<?xml version="1.0" encoding="utf-8" standalone="yes"?>
<rss version="2.0" xmlns:atom="http://www.w3.org/2005/Atom">
	<channel>
		<title>IV on Music Theory Print</title>
		<link>https://musictheoryprint.com/composers/iv/</link>
		<description>Recent content in IV on Music Theory Print</description>
		<generator>Hugo</generator>
		<language>en</language>
		
		
		
		
			<atom:link href="https://musictheoryprint.com/composers/iv/index.xml" rel="self" type="application/rss+xml" />
			<item>
				<title>Iva Bittová</title>
				<link>https://musictheoryprint.com/composers/iv/iva-bittova/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/iv/iva-bittova/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Iva Bittová (born 22 July 1958) is a Czech avant-garde violinist, singer, and composer. She began her career as an actor in the mid-1970s, appearing in several Czech feature films, but switched to playing violin and singing in the early 1980s. She started recording in 1986 and by 1990 her unique vocal and instrumental technique gained her international recognition. Since then, she has performed regularly throughout Europe, the United States and Japan, and has released over eight solo albums. In addition to her musical career, Bittová has continued acting and still occasionally appears in feature films. In 2003 she played the part of Zena in Želary, a film nominated for Best Foreign Language Film at the 2004 Academy Awards. Biography Iva Bittová was born on 22 July 1958 in the town of Bruntál, Czech Silesia, in what was then Czechoslovakia. The second of three daughters, she grew up in a musical family where her father Koloman Bitto (), a famous musician of Hungarian–Romani origin from southern Slovakia, played guitar, trumpet and double bass in folk and classical ensembles, and her mother Lidmila Bittová (née Masařová) sang in professional vocal groups. As a child, Bittová took bal&lt;/p&gt;</description>
			</item>
			<item>
				<title>Iva Lorens</title>
				<link>https://musictheoryprint.com/composers/iv/iva-lorens/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/iv/iva-lorens/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Iva Mišović (, born on 1 July 1996), better known under the stage name Iva Lorens, is a Serbian record producer and singer-songwriter. Biography Lorens started writing songs at the age of 9. Her mother is a model, host and journalist Irena Mišović. Lorens completed music management studies in Berlin at the British Institute of Modern Music and lives between Berlin and Belgrade. She was a presenter on MTV. The song Just Because was a hit in Germany. She first published songs in English, and from 2021 in Serbian, when she released the song Svitanje, which she wrote with the Pančevo-based band Buč Kesidi. As part of the music project Tuborg Open in Los Angeles, Lorens gets the opportunity to collaborate with Jason Derulo. The song qualified for the final. Discography Albums * I Guess it&amp;rsquo;s About You (2020) * Svitanje (2023) * Svitanje (Deluxe edition) (2023) Singles Guest appearances References&lt;/p&gt;</description>
			</item>
			<item>
				<title>Ivan Beatz</title>
				<link>https://musictheoryprint.com/composers/iv/ivan-beatz/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/iv/ivan-beatz/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Ivan Beatz is a Ghanaian record producer, DJ, and composer from the Central part of Ghana. Afro-pop, Hip hop, Afrobeats, R&amp;amp;B, Rock, Hiplife, Fuji, and Highlife are some of his specialties. Ivan has produced songs for a diverse range of artists, including Kwame Eugene, Bisa Kdei, Medikal, Amerado, Flowking Stone, Kwaw Kese, Sista Afia, Kelvyn Boy, Strongman, Fameye, MzVee, LAX, Feli nuna, Deon Boakye, Ayesem, Eye Judah, Opanka, Kurl Songz, Kingskid, Ras Kuku, French kiss DJ, and Eazzy. In 2021, he was nominated for the Global Music Awards Africa in the &amp;ldquo;Producer of the Year&amp;rdquo; together with Mr Jassiq (South Africa), KillBeatz (Ghana), Scarfboy (Nigeria), MOG Beatz (Ghana), Dave Da Music Box (Ghana), Spon Key (Ghana) and Vinny Kay (Ghana). Early life and career He started deejaying when he was a youngster and had some success. His interest in music began when he was a child, and his excitement has grown since then. He taught himself to play the keyboard, drums, and mastered Fruity Loops and other music production software applications at an early age. In 2014, he began professional music production and rose to prominence after creating &amp;ldquo;Cassanova&amp;rdquo; by French kiss DJ, which featured MzVe&lt;/p&gt;</description>
			</item>
			<item>
				<title>Ivan Božičević</title>
				<link>https://musictheoryprint.com/composers/iv/ivan-bozicevic/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/iv/ivan-bozicevic/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Ivan Božičević (born 27 May 1961 in Belgrade, Serbia) is a Croatian composer, organist, pianist, and jazz musician. Biography Božičević was born in Belgrade. After initial piano studies, he joined the composition class of A. Obradović at the Belgrade Faculty of Music. He graduated in 1984, earning a master&amp;rsquo;s degree in 1989. Until 2001 he occupied a teaching post for Harmony, Counterpoint and Analysis there and at the Academy of Arts in Novi Sad. In December 2001 he moved to Split, Croatia, where he started working as a freelance artist. As of 2018, he leads the composition class at the Split Academy of Arts. From 1984 to 1988 he studied organ at the Hochschule für Musik in Frankfurt with the renowned professor Edgar Krapp. His work encompasses a broad repertoire, with special emphasis on baroque and modern music. Specializes early organ music in Salamanca (with Guy Bovet and Montserrat Torrent). Gives many successful concerts in Croatia, Germany, Hungary, Serbia, Spain, Sweden, Switzerland and the United States. His creative output encompasses five symphonic works, orchestral, chamber, choir and soloistic works, as well as electronic compositions and jazz music. He received numerou&lt;/p&gt;</description>
			</item>
			<item>
				<title>Ivan Domaratsky</title>
				<link>https://musictheoryprint.com/composers/iv/ivan-domaratsky/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/iv/ivan-domaratsky/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Ivan Domaratsky (; ) was a Ukrainian composer of Baroque music, who wrote and liturgies. Long forgotten by music historians, he was rediscovered by the Ukrainian musicologist Nina Herasymova-Persydska, who attributed his compositions to the 1730s and 1740s. Domaratsky&amp;rsquo;s works were largely unknown until the 21st century, when the Kyiv Chamber Choir began to perform them, in particular concertos No. 8 &amp;ldquo;O Thee, Father Roman&amp;rdquo;, and No. 10 &amp;ldquo;Your Good Spirit&amp;rdquo;. Manuscripts of his works are kept at the Vernadsky National Library of Ukraine and the collection of St Sophia Cathedral, Kyiv within sets of partsong (&amp;lsquo;partess&amp;rsquo;) concerts. Among the manuscripts are (in Church Slavonic) his &amp;ldquo;Concerto to the Apostle Timothy&amp;rdquo;, &amp;ldquo;A wonderful catcher like his tongue&amp;rdquo;, the concerto &amp;ldquo;Virgin gives birth to the Most Holy&amp;rdquo;, &amp;ldquo;The Lord sent deliverance&amp;rdquo;, a concert for eight voices &amp;ldquo;Blessed is the man who fears the Lord&amp;rdquo;, &amp;ldquo;Hymns for an All-Night Vigil&amp;rdquo;, and Blessed is the man&amp;quot;. References Further reading * * * * *&lt;/p&gt;</description>
			</item>
			<item>
				<title>Ivan Dzerzhinsky</title>
				<link>https://musictheoryprint.com/composers/iv/ivan-dzerzhinsky/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/iv/ivan-dzerzhinsky/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Ivan Ivanovich Dzerzhinsky () (April 9, 1909 – January 18, 1978) was a Soviet composer. The work for which he is best known, his opera , was more successful for its political potential than for any musical distinction. Early life Born in Tambov, Dzerzhinsky had an extended formal background in music. He studied piano with Boleslav Yavorsky at the First Music Tekhnikum in Moscow between 1925 and 1929. Afterwards he spent 1930–31 at the Gnesin School as a composition student of Mikhail Gnessin. Two years at the Leningrad Central Music Tekhnikum followed. There he studied composition first with Gavriil Popov, then with Pyotr Ryazanov. He then proceeded to the Leningrad Conservatory for two years of study with Boris Asafyev. This opera was premiered at the Leningrad Maly Opera Theater in October 1935. Joseph Stalin saw the work on January 17, 1936 and immediately recognized its propaganda value. Its subject was heroic and patriotic; it glorified the spirit of the Don Cossacks, whose support would become necessary in the event of war (a war that, incidentally, seemed increasingly inevitable); and its music was both lyrical and immediately appealing. Sholokhov&amp;rsquo;s novel, whose first editio&lt;/p&gt;</description>
			</item>
			<item>
				<title>Iván Erőd</title>
				<link>https://musictheoryprint.com/composers/iv/ivan-erod/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/iv/ivan-erod/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Iván Erőd ( ; 2 January 1936 – 24 June 2019; sometimes spelled Eröd) Kirill Petrenko, Nayden Todorov and Judit Varga. Life Erőd&amp;rsquo;s brother and grandparents were murdered at Auschwitz in 1944. He fled Hungary after the events of 1956. His chamber music includes three string quartets, Opp. 18, 26 and 78, two string sextets, Opp. 45 and 68, and Bukolika for chamber ensemble, Op. 64 (1994), on Hungarian rural life. his second trio Op. 42 in 1982; he wrote a trio for clarinet, violin and piano Op. 59 – commissioned by the Verdehr Trio – in 1991, as well as a piano quartet Op. 54 in 1987; the two sonatas for violin and piano Op. 14 (1970) and Op. 74 (2000) are among the most popular of his works. He composed lieder, such as Canti di Ungaretti (1988) Some of his vocal works are more serious, such as the Vier Gesänge, Op. 44 (1983), the song cycle Schwarzerde (Black Soil) for baritone and orchestra, Op. 49 (1984/85), and the cantata Vox Lucis (Voice of the Light), Op. 56 (1988/89). * 2006: Honorary member of the (Austrian Composers Association) Further reading * , &amp;ldquo;Eröd, Iván&amp;rdquo;. The New Grove Dictionary of Music and Musicians online. External links * * Iván Eröd (in German) Steirischer Tonkü&lt;/p&gt;</description>
			</item>
			<item>
				<title>Ivan Fedele</title>
				<link>https://musictheoryprint.com/composers/iv/ivan-fedele/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/iv/ivan-fedele/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Ivan Fedele (born 6 May 1953 in Lecce) is an Italian composer. He studied at the Milan Conservatory. Fedele&amp;rsquo;s compositions are published by Edizioni Suvini Zerboni, and many of his works are recorded on Stradivarius Records. Selected works ;Stage * Oltre Narciso, Cantata profana for una azione scenica Secular Cantata for a Scenic Action for mezzo-soprano, baritone, 2 dancers, male chorus and small orchestra (1982); libretto by the composer * Antigone, opera in 7 scenes (2005–2006); libretto after Sophocles by Giuliano Corti and the composer; premiere 24 April 2007, Teatro Comunale, Florence. ;Orchestra * Chiari (1981) * Epos (1989) * Carme for chamber orchestra (1992) * Carme Secondo (1993) * Allegoria dell&amp;rsquo;indaco for small orchestra (1994); original version for 11 instruments * Scena (1997–1998) * Codex for chamber orchestra (1999); arrangement of music by Johann Sebastian Bach * Accord for chamber orchestra (2003) * Ali di Cantor for 4 orchestral groups (2003) * Artéteka, Folk Dance I (2009) * Pentàlogon Quintet for string orchestra (1987, revised 2009); original version String Quartet No. 2 Pentàlogon Quartet * Syntax 0.1 (&lt;a href=&#34;mailto:if@hay.dn&#34;&gt;if@hay.dn&lt;/a&gt;) for chamber orchestra (2009) * Lexikon (2010)&lt;/p&gt;</description>
			</item>
			<item>
				<title>Iván Fischer</title>
				<link>https://musictheoryprint.com/composers/iv/ivan-fischer/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/iv/ivan-fischer/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Iván Fischer (born 20 January 1951) is a Hungarian conductor and composer. Biography Born in Budapest into a musical family of Jewish heritage, Fischer initially studied piano, violin, cello and composition in Budapest. His older brother, Ádám Fischer, became a conductor in his own right. He moved later to Vienna to study conducting with Hans Swarowsky at the University of Music and Performing Arts, where he also studied cello and early music, studying and working as assistant to Nikolaus Harnoncourt. He also studied with Franco Ferrara at the Accademia Musicale Chigiana in Siena. In 1976, Fischer won the Rupert Foundation conducting competition in London. He began thereafter to guest-conduct British orchestras such as the Royal Liverpool Philharmonic, the BBC Symphony and the London Symphony Orchestra, with whom he conducted a world tour in 1982. His US conducting debut was with the Los Angeles Philharmonic in 1983. Budapest Festival Orchestra Fischer returned to Hungary in 1983 to found the Budapest Festival Orchestra (BFO), which initially was intended for a limited number of concerts a year on a part-time basis. The BFO became a permanent institution in 1992, with a schedule of&lt;/p&gt;</description>
			</item>
			<item>
				<title>Ivan Hewett</title>
				<link>https://musictheoryprint.com/composers/iv/ivan-hewett/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/iv/ivan-hewett/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Ivan Hewett is a British music critic and author who specializes in classical music. Since 2009 he has been the chief music critic for British newspaper The Daily Telegraph. Hewett has a particular interest in contemporary classical music, which was the topic of his 2003 book Music: Healing the Rift. He is also active as a radio and television presenter. Life and career Ivan Hewett studied music at the University of Oxford, receiving a Master of Arts. He then attended the Royal College of Music to study music composition, and wrote music for television commercials for a year. Throughout the 1980s and in to the 1990s, Hewett unsuccessfully attempted to start a music festival, did research for the Man and Music programme, on Granada TV, and assisted with Jonathan Miller&amp;rsquo;s TV performance of Bach&amp;rsquo;s St Matthew Passion. By the 1990s, Hewett began presenting on music for the BBC Radio 3; from 1993 to 2002 he led the weekly programme &amp;ldquo;Music Matters&amp;rdquo;. Since 2009, he has been chief music critic for British newspaper The Daily Telegraph, having succeeded Geoffrey Norris. His interests include the composition, reception and harmony of contemporary classical music. His interests in modern music&lt;/p&gt;</description>
			</item>
			<item>
				<title>Ivan Iusco</title>
				<link>https://musictheoryprint.com/composers/iv/ivan-iusco/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/iv/ivan-iusco/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Ivan Iusco (born September 4, 1970) is an Italian American award-winning composer and record producer based in Los Angeles, California, United States. Background As a youth in the 1970s, Ivan was inspired by Ennio Morricone&amp;rsquo;s film scores, Japanese animation and science fiction film soundtracks. By age 7, Ivan began taking piano lessons. At 15 he bought his first synthesizer and started building a home studio. Career Music In 1987, he founded the pioneering Italian music label Minus Habens Records In 1987, Iusco also founded the dark ambient and industrial music group, , whose music was primarily released through Minus Habens. Film soundtracks and scoring He debuted in the film industry in 1999, having composed the music for the Apulian cult movie LaCapaGira directed by Alessandro Piva, and went on to win Best Soundtrack at the 2000 Valencia Film Festival (Spain). In 2003 he composed the music for Mio Cognato, a movie by the same director, for which he received the 2004 Nastro d&amp;rsquo;Argento nomination for Best Soundtrack. Iusco has partnered often with the well-known Italian director, Sergio Rubini, composing the main theme for the movie L&amp;rsquo;Anima Gemella (2002), the soundtrack of L&amp;rsquo;Amore&lt;/p&gt;</description>
			</item>
			<item>
				<title>Ivan Karabyts</title>
				<link>https://musictheoryprint.com/composers/iv/ivan-karabyts/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/iv/ivan-karabyts/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Ivan Fedorovych Karabyts (; 17 January 1945 – 20 January 2002) was a Ukrainian composer and conductor, and a People&amp;rsquo;s Artist of Ukraine. O. Beregova considered that Karabyts&amp;rsquo; work showed the breadth and universality of creative thinking and an innovative approach to traditional musical genres and forms. Early works by Karabyts are distinguished by the expressiveness of musical language and the search for individual style and the composer&amp;rsquo;s liberal use of dodecaphony. Most of the early works were chamber works, In the 1970s and 1980s, Karabyts was attracted to large-scale musical productions. Symphonic and vocal-symphonic genres predominate (such as the oratorio &amp;ldquo;Kyiv Frescoes&amp;rdquo; and three concerts for orchestra), as well as philosophical and civic themes (including themes of the Motherland, memory, moral duty). The universality of the musical language of the works of his next period was determined by the synthesis of various elements of modern compositional techniques (such as pointillism, aleatorics, sonoristics) in combination with new tonal and new modal pitch organization, intersection of different stylistic tendencies (neoclassicism, neo-baroque, neo-impressionism, jazz). In the&lt;/p&gt;</description>
			</item>
			<item>
				<title>Ivan Khandoshkin</title>
				<link>https://musictheoryprint.com/composers/iv/ivan-khandoshkin/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/iv/ivan-khandoshkin/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Ivan Yevstafyevich Khandoshkin (; 1747 – 29 or 30 March 1804) was a Russian violinist and composer of Cossack origin. He has been described as &amp;ldquo;the finest Russian violinist of the eighteenth century&amp;rdquo;. Works Khandoshkin&amp;rsquo;s extant works comprise six violin sonatas and several variation cycles based on folk songs. His music (primarily for the violin) is comparable to music by his contemporaries such as Giuseppe Tartini&amp;rsquo;s student Antonio Lolli (whose stunts on the violin preceded Paganini), Gaetano Pugnani, Ludwig Spohr, and many others. His music was unfamiliar to the average western ear until recently. In 1996 Elena Denisova recorded three of his violin sonatas for Talking Music where they were released in the following year. In 2016 she performed them at the Salzburg Festival. Anastasia Khitruk performed several works and recorded them for Naxos in St. Petersburg&amp;rsquo;s St. Catherine&amp;rsquo;s Church in 2005. &amp;ldquo;Viola concerto&amp;rdquo; The so-called Khandoshkin viola concerto in C Major was purported to be written in 1801. It was published in Moscow by the State Publishing House in 1947 and released in the Soviet Union on the Melodya record label, with Rudolf Barshai playing viola and conducting the Moscow&lt;/p&gt;</description>
			</item>
			<item>
				<title>Ivan Lukačić</title>
				<link>https://musictheoryprint.com/composers/iv/ivan-lukacic/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/iv/ivan-lukacic/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Marko Ivan Lukačić (Lucacich or Lucacih, Fr. Joannes de Sibinico) (Šibenik, baptized 7 April 1587 – Split, September 20, 1648) was a Croatian-born musician and composer of the Renaissance and early Baroque. Biography Lukačić&amp;rsquo;s exact date of birth is unknown; in 1587 he was baptised in Šibenik where it is believed he was born. Ten years later he entered the Franciscan order when he accepted his monastic name Ivan. In 1600 he was sent to Italy where he studied theology and music. In 1612 he has signed himself as baccalaureus, while on 23 March 1615 he was awarded in Rome the degree of Magister Musices (master of music). In 1614 he participated as maestro di cappella at the feast of St Jerome in the Saint Jerome of the Slavs church in Rome. He returned to Šibenik in 1618 and two years later he moved to Split, where he became prior of the Franciscan monastery in addition to being director of music at the cathedral, where he lived until his death. While Lukačić&amp;rsquo;s sojourn in Italy is insufficiently documented, his engagement in Split, both as a prior and musician, left quite a record of first-class importance for the musical life of that time in Dalmatia. Works Sacrae cantiones singulis&lt;/p&gt;</description>
			</item>
			<item>
				<title>Ivan Mane Jarnović</title>
				<link>https://musictheoryprint.com/composers/iv/ivan-mane-jarnovic/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/iv/ivan-mane-jarnovic/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Ivan Mane Jarnović (; 26 October 1747 – 23 November 1804) was a violinist and composer during the 18th century, often said to have been Italian but whose family was of Ragusan (today in Croatia) origin. There is no evidence that he ever lived in the Croatian lands to which both his paternal and maternal lineages have been traced. He later appears to have held French citizenship, escaping to England during the revolution. His career spanned Europe as he performed and/or sojourned in almost all major centres including Paris, Berlin, Warsaw, St Petersburg, Vienna, Stockholm, Basel, London, Dublin, amongst others. It appears he was a pupil of Antonio Lolli and he was an acquaintance of Joseph Haydn, with whom he shared concert programmes in London. Jarnović was reputedly born at sea en route from Dubrovnik to Palermo, Sicily (or was possibly born in Palermo), where he was baptised in the church San Antonio Abate on 29 October 1747. He died in St Petersburg, Russia on 23 November 1804. Biographical gaps Whole periods of his life - his youth and other interludes - remain unaccounted for, while details as to his origins and identity have proven to be elusive. There are plausible arguments&lt;/p&gt;</description>
			</item>
			<item>
				<title>Ivan Moody (composer)</title>
				<link>https://musictheoryprint.com/composers/iv/ivan-moody-composer/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/iv/ivan-moody-composer/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Ivan Moody (11 June 1964 in London – 18 January 2024 in Lisbon) was a British composer and musicologist. Moody was active as a conductor, having directed ensembles such as Voces Angelicae, the Kastalsky Chamber Choir (United Kingdom), Capilla Peña Florida (Spain), Cappella Romana (United States), the Choir of the Cathedral of St George, Novi Sad (Serbia), the KotorArt Festival Choir (Montenegro), the Orthodox Choir of the University of Joensuu (Finland) and Ensemble Alpha (Portugal); and as a widely published musicologist. His research interests included the music of Eastern Europe, especially 20th century and contemporary music from Russia and the Balkans, the music of the Orthodox Church in the modern era, music and spirituality, music as theology, Serbian church music, the aesthetics of Modernism and Postmodernism and their intersection with Orthodox church music and the musical culture of the Mediterranean. Ivan Moody&amp;rsquo;s music is recorded on the Hyperion, ECM, Sony, Challenge, Telarc, Gothic, Oehms, Orange Mountain, Linn and Cappella Romana labels. Early life Ivan Moody was born in London on 11 June 1964. He studied composition at Royal Holloway College, in London and privately&lt;/p&gt;</description>
			</item>
			<item>
				<title>Ivan Nebesnyy</title>
				<link>https://musictheoryprint.com/composers/iv/ivan-nebesnyy/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/iv/ivan-nebesnyy/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Ivan Vasylovych Nebesnyy (born July 15, 1971) is a Ukrainian composer and music producer. Graduated from Lviv Conservatory in 1995 (composer class under Myroslav Skoryk). In 1996 Ivan Nebesnyy founded an ensemble &amp;ldquo;Cluster&amp;rdquo; which performed music by modern composers from Ukraine and abroad. In 2006 – 2011 Ivan Nebesnyy was a music director of the &amp;ldquo;Kyiv Music Fest&amp;rdquo;. Selected works Works by Ivan Nebesny are considered as postmodern. *Mykhailo Verykivsky award (2011)), Notes References Links *Official page *&lt;/p&gt;</description>
			</item>
			<item>
				<title>Ivan Pedersen</title>
				<link>https://musictheoryprint.com/composers/iv/ivan-pedersen/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/iv/ivan-pedersen/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Ivan Pedersen (born 22 April 1950) is a Danish composer, singer, drummer, and producer who has released over 20 albums since starting his music career in 1966. He was the drummer and singer of the Danish band McKinleys from 1966 to 1980 and later formed the duo Laban with Lecia Jønsson, which lasted from 1982 to 1988. Laban achieved moderate international success with their album Caught by Surprise and the 1986 single &amp;ldquo;Love in Siberia.&amp;rdquo; After Laban&amp;rsquo;s dissolution, Pedersen, along with Helge Solberg, Svenne Wahlin, and Søren Jacobsen, formed Backseat in 1992. Pedersen won a Danish Grammy award, released multiple solo studio albums, and has written and produced for a number of other Danish artists. Pedersen has often been highlighted as one of Denmark&amp;rsquo;s best singers. Career McKinleys In 1966, Pedersen and a group of friends decided to form a pop band, and hence created the band McKinleys. Pedersen was the band&amp;rsquo;s drummer and lead vocalist, and with the band&amp;rsquo;s creation, his music career officially began. In 1972, after becoming established in Denmark, the group began serious efforts to break into the music industry, touring in European countries like Norway, Sweden, England, and Germany&lt;/p&gt;</description>
			</item>
			<item>
				<title>Ivan Romanoff</title>
				<link>https://musictheoryprint.com/composers/iv/ivan-romanoff/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/iv/ivan-romanoff/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Ivan Romanoff (8 March 1914 – 14 March 1997) was a Canadian conductor, violinist, arranger, and composer. For three decades he led the &amp;ldquo;Ivan Romanoff Orchestra and Chorus&amp;rdquo; on a variety of radio and television programs for the Canadian Broadcasting Corporation, on commercial recordings, and in live concerts throughout North America. As a composer he wrote a number of jingles for Canadian television and radio and incidental music for several television movies produced by the CBC. He also composed a number of songs that were written in a variety of national styles. Early life and education Born Ivan Pezhuk in Toronto, Romanoff was the son of Ukrainian immigrants. As a child he performed in a mandolin orchestra and was a violin pupil of Alexander Chuhaldin, Chris Dafeff, Broadus Farmer, and Kathleen Parlow at the Toronto Conservatory of Music. He began playing the violin in a number of radio orchestras conducted by Chuhaldin in the early 1930s and was at the same time actively performing in Toronto with Stanley St John&amp;rsquo;s dance band. Soon thereafter he appeared in the Promenade Symphony Concerts and he became active as a violinist with various orchestras at the Canadian Broadcasting Cor&lt;/p&gt;</description>
			</item>
			<item>
				<title>Ivan Tcherepnin</title>
				<link>https://musictheoryprint.com/composers/iv/ivan-tcherepnin/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/iv/ivan-tcherepnin/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Ivan Alexandrovich Tcherepnin (Russian: Ива́н Алекса́ндрович Черепни́н) (February 5, 1943 in Issy-les-Moulineaux, France – April 11, 1998 in Boston, USA) was an experimental, then later modernist/postmodernist, composer and a noted innovator in the field of electronics and modular synthesizers. Ivan was born into a highly musical family, his father and grandfather, Alexander and Nikolai, being distinguished Russian composers, and his mother Ming (born: Lee Hsien Ming) a well-known pianist. His elder brother, Serge is also a composer. He studied with Leon Kirchner, Karlheinz Stockhausen, Henri Pousseur, and Pierre Boulez. After teaching briefly at both the San Francisco Conservatory of Music and Stanford University, he became director of the Harvard University Electronic Music Studio from 1972, remaining there until his death in 1998. The Tcherepnin legacy continues with two of Ivan&amp;rsquo;s sons, Stefan and Sergei. Ivan Tcherepnin was the winner of the 1996 Grawemeyer Award for Music Composition for his Double Concerto for Violin, Cello and Orchestra. His other honors include awards from the American Society of Composers, Authors and Publishers (1963–1995) and the National Endowment for t&lt;/p&gt;</description>
			</item>
			<item>
				<title>Ivan Vilela</title>
				<link>https://musictheoryprint.com/composers/iv/ivan-vilela/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/iv/ivan-vilela/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Ivan Vilela (born August 28, 1962 in Itajubá, Minas Gerais) is a Brazilian composer, arranger, researcher, teacher and viola caipira player. Ivan Vilela is currently a professor at the ECA - School of Communication and Arts of the University of São Paulo. He is the director of the Orquestra Filarmônica de Violas, a Brazilian orchestra composed by Brazilian violas. Ivan Vilela is one of the main ten-string guitarists (viola) nowadays. With a special style and very developed technique, he has more than 15 albums recorded, solo or with different groups, and was nominated for and awarded several prestigious prizes in Brazil. Biography Ivan Vilela is the youngest of a family of eleven children. When he was 11 years old, Vilela received a guitar from his father. His first guitar teacher was Amaury Vieira, in 1973. He began his artistic career at age 18  playing with the &amp;ldquo;Pedra&amp;rdquo; Group and then the &amp;ldquo;Água doce&amp;rdquo; Group, who did research on the music roots from the state of Minas Gerais. Vilela studied History prior to studying Music Composition at the Universidade Estadual de Campinas (UNICAMP), where he earned a BA and an MA in Arts. In 1989, he moved to Campinas. In 1995, he started playing&lt;/p&gt;</description>
			</item>
			<item>
				<title>Ivan Wyschnegradsky</title>
				<link>https://musictheoryprint.com/composers/iv/ivan-wyschnegradsky/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/iv/ivan-wyschnegradsky/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Ivan Alexandrovich Wyschnegradsky ( ; May 14 1893 – September 29, 1979), was a Russian composer primarily known for his microtonal compositions. For most of his life, from 1920 onwards, Wyschnegradsky lived in Paris. Life Ivan Wyschnegradsky was born in Saint Petersburg on May 4, 1893. His father, Alexander, was a banker, and his mother, Sophie, wrote poems. His grandfather Ivan was a celebrated mathematician who served as the Minister for Finance from 1888 to 1892. After his baccalaureate, Wyschnegradsky entered the School of Mathematics. He studied harmony, composition, and orchestration with Nicolas Sokolov at the Saint Petersburg Conservatory. Wyschnegradsky moved to Paris in 1920. Three years later, he married Hélène Benois, the daughter of Alexandre Benois. It was her second marriage. Their son Dimitri was born in 1924. He grew up to become an influential blues historian using the pen name Jacques Demêtre. Wyschnegradsky and Benois divorced in 1926. His second wife was Lucile Markov (Gayden). In 1942, Wyschnegradsky was arrested by the Germans and transferred to Royallieu-Compiègne internment camp, where he remained for two months. As an American, Lucile was interned at Vittel.&lt;/p&gt;</description>
			</item>
			<item>
				<title>Ivan Zajc</title>
				<link>https://musictheoryprint.com/composers/iv/ivan-zajc/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/iv/ivan-zajc/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Ivan von Zajc (also , ; ; August 3, 1832 – December 16, 1914), was a Croatian composer, conductor, director, and teacher who dominated Croatia&amp;rsquo;s musical culture for over forty years. Through his artistic and institutional reform efforts, he is credited with its revitalization and refinement, paving the way for new Croatian musical achievements in the 20th century. He is often called the Croatian Verdi. Life Childhood years Ivan Dragutin Stjepan Zajc was born in Fiume, Austrian Empire (modern-day Rijeka, Croatia). His family migrated from Pressburg, Kingdom of Hungary (now Bratislava, Slovakia); his father, Johann Zaytz (Jan Nepomuk Zajitz), was of Czech descent, and his mother, Anna Bodensteiner was of German descent. His musical talent was evident very early on in his life, as he began to study the piano and violin at the age of five, performed in public by the age of six, and even began to compose his own music by the age of twelve. Nevertheless, despite his early musical success, his military bandmaster father was opposed to the idea of a career in music and wanted him to study law instead following the completion of his secondary education. In the end, Zajc&amp;rsquo;s professors prevail&lt;/p&gt;</description>
			</item>
			<item>
				<title>Ivana Lang</title>
				<link>https://musictheoryprint.com/composers/iv/ivana-lang/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/iv/ivana-lang/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Ivana Lang (15 November 1912 – 2 January 1982) was a Croatian composer, pianist and piano teacher. She was born in Zagreb, Croatia, Austro-Hungarian Empire). She completed piano studies in 1937 at the Music Academy in Zagreb. Ivana Lang composed orchestral works (concert for piano and orchestra), chamber music, an opera (&amp;ldquo;The Captain of Kastav&amp;rdquo;, ) and two ballets, &amp;ldquo;False Knight&amp;rdquo; () and &amp;ldquo;Dance of the Ghosts&amp;rdquo; (). Works (selection) *Agnus Dei for soprano and chamber ensemble Op 15 (1942) *Melodramas for voice and piano, Op 21 (1942) *Grotesque, for symphony orchestra Op 11 (1942) *Concerto for piano and orchestra Op 22 (1944) *The Silent Shadows, ballet in 3 acts Op 52 (1959) *To a Nameless One, four-song cycle for mezzo-soprano and piano Op 75 (1970) *Four Bagatelles for piano Op 59 (1962) *Four Bagatelles for harp and strings Op 86 (1974) *Four Compositions for piano Op 50 (1961) *The Black Olive, song cycle of five songs for dramatic soprano and piano Op 49 (1959) *Two Songs by Domjanić for voice and piano Op 17 (1942) *Two Istrian Songs from Pazin for female choir and piano Op 39 (1952) *The Dance of the Black People, ballet act with piano accompaniment Op 36 (1950) See also *Musi&lt;/p&gt;</description>
			</item>
			<item>
				<title>Ivana Loudová</title>
				<link>https://musictheoryprint.com/composers/iv/ivana-loudova/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/iv/ivana-loudova/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Ivana Loudová (8 March 1941 – 25 July 2017) was a Czech composer who composed over a hundred orchestral, chamber, vocal and choral works. Early life and education Ivana Loudová was born on 8 March 1941 in Chlumec nad Cidlinou. Her mother taught her piano from a young age. When she attempted to make improvements to classical pieces, her mother disapproved, telling her &amp;ldquo;What&amp;rsquo;s given in the notes has to be played according to the notes. If you want it to be different, then write it yourself, separately&amp;rdquo;. From then Loudová began to write her own short piano pieces. In 1958, Loudová entered the Creative Youth Competition in Bratislava, where she got to the middle round of the competition. She played Beethoven&amp;rsquo;s Sonata Pathetique and her own composition Ten Variations on a Theme of My Own. When the jury rated her own piece higher than her piano performance, Loudová decided that she wanted to become a composer. Due to a scholarship from the French government, Loudová was able to intern at the Centre Bourdan in Paris and study under Olivier Messiaen and Andre Jolivet. In her choral works, she composed Vocal Symphony in 1965. However in her later choral works she focused on writing pieces f&lt;/p&gt;</description>
			</item>
			<item>
				<title>Ivana Marburger Themmen</title>
				<link>https://musictheoryprint.com/composers/iv/ivana-marburger-themmen/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/iv/ivana-marburger-themmen/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Ivana Marburger Themmen (born April 7, 1935) is an American composer and pianist, whose Concerto for Guitar was a finalist in the 1982 Kennedy Center Friedheim Composition Competition. Career Themmen was born on April 7, 1935, in New York City, where she began studying piano at age 7. She attended the New England Conservatory of Music, where she met and married Harold B. Themmen. They had three children, Paris, Allegra, and Tania. Tania is married to voice actress Susan Blu. In addition to the New England Conservatory, Themmen studied in Europe, at the Eastman School of Music, and at the Tanglewood Music Center. Her teachers included Francis Judd Cooke, Nicolas Flagello, Lukas Foss, Carl McKinley, Jean Rosenblum, and Otto Schulhof. Themmen taught at the Hampton Conservatory and also worked as an accompanist for the American Ballet Theatre. She received grants from the New Jersey State Council on the Arts, Queens Symphony, and the New York State Council on the Arts. Her music was published by Lyra Music Company. Discography Chamber music *Circles (flute, French horn and piano) *Concept V (clarinet and viola) *Tetrachiron (piano four hands) Orchestra *Concerto for Guitar *Fasching *R&lt;/p&gt;</description>
			</item>
			<item>
				<title>Ivana Stefanovic</title>
				<link>https://musictheoryprint.com/composers/iv/ivana-stefanovic/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/iv/ivana-stefanovic/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Ivana Stefanović (born 14 September 1948) is a Serbian composer. Biography Ivana Stefanović was born in Belgrade. She studied violin and composition, graduating from the Faculty of Music Arts (FMA) in Belgrade. She continued her studies at the Institute for Research and Coordination Acoustics/Music IRCAM in Paris. Her compositions were first performed in 1966 and have been presented internationally. In 1968 Stefanović took a position with Radio Belgrade writing music and program leads. In 1970 she began working for Television Belgrade, preparing and maintaining cultural programs. In 1975 she was employed as a music editor, in 1985 became the first editor of the Workshops Sound Drama program, and in 1989 chief editor of Radio Belgrade. In 2000 she began teaching at the Center for Women&amp;rsquo;s Studies. From 2001–2006 she was the artistic director of the Bemus Music Festival. From 2007–2008 she served as State Secretary of Culture of Serbia. Stefanović has lived in Damascus, Ankara and currently resides in Bucharest, Romania. She has written a book titled Put za Damask (Road to Damascus), and has published professional articles on music and culture in newspapers and magazines. Works Ivana&lt;/p&gt;</description>
			</item>
			<item>
				<title>Ivanovka estate</title>
				<link>https://musictheoryprint.com/composers/iv/ivanovka-estate/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/iv/ivanovka-estate/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Ivanovka () is a village and country estate located in Uvarovsky District, Tambov region, Russia. It was the summer residence of the Russian composer Sergei Rachmaninoff in the period between 1890 and 1917 (until his emigration). It was the family home of his aristocratic relatives, the Satins. Many of Rachmaninoff&amp;rsquo;s earlier masterpieces were created in its bucolic atmosphere. A museum commemorating the life and works of the composer was opened there in 1982. Contemporary descriptions S. A. Satina, a cousin of Rachmaninoff&amp;rsquo;s, wrote in her memoirs of the estate: The small village of Ivanovka adjoined our estate. Endless fields stretched around us, merging on the horizon with the sky. In the distance, in the west, the belfry of our parish church, located five miles from Ivanovka, was visible. In the north is someone&amp;rsquo;s windmill, to the east is nothing but fields, and to the south is our aspen forest. For many miles around Ivanovka, these aspen trees and our garden near the house were the only trees among the fields, and therefore this aspen tree was a refuge for hares, foxes, and even wolves sometimes running from somewhere, especially for birds that nested their nests there. and fill&lt;/p&gt;</description>
			</item>
			<item>
				<title>Ivar Frounberg</title>
				<link>https://musictheoryprint.com/composers/iv/ivar-frounberg/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/iv/ivar-frounberg/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Ivar Frounberg (born 12 April 1950) is a Danish composer, organist, and professor emeritus of composition at the Norwegian Academy of Music. Life Ivar Frounberg was born in Søborg, and first trained as an organist, graduating in 1976 from the Royal Danish Academy of Music, and later studied composition with Niels Viggo Bentzon and Ib Nørholm the same place, and with Morton Feldman in the USA and Iannis Xenakis in Italy. Ivar Frounberg is a professor emeritus at the Norwegian Academy of Music in Oslo, where he was a senior professor of composition from 2000-2012. He had previously taught as docent of composition and electroacoustic music at the Royal Danish Academy of Music. In 1995 he received the Danish Arts Foundation&amp;rsquo;s three-year grant for the second time as well as the Carl Nielsen Prize. Music Frounberg has embraced Xenakis and Feldman&amp;rsquo;s interest in music as abstract structures. Starting with his 1985-work Embryo for amplified violin, string trio, piano, synthesizer, and tape the electronic resources became increasingly important in Frounberg&amp;rsquo;s work, and in 1989 he composed the first large-scale Danish work for a computer, What did the Sirens Sing as Ulysses sailed by? which i&lt;/p&gt;</description>
			</item>
			<item>
				<title>Ivar Hallström</title>
				<link>https://musictheoryprint.com/composers/iv/ivar-hallstrom/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/iv/ivar-hallstrom/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Ivar Christian Hallström (5 June 1826 – 11 April 1901) was a Swedish composer, particularly of opera. Life Hallström was born and died in Stockholm. Although he learnt the piano, he was self-taught as a composer. He studied law in Uppsala and in 1853 was appointed librarian to Prince Oscar which assisted him in advancing his career as a composer. His operas in collaboration with the librettist Frans Hedberg launched his operatic career, where he was particularly able to use Swedish folk tunes effectively. Fourteen operatic works survive. He was one of the founding members of Sällskapet Idun, a men&amp;rsquo;s association founded in Stockholm in 1862. After many years neglect, Hallström’s operas were revived, in Umeå in 1986 with Bergtagna, seen also at the York Early Music Festival in 1988, and Liten Karin in 1997, also at Vadstena, with Malena Ernman as Princess Cecilia. Compositions *Hertig Magnus och sjöjungfrun (Duke Magnus and the mermaid) – romantic operetta *Mjölnarvargen (after Le diable au moulin by Eugène Cormon and Michel Carré) - operetta *Den bergtagna (The bride of the mountain king) – romantic opera *Vikingarne (The Vikings) – romantic opera *Neaga - opera *Per Svinaherde (Pet&lt;/p&gt;</description>
			</item>
			<item>
				<title>Iver Holter</title>
				<link>https://musictheoryprint.com/composers/iv/iver-holter/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/iv/iver-holter/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Iver Paul Fredrik Holter (13 December 1850 – 27 January 1941) was a Norwegian composer. He was conductor and music director of the Oslo Philharmonic for a quarter century. Biography Iver Paul Fredrik Holter was born in Gausdal, Oppland, Norway. His parents were Caspar Georg Holter (1812–1880), a minister, and Caroline Theodora Børresen (1818–1857). He spent his adolescence at Gjerpen in Skien, where he received violin lessons from the German-born organist Friederich Wilhelm Rojahn (1820-1886). Holter had originally studied medicine but by 1876, he changed career paths to become a musician. He first studied music with Johan Svendsen and afterward in Leipzig (1876–79). He continued his music studies in Berlin (1879–1881). In the autumn of 1882, he followed Edvard Grieg as conductor for the Bergen Philharmonic Orchestra. In autumn 1886, he became music director and conductor of the Oslo Philharmonic, a position he held for 25 years. Holter suggested the founding of a city orchestra which could play at municipal festivities, concerts and in the theatre, and as a result of this, the orchestra gained municipal support from 1889. Holter became a central figure in the city&amp;rsquo;s musical life.&lt;/p&gt;</description>
			</item>
			<item>
				<title>Iver Kleive</title>
				<link>https://musictheoryprint.com/composers/iv/iver-kleive/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/iv/iver-kleive/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Iver Kleive (born 25 May 1949 in Skien, Norway) is a Norwegian composer and organist. He is known for his composing style which is a fusion of traditional church music with other musical idioms such as blues, jazz, and Norwegian folk music. He has appeared in nearly 200 recordings as a studio musician, composer and arranger. Biography Kleive was born in Skien to a musical family. His father, Kristoffer Kleive, was also an organist and his brother, Audun Kleive, is a noted jazz percussionist. He studied church music and organ at the Norwegian Academy of Music in Oslo and then served as the organist at the Frogner Church from 1976 to 1981 and the Røyken Church from 1982 to 1985. Since 1987 he has been the musical director of the Helgerud Church in Bærum. He is also director of the Oslo Bach Choir which he founded in 1988. The recording of his Blå koral (Blue Chorale) won a Spellemannprisen in 1991. Principal discography Kleive records primarily on the Kirkelig Kulturverksted label (KKV). His principal recordings include: Solo albums *1988: Max Reger – Inferno, Symphonic Fantasia and Fugue for organ, Op. 57 (KKV) *1993: Max Reger – Alle Menschen müssen sterben, Chorale fantasia, Op. 5&lt;/p&gt;</description>
			</item>
			<item>
				<title>Ivo de Vento</title>
				<link>https://musictheoryprint.com/composers/iv/ivo-de-vento/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/iv/ivo-de-vento/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Ivo de Vento (c. 1544, in Antwerp – 3 September 1575, in Munich) was a Franco-Flemish composer, organist and Kapellmeister of the High Renaissance. Life From numerous receipts sent to his father in Antwerp it is known that Ivo de Vento was present at the ducal court of Albert V in Munich around September 1556 or a little later, one of a number of boy singers recruited from the Spanish Netherlands, possibly chosen by Orlando di Lasso. He was employed under Hofkapellmeister Ludwig Daser until September 1559, when his voice broke and he was given a stipend to study in Venice. Presumably his teachers would have included Claudio Merulo, the organist at San Marco, and Annibale Padovano. Italian influence is evident in a 6-part Battaglia printed in a Venetian anthology of 1564. In 1563 he returned to Munich as organist, a post shared with two Italian colleagues in the newly expanded Hofkapelle now led by Orlando di Lasso. Vento was fostered by the famous composer, as shown by inclusion of his work in a collection of 6-part masses (1564/65) as well as the 1569 Madrigals and its 1575 sequel. In summer of 1568 the crown prince Wilhelm V, having married Renata of Lorraine, moved part of the c&lt;/p&gt;</description>
			</item>
			<item>
				<title>Ivo Josipović</title>
				<link>https://musictheoryprint.com/composers/iv/ivo-josipovic/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/iv/ivo-josipovic/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Ivo Josipović (; born 28 August 1957) is a Croatian academic, jurist, composer, and politician who served as the president of Croatia from 2010 to 2015. Josipović entered politics as a member of the League of Communists of Yugoslavia (SKJ), and played a key role in the democratic transformation of the League of Communists of Croatia (SKH) into the Social Democratic Party (SDP) as the author of its first statute. He left politics in 1994, but returned in 2003, winning a seat in the Croatian Parliament running as an independent candidate on the SDP party list. He won re-election to parliament as a member of the SDP in 2007. Josipović was inaugurated on 18 February 2010, at St. Mark&amp;rsquo;s Square in Zagreb. His term officially began at midnight on 19 February. Josipović sought reelection in the 2014–15 presidential election held on 28 December 2014. He was supported by the centre-left four-party Kukuriku coalition, led by the SDP. Josipović won 38.46% of the vote in the first round, finishing narrowly ahead of conservative HDZ candidate Kolinda Grabar-Kitarović. They entered a run-off, which took place on 11 January 2015 and which Josipović ultimately lost by a slim margin of around 32,500&lt;/p&gt;</description>
			</item>
			<item>
				<title>Ivo Malec</title>
				<link>https://musictheoryprint.com/composers/iv/ivo-malec/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/iv/ivo-malec/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Ivo Malec (30 March 1925 in Zagreb – 14 August 2019 in Paris) was a Croatian-born French composer, music educator and conductor. One of the earliest Yugoslav composers to obtain high international regard, his works have been performed by symphony orchestras throughout Europe and North America. Biography Coming from a rather &amp;lsquo;classical&amp;rsquo; background, he met Pierre Schaeffer, whom he considered his &amp;rsquo;true and only master&amp;rsquo;; Schaeffer&amp;rsquo;s teachings turned Malec into one of the most important leaders of the Groupe de Recherches Musicales. Since then he dedicated himself to a more radical style. He received a number of awards including the Grand Prix National de Musique in 1992. He was resident in France since 1955 and taught at the Conservatoire de Paris from 1972 to 1990, where his students included Édith Canat de Chizy, Denis Dufour, Philippe Hurel, Philippe Leroux and Gerard Pesson. Malec&amp;rsquo;s approach to composition, similar to that of Dufour or Iannis Xenakis, emphasizes all aspects of sound, including texture, density, movement, timbre and notably sonic character and form and the use of sound objects. Works *Klaviersonate, 1949 *Sinfonie, 1951 *Cellosonate, 1956 *Mouvements en coloeurs, 1&lt;/p&gt;</description>
			</item>
			<item>
				<title>Ivo van Emmerik</title>
				<link>https://musictheoryprint.com/composers/iv/ivo-van-emmerik/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/iv/ivo-van-emmerik/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Ivo van Emmerik (born 1961 in Amsterdam, North Holland) is a Dutch composer. Ivo van Emmerik lives and works in Zwolle, where he teaches twentieth-century music at the Arnhem/Zwolle School of Music (ArteZ Institute of the Arts). He studied composition with Robert Heppener at the Sweelinck Conservatory in Amsterdam and Brian Ferneyhough at the Royal Conservatory in The Hague. He attended summer courses in Middelburg given by Morton Feldman and John Cage that were of great importance to his musical development. In 1989 he completed, with honors, his studies in The Hague. Since then, his work has been performed regularly in the Netherlands as well as in other European countries (such as Germany, Russia, Italy). He wrote for such ensembles and soloists as the Nieuw Ensemble, orchestra &amp;lsquo;de ereprijs&amp;rsquo;, Percussiongroup The Hague, Trio Dolce, pianist Anthony de Mare and Ensemble Kontext Basel. His composition Thought for three soloists and orchestra (1990), written for the Residentie Orkest, was premiered during the 1991 Holland Festival by Het Trio (Harry Sparnaay, Harrie Starreveld and René Eckhardt) as soloists, Hans Vonk and Alexandru Lascae conducting. A close association with the Ives&lt;/p&gt;</description>
			</item>
			<item>
				<title>Ivor Darreg</title>
				<link>https://musictheoryprint.com/composers/iv/ivor-darreg/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/iv/ivor-darreg/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Ivor Darreg (May 5, 1917 – February 12, 1994) was an American composer and leading proponent of microtonal or &amp;ldquo;xenharmonic&amp;rdquo; music. He also created a series of experimental musical instruments. Biography Darreg, a contemporary of Harry Partch and a close colleague of John H. Chalmers, Erv Wilson, and Joel Mandelbaum, was one of America&amp;rsquo;s leading theorists and practitioners of experimental intonation and experimental instrument building. Frequently he published his writings in his own Xenharmonic Bulletin. Darreg was born Kenneth Vincent Gerard O&amp;rsquo;Hara in Portland, Oregon. His father John O&amp;rsquo;Hara was editor of the (Portland) Catholic Sentinel newspaper and his mother was an artist. (His Uncle, Edwin Vincent O&amp;rsquo;Hara, was a Roman Catholic Bishop. ) He dropped out of school as a teenager, but he had both self-taught facility in at least ten languages and a basic understanding of all the sciences. His real love was music and electronics. Because of his choice of music, his father cast him out, and he and his mother set out on their own with little help from anyone. At that point he took on the name &amp;ldquo;Ivor,&amp;rdquo; which means &amp;ldquo;man with bow&amp;rdquo; (from his cello-playing talents) and &amp;ldquo;Drareg&amp;rdquo; (the retrogr&lt;/p&gt;</description>
			</item>
			<item>
				<title>Ivor Gurney</title>
				<link>https://musictheoryprint.com/composers/iv/ivor-gurney/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/iv/ivor-gurney/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Ivor Bertie Gurney (28 August 1890 – 26 December 1937) was an English poet and composer. Born and raised in Gloucester, he suffered from bipolar disorder through much of his life and spent his last 15 years in psychiatric hospitals. Critical evaluation of Gurney has been complicated by this, and also by the need to assess both his poetry and his music. Gurney himself thought of music as his true vocation: &amp;ldquo;The brighter visions brought music; the fainter verse&amp;rdquo;. Life Ivor Gurney was born at 3 Queen Street, Gloucester, in 1890, as the second of four surviving children of David Gurney, a tailor, and his wife Florence, a seamstress. He showed musical ability at an early age. He sang as a chorister at Gloucester Cathedral from 1900 to 1906, when he became an articled pupil of Herbert Brewer at the cathedral. There he met fellow composer Herbert Howells, who became a lifelong friend. Alongside Gurney and Howells, Brewer&amp;rsquo;s third pupil at this time was Ivor Novello, then known as Ivor Davies. He also enjoyed an enduring friendship with the poet F. W. Harvey, whom he met in 1908. The adults of most significance in Gurney&amp;rsquo;s early life were the Rev. Alfred H. Cheesman, and two sisters, Emily&lt;/p&gt;</description>
			</item>
	</channel>
</rss>
