrote to secular and religious figures between 1004 and 1028. Life There is no conclusive evidence as to the exact date or location of Fulbert&amp;rsquo;s birth; sources vary in listing dates from 952 to 970. As to his place of birth, most sources suggest northern France, possibly Picardy, Sources do agree, however, that he was of humble birth. Information from several sources places him at the cathedral school in Rheims in the 980s, where one of his fellow students was the future King Robert II (the Pious) of France. In the early to mid-990s, Fulbert arrived at the cathedral school there. His position is variously described as schoolmaster or assistant. He also assumed some minor ecclesiastical roles in the cathedral but was not a monk. a&lt;/p&gt;</description>
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				<title>Fumio Hayasaka</title>
				<link>https://musictheoryprint.com/composers/fu/fumio-hayasaka/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
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				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;was a Japanese composer of classical music and film scores. Early life Hayasaka was born in the city of Sendai on the main Japanese island of Honshū. In 1918, Hayasaka and his family moved to Sapporo on the northern island of Hokkaidō. In 1933, Hayasaka and Akira Ifukube organized the New Music League, which held a new music festival the year after. Hayasaka won a number of prizes for his early concert works; in 1935, his piece Futatsu no sanka e no zensōkyoku won first prize in a radio competition, and another concert piece, Kodai no bukyoku, won the 1938 Weingartner Prize. Other early works include a Nocturne (1936) for piano and the orchestral Ancient Dance (1938). In 1939, Hayasaka moved to Tokyo to begin a career as film composer. By early 1940, Hayasaka was seen as &amp;ldquo;a major composer for Japanese Cinema&amp;rdquo;. Post-War film music After the war, Hayasaka continued working on films, quickly winning recognition for his abilities. In 1946, he received the film music award for An Enemy of the People (Minshū no Teki, 1946) at the first annual Mainichi Film Awards. The year after, 1947, Hayasaka received the Mainichi film music award for Teinosuke Kinugasa&amp;rsquo;s Actress (Joyu). In the late 19&lt;/p&gt;</description>
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				<title>Füsun Köksal</title>
				<link>https://musictheoryprint.com/composers/fu/fusun-koksal/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
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				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Füsun Köksal (born 1973) is a Turkish composer of contemporary classical music. Köksal was born and grew up in Bursa, Turkey and attended Bilkent University&amp;rsquo;s Faculty of Music and Performing Arts in Ankara from 1989 to 1996, where she earned her bachelor&amp;rsquo;s degree in music theory and composition, studying under the supervision of Bujor Hoinic. From 1996 to 2002 she lived in Cologne, Germany, where she studied composition with Krzysztof Meyer and theory with Johannes Schild, earning a Diplom Musikerin from the Hochschule für Musik Köln. In 2002 she returned to Bilkent University, where she taught composition for three years. In 2004, she matriculated into the doctoral program at the University of Chicago, where she has studied with Marta Ptaszynska and Shulamit Ran. For the 2010–11 academic year she was Visiting Professor of Theory and Composition at the University of Pittsburgh. Her compositions have been performed worldwide by notable ensembles including the Ensemble Modern Academy, Ensemble Calliopée, Penderecki String Quartet, Arditti String Quartet, Pacifica Quartet, Eighthblackbird and Hezarfen Ensemble of Istanbul. Her oeuvre ranges from solo to orchestral works and is informe&lt;/p&gt;</description>
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