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		<title>HU on Music Theory Print</title>
		<link>https://musictheoryprint.com/composers/hu/</link>
		<description>Recent content in HU on Music Theory Print</description>
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			<item>
				<title>Huang Ruo</title>
				<link>https://musictheoryprint.com/composers/hu/huang-ruo/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/hu/huang-ruo/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Huang Ruo (黃若, born 1976) is a Chinese-born composer, pianist and vocalist who now lives in the United States. In 2001, Huang was one of the founding members of the International Contemporary Ensemble, an orchestral group of some 30 musicians which often performs works by European, Latin American, and Asian composers. In 2005, he founded the performance company, Future in Reverse (FIRE), specializing in multimedia and cross-genre projects. In 2010, Huang&amp;rsquo;s composition &amp;ldquo;The Yellow Earth&amp;rdquo; won the Celebrate Asia! composition competition. It was performed by the Seattle Symphony at a concert in January 2011. The piece is a rearrangement of the third movement of his sheng concerto &amp;ldquo;The Color Yellow&amp;rdquo; which brings together music produced by a Chinese instrument accompanied by a Western orchestra. to create ANGEL ISLAND, an oratorio based on the Chinese poems carved in the walls of the Angel Island Immigration Station detention barracks. The work premiered in 2021 at the Presidio Theatre and on Angel Island, with subsequent performances at the Smithsonian National Museum of Asian Art with the US Air Force Singing Sergeants , the Singapore International Festival of Arts , and the Brooklyn A&lt;/p&gt;</description>
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				<title>Huang Tiange</title>
				<link>https://musictheoryprint.com/composers/hu/huang-tiange/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/hu/huang-tiange/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Huang Tiange (Chinese: 黄天戈) (born April 16, 2004) is a Chinese composer, pianist, educator, and a music prodigy. Early life and education Huang Tiange was born into a family of artists in Beijing, China. His father, Professor Huang Qiuyuan is a composer, conductor, and painter. His mother, Lin Jing, is a poet, and in her early years, also a piano teacher and a composer. At the age of three, Huang demonstrated a distinct ability to identify and distinguish notes. At the age of four, Huang begun his formal studies, starting with piano under the instruction of his parents, at age five, music composition conducting under his father. At age seven, he learned the violin self-taught. Huang debuted in a solo recital entitled Tribute to Bartok on March 25, 2010, on Bartók&amp;rsquo;s 129th birthday, at the age of 5 in Beijing, China, at the 1st Huang Tiange Festival, where he performed works, including multiple China and world premieres, from a variety of composers from Bach, Bartók, Beethoven, Webern, to his father&amp;rsquo;s, Professor Huang Qiuyuan, and his own. Among those in attendance were members of the Hungarian delegation to China in Beijing. As part of the festival, a photographic exhibition entitle&lt;/p&gt;</description>
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				<title>Huang Zhun (composer)</title>
				<link>https://musictheoryprint.com/composers/hu/huang-zhun-composer/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/hu/huang-zhun-composer/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Huang Zhun (25 June 1926 – 3 December 2024) was a Chinese composer known for film scores. Life and career Huang Zhun was born in Huangyan, Zhejiang. She studied in the drama department of Lu Xun Academy of Fine Arts, graduating in 1944, and studied composition with Xian Xinghai. She performed as a mezzo-soprano from 1941 to 1942. She worked in the Dalian Art Work Group in 1946. Later, she worked in Northeast Film Studio and Beijing Film Studio, and then in 1949 took a position as a composer and later as a music director for Shanghai Film Studio where she worked until 1987. She has composed many films such as Long Live Youth and Red Detachment of Women. Her first film composition was produced in 1947 by the Northeast Film Studio for the first feature film in the Liberated Areas, &amp;ldquo;Leaving him to fight Lao Jiang&amp;rdquo;. She also completed the theme song &amp;ldquo;The Army Loves the People, The People Love the Army&amp;rdquo; in 1948. This song became very popular in the northeast region of China. After that, she moved to work in Beijing Film Studio and Shanghai Film Studio as a composer, where she later wrote the musical score for dozens of films, such as Family and Woman Basketball Player No. 5. In particula&lt;/p&gt;</description>
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				<title>Huang Zitao</title>
				<link>https://musictheoryprint.com/composers/hu/huang-zitao/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/hu/huang-zitao/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Huang Zitao (; born May 2, 1993), also known by his stage name Tao (), is a Chinese rapper, singer, songwriter, record producer and actor. He is a former member of the South Korean-Chinese boy band Exo and its Chinese sub-unit, Exo-M. After leaving Exo, he made his solo debut in China in 2015 with the mini-album TAO, under the stage name Z.Tao. Huang made his acting debut in the romantic movie You Are My Sunshine, followed by TV series Negotiator and The Brightest Star in the Sky. Huang ranked 25th on Forbes China Celebrity 100 list in 2017, 35th in 2019, and 37th in 2020. Early life Huang Zitao was born in Qingdao, Shandong on May 2, 1993. As a child, he undertook Wushu training and became a student athlete. In late 2010 he was scouted by a representative from SM Entertainment at a talent show. Music career 2011–2015: Exo and lawsuit against SM Entertainment On December 27, 2011, Huang was formally introduced as the third member of Exo (with the stage name Tao). In late 2013, Huang took part in filming for MBC&amp;rsquo;s celebrity diving program Splash!, but withdrew due to injuries, and the show was cancelled due to injuries to multiple other contestants. He featured in two songs from Zho&lt;/p&gt;</description>
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				<title>Hubert Bath</title>
				<link>https://musictheoryprint.com/composers/hu/hubert-bath/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/hu/hubert-bath/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Hubert Charles Bath (6 November 188324 April 1945) was an English film composer, music director, and conductor. His credits include the music to the Oscar-winning documentary Wings Over Everest (1934), as well as to the films Tudor Rose (1936), A Yank at Oxford (1938) and Love Story (1944). His composition &amp;ldquo;Out of the Blue&amp;rdquo; has been used as the theme music of BBC Radio&amp;rsquo;s Sports Report since the programme started in 1948. Biography Bath was born in Barnstaple, Devon. He sang in the local church choir and in 1899 attended the Royal Academy of Music, studying piano with Oscar Beringer and composition with Frederick Corder. In 1913-14 he conducted Thomas Quinlan&amp;rsquo;s opera troupe on its world tour, also acting as chorus master. He conducted Madame Butterfly at the London Opera House in July 1915, in a performance that starred Tamaki Miura. After that he established himself as a composer of light operas, including Young England (Birmingham, 1915) and Bubbole (Milan, 1920), extending the genre towards grand opera with Trilby. He went on to compose many film scores (including part of the soundtrack of Alfred Hitchcock&amp;rsquo;s Blackmail in 1929), marches for brass bands, orchestral suites, theatre&lt;/p&gt;</description>
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				<title>Hubert Giraud</title>
				<link>https://musictheoryprint.com/composers/hu/hubert-giraud/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/hu/hubert-giraud/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Hubert Yves Adrian Giraud (; 3 March 1920 – 16 January 2016) was a French composer and lyricist. Career Giraud began his career playing the harmonica with Django Reinhardt&amp;rsquo;s jazz group, the Quintette du Hot Club de France. In 1941, he was recruited by Ray Ventura to play the guitar during Ventura&amp;rsquo;s big-band tour of South America. Six years later, he joined Jacques Hélian&amp;rsquo;s orchestra in scoring a series of post-war romantic comedy films, including Georges Combert&amp;rsquo;s 1951 feature, Musique en tête. His song &amp;ldquo;Dors, mon amour&amp;rdquo;, performed by André Claveau, won the Eurovision Song Contest 1958. Giraud (with lyricist Pierre Cour) wrote the song &amp;ldquo;Gitans&amp;rdquo; ( &amp;ldquo;Les Gitans&amp;rdquo;). It was further translated into English by B. Guilgud (a.k.a. Guilgudo) and A. Gill and recorded by Corry Brokken. Sergio Franchi recorded an English and Italian version (Italian lyrics by Leo Chiosso) on his 1965 RCA album Live at the Cocoanut Grove. Giraud also wrote the music for the songs &amp;ldquo;Sous le ciel de Paris&amp;rdquo; in 1951 and &amp;ldquo;Mamy Blue&amp;rdquo; in 1970. Selected filmography * Music in the Head (1951) * The Fighting Drummer (1953) * The Triumph of Michael Strogoff (1961) See also * List of big band musicians * List of French compos&lt;/p&gt;</description>
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				<title>Hubert Klyne Headley</title>
				<link>https://musictheoryprint.com/composers/hu/hubert-klyne-headley/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/hu/hubert-klyne-headley/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Hubert Klyne Headley (1906–1996) was an American composer, musician, and educator. Early life and education Headley was born at Parkersburg, West Virginia on June 19, 1906. When he was six, his family moved to Fresno, California. His father, Lewis Lee Headley, was Superintendent of Schools, and his mother, Belle Cook Headley, was an organist. At the age of ten he was introduced to Maurice Ravel, whose music had a strong effect on him. He studied music at the University of the Pacific in Stockton, California, graduating in 1928. While there, he met Flora Denius of Vallejo, also a student at the college&amp;rsquo;s music conservatory, whom he married in 1929. For eight years, Headley served as director of instrumental music for California high schools, Career In the fall of 1935, Headley joined the music department of Fresno State College, replacing Assistant Professor Arthur C. Berdahl. Monteux later conducted part of the work in a radio concert for The Standard Symphony Hour. Headley&amp;rsquo;s works would be performed regularly on this program for the next several years. Also in 1939, Headley joined the faculty at Santa Barbara State College, and succeeded Maurice Faulkner as conductor of the Univer&lt;/p&gt;</description>
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				<title>Hubert Naich</title>
				<link>https://musictheoryprint.com/composers/hu/hubert-naich/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/hu/hubert-naich/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Hubert Naich (Huberti, Huberto; Naixh, Naxhe) (c. 1513 – c. 1546) was a composer of the Renaissance, probably of Flemish origin, principally active in Rome. He was mainly a composer of madrigals, some in the note nere style. Life He was probably from Liège, although the details of his early life are uncertain, since several musicians bearing the name &amp;ldquo;Naich&amp;rdquo; were active at the church of St. Martin during the time he would have been growing up. Music All of Naich&amp;rsquo;s known music is for voices, and almost all of it is secular. His entire surviving output has been published in volume 94 of Corpus mensurabilis musicae. Forty-five compositions are known, including 30 in a volume of madrigals he published in Rome in 1540 (Exercitium seraficum, all for from four to six voices). He also published 12 madrigals in other collections, such as the one with Arcadelt. The other three compositions are a chanson in French, and two motets, evidently his only sacred compositions to survive. Some of his madrigals are in the note nere (black note) style. This style of composition, which began with the work of Costanzo Festa around 1540, used shorter note values than were previously used in madrigal compo&lt;/p&gt;</description>
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				<title>Hubert Parry</title>
				<link>https://musictheoryprint.com/composers/hu/hubert-parry/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/hu/hubert-parry/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Sir Charles Hubert Hastings Parry, 1st Baronet (27 February 1848 – 7 October 1918), was an English composer, teacher and historian of music. Born in Richmond Hill, Bournemouth, Parry&amp;rsquo;s first major works appeared in 1880. As a composer he is best known for the choral song &amp;ldquo;Jerusalem&amp;rdquo;, his 1902 setting for the coronation anthem &amp;ldquo;I was glad&amp;rdquo;, the choral and orchestral ode Blest Pair of Sirens, and the hymn tune &amp;ldquo;Repton&amp;rdquo;, which sets the words &amp;ldquo;Dear Lord and Father of Mankind&amp;rdquo;. His orchestral works include five symphonies and a set of Symphonic Variations. He also composed the music for Ode to Newfoundland, the national anthem for the Dominion of Newfoundland. After early attempts to work in insurance at his father&amp;rsquo;s behest, Parry was taken up by George Grove, first as a contributor to Grove&amp;rsquo;s massive Dictionary of Music and Musicians in the 1870s and &amp;rsquo;80s, and then in 1883 as professor of composition and musical history at the Royal College of Music, of which Grove was the first head. In 1895 Parry succeeded Grove as head of the college, remaining in the post for the rest of his life. He was concurrently Heather Professor of Music at the University of Oxford from 1900 to 1908. He wrote&lt;/p&gt;</description>
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				<title>Hubert Waelrant</title>
				<link>https://musictheoryprint.com/composers/hu/hubert-waelrant/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/hu/hubert-waelrant/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Hubert Waelrant or Hubertus Waelrant (last name also spelled Waelrand and Latinised name: Hubertus Waelrandus) (c. 1517 – 19 November 1595) was a Flemish composer, singer, teacher, music editor, bookseller, printer and publisher active in 16th century Antwerp. He was a member of the generation of the Franco-Flemish School of composers who were contemporaries of Palestrina. Unlike famous composers of his time he mostly worked in northern Europe. His style is a transition between that of Nicolas Gombert and the mature Orlande de Lassus. His compositions were modern in the use of chromaticism and dissonance. Life Details of Waelrant&amp;rsquo;s roots are uncertain, but he may have been one of a family of lawyers from Antwerp, the city in which he spent most of his life. Since some of his children were also lawyers it is seen as likely that he was related to this family. As a young man he may have studied in Italy, a common destination for a talented singer and composer from the Netherlands in the 16th century. While there is no documentary evidence for a trip to Italy, Waelrant maintained contact with a wealthy patron there, and his madrigals the influence of some of the more progressive Italia&lt;/p&gt;</description>
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				<title>Huck Hodge</title>
				<link>https://musictheoryprint.com/composers/hu/huck-hodge/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/hu/huck-hodge/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Huck Hodge (born July 14, 1977) is an American composer of contemporary classical music. Hodge&amp;rsquo;s first musical training took place in Oregon. In 1999, he began a course of study in Germany at the Staatliche Hochschule für Musik und Darstellende Kunst in Stuttgart with funding from the Deutscher Akademischer Austauschdienst. Between 2002 and 2008, he was an Andrew W. Mellon Foundation Fellow at Columbia University where he studied composition under Tristan Murail and Fred Lerdahl. Hodge graduated with MA and DMA degrees from Columbia. Hodge is the winner of the Charles Ives Living, awarded by the American Academy of Arts and Letters in 2018, a 2012 Guggenheim Fellowship, the 2010–11 Rome Prize, the 2008 Gaudeamus Prize, commissions from the Fromm and Koussevitzky Music Foundations, and the Aaron Copland Residency Award from the Aaron Copland House. He is professor and chair of music composition at the University of Washington, Seattle. Compositional style Two salient elements in Hodge&amp;rsquo;s music are the incorporation of timbre as an integral form-bearing compositional device and an approach to musical structure that emphasizes gradual change over time. As such, his music bears traces o&lt;/p&gt;</description>
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				<title>Hugh Aitken (composer)</title>
				<link>https://musictheoryprint.com/composers/hu/hugh-aitken-composer/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/hu/hugh-aitken-composer/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Hugh Aitken (September 7, 1924 – December 24, 2012 ) was a 20th-century American composer. Biography Aitken was born in New York City to Hugh Aitken Sr. and Florence Aitken. He grew up in the Bronx and attended Evander Child High School. There were artists of all kinds in his family; his father was a musician, playing the violin and also composing, his mother danced in vaudeville in her youth, one cousin was a radio, stage, and television actress (Joan Swenson) and another danced in the Balanchine company. He studied chemistry for two years at New York University, but quit to join the Army. He served as a navigator in the Air Force in the Second World War, realized during the War that composing was his true vocation, so he used the GI Bill to enroll at Juilliard from 1946-50. He studied composition under Bernard Wagenaar, Vincent Persichetti, and Robert Ward, receiving a MS degree in 1950. He married Laura Tapia (1924-2017) in 1946. Aitken taught at Juilliard from 1960 until 1970, and was then appointed Professor of Music at William Paterson College in New Jersey. He died at home in Oakland, New Jersey on Dec. 24, 2012. He is survived by children Peter Gil Aitken and Alexandra Eliz&lt;/p&gt;</description>
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				<title>Hugh Armigel Wade</title>
				<link>https://musictheoryprint.com/composers/hu/hugh-armigel-wade/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/hu/hugh-armigel-wade/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Hugh Armigel Wade (1 July 1907 – 10 April 1949) was an English songwriter and musician. Biography Hugh Armigel Wade was born in Market Deeping, Lincolnshire, on 1 July 1907. He was the third son of solicitor Richard Wade and his wife Alice. The Wade family lived at The Park, Market Deeping, in a building later renamed as Wade House. When Wade was 15 he won the Marlborough College Prize for Instrumental Composition. On the early morning of 31 May 1932, Stephen died of bullet wound and Barney was arrested and charged with murder. Hugh Armigel Wade and Arthur Jeffress appeared as witnesses at the trial. In 1936, he collaborated on &amp;ldquo;To and Fro&amp;rdquo;, in the 1940s worked with Leigh Stafford on Let it be Soon, and in 1948, he wrote Time May Change for the musical Maid To Measure. His songs were performed by: * Florrie Forde - &amp;ldquo;When the Lovebird Leaves the Nest&amp;rdquo; * Carl Brisson - &amp;ldquo;Why am I Blue?&amp;rdquo; &amp;ldquo;When I Met Sally&amp;rdquo; * Henry Hall and the BBC Dance Orchestra - &amp;ldquo;Singing in the Moonlight&amp;rdquo; * Layton and Johnstone - &amp;ldquo;Singing in the Moonlight&amp;rdquo; * The Melody Boys - &amp;ldquo;Singing in the Moonlight&amp;rdquo; * Charles Hill - &amp;ldquo;Rosalie&amp;rdquo; * Ted Heath - &amp;ldquo;Let it be Soon&amp;rdquo; * Charlie Chester and his Gang - &amp;ldquo;Let it be Soon&amp;rdquo; * Geral&lt;/p&gt;</description>
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				<title>Hugh Aston</title>
				<link>https://musictheoryprint.com/composers/hu/hugh-aston/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/hu/hugh-aston/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Hugh Aston (also spelled Asseton, Assheton, Ashton, Haston; 1485 – buried 17 November 1558) was an English composer of the early Tudor period. While little of his music survives, he is notable for his innovative keyboard and church music writing. He was also politically active, a mayor, Member of Parliament, and Alderman. Biography Hugh Aston was born in Leicester in or around 1485. His father was Alderman Robert Aston, a Senior Burgess of Leicester&amp;rsquo;s South Ward. Hugh&amp;rsquo;s subsequent musical education points to the likelihood that his early years were spent as a boy chorister, probably in the Choral College and Hospital of the Annunciation of St Mary in the Newarke, (The Newarke College). This was near the &amp;lsquo;South Ward&amp;rsquo; represented by his father, beside the south gates of medieval Leicester. At the time it was one of the most prestigious of England&amp;rsquo;s provincial choral institutions. A musically gifted boy such as Hugh would begin in the choir aged around 8, and would be one of six boys singing plainsong and newer polyphonic pieces at the daily services, alongside the choir of male professional singers. Hugh could have joined the choir school in 1493 and remained there as an additional l&lt;/p&gt;</description>
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				<title>Hugh Davidson (composer)</title>
				<link>https://musictheoryprint.com/composers/hu/hugh-davidson-composer/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/hu/hugh-davidson-composer/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Hugh Hanson Davidson (27 May 1930 in Montreal – 14 July 2014 in Victoria) was a Canadian composer, music critic, radio producer, writer, and arts administrator. His compositional output includes works for piano, ballets, chamber music, vocal art songs, choral works, and incidental music for the theatre. Davidson graduated from The Royal Conservatory of Music where he studied from 1945 to 1948. His teachers there included George Crum in piano and Godfrey Ridout in music composition. In 1951, he went to England to pursue further studies in composition with Bernard Stevens and Humphrey Searle. After four years, he returned to Canada where he worked as a composer and studied orchestration with Neil Chotem in Montreal. He is a founder of Hugh Davidson Fund, which is currently administered by the Victoria Foundation. In 2018, Vancouver Symphony Orchestra, under the baton of Bramwell Tovey had performed some of his works, along with the violinist Rachel Barton Pine. References&lt;/p&gt;</description>
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				<title>Hugh Davies (composer)</title>
				<link>https://musictheoryprint.com/composers/hu/hugh-davies-composer/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/hu/hugh-davies-composer/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Hugh Seymour Davies (23 April 1943 – 1 January 2005) was an English musicologist, composer, and inventor of experimental musical instruments. History Davies was born in Exmouth, Devon, England. After attending Westminster School, he studied music at Worcester College, Oxford from 1961 to 1964. Shortly after he travelled to Cologne, Germany, to work for Karlheinz Stockhausen as his personal assistant. For two years, he assembled and documented material for Stockhausen&amp;rsquo;s compositions and was a member of his live ensemble. From 1968 to 1971, Davies played in The Music Improvisation Company. The group&amp;rsquo;s guitarist Derek Bailey later wrote that &amp;ldquo;the live electronics served to extend the music both forwards and backwards (&amp;hellip;) Davies helped to loosen what had been, until his arrival, a perhaps too rarified approach&amp;rdquo;. He was also a member of the group Gentle Fire, active from 1968 to 1975, which specialised in the realisation of indeterminate and mobile scores, as well as verbally formulated intuitive-music compositions (such as Stockhausen&amp;rsquo;s Aus den sieben Tagen) and in the performance of its own Group Compositions. Davies invented musical instruments that he constructed from household it&lt;/p&gt;</description>
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				<title>Hugh Shrapnel</title>
				<link>https://musictheoryprint.com/composers/hu/hugh-shrapnel/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/hu/hugh-shrapnel/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Hugh Shrapnel (born Birmingham, England, 1947) is an English composer of contemporary classical music. Biography Shrapnel was born in 1947 in Birmingham. From 1966 to 1969 he studied composition at the Royal Academy of Music with Norman Demuth and Cornelius Cardew and oboe with Margaret Eliot winning the Lady Holland Prize for composition. Shrapnel&amp;rsquo;s music is characterised by its lyricism, its wide range of musical influences including folk music, music hall, jazz and the sound of bells, a deep identification with the natural world, a liking for unorthodox instrumental line ups and a strong feeling for place and community. Musical enthusiasms/influences include: the English Renaissance composers, Schubert, Schumann, Sibelius, Mahler, Stravinsky, Satie, Webern, Ives, Terry Riley, Charles Mingus. John White and Cornelius Cardew. Shrapnel&amp;rsquo;s music has been widely performed in Britain, America, Canada and Germany. As a student Shrapnel composed serial works influenced by Webern and Boulez but through Cornelius Cardew became drawn to experimental music. He played the oboe in the first British performance of Terry Riley’s In C in 1968, in the same year joining Cardew&amp;rsquo;s experimental music&lt;/p&gt;</description>
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				<title>Hugo Alfvén</title>
				<link>https://musictheoryprint.com/composers/hu/hugo-alfven/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/hu/hugo-alfven/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Hugo Emil Alfvén (; 1 May 18728 May 1960) was a Swedish composer, conductor, violinist, and painter. Alfvén was one of Sweden&amp;rsquo;s principal composers. His &amp;ldquo;Swedish Rhapsody No. 1”, written when he was 31, is still one of the best-known pieces of Swedish music. After extensive European travels to develop his musical skills, Alfvén taught composition, before conducting choirs and orchestras. In 1954, he made the first Swedish classical stereo recordings. Hugo Alfvén’s extensive musical archive is held at Uppsala University, where he was music director for twenty-nine years. Career Violinist Alfvén was born in Stockholm, Sweden, and studied at the Royal College of Music (Kungliga Musikhögskolan) from 1887 to 1891 with the violin as his main instrument while receiving lessons from Lars Zetterquist. He also took private composition lessons from Johan Lindegren, a leading counterpoint expert. At the same time he played the violin at the Royal Opera in Stockholm 1890-1892. Conductor Starting in 1897, Alfvén travelled much of the next ten years in Europe. He studied violin technique in Brussels with César Thomson and learned conducting in Dresden with Hermann Ludwig Kutzschbach. In 1903-4, h&lt;/p&gt;</description>
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				<title>Hugo Alpen</title>
				<link>https://musictheoryprint.com/composers/hu/hugo-alpen/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/hu/hugo-alpen/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Hugo Alpen (26 October 184220 June 1917) was a German-born Australian composer, choral conductor and singing teacher. Early life Born on 26 October 1842 in Kellinghusen, (then part of Denmark), Alpen came to Australia in 1858 at the age of 16. Career After spending several years in Melbourne, Alpen was appointed director of the Vocal Philharmonic Society in the New South Wales town of Tumut in 1862, and from 1865 was based in Albury. He moved to Sydney in 1880 to work as a singing master for the newly established Department of Public Instruction (now the Department of Education), teaching at Fort Street and Hurlstone teacher training colleges. In 1884 he was appointed Superintendent of Music in the department. He advocated enlightened modern methods of music teaching for school children, emphasising aural development and sight-singing, and in 1897 he published a treatise, Practical Hints for the Teaching of Vocal Music in Public Schools. In the earliest precursors of today&amp;rsquo;s Schools Spectaculars, Alpen led massed student choirs in gala performances, often including his own compositions. His Commemoration Ode (1899) celebrated Fort Street School&amp;rsquo;s Golden Jubilee. At the celebrations&lt;/p&gt;</description>
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				<title>Hugo Becker</title>
				<link>https://musictheoryprint.com/composers/hu/hugo-becker/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/hu/hugo-becker/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Hugo Becker (born Jean Otto Eric Hugo Becker; 13 February 1863 – 30 July 1941) was a German cellist, cello teacher, and composer. He studied at a young age with Alfredo Piatti, and later Friedrich Grützmacher in Dresden. Biography He was born in 1863 in Strasbourg (then part of France, but transferred to the German Empire in 1871); his father Jean Becker was a famous violinist. His father tried teaching him violin at the age of six, but the young Becker loved cello, and switched over at the age of nine. By age fifteen he was touring with a string quartet made up of him, his father, sister, and brother. He had also become a leading cellist in the court orchestra in Mannheim. among his students was George Georgescu, who would replace him as cellist in the Marteau Quartet before forsaking the cello for the conductor&amp;rsquo;s podium on account of a hand injury. Later, Georgescu would remark, &amp;ldquo;All I know, I learned from Hugo Becker.&amp;rdquo; Becker also gave finishing lessons to Beatrice Harrison. Selected works *Andante religioso *Three Pieces for Cello with Piano Accompaniment *Scènes d&amp;rsquo;amour, duo *Deux Morceaux: Romance, Duo *Deux Morceaux: Valse gracieuse, Duo *Cello Concerto, Op.10 in A major (pu&lt;/p&gt;</description>
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				<title>Hugo Chaim Adler</title>
				<link>https://musictheoryprint.com/composers/hu/hugo-chaim-adler/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/hu/hugo-chaim-adler/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Hugo Chaim Adler (17 January 1894 – 24 December 1955), was a Belgian cantor, composer, and choir conductor. He is primarily recognized for creating and popularizing contemporary versions of 19th-century Jewish cantorial music. He is the father of Samuel Adler, a prominent American composer of contemporary classical music. Personal life Hugo Chaim Adler was born in Antwerp, Belgium, while his Jewish-German parents were on holiday on January 17, 1894. He was one of eight sons born to his parents, Emma Dahl and Simon Adler. Raised in Mannheim, Baden-Württemberg, Germany, he studied music composition at the Hochschule für Musik Köln from 1912-1915 and played piano. In 1915 he was drafted into the German Army as an infantryman and was injured at the Argonne in 1918. All seven of his brothers served in the war, and all survived. After returning home, Adler began his tenure at the Haupt-Synagogue in Mannheim and met his wife Selma Rothschild. They had two children, Marianne and Samuel Adler. He participated in the Mannheim Holiday Choir and was a member of the local Liederkranz. That December, he was imprisoned for two months in The Netherlands due to his Jewish ancestry. Upon his release&lt;/p&gt;</description>
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				<title>Hugo de Lantins</title>
				<link>https://musictheoryprint.com/composers/hu/hugo-de-lantins/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/hu/hugo-de-lantins/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Hugo de Lantins (fl. 1420–1430) was a Franco-Flemish composer of the late Medieval era and early Renaissance. He was active in Italy, especially Venice, and wrote both sacred and secular music; he may have been a relative of Arnold de Lantins, another composer active at the same time in the same area. Little is known about his life, except that he was probably in Venice during the 1420s, for he wrote ceremonial music for the Doge Francesco Foscari; his music appears in several collections from that city. Evidently he wrote music for the wedding of Cleofe Malatesta and Theodore Palaiologos, Prince of Sparta, in 1421, since precise topical details occur in the text to the music. He almost certainly was known to Dufay, since both composers wrote music for some of the same events, and Dufay mentioned him in the text to one of the compositions he wrote during his stay in Rimini with the Malatesta family (1420–1424). Hugo&amp;rsquo;s music is more forward looking than that of Arnold, making use of imitation, which was to become the prevailing musical device for the next hundred years and more; indeed, imitation is more prevalent in the music of Lantins than in the music of any other composer of th&lt;/p&gt;</description>
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				<title>Hugo Distler</title>
				<link>https://musictheoryprint.com/composers/hu/hugo-distler/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/hu/hugo-distler/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;August Hugo Distler (24 June 1908 – 1 November 1942) was a German organist, choral conductor, teacher and composer. Life and career Born in Nuremberg, Distler attended the Leipzig Conservatory from 1927 to 1931, first as a conducting student with piano as his secondary subject, but changing later, on the advice of his teacher, to composition and organ. He studied there with Martienssen (piano), Günther Ramin (organ) and Grabner (harmony). In 1937 Distler was appointed as a lecturer at the Württemberg Hochschule für Musik in Stuttgart, where he also directed its two choirs. In 1940 he moved to Berlin to teach and conduct at the Hochschule für Musik there, and in 1942 he was named the conductor of the State and Cathedral Choir. However, his suicide was probably not a direct result of antagonistic government pressure; &amp;ldquo;rather, it appears that he saw the futility of attempting to serve both God and Nazis, and came to terms with his own conscience unequivocally.&amp;rdquo; He is buried in the Stahnsdorf South-Western Cemetery. Music Distler enjoyed his first success in 1935 at the official Kassel Music Days (Kasseler Musiktage). He achieved his greatest public success in 1939 at the German Choral&lt;/p&gt;</description>
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				<title>Hugo Friedhofer</title>
				<link>https://musictheoryprint.com/composers/hu/hugo-friedhofer/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/hu/hugo-friedhofer/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Hugo Wilhelm Friedhofer (May 3, 1901 – May 17, 1981) was an American composer and cellist, known for his film scores. He won an Academy Award for Best Original Score for The Best Years of Our Lives (1946), out of nine total nominations. Biography Hugo Wilhelm Friedhofer was born in San Francisco, California, United States. In 1929, he relocated to Hollywood, where he performed as a musician for Fox Studios productions such as Sunny Side Up (1929) and Grand Canary (1934). In 1946, Friedhofer was hired to compose the score for the 1946 William Wyler directed film, The Best Years of Our Lives, which earned him an Oscar for Best Original Score at the 1947 Academy Awards, A new recording of the score, released in 1979 by Entr&amp;rsquo;acte Recording Society, was favorably received at the time. Friedhofer was also nominated for eight other films, including The Woman in the Window, The Bishop&amp;rsquo;s Wife, Joan of Arc, Above and Beyond, Between Heaven and Hell, Boy on a Dolphin and An Affair to Remember (both nominated in 1958 ), as well as The Young Lions. Friedhofer, who was greatly admired by his colleagues, was also noted for his caustic, self-deprecating wit. When asked by fellow composer David Rak&lt;/p&gt;</description>
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				<title>Hugo Kauder</title>
				<link>https://musictheoryprint.com/composers/hu/hugo-kauder/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/hu/hugo-kauder/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Hugo Kauder (9 June 188822 July 1972) was an Austrian-Jewish composer, music theorist, and teacher. He composed in a relatively traditional, Brahmsian contrapuntal–harmonic manner with substantial modal mixture. Kauder sought a synthesis of sound and word in his vocal music and was attentive to texts, praising the word painting of Schoenberg&amp;rsquo;s Op. 15 Stefan George settings. He was close to Rudolph Pannwitz, who wrote aphorisms and was influenced by George and Friedrich Nietzsche. He wrote over 300 works. A society (2002) and performance competition (2003) were founded in his name. Biography Kauder was born in Tovačov. His father Ignaz was Oberlehrer (principal) of the local German language primary school. The local violin teacher gave the boy Kauder lessons. This was his only formal training in music. In 1905, Kauder moved to Vienna to study engineering. He often skipped school with to study scores in the Imperial Court Library. Several volumes of Guido Adler&amp;rsquo;s Denkmäler der Tonkunst in Österreich, a compendium of music including that of the Franco-Flemish School, especially interested him. He cited Josquin des Prez as a &amp;ldquo;teacher&amp;rdquo;. From 1911 to 1917, Kauder played violin in the Wie&lt;/p&gt;</description>
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				<title>Hugo Kaun</title>
				<link>https://musictheoryprint.com/composers/hu/hugo-kaun/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/hu/hugo-kaun/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Hugo Wilhelm Ludwig Kaun (21 March 1863 – 2 April 1932) was a German composer, conductor, and music teacher. Biography Kaun was born in Berlin, Kingdom of Prussia and completed his musical training in his native city. In 1886 (or 1887), he left Germany for the United States and settled in Milwaukee, Wisconsin, which was home to a well-established German immigrant community. As the conductor of local choral societies, such as the Milwaukee Liederkranz and the Milwaukee Men&amp;rsquo;s Choir, Kaun quickly acquired an important influence in the city&amp;rsquo;s musical life. He also taught at the conservatory, where his colleagues included Wilhelm Middelschulte. Kaun&amp;rsquo;s eldest son, Bernhard Kaun, later became a composer of film scores in Hollywood. At the turn of the century, Kaun returned to Germany and continued his teaching in Berlin. Although he received numerous lucrative offers of employment from abroad, these inducements could not persuade him to leave Berlin a second time. In 1912, he was appointed to the Prussian Academy of Arts. He chronicled his eventful life in his autobiography Aus meinem Leben (From My Life). He died in Berlin. Music Kaun composed in a Romantic style for a wide range of genr&lt;/p&gt;</description>
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				<title>Hugo Leichtentritt</title>
				<link>https://musictheoryprint.com/composers/hu/hugo-leichtentritt/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/hu/hugo-leichtentritt/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Hugo Leichtentritt (1 January 1874, Pleschen, , nearby Posen, Province of Posen13 November 1951, Cambridge, Massachusetts) was a German-Jewish musicologist and composer who spent much of his life in the USA. His pupils include composers Leroy Robertson and Erich Walter Sternberg. Early life Leichtentritt was born to a family of Jewish merchants in Pleschen, German Empire. His German father, Gerson Leichtentritt, was a successful distillery owner. Leichtentritt was a thesis reader for Leonard Bernstein. Bernstein had cited Leichtentritt in his reasons to attend Harvard, writing, &amp;ldquo;I would probably attempt a Harvard training because of the superb musical department there. Several German professors, such as Leichtentritt, who have left their native land for obvious reasons, are now giving instruction there.” However, Leichtentritt was displeased with Bernstein&amp;rsquo;s senior thesis, writing of its &amp;ldquo;arrogant attitude and air of superiority.&amp;rdquo; With his retirement looming, Leichtentritt branched out into other musical-related endeavors. He edited Oscar Thompson&amp;rsquo;s The International Cyclopedia of Music and Musicians (New York, 1939), wrote for The Musical Quarterly, and had four books published by&lt;/p&gt;</description>
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				<title>Hugo Montenegro</title>
				<link>https://musictheoryprint.com/composers/hu/hugo-montenegro/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/hu/hugo-montenegro/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Hugo Mario Montenegro (September 2, 1925 – February 6, 1981) was an American orchestra leader and composer of film soundtracks. His best-known work is interpretations of the music from Spaghetti Westerns, especially his cover version of Ennio Morricone&amp;rsquo;s main theme from the 1966 film The Good, the Bad and the Ugly. He composed the score for the 1969 Western Charro!, which starred Elvis Presley. He also wrote for various television series, most notably the theme to &amp;ldquo;I Dream of Jeannie&amp;rdquo; Biography Montenegro was born in New York City in 1925. He served in the U.S. Navy for two years, mostly as an arranger for the Newport Naval Base band in Newport, Rhode Island. After the war he attended Manhattan College while studying composition and leading his own band for school dances. No. 3 in the Canadian RPM Magazine charts, and spending four weeks atop the UK Singles Chart in 1968. It sold over one and a quarter million copies and was awarded a gold disc. His version of the main theme from Hang &amp;rsquo;em High reached No. 59 in Canada. In 1968, his hit &amp;ldquo;Aces High&amp;rdquo; placed at No. 11 on the Billboard Year-End Chart of the Top Hits of 1968. In the late 1970s severe emphysema forced an end to his musica&lt;/p&gt;</description>
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				<title>Hugo Rüter</title>
				<link>https://musictheoryprint.com/composers/hu/hugo-ruter/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/hu/hugo-ruter/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Hugo Rüter (7 September 1859 – 25 December 1949) was a German composer. Born in Hamburg, he studied at the Conservatory of his hometown and later settled down in Wandsbek as director of choral societies, being appointed in 1897 as a teacher of Matthias-Claudius-Gymnasium. He died in Mieste. His father Christian was a foreman in a sailmaker&amp;rsquo;s shop at the port. He had come into contact with music from early childhood through the nearby Michaeliskirche. The family later moved to Wandsbek, where Hugo attended school. Then Rüter went to the middle school at the Lärmberg. After confirmation in 1873, he left school and, on the advice of his teacher Scheibler, began training for the teaching profession. At the age of 15, he got a job as a preparatory at the Protestant church school in the neighbouring town of Hamm. At the age of 15 he learned to play the piano, but his talent was singing. At the age of 17 he passed the entrance exam at the Bernuthsche Konservatorium in Hamburg-Hamm. There he studied from 1876 to 1882 with Carl Georg Peter Graedener, Hugo Riemann, Karl F. Armbrust, Carl Louis Bargheer and Heinrich Degenhardt. In 1880 he wrote his 1st symphony in C sharp minor. Hugo Rüter&amp;rsquo;s&lt;/p&gt;</description>
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				<title>Hugo Strasser</title>
				<link>https://musictheoryprint.com/composers/hu/hugo-strasser/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/hu/hugo-strasser/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Hugo Strasser (April 7, 1922, Munich-Schwabing - March 17, 2016, Munich-Trudering) was a German swing and jazz musician, composer, clarinetist and big band leader of the Orchester Hugo Strasser (Hugo Strasser Orchestra) since 1955. The orchestra was famous for its dance music, in particular music for suited ballroom dancing with its strict beat and tempo, played at numerous ballroom dance / Dancesport championships in Germany and abroad. Of note is Strasser&amp;rsquo;s series of recordings &amp;ldquo;Tanzplatte des Jahres&amp;rdquo; ( &amp;ldquo;Dance Record of the Year&amp;rdquo; ). * 2002: Schwabing Art Prize * 1994: Bayerischer Poetentaler See also *Max Greger *James Last *Paul Kuhn References External links * *Hugo Strasser in the catalog of the German National Library&lt;/p&gt;</description>
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				<title>Hugo Ulrich</title>
				<link>https://musictheoryprint.com/composers/hu/hugo-ulrich/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/hu/hugo-ulrich/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Hugo Ulrich (26 November 1827 – 23 March 1872) was a German Romantic composer, music educator and arranger. Life Childhood and youth Hugo Ulrich was born on 26 November 1827 in Oppeln in Silesia (today the Polish city of Opole), where his father was a high school teacher. He was baptized Catholic. Both parents were enthusiastic about music; the father as a music teacher and piano player, and the mother above all as an excellent interpreter of Mozart&amp;rsquo;s arias. After he lost his father at the age of nine, the rector of the Oppelner Gymnasium Kotzoldt gave him piano and organ lessons. He recognized Hugo Ulrich as an extraordinary student and encouraged his career as a professional musician even in his early years. Barely twelve, Ulrich also lost his mother, which left him practically destitute. Nevertheless, he first attended the Catholic High School St. Matthias in Breslau, where he received scholarship support and free instruction but had to perform church music. He worked as an alto there and had to play the organ at the Gymnasiumgottesdienst. Here he also received the first lessons in continuo by then organist Moritz Brosig. To the great grief of his guardian Kotzoldt and his kin,&lt;/p&gt;</description>
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				<title>Hugo von Montfort</title>
				<link>https://musictheoryprint.com/composers/hu/hugo-von-montfort/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/hu/hugo-von-montfort/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Hugo von Montfort (1357 – 4 April 1423) was an Austrian minstrel of the Late Middle Ages. Life Hugo VII was a scion of the comital house of Montfort at Bregenz, head of an old and influential Swabian family of nobles, holding numerous high administrative posts. By his mother Countess Ursula of Ferrette (Pfirt), he was related with the Austrian House of Habsburg. About 1373 he married the Styrian countess Margaret, granddaughter of Count Ulrich V of Pfannberg and widow of Count Hans of Cilli. With his wife&amp;rsquo;s estates around Pfannberg in the Mur valley, he vastly increased the area controlled by the House of Montfort. Upon Margarte&amp;rsquo;s death about 1395, he secondly married Countess Clementia of Toggenburg. In 1399 he also acquired Festenburg Castle in eastern Styria. In 1402 Hugo married, for the third time, the Bohemian noble Anna of Neuhaus, widow of the Styrian governor Hans of Stadeck. As second-born son, he had prepared for an ecclesiastical career, but spent most of his adult life as a politician in the Habsburg service: as commander in chief of the ducal Austrian troops in Italy, as Hofmeister of Duke Leopold IV, as governor of Styria (1412–1415), and as Landvogt in the Thurgau,&lt;/p&gt;</description>
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				<title>Hugo Wolf</title>
				<link>https://musictheoryprint.com/composers/hu/hugo-wolf/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/hu/hugo-wolf/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Hugo Philipp Jacob Wolf (; ; 13 March 1860 – 22 February 1903) was an Austrian composer, particularly noted for his art songs, or Lieder. He brought to this form a concentrated expressive intensity which was unique in late Romantic music, somewhat related to that of the Second Viennese School in concision but diverging greatly in technique. Though he had several bursts of extraordinary productivity, particularly in 1888 and 1889, depression frequently interrupted his creative periods, and his last composition was written in 1898, before he suffered a mental collapse caused by syphilis. Life Early life (1860–1887) Hugo Wolf was born in Windischgrätz in the Duchy of Styria (now Slovenj Gradec, Slovenia), then a part of the Austrian Empire. His baptismal entry records him as Hugo Philip. Jacob. Wolf, the son of Filip Wolf and Katharina (née Nußbaumer) Wolf. Herbert von Karajan was related to him on his maternal side. He spent most of his life in Vienna, becoming a representative of a &amp;ldquo;New German&amp;rdquo; trend in Lieder, a trend which followed from the expressive, chromatic and dramatic musical innovations of Richard Wagner. A child prodigy, Wolf was taught piano and violin by his father begi&lt;/p&gt;</description>
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				<title>Hugues Dufourt</title>
				<link>https://musictheoryprint.com/composers/hu/hugues-dufourt/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/hu/hugues-dufourt/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Hugues Dufourt () is a French composer and philosopher associated with the spectral school of composition. Born in Lyon on 28 September 1943, Dufourt studied piano and composition at the Geneva Conservatory. Dufourt became co-director of the Ensemble l&amp;rsquo;Itinéraire in 1973 and founded CRISS (Collectif de Recherche Instrumentale et de Synthèse Sonore—Instrumental and Sound Synthesis Research Collective) in 1977. It was for CRISS that he composed in 1978–79 his best-known work, Saturne, for percussion, wind ensemble, and electronics—a work inspired by Erwin Panofsky&amp;rsquo;s analysis of etchings by Albrecht Dürer. His work Burning Bright (2014) also received five votes in a 2017 Classic Voice poll of the greatest works of art music by living composers since 2000. Many of Dufourt&amp;rsquo;s larger works have been inspired by the paintings of artists as various as Brueghel, Giorgione, Rembrandt, Poussin, Guardi, Goya, and Pollock. References Sources * * * External links *Biography, works, recordings, Editions Henry Lemoine *&lt;/p&gt;</description>
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				<title>Humblesmith</title>
				<link>https://musictheoryprint.com/composers/hu/humblesmith/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/hu/humblesmith/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Ekenedirichukwu Ijemba (born May 14, 1991), better known by his stage name Humblesmith, is a Nigerian afropop recording artist who achieved recognition upon the release of his hit single titled &amp;ldquo;Osinachi&amp;rdquo; in 2015 which later won a nomination spot at the 2016 Nigeria Entertainment Awards. He first ventured into the entertainment business as an actor, starring in a number of films including Hypertension (2010) with Sam Loco Efe. he made the list of &amp;ldquo;10 Artists To Watch in 2016&amp;rdquo; by notJustOk. Early life Originally from Uruala, a town in Ideato North local government area of Imo State, southeastern Nigeria, Ekene Ijemba was born on May 14, 1991, into a Catholic family in Abakaliki, Ebonyi State, Nigeria. While in secondary school, he started dancing and was part of a group called American Boys before he left Ebonyi State for Asaba City, the capital of Delta State, South-Southern Nigeria in order to pursue a career in music. Career 2014–2017: Beginnings and rise to fame Upon arriving in Asaba City, Humblesmith had to take up menial jobs in order to earn a living. He later ventured into entertainment as an actor and appeared in various films including Hypertension with Sam Loco Efe. In 2&lt;/p&gt;</description>
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				<title>Humfrey Anger</title>
				<link>https://musictheoryprint.com/composers/hu/humfrey-anger/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/hu/humfrey-anger/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Joseph Humfrey Anger (3 June 186211 June 1913) was a Canadian organist, pianist, conductor, composer, and music educator of English birth. His compositional output consists mainly of church music and works for solo piano and organ. Some of his more well known works are A Concert Overture for organ (1895), the patriotic song Hail Canada (1911), and Tintamarre, Morceau de Salon (1911), all of which were published by Whaley, Royce &amp;amp; Co. The latter piece was notably the first published classical composition to thoroughly integrate true tone clusters. He also wrote the textbooks Form in Music and A Treatise on Harmony, both of which were widely used in music schools in North America. Life and career Born at Ashbury in Berkshire (now Oxfordshire), Anger studied at New College, Oxford where he earned a Bachelor of Music. He began his career as a school teacher and a church organist-choirmaster in his native country. He was notably the conductor of the Ludlow Choral and Orchestral Society for several years. In 1897 his cantata A Song of Thanksgiving was awarded the Jubilee Prize by the Bath Philharmonic Society. In 1890 his madrigal Bonnie Belle won the London Madrigal Society Prize. In 18&lt;/p&gt;</description>
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				<title>Humphrey Procter-Gregg</title>
				<link>https://musictheoryprint.com/composers/hu/humphrey-procter-gregg/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/hu/humphrey-procter-gregg/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Humphrey Procter-Gregg (31 July 1895 – 13 April 1980) was an English composer and academic. Career He was born in Kirkby Lonsdale and educated at King William&amp;rsquo;s College on the Isle of Man and at Peterhouse Cambridge, where he was organ scholar. He studied music with Charles Villiers Stanford (among his last pupils), Charles Wood and Julius Harrison at the Royal College of Music in London and gained a studentship at La Scala in Milan. After graduating, he went on to work at various opera houses (including Covent Garden, Thomas Beecham&amp;rsquo;s British National Opera Company and Carl Rosa) as stage manager, producer or manager. In 1936 Procter-Gregg became Reader in Music at the University of Manchester, founding the Chair of Music as Emeritus Professor in 1954 and retiring in 1962, when he was succeeded by Hans Redlich. Hope recalled him as &amp;ldquo;very old fashioned. He just about got as far as Delius, but nothing beyond that&amp;rdquo;. Peter Maxwell Davies was even more dismissive: &amp;ldquo;Procter-Gregg hated anything by Stravinsky or Bartok, and referred to Beethoven as that dreadful German bow-wow. I went there to do composition, but he disliked me so much and he disliked the music I wrote so much and I disl&lt;/p&gt;</description>
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				<title>Humphrey Searle</title>
				<link>https://musictheoryprint.com/composers/hu/humphrey-searle/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/hu/humphrey-searle/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Humphrey Searle (26 August 1915 – 12 May 1982) was an English composer and writer on music. His music combines aspects of late Romanticism and modernist serialism, particularly reminiscent of his primary influences, Franz Liszt, Arnold Schoenberg and Anton Webern, who was briefly his teacher. As a writer on music, Searle published texts on numerous topics; he was an authority on the music of Franz Liszt, and created the initial cataloguing system for his works. Biography Searle was the son of Humphrey and Charlotte Searle and, through his mother, a grandson of Sir William Schlich. He was born in Oxford where he was a classics scholar before studying—somewhat hesitantly—with John Ireland at the Royal College of Music in London, after which he went to Vienna on a six-month scholarship to become a private pupil of Anton Webern, which became decisive in his composition career. Searle was one of the foremost pioneers of serial music in the United Kingdom, and used his role as a producer at the BBC from 1946 to 1948 to promote it. He was General Secretary of the International Society for Contemporary Music from 1947 to 1949. He accepted this post with the encouragement of the new preside&lt;/p&gt;</description>
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				<title>Hunter Johnson (composer)</title>
				<link>https://musictheoryprint.com/composers/hu/hunter-johnson-composer/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/hu/hunter-johnson-composer/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Hunter Johnson (April 14, 1906 – August 27, 1998) was an American composer. His compositions include a piano sonata and the orchestral music for Martha Graham&amp;rsquo;s ballets Letter to the World, based on the life and poetry of Emily Dickinson, and Deaths and Entrances. His musical style was a combination of neoclassic, neoromantic, and nationalist. Johnson was born near Benson, North Carolina. He attended Benson High School and the University of North Carolina at Chapel Hill before leaving the state to finish his undergraduate studies at the Eastman School of Music in 1929. UNC later awarded him an honorary doctorate. He taught at the University of Michigan (1929–33), the University of Manitoba (1944–47), Cornell (1948–53), the University of Illinois (1959–65) and the University of Texas (1966–71). He retired in 1971 and returned to the family farm in Benson. He was the first composer laureate of North Carolina, an award he received in 1991. Footnotes References * *Albany Records product information *Database of Recorded American Music article *Monaco, Richard A. (1960), &amp;ldquo;The Music of Hunter Johnson&amp;rdquo;. Ph.D. diss. Ithaca: Cornell University. *Monaco, Richard A., and Michael Meckna (2001)&lt;/p&gt;</description>
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				<title>Huw Watkins</title>
				<link>https://musictheoryprint.com/composers/hu/huw-watkins/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/hu/huw-watkins/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Huw Thomas Watkins (born 13 July 1976 ) is a British composer and pianist. Born in South Wales, he studied piano and composition at Chetham&amp;rsquo;s School of Music in Manchester, where he received piano lessons from Peter Lawson. He then went on to read music at King&amp;rsquo;s College, Cambridge, where he studied composition with Robin Holloway and Alexander Goehr, and completed an MMus in composition at the Royal College of Music, where he studied with Julian Anderson. Huw Watkins was awarded the Constant and Kit Lambert Junior Fellowship at the Royal College of Music, where he used to teach composition. He is Honorary Research Fellow at the Royal College of Music. He is married to fellow composer Helen Grime. Career In 1999, the Nash Ensemble premiered Watkins&amp;rsquo; Sonata for Cello and Eight Instruments, which had been commissioned by Faber Music. The review in The Times declared that &amp;ldquo;at 22, Huw Watkins is already a composer to be reckoned with&amp;rdquo;. The work has since been performed by the Birmingham Contemporary Music Group in London, Paris, Copenhagen and Aldeburgh under the direction of Sakari Oramo and Peter Rundel. In 2000, the BBC National Orchestra of Wales gave the first performance of Watki&lt;/p&gt;</description>
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