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		<title>KE on Music Theory Print</title>
		<link>https://musictheoryprint.com/composers/ke/</link>
		<description>Recent content in KE on Music Theory Print</description>
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				<title>Kees van Baaren</title>
				<link>https://musictheoryprint.com/composers/ke/kees-van-baaren/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/ke/kees-van-baaren/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Kees van Baaren (; 22 October 1906 – 2 September 1970) was a Dutch composer and teacher. Early years Van Baaren was born in Enschede. His early studies (1924–29) were in Berlin with Rudolph Breithaupt (piano) and Friedrich Koch (composition) at the Stern conservatory. After returning to the Netherlands in 1929, he studied with Willem Pijper. He adopted Pijper&amp;rsquo;s &amp;ldquo;germ cell technique&amp;rdquo; in his compositions from about 1934 onward. While composing some works in an accessible, tonal style, in other pieces he developed a serial technique, which emerged fully with the Septet for five winds, violin, and double bass (1952). Career In 1948 Van Baaren became director of the Conservatoire of the Amsterdam Muzieklyceum Society (later merged into the Conservatoire of Amsterdam). In 1953 he was appointed director of the Utrechts Conservatorium. In 1958 he became director of the Royal Conservatory of The Hague. His students included many of the leading composers and performers of the next generation, including Louis Andriessen, Reinbert de Leeuw, Misha Mengelberg, Peter Schat, and Jan van Vlijmen. He died in Oegstgeest. Selected works * Concertino for piano and orchestra (1934) * Sonatina in memoria&lt;/p&gt;</description>
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				<title>Kees Wieringa</title>
				<link>https://musictheoryprint.com/composers/ke/kees-wieringa/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/ke/kees-wieringa/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Kees Wieringa is a Dutch pianist, composer, writer and cultural entrepreneur. His mission is to inspire and connect people through art and culture. He came to prominence for his performances of the Dutch composers Jakob van Domselaer, Daniel Ruyneman and Simeon ten Holt. Biography Kees Wieringa graduated from the Amsterdam Conservatory in Amsterdam in 1986. He has built an international career over the years with his piano recitals and compositions. He is known as an ambassador for the work of the Bergen composer Simeon ten Holt, and for supporting the music of Jakob van Domselaer Wieringa is someone looking for an adventure: &amp;ldquo;If there is a review over &amp;lsquo;Wieringa reliable pianist&amp;rsquo; he feels terrible.&amp;rdquo; Wieringa has received the award for original repertoire during the Berlage Competition for Proeven van Stijlkunst (1913–1917) by Jakob van Domselaer. This work consists of nine compositions performed by Van Domselaer and Nelly van Doesburg during meetings of members the Bauhaus and DaDa art movements. The pieces represent the music written according to the ideas of the artistic movement called De Stijl (The Style). Composer In 2010, Kees Wieringa premiered the opera Drebbel. The main ch&lt;/p&gt;</description>
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				<title>Keff McCulloch</title>
				<link>https://musictheoryprint.com/composers/ke/keff-mcculloch/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/ke/keff-mcculloch/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Keff McCulloch (born 8 July 1954 ) is an English composer best known for his electronic music for Doctor Who in the late 1980s. In 1987, he was employed by producer John Nathan-Turner to arrange the Doctor Who theme music for the Seventh Doctor, Sylvester McCoy. The theme, drawing on the original composed by Ron Grainer and arranged by Delia Derbyshire, was used for three years until the series was cancelled by the BBC in 1989. The new theme music was accompanied by new titles and logo. McCulloch also contributed incidental music scores to six stories during the McCoy era, namely: Time and the Rani; Paradise Towers; Delta and the Bannermen; Remembrance of the Daleks; Silver Nemesis; Battlefield; and also the later Dimensions in Time and Shada. McCulloch also played a role on screen as one of the Lorells (a backing group) in Delta and the Bannermen (1987). Alongside his work on Doctor Who, McCulloch was a musician and sound engineer, touring with many bands and engineering and producing singles and albums for artistes including Acker Bilk, Johnny Logan and Russ Abbot. He also composed and recorded the incidental music for the video release of the film White Mischief. References Exte&lt;/p&gt;</description>
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				<title>Keiji Inai</title>
				<link>https://musictheoryprint.com/composers/ke/keiji-inai/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/ke/keiji-inai/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;is a Japanese composer, arranger and orchestrator best known for his work in anime and video games. He is affiliated with the music production company Imagine. Biography Inai was born in Hiroshima, Japan. He studied at the Toho Gakuen School of Music, but dropped out to pursue studio work. In 1999, while he was a college student, he served as assistant musical director to violinist Toshihiro Nakanishi on the Akira Shirai production Falstaff. In 2001 and 2002 he participated as a pianist, manipulator, and arranger on the soundtracks for the Fuji TV dramas Fighting Girl and Hatsu Taiken. After this, he began working as a composer for television programs, commercials, movies, games, radio programs, fashion shows and other areas. Discography Anime works Game works Movie works TV works References External links * Keiji Inai&amp;rsquo;s Imagine Profile * Keiji Inai discography at VGMdb *&lt;/p&gt;</description>
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				<title>Keiko Abe</title>
				<link>https://musictheoryprint.com/composers/ke/keiko-abe/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/ke/keiko-abe/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;is a Japanese composer and marimba player. She has been a primary figure in the development of the marimba, in terms of expanding both technique and repertoire, and through her collaboration with the Yamaha Corporation, developed the modern five-octave concert marimba. Early life Abe began playing the xylophone while in elementary school in Tokyo, Japan, studying under Eiichi Asabuki. At age 13, she won an NHK talent contest and began performing professionally on live radio. She attended Tokyo Gakugei University where she completed a bachelor&amp;rsquo;s and master&amp;rsquo;s degree in music education. She began working in the Nippon Columbia, NHK, and other recording studios while in college. Career Abe’s first encounter with a marimba took place in the early 1950s when Lawrence L. Lacour, an American missionary and professor at Oral Roberts University, brought four marimbas to Japan. In 1962, she and two friends (who were also students of Asabuki) founded the Xebec Marimba Trio, performing popular music, arrangements of folk songs and some of Abe&amp;rsquo;s arrangements. They recorded more than seven albums between 1962 and 1966. During this period, she had her own show on Japanese television, instructing s&lt;/p&gt;</description>
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				<title>Keiko Fujiie</title>
				<link>https://musictheoryprint.com/composers/ke/keiko-fujiie/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/ke/keiko-fujiie/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Keiko Fujiie (), born in 1963 in Kyoto, is a composer whose music is frequently performed both in Japan and internationally. She is best known for guitar compositions, many of them for the distinguished Japanese guitarist (also her husband) Kazuhito Yamashita, and organizes the guitar quintet that bears his name. She has twice won the Otaka Prize. Career After graduating at the Tokyo National University of Fine Arts and Music, she completed her postgraduate studies at the same institution. Support from the Asian Cultural Council resulted in a residency in New York for several months in 1992/93, where she returned in 1998 to premiere In Their Shoes, a music and dance collaboration. From 1998/1999 she served as composer-in-residence for Orchestra Ensemble Kanazawa. Her commissions include Academic Festival Overture for the hundredth anniversary of Kyoto University, the double concerto Kyoto: Reverberation for the Kyoto Protocol Treaty in 1997, and Piano Concerto No. 1 &amp;ldquo;Memories of January&amp;rdquo; composed for the seventieth anniversary of the Japan Music Competition in 2001. Fujiie was asked to write the compulsory piece for participants in the Fifth Musashino-Tokyo International Organ Comp&lt;/p&gt;</description>
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				<title>Keith Bissell</title>
				<link>https://musictheoryprint.com/composers/ke/keith-bissell/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/ke/keith-bissell/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Keith Warren Bissell (12 February 1912 in Meaford, Ontario – 9 May 1992 in Newmarket, Ontario) was a Canadian composer, conductor, and music educator. He was particularly known for his choral music, which often implemented elements of Canadian folk music. A passionate educator, he was a pupil of Carl Orff and was influential in popularizing the Orff Schulwerk methodology within North America. From 1957 to 1958 he was President of the Ontario Music Educators&amp;rsquo; Association. He was conductor and artistic director of the National Youth Orchestra of Canada in 1970–1971. He also was vice-president of the Canadian Music Council for several years and president of the Canadian Music Centre from 1975 to 1977. Bissell began his career as a public school teacher in Toronto from 1934 to 1948. During this time he began his professional music studies at the University of Toronto where he earned a Bachelor of Music in 1942. He was particularly influenced by his professor in music composition, Leo Smith. In 1948 Bissell was appointed the assistant supervisor of the music program for the Edmonton school district. After just one year he was made supervisor of the program, serving in that capacity for&lt;/p&gt;</description>
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				<title>Keith Burstein</title>
				<link>https://musictheoryprint.com/composers/ke/keith-burstein/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/ke/keith-burstein/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Keith Burstein born 1957 as Keith Burston (the anglicised form adopted by his father of the surname, which Burstein later dropped) is an English composer, conductor and music theorist with Jewish family origins. He is noted for his fervent championing of tonal music as a valid contemporary composing style. Musical approach and philosophy (including theory of &amp;ldquo;Super Tonality&amp;rdquo;) Keith Burstein&amp;rsquo;s early musical approach was informed by the culture of atonalism in which he was educated at the Royal College of Music, and his early compositions were written in the atonal style. Burstein made a dramatic shift towards composing tonally during the late 1980s. In a 2002 interview with The Independent newspaper, he reflected &amp;ldquo;What had happened to me was a sort of Damascene conversion, I suppose. I suddenly saw that atonalism was a dead end. Once you accept that melody is everywhere, and always has been, in folk music and pop and rock, you see that it&amp;rsquo;s not reactionary to write a tune.&amp;rdquo;. He began pursuing tonal composition and reinvestigating more traditional forms such as requiems, church chorales and brass band music. Although both Burstein (and various critics) have sometimes dubbed his style&lt;/p&gt;</description>
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				<title>Keith Dale Gordon</title>
				<link>https://musictheoryprint.com/composers/ke/keith-dale-gordon/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/ke/keith-dale-gordon/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Keith Dale Gordon (born July 14, 1966), is an American lyricist and composer of musical theater, commercial jingles, and award shows. He is known primarily for his 2006 musical Saint Heaven which Gordon co-wrote with Martin Casella. He also is known for his musical adaptation of Camille DeAngelis&amp;rsquo; 2007 novel Mary Modern and lyrical setting of Karel Jaromir Erben&amp;rsquo;s poem The Wedding Night. Early life and education Gordon was born in Denver, Colorado on July 14, 1966, to Grace and Donald Gordon and began studying piano at the age of seven. Gordon graduated from Thomas Jefferson High School in 1984. He studied piano and developed under the direction of numerous notable teachers and performers such as Lucia Clarke, Jane Tirey, and Helen Walker-Hill. In interviews, Gordon emphasizes the significance of his time at the University of Colorado Boulder College of Music with Argentine composer Luis Jorge Gonzalez as being a key period for his formative compositional direction. He earned his Bachelor of Music in Piano Performance and Composition during this time. Gordon is an alum of the BMI Lehman Engel Musical Theatre Workshop, where he further developed under the direction of Maury Yeston,&lt;/p&gt;</description>
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				<title>Keith Hamel</title>
				<link>https://musictheoryprint.com/composers/ke/keith-hamel/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/ke/keith-hamel/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Keith Hamel (born 1956 in Morden, Manitoba, Canada) is a composer, software designer, and professor of music. His music consists of orchestral, chamber, solo, and vocal music, often focussing on live electronics and interactivity between acoustic instruments and the computer. Education Keith Hamel studied at the Royal Conservatory of Music in Toronto, and holds a Bachelor of Music degree from Queen&amp;rsquo;s University (Kingston, Ontario, 1981), and A.M. and PhD degrees from Harvard University (1984, 1985). Between 1981 and 1984, he also studied Computer Music at the Massachusetts Institute of Technology, under the supervision of Barry Vercoe. Hamel also received composition instruction from Istvan Anhalt, Donald Martino, Peter Maxwell Davies, Earl Kim and Leon Kirchner. He was a finalist in the 1986 CBC Young Composers Competition (percussion category), and also received four awards in the P.R.O. Canada Young Composers Competition. Career Hamel has been on the faculty at the UBC School of Music since 1987, and has been a full professor since 1997. He is also an Associate Researcher at the Institute for Computing, Information and Cognitive Systems (ICICS), a Researcher at the Media Graphic&lt;/p&gt;</description>
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				<title>Keith Patchel</title>
				<link>https://musictheoryprint.com/composers/ke/keith-patchel/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/ke/keith-patchel/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Keith Patchel (July 23, 1955 – August 7, 2021) was an American musician and composer. Patchel studied at the Juilliard School in New York City with among other teachers Samuel Adler. His Pluto Symphony created for the Hayden Planetarium was an official selection for nomination for the 2015 Pulitzer Prize in Music. Patchel composed the opera Plain of Jars about the U.S. bombings of Laos which premiered at the Medicine Show Theater in New York City on December 10, 2016. He was the recipient of the 2017 Acker award for music. Patchel played guitar and sang backing vocals on the track &amp;ldquo;Losin&amp;rsquo; Anna&amp;rdquo; on Richard Lloyd formerly of Television&amp;rsquo;s 1987 album Field of Fire. Patchel created the original music for the 2008 film Shoot First and Pray You Live starring Jim Gaffigan. Patchel wrote and performed the accompanying music for Anthony Haden-Guest&amp;rsquo;s 2017 spoken word album, The Further Chronicles of Now. References External links *&lt;/p&gt;</description>
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				<title>Keith Tippett</title>
				<link>https://musictheoryprint.com/composers/ke/keith-tippett/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/ke/keith-tippett/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Keith Graham Tippetts (25 August 1947 – 14 June 2020), known professionally as Keith Tippett, was a British jazz pianist and composer. According to AllMusic, Tippett&amp;rsquo;s career &amp;ldquo;&amp;hellip;spanned jazz-rock, progressive rock, improvised and contemporary music, as well as modern jazz for more than half-a-century&amp;rdquo;. He held &amp;ldquo;an unparallelled place in British contemporary music,&amp;rdquo; Early life Born in Southmead, Bristol, England, Tippett was the son of an English father who was a policeman and an Irish mother named Kitty. He wrote music dedicated to her after she died. He was the oldest of three siblings and went to Greenway Secondary Modern school in Southmead. As a child he played piano, church organ, cornet, and tenor horn. At fourteen he formed his first band, KT Trad Lads, with school friends Richard Murch, Mike Milton, Terry Pratt, and Bob Chard, and Eric Condell performing traditional jazz. He formed a modern jazz trio in Bristol and played regularly at the Dugout Club in Park Row, Bristol. Music career In 1967, Tippett moved to London to pursue a career in music, taking menial jobs while performing in jazz clubs. He also contributed as a session musician to the band&amp;rsquo;s subsequent two albums&lt;/p&gt;</description>
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				<title>Keivan Saket</title>
				<link>https://musictheoryprint.com/composers/ke/keivan-saket/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/ke/keivan-saket/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Keivan Saket () (born 1961 in Mashhad) is an Iranian composer and university professor and Tar and Setar Player, and author of 12 books for Tar and Setar. Early life Keivan Saket was born in 1961 to a family in Mashhad. He began music and painting from childhood with the support of his parents. He was a pupil of painting masters such as Sadegh Pour in drawing, Master Pirasteh in coloration and Master Davvalo in watercolor. His first music lessons came from his uncle, Manochehr Zamanian, in Children and Teenagers’ Music Workshop founded in Mashhad by National Broadcasting Organization under the management of Morteza Delshab. After a short time Manochehr Zamanian left Mashhad in order to pursue his education. Some time later, his townsman and his uncle&amp;rsquo;s friend Hamid Motabassem, came to Mashhad and started teaching in the same workshop. He had taught music in Arts Academy of Tehran, and for two successive summers before the Islamic Revolution he continued teaching there. After the Islamic Revolution Motabassem moved to Mashhad and became friends with Saket. After some time he returned to Tehran and then went overseas. Career Keivan Saket founded the Vaziri Band in 1996 and performed&lt;/p&gt;</description>
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				<title>Kekko Fornarelli</title>
				<link>https://musictheoryprint.com/composers/ke/kekko-fornarelli/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/ke/kekko-fornarelli/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Kekko Fornarelli, pseudonym of Francesco Fornarelli (born 10 January 1978 in Bari, Italy) is an Italian jazz pianist and composer of crossover jazz music and soundtracks. Biography Kekko Fornarelli began playing the piano at just three years old. He has recorded eight albums as leader, Circular Thought in 2005, A French Man in New York (2008), inspired by French pianist Michel Petrucciani in the three years he spent in France, Room of Mirrors (2011), Outrush (2014), Abaton (2018), Anthropocene (2021), and Naked (2023). He also recorded 3 albums as co-author, Mar Endins (2013, with Catalan singer-songwriter Ruso Sala), Matter of Time (2018, with Roberto Cherillo and their band Shine), L&amp;rsquo;Ospite - The Original Soundtrack (2022, with Giuseppe Bassi). Kekko Fornarelli has performed in numerous international jazz festivals and clubs, playing in more than 60 countries. In addition to his work as a musician, Kekko Fornarelli is also a composer of film soundtracks. Other notes: Room of mirrors was released in 2011 by Auand Records. Alison Bentley writes &amp;ldquo;I can&amp;rsquo;t stop listening to the CD: a fusion of Romantic classical music, modern jazz and 21st century dance rhythms, played with Italian br&lt;/p&gt;</description>
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				<title>Kelly Tang</title>
				<link>https://musictheoryprint.com/composers/ke/kelly-tang/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/ke/kelly-tang/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Kelly Tang (born 1961) is a Singaporean composer known internationally for his wind band, chamber and orchestral works. For his contributions to the local music scene, Tang was conferred the Cultural Medallion in 2011. Early life Tang&amp;rsquo;s love for music began at an early age. He started piano lessons at age six, and later played the tuba in his secondary school band. The young Tang did not find the tuba particularly interesting to play as there were not usually many parts in a musical composition that involved the instrument. However, this lack of activity turned out to be a blessing in disguise as it gave him the opportunity to observe what the other musicians in the band were doing and how all the parts fit together in a musical composition. Tang began writing music even as a student. His interest in music grew and he went on to helm a Christian gospel pop group. He also played bass guitar while in Anglo-Chinese Junior College and later on in the army band. Education Tang enrolled at York University in Toronto, Canada with the support of his parents. In 1982, during his first year as an undergraduate at York, Tang met and was greatly influenced by Srul Irving Glick, his first music&lt;/p&gt;</description>
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				<title>Kelsey Jones</title>
				<link>https://musictheoryprint.com/composers/ke/kelsey-jones/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/ke/kelsey-jones/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Herbert Kelsey Jones (June 17, 1922 – October 10, 2004) was a Canadian composer, pianist, harpsichordist, and music teacher. Early life Jones was born in South Norwalk, Norwalk, Connecticut; he grew up in Portland, Maine and moved to New Brunswick in 1945. Career In 1950, as a young man, Jones founded the Saint John Symphony Orchestra, now known as Symphony New Brunswick, and served as its conductor until 1953. Jones moved to Montreal, Quebec in 1954, where he became a member of the faculty of McGill University&amp;rsquo;s Faculty of Music. He composed &amp;ldquo;Songs of Experience&amp;rdquo; for the Montreal Bach Choir in 1955. He also performed as a solo pianist and duo pianist with his wife Rosabelle Jones (née Smith) from the early 1950s until an accident that rendered her paraplegic in 1974. At McGill Jones taught a variety of courses through the years, including History, Harpsichord and Piano, and Theory. he was best known as a teacher of Counterpoint (Modal, Tonal, Fugue &amp;amp; Canon). He became a Canadian citizen in 1956. In Montreal, he was active as a teacher, performer and composer. He was a founding member of the Baroque Trio of Montreal, along with Mario Duschenes (flute) and Melvin Berman (oboe). He r&lt;/p&gt;</description>
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				<title>Kemp Stillings</title>
				<link>https://musictheoryprint.com/composers/ke/kemp-stillings/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/ke/kemp-stillings/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Katharine Kemp Stillings (June 30, 1888 – April 30, 1967) was a violinist, composer, and music educator. Early life Katharine Kemp Stillings was born in Roxbury, Massachusetts, and began studying violin from a very early age. She went to Berlin to study with Joseph Joachim, and to Saint Petersburg for further studies with Leopold Auer. Career Katherine Stillings performed in Russia and Finland before World War I. She played with pianist Frances Nash in 1917 and 1918, in New York and several other American cities, and was a guest soloist with the St. Louis Symphony Orchestra and the Milwaukee Symphony Orchestra. She toured in South America in 1920. Stillings became suddenly blind in the 1920s, and after that focused on teaching. &amp;ldquo;It has been a handicap, but also a blessing,&amp;rdquo; she told an interviewer in 1940. &amp;ldquo;It has made my critical hearing ever so much more acute. Besides, something like this makes us so human.&amp;rdquo; She was on the faculty at the New Jersey College for Women from 1927 to 1952, and taught her own master classes in New York City, which were modeled on the pedagogy of Joachim and Auer. Her students included conductor Walter Eisenberg. Stillings published violin exercise boo&lt;/p&gt;</description>
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				<title>Ken Field</title>
				<link>https://musictheoryprint.com/composers/ke/ken-field/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/ke/ken-field/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Ken Field (born January 26, 1953) is a saxophonist, flautist, percussionist, and composer. Since 1988 he has been a member of the electrified modern music ensemble Birdsongs of the Mesozoic, with whom he has recorded eight CDs. Career Field has been Composer-in-Residence at the Ucross Foundation, Wyoming, the Fundación Valparaíso, Spain, the MacDowell Colony, and the Atlantic Center for the Arts, Florida. He has performed for President Bill Clinton, and with former J. Geils frontman Peter Wolf. Ken Field is a Vandoren Performing Artist. Field has also composed music for animation, film, and dance, including music for children&amp;rsquo;s television program Sesame Street. Field was named a Finalist in Music Composition by the Massachusetts Cultural Council in 2017. Revolutionary Snake Ensemble Field leads the Revolutionary Snake Ensemble, a New Orleans-inspired improvisational brass band. Their 2008 release Forked Tongue appeared on best-of-year lists in the Village Voice and the Estonian Postimees, as well as on lists in Georgia, Michigan, Ohio, Kansas, Wisconsin, and New York. Year of the Snake, the group&amp;rsquo;s 2003 debut release, was included on best-of-year lists from WNYC Radio, the Gambit W&lt;/p&gt;</description>
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				<title>Ken Howard (composer)</title>
				<link>https://musictheoryprint.com/composers/ke/ken-howard-composer/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/ke/ken-howard-composer/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Kenneth Charles Howard (26 December 1939 – 24 September 2024) was an English songwriter, lyricist, author and television director. Early years Howard was born in Worthing, West Sussex, on 26 December 1939. His father, Harry Howard, was a lawyer who founded the London law firm Howard, Kennedy &amp;amp; Rossi. His mother, Betty, was a concert pianist. He was evacuated with his brother Alan to Cleveland, Ohio, during World War Two and returned to London after the war. From 1947 to 1956 he attended University College School (UCS) in London, where he became friends with Alan Blaikley, and from 1956 to 1957 he attended Aiglon College in Villars, Switzerland. After a year working with Granada Television in London, he went to Edinburgh University where he read Social Anthropology. He was cast as a singer, together with fellow London student Eva Hermann, in Varsity Vanities of 1959 and they became known as a vocal duo called &amp;ldquo;Eva and Ken&amp;rdquo; They won a weekly slot in Scottish Television&amp;rsquo;s musical show Jigtime, singing songs from around the world, and recorded for Fontana Records. Howard graduated with an MA degree and began working with BBC Television&amp;rsquo;s drama department in White City, London. a critic&lt;/p&gt;</description>
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				<title>Ken Silverman (musician)</title>
				<link>https://musictheoryprint.com/composers/ke/ken-silverman-musician/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/ke/ken-silverman-musician/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Ken Silverman is an American guitarist and composer based in New York City in the United States. Silverman has been described as incorporating in his compositions and guitar style elements of jazz, rock, blues, surf and classical. Additionally, he has on occasion experimented with other instruments such as oud, charango, and guitar synthesizer. to a septet featuring trumpeter Roy Campbell, Jr. and Japanese chanting and Shanshin by Kossan (From Emptiness, 2011), to a Solo Guitar recording which also had Oud and Charango (Visionaries, 2012). In recent years, Silverman has concentrated on the Ken Silverman Trio, which focuses on playing his original compositions and includes, in addition to Silverman on guitar, Sam McPherson on double bass and Any O&amp;rsquo;Neill on drums. The trio has released two albums, Parallel Man (2015), and Guitar Fantasies (2016). Reception Macroscopia: The Free Jazz Collective wrote, in its review, &amp;ldquo;The sound of the bassoon is most determining of the overall sound, yet it must be said that Silverman&amp;rsquo;s unconventional guitar-playing and Zlabinger&amp;rsquo;s hypnotic bass playing are really good. Visionaries: Grego Edwards wrote in his review that &amp;quot; There are nine segments, each&lt;/p&gt;</description>
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				<title>Ken Ueno</title>
				<link>https://musictheoryprint.com/composers/ke/ken-ueno/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/ke/ken-ueno/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Ken Ueno (born January 11, 1970, in Bronxville, New York) is an American composer. Career Ueno pursued initial studies in music at the United States Military Academy in West Point, NY, but soon transferred to Berklee College of Music, where he earned a B.M. in Film Scoring/Composition Summa Cum Laude (1992); his graduate studies at Boston University and Yale School of Music earned him master&amp;rsquo;s degrees; he later completed a doctorate at Harvard University. Ueno has taught at the University of Massachusetts Dartmouth, and now teaches at the University of California, Berkeley. He has served as co-director of Minimum Security Composers Collective, and has earned the distinction of having earned the American Academy prizes for both the Berlin and Rome fellowships, and has worked with premier ensembles internationally to considerable critical acclaim. Works Ken Ueno has composed for modern orchestra, jazz &amp;lsquo;big band&amp;rsquo;, chamber ensembles including woodwind quintet, choreographed dance pieces, and in a variety of other genres. As a performer, Ueno has performed at the Flea, New York City, collaborated with violist Kim Kashkashian and percussionist Robyn Schulkowsky on the works Hypnomelodiam&lt;/p&gt;</description>
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				<title>Ken&#39;ichiro Kobayashi</title>
				<link>https://musictheoryprint.com/composers/ke/ken-ichiro-kobayashi/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/ke/ken-ichiro-kobayashi/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;is a Japanese conductor and composer. In Japan he is known among his fans as “Kobaken.” Biography Born in Iwaki, Fukushima, Kobayashi&amp;rsquo;s father was a high school music teacher, and mother was a primary school teacher. Kobayashi started composing music at the age of 11, studied composition and conducting under Mareo Ishiketa (composition), Kazuo Yamada (conducting), and Akeo Watanabe (conducting) at Tokyo University of the Arts. Kobayashi won the 1st prize and the special award at the International Conductors Competition on Hungarian television in 1974. He has led orchestras in Germany, Austria, Britain, and Netherlands. Kobayashi has been resident conductor of the Tokyo Metropolitan Symphony Orchestra and Kyoto Symphony Orchestra. Kobayashi was appointed to the principal conductor of Japan Philharmonic Orchestra (1988–90), chief conductor (1990–94, 1997–2004), music director (2004–07) and conductor laureate since 2010. Kobayashi served the principal guest conductor of the Kansai and Kyushu Orchestras. He was general music director of Nagoya Philharmonic Orchestra from 1998 to 2001, music director from 2001 to 2003, is now appointed to the conductor laureate since 2003. Kobayashi was&lt;/p&gt;</description>
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				<title>Kendall Briggs</title>
				<link>https://musictheoryprint.com/composers/ke/kendall-briggs/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/ke/kendall-briggs/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Kendall Durelle Briggs is an American composer of classical music and music theorist. He is a professor of music theory, music history and analysis at the Juilliard School in New York City. He has authored two books on the subject, The Language and Materials of Music and Tonal Counterpoint. He is a recipient of the Charles Ives Prize in composition from The Academy of Arts and Letters. Biography Briggs was born in Salt Lake City, Utah, and grew up in Seattle, Washington. He was first exposed to music by his mother, a classical pianist. He later studied the cello as well. He attended Pacific Lutheran University, where he received a bachelor&amp;rsquo;s degree in composition, and later went on to study at the Juilliard School, where he received his master’s and doctoral degrees. He joined the faculty of The Juilliard School in 1994. Works Notable works include: * Rhapsody for Cello and Orchestra &amp;ldquo;. . . a riveder le stelle&amp;rdquo; * Sonata for Flute and Piano * Sonata for Cello and Piano * Sonata for French Horn and Piano * Sonata for Trumpet and Piano * Sonata for Viola and Piano * Sonatine for Flute and Piano * Sonatine for Piano 4-Hands * Petite Suite for Piano, Violin, Cello * Serenade for Chamber&lt;/p&gt;</description>
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				<title>Kenichi Maeyamada</title>
				<link>https://musictheoryprint.com/composers/ke/kenichi-maeyamada/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/ke/kenichi-maeyamada/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;, also known as , is a Japanese composer, lyricist, and musician. His primary work is composing anime theme songs and for J-pop musicians. He contracts through Supalove, a Japanese record label. He has released a number of anime and video game music remixes, as well as original songs. These remixes have received over 20 million hits on YouTube and Nico Nico Douga. Musical style Maeyamada began playing the piano at age four and first composed with a synthesizer in middle school. In December 2007, he posted his first work under the name &amp;ldquo;Hyadain&amp;rdquo; on Nico Nico Douga, a remix of Crash Man&amp;rsquo;s theme from Mega Man 2 with added lyrics. In May 2010, Maeyamada revealed that Hyadain was his pseudonym. In 2023, Maeyamada was invited to arrange a version of &amp;ldquo;Battle With the Four Fiends&amp;rdquo; for Final Fantasy XIV: Endwalker, with lyrics by Takashi Tokita. The track, &amp;ldquo;Forged in Crimson&amp;rdquo;, plays during the boss fight with Rubicante, the Fiend of Flame. Maeyamada cites Yasuharu Konishi of the Pizzicato Five as a major musical influence, as well as Shoichiro Hirata and Yusuke Itagaki. Influence on his video game music stems from Nobuo Uematsu (Final Fantasy), Koichi Sugiyama (Dragon Quest), and Kenji Ito&lt;/p&gt;</description>
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				<title>Kenichiro Fukui</title>
				<link>https://musictheoryprint.com/composers/ke/kenichiro-fukui/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/ke/kenichiro-fukui/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;is a Japanese video game composer and electronic rock musician. Before working at Square Enix, he was employed at Konami. He was also an arranger and a keyboardist in the band The Black Mages. Additionally, Fukui arranged Angela Aki&amp;rsquo;s &amp;ldquo;Kiss Me Good-Bye&amp;rdquo; from Final Fantasy XII. In October 2007, he left Square Enix to become a lecturer, although he continued to work with The Black Mages until the band dissolved in 2010, and continued to do freelance work with video games. His Konami Kukeiha Club nickname was &amp;ldquo;Funiki Fukui&amp;rdquo;. He lives in Yokohama, Japan. Biography Fukui was born on March 4, 1970, in Hyōgo Prefecture. He joined the video game company Konami in 1991. While there, he contributed to the soundtracks of Lethal Enforcers, G.I. Joe and Violent Storm. He was also one of the keyboardists for the Kukeiha Club, and played in the live event at the Budokan in Tokyo. In 2000, Fukui and Tsuyoshi Sekito formed an experimental partnership to compose music for the video game All Star Pro-Wrestling in a rock style. After the game&amp;rsquo;s success, the two continued to compose in the same style. In 2002, Fukui and Sekito decided to arrange some of the compositions of Nobuo Uematsu, the primary co&lt;/p&gt;</description>
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				<title>Kenji Bunch</title>
				<link>https://musictheoryprint.com/composers/ke/kenji-bunch/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/ke/kenji-bunch/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Kenji Bunch (born July 27, 1973) is an American composer and violist based in Portland, Oregon. Bunch currently serves as the artistic director of Fear No Music and teaches at Portland State University, Reed College, and for the Portland Youth Philharmonic. He is also the director of MYSfits, the most advanced string ensemble of the Metropolitan Youth Symphony. Known for &amp;ldquo;amalgamating traditional American musical forms&amp;hellip; and European-based classical music,&amp;rdquo; Bunch&amp;rsquo;s work for chamber ensemble, orchestra and ballet often incorporates elements of hip hop, jazz, bluegrass and funk to critical acclaim. Over sixty American orchestras have performed his music. His film credits include The Bellman Equation and The Argentum Prophecies. His discography includes recordings on Sony/BMG, EMI Classics, Koch, Kleos Classics, RCA, Naxos, Pony Canyon, GENUIN, Capstone, MSR Classics, Innova, ARS, and Crystal labels. Education Bunch graduated from Wilson High School (Portland, Oregon) in 1991 having performed in the Portland Youth Philharmonic for five years (1986–1991). He attended The Juilliard School, where he was the first student ever to receive dual Bachelor and Master of Music degrees in viola&lt;/p&gt;</description>
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				<title>Kenji Ito</title>
				<link>https://musictheoryprint.com/composers/ke/kenji-ito/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/ke/kenji-ito/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;, also known by the nickname , - !scope=row 1997 SaGa Frontier Music - Culdcept Saga Music - !scope=rowgroup rowspan=&amp;ldquo;3&amp;rdquo; 2009 Pokémon Mystery Dungeon: Adventure Team Music with several others - SaGa 2: Goddess of Destiny Arrangements - Culdcept (3DS) Music - Hyperdimension Neptunia Victory Music with Kenji Kaneko and Nobuo Uematsu - Demons&amp;rsquo; Score &amp;ldquo;Requiem from Lilith&amp;rdquo; - !scope=rowgroup rowspan=&amp;ldquo;3&amp;rdquo; 2013 Oceanhorn: Monster of Uncharted Seas Music with Kalle Ylitalo and Nobuo Uematsu - Getsuei Gakuen Music with Daisuke Ishiwatari - !scope=rowgroup rowspan=&amp;ldquo;4&amp;rdquo; 2014 Rise of Mana &amp;ldquo;Fear the Messenger&amp;rdquo; - Puzzle &amp;amp; Dragons Battle Tournament Music - Chunithm: Seelisch Tact &amp;ldquo;Gustav Battle&amp;rdquo; - Shinyaku Arcana Slayer Music - !scope=rowgroup rowspan=&amp;ldquo;5&amp;rdquo; 2016 Hero Must Die. Again Music - Culdcept Revolt Music - Adventures of Mana Music - !scope=rowgroup rowspan=&amp;ldquo;2&amp;rdquo; 2018 Super Smash Bros. Ultimate Arrangements - Romancing SaGa Re;univerSe Music - !scope=row 2019 Rakugaki Kingdom &amp;ldquo;Indomitable Soul&amp;rdquo; - !scope=row 2022 Sin Chronicle &amp;ldquo;Last Determination&amp;rdquo; - !scope=rowgroup rowspan=&amp;ldquo;2&amp;rdquo; 2024 SaGa: Emerald Beyond Music - Romancing SaGa 2: Revenge of the Seven Music Other ;Composition *Kokoro no Takarabako (1&lt;/p&gt;</description>
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				<title>Kenji Kawai</title>
				<link>https://musictheoryprint.com/composers/ke/kenji-kawai/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/ke/kenji-kawai/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;is a Japanese music composer and arranger. Known as one of the biggest names in the soundtrack world, he has worked on a wide range of mixed media productions, including anime, TV shows, films, video games and ice shows. After leaving Muse, Kawai began composing music for commercials in his home studio. While recording music for radio actor and voice actor Yūji Mitsuya, he met music director Naoko Asari, who advised him to compose anime soundtracks. Some of his work for anime soundtracks can be found in Ranma ½ and Ghost in the Shell. According to Kawai, he is not good at creating music from nothing, as he draws sounds from the visuals of the works. In the majority of cases, the images of the anime are not yet created, so he creates music when referencing storyboard visuals. Following his success as an anime movies music composer, he became involved in live action movies. He contributed music to horror films: Ring, Ring 2, Dark Water, Japanese-Polish science-fiction film Avalon, the Hong Kong film Seven Swords and in the 2006 live action film Death Note. Kawai has worked on several projects with director Mamoru Oshii (both Headgear members) and has written scores for all of Hideo N&lt;/p&gt;</description>
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				<title>Kenji Yamamoto (composer, born 1964)</title>
				<link>https://musictheoryprint.com/composers/ke/kenji-yamamoto-composer-born-1964/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/ke/kenji-yamamoto-composer-born-1964/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;is a Japanese video game musician working for Nintendo, notable for composing music in many titles of the Metroid series, mainly Super Metroid and the Metroid Prime trilogy. Yamamoto also plays a role as a music director at Nintendo, overseeing audio for several of their games. He frequently collaborates with fellow composers Minako Hamano and Masaru Tajima. Yamamoto&amp;rsquo;s music utilizes heavy drums, piano, voiced chants, clangs of pipes, and electric guitar. In development of Super Metroid, Yamamoto came up with some of the game&amp;rsquo;s themes by humming them to himself while riding his motorcycle home from work. Developers from Retro Studios noted how the process of fitting all the sound effects for a world in Metroid Prime into 6 MB of space was crucial in producing a quality aural experience, as each sound had to be of very high quality. Metroid Prime 3: Corruption took advantage of the increase in the amount of RAM that took place when the series switched from the GameCube to the Wii; this allowed for higher quality audio samples to be used and thus a better overall audio quality. - ! scope=&amp;ldquo;row&amp;rdquo; rowspan=&amp;ldquo;1&amp;rdquo; 1995 Galactic Pinball Music with Masaru Tajima - !1997 BS Tantei Club: Yuki ni&lt;/p&gt;</description>
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				<title>Kenjiro Ezaki</title>
				<link>https://musictheoryprint.com/composers/ke/kenjiro-ezaki/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/ke/kenjiro-ezaki/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;is a Japanese composer of contemporary classical music, especially famous for his electronic music and computer music. Biography Kenjiro Ezaki was born in Tainan (Taiwan). He studied at the Nihon University in Tokyo from 1953 to 1957 under Yoritsune Matsudaira and later under Vladimir Ussachevsky at the Columbia-Princeton Electronic Music Center. During his early years he received two composition awards: The first prize at Music Composition of Japan in 1956 and a first prize at the ISCM World Music Days in 1962 where his composition Beating was performed After his return to Japan Kenjiro Ezaki founded his own electronic music studio and was a member of a composer group called &amp;ldquo;Group Design&amp;rdquo; which focused on electronic and computer music. Other members of this group were Norihiko Wada, Satoshi Sumitani, and Komei Hayama. Ezaki was also a member of GROUP 20.5, a circle of Japanese composers of avantgarde music that was founded by Hifumi Shimoyama. Ezaki composed the first known Japanese fully computer-based composition, which was premiered at the Expo &amp;lsquo;70 in Osaka. Compositions * Symphonic poem for orchestra Japanese scenery (1958) * Presage by the system of mobile Configuration for&lt;/p&gt;</description>
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				<title>Kenneth Duffield</title>
				<link>https://musictheoryprint.com/composers/ke/kenneth-duffield/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/ke/kenneth-duffield/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Kenneth Launcelot Duffield (31 May 1885 – 23 November 1958) was an Australian theatrical composer, writer and pastoralist. Early life Kenneth Duffield was born on 31 May 1885, to a wealthy South Australian pastoral family. His grandfather was colonial politician Walter Duffield. He was educated at St Peter&amp;rsquo;s College in Adelaide. Moving to England, Duffield graduated in Arts from Cambridge in 1906 and a diploma in agriculture the following year. At Cambridge he was part of the Footlights Club. Career As a young man in England, Duffield composed words for songs with lyrics including by A. A. Milne and P. G. Wodehouse, and had a number of songs published. He returned to work at the family station Koonoona in South Australia for eight years. Soon before the outbreak of World War I, Duffield returned to England. He enlisted and rose to be a captain in the Royal Warwick Regiment. He was said to have &amp;ldquo;entertained troops on a battered 80 franc French piano, which was carried in a 30 franc cart&amp;rdquo;. He again returned to South Australia in 1922 to manage Koonoona following the death of his father. His musical comedy Hullo Healo was first presented in Adelaide in 1924 (as Healo) and at the Palac&lt;/p&gt;</description>
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				<title>Kenneth Fuchs</title>
				<link>https://musictheoryprint.com/composers/ke/kenneth-fuchs/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/ke/kenneth-fuchs/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Kenneth Daniel Fuchs (born July 1, 1956) is a Grammy Award-winning American composer. He currently serves as Professor of Music Composition at the University of Connecticut in Storrs, Connecticut. Music Kenneth Fuchs is the first living American composer recorded by the Sinfonia of London and its conductor, John Wilson (conductor). In June 2024, Chandos Records released Light Year, Orchestral Works, Volume 2, which includes two works for full orchestra and two concerti, one for alto saxophone performed by Timothy McAllister and the other for bass trombone performed by James Buckle. In July 2023, Chandos Records released Cloud Slant, Orchestral Works, Volume 1, which includes two works for full orchestra, a composition for strings, and a concerto for C and alto flute, performed by Adam Walker (flautist). Fuchs recorded for Naxos five albums with the London Symphony Orchestra conducted by JoAnn Falletta, the last of which won the 2018 Grammy Award in the category Best Classical Compendium. The Recording Academy announced the accolade in the Classical category at the 61st annual awards ceremony at the Staples Center in Los Angeles, February 10, 2019. Fuchs has composed music for orche&lt;/p&gt;</description>
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				<title>Kenneth Gaburo</title>
				<link>https://musictheoryprint.com/composers/ke/kenneth-gaburo/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/ke/kenneth-gaburo/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Kenneth Louis Gaburo (July 5, 1926 – January 26, 1993) was an American composer. Life Gaburo was born in Somerville, New Jersey. He served as a professor of music at the University of Illinois, the University of California, San Diego, and the University of Iowa. His notable students include Louise Spizizen, James Tenney, Betty Ann Wong, and Allen Strange. He is renowned as a teacher, pioneer of electronics in music, jazz pianist, writer, ecologist, publisher, and proponent of compositional linguistics. In 1968, he joined the faculty at the new San Diego campus of the University of California where in 1972 a Rockefeller Foundation grant enabled him to start NMCE IV, this time with an actor, a virtuoso speaker, a mime, a gymnast, and a sound-movement artist. Until his resignation from UCSD in 1975 he produced a large number of integrated theatrical works, such as the collection Lingua and Privacy. In 1975, Gaburo founded Lingua Press, which produces scores, books, records, audio tapes, videotapes, and films. This firm is dedicated to putting forth unique artist-produced works in all media having to do with language and music. Many of the publications have been exhibited in book art s&lt;/p&gt;</description>
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				<title>Kenneth Hesketh</title>
				<link>https://musictheoryprint.com/composers/ke/kenneth-hesketh/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/ke/kenneth-hesketh/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Kenneth Hesketh (born 20 July 1968) He studied at the Royal College of Music, London, with Edwin Roxburgh, Joseph Horovitz and Simon Bainbridge between 1987 and 1992 and attended Tanglewood in 1995 as the Leonard Bernstein Fellow where he studied with Henri Dutilleux. After completing a master&amp;rsquo;s degree in composition at the University of Michigan, Ann Arbor, USA, a series of awards followed: the Shakespeare Prize scholarship from the Toepfer Foundation, Hamburg at the behest of Sir Simon Rattle, an award from the Liverpool Foundation for Sport and the Arts, and on his return to London in 1999, Hesketh was awarded the Constant and Kit Lambert Fellowship at the Royal College of Music, with support from the Worshipful Company of Musicians. Musical style Hesketh&amp;rsquo;s work is notable for its colourful orchestration, dense harmony and a highly mobile rhythmic style. His early work found its stimuli in extra-musical ideas. Several early works have their origins in medieval symbolism and iconography, notably three pieces for chamber ensemble: Theatrum (1996), Torturous Instruments (1997-8, after Hieronymous Bosch&amp;rsquo;s depiction of Hell from The Garden of Earthly Delights), and The Circling Canop&lt;/p&gt;</description>
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				<title>Kenneth J. Alford</title>
				<link>https://musictheoryprint.com/composers/ke/kenneth-j-alford/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/ke/kenneth-j-alford/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Frederick Joseph Ricketts (21 February 1881 – 15 May 1945) was an English composer of marches for band. Under the pen name Kenneth J. Alford, he composed marches which are considered to be great examples of the art. He was a bandmaster in the British Army, and Royal Marines director of music. Conductor Vivian Dunn called him &amp;ldquo;The British March King&amp;rdquo;. Alford&amp;rsquo;s frequent use of the saxophone contributed to its permanent inclusion in military bands. His best known work is the &amp;ldquo;Colonel Bogey March&amp;rdquo;. Early life and education Ricketts was born on 21 February 1881, the fourth child of Robert and Louisa (née Alford) Ricketts in the Thameside hamlet of Ratcliff, within the parish of Shadwell in London&amp;rsquo;s East End. Born within the sound of Bow Bells (the Church of St. Mary-le-Bow in Cheapside), Ricketts had Cockney birthright. His London ancestry can be traced back to the early 18th century: his father was a coal merchant in Ratcliff on the north side of the Thames near Limehouse. On 9 December 1884, a fifth child, Randolph Robjent, was born to the Ricketts family, who, like his elder brother, was to become well known in military musical circles, under the pseudonym Leo Stanley. Ricketts&amp;rsquo;s fat&lt;/p&gt;</description>
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				<title>Kenneth Kafui</title>
				<link>https://musictheoryprint.com/composers/ke/kenneth-kafui/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/ke/kenneth-kafui/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Kenneth Kwaku Avotri Kafui (July 25, 1951 – March 18, 2020) was a Ghanaian composer. He was a lecturer in music theory and composition at the music department of the University of Ghana, Legon. He was also the Director of Abibigromma Theatre Group of the University of Ghana. Born into a musical family, he was considered one of the leading composers of his generation in Ghana, in African art music. He composed choral works, works for choir and orchestra, symphonic works, piano and organ works, and works for traditional African instruments. He created new concepts and genres in African art music such as the Pentanata, the HD-3 form and Drumnata. Career He taught at Achimota school and was popular with the students. Following graduation, Kafui joined the university faculty as a teaching assistant in the department of music. The following year, he became a senior research assistant. See also *N. Z. Nayo&lt;/p&gt;</description>
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				<title>Kenneth Lampl</title>
				<link>https://musictheoryprint.com/composers/ke/kenneth-lampl/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/ke/kenneth-lampl/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Kenneth Lampl (born November 7, 1964) is an American composer and lecturer known for his film, television and choral music. He is the former head of the Australian National University School of Music. Biography Born in the Bronx, New York, Lampl studied saxophone with Paul Jeffrey and Sahib Shihab at Rutgers University and was a member of the Rutgers University Jazz Ensemble. After college, Lampl performed as part of jazz drummer Chico Hamilton&amp;rsquo;s sextet, the Young Altos, performing at the Lincoln Center, the Apollo Theater, and the JVC Jazz Festival. Lampl began his first classical composition studies with Pulitzer Prize winning composer Charles Wuorinen in the graduate program at Rutgers University. Lampl&amp;rsquo;s first international recognition came with the winning of the &amp;ldquo;Prix Ravel&amp;rdquo; in composition from the American Conservatory in Fontainebleau, France and his first orchestral piece &amp;ldquo;Parallax&amp;rdquo; won the Cincinnati Symphony Orchestra Young Composers Award, the ASCAP Awards for Young Composers. and the Joseph H. Bearns Prize in Composition from Columbia University. In 1996 Lampl received his DMA in Composition from the Juilliard School studying with Milton Babbitt and John Corigliano, an&lt;/p&gt;</description>
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				<title>Kenneth Leighton</title>
				<link>https://musictheoryprint.com/composers/ke/kenneth-leighton/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/ke/kenneth-leighton/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Kenneth Leighton (2 October 1929 – 24 August 1988) was a British composer and pianist. His compositions include church and choral music, pieces for piano, organ, cello, oboe and other instruments, chamber music, concertos, symphonies, and an opera. He held academic appointments in the Universities of Leeds, Oxford and Edinburgh. Biography Leighton was born in Wakefield, Yorkshire, on 2 October 1929, to parents of modest means, who noted his musical ability as a child and enrolled him as a chorister at Wakefield Cathedral. Encouraged by his mother and cathedral staff (who helped obtain a piano) he began to play the piano at primary school and progressed precociously. In 1940, he gained a place at the Queen Elizabeth Grammar School, played at school assemblies and concerts, and composed settings of poetry for voice and piano and solo piano pieces (including the Sonatina Op.1a, 1946, his first published work). While still at school (in 1946) he obtained the Licentiate of the Royal Academy of Music (LRAM) in piano performance, aged 16. With the benefit of a State scholarship to study classics at University, Leighton was admitted to the Queen&amp;rsquo;s College, Oxford in 1947, where he also won&lt;/p&gt;</description>
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				<title>Kenneth Peacock</title>
				<link>https://musictheoryprint.com/composers/ke/kenneth-peacock/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/ke/kenneth-peacock/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Kenneth Howard Peacock (7 April 1922 – 22 November 2000) was a Canadian ethnomusicologist, composer, and pianist. He was a leading authority in Canadian enthnomusicology, and his research and publications in that field had a profound impact on the folk music revival in Canada of the mid to late 20th century. He was an associate of the Canadian Music Centre, a founding member of the Canadian Music Council, and a member of the Canadian League of Composers. In 1982 he was named a Member of the Order of Canada, and in 1998 was awarded the Marius Barbeau Medal by the Folklore Studies Association of Canada. Life and career Born in Toronto, Peacock earned as associate diploma from the Toronto Conservatory of Music (TCM) in 1937 where he was a piano student of Alma Cockburn. From 1937 to 1946 he was active as a private tutor in piano and music theory in Toronto. In 1939-1940 he pursued further piano studies privately with Mona Bates. In 1941 he entered the University of Toronto where he studied music theory with Healey Willan and Leo Smith. After earning a Bachelor of Music in 1943, he continued with graduate studies in composition at the UT with John Weinzweig from 1944 to 1946. Peacock r&lt;/p&gt;</description>
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				<title>Kenneth Young (Scottish composer)</title>
				<link>https://musictheoryprint.com/composers/ke/kenneth-young-scottish-composer/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/ke/kenneth-young-scottish-composer/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Kenneth Young, also known as Kenneth C. M. Young or Kenny Young, is a Scottish freelance audio director, composer, sound designer and writer. He is best known for his award-winning work on the audio experiences in Media Molecule&amp;rsquo;s LittleBigPlanet and Tearaway video game franchises, and the music of Team Asobi&amp;rsquo;s Astro Bot games. and instead went on to study an undergraduate degree in Music Technology at the University of Edinburgh. That course introduced him to working creatively with sound and he went on to gain an MA in Sound Design at Bournemouth University for which he received a distinction. He has described this period as &amp;ldquo;an apprenticeship&amp;rdquo; and a &amp;ldquo;baptism by fire&amp;rdquo; which stood him in good stead for his future game audio work. the results of which achieved a nomination in 2012 for Outstanding Achievement in Original Music Composition from the Academy of Interactive Arts &amp;amp; Sciences. Tearaways folk-infused soundtrack received a 2014 British Academy Video Games Award nomination for Original Music and is notable for its hand-made aesthetic, being written and performed entirely by Young and co-composer Brian D&amp;rsquo;Oliveira. Kotaku&amp;rsquo;s Kirk Hamilton considered it one of the best video game&lt;/p&gt;</description>
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				<title>Kenny Wheeler</title>
				<link>https://musictheoryprint.com/composers/ke/kenny-wheeler/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/ke/kenny-wheeler/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Kenneth Vincent John Wheeler, OC (14 January 1930 – 18 September 2014) was a Canadian composer and trumpet and flugelhorn player, based in the U.K. from the 1950s onwards. Most of his performances were rooted in jazz, but he was also active in free improvisation and occasionally contributed to rock music recordings. Wheeler wrote more than one hundred compositions and was a skilled arranger for small groups and large ensembles. Wheeler was the patron of the Royal Academy Junior Jazz course. Early life Wheeler was born in Toronto, Ontario, on 14 January 1930. Growing up in Toronto, he began playing the cornet at age 12 and became interested in jazz in his mid-teens. Wheeler spent a year studying composition at The Royal Conservatory of Music in 1950. In 1952 he moved to Britain. He found his way into the London jazz scene of the time, playing in groups led by Tommy Whittle, Tubby Hayes, and Ronnie Scott. Career In the late 1950s, he was a member of Buddy Featherstonhaugh&amp;rsquo;s quintet together with Bobby Wellins. From 1959 until 1965 he was a member of John Dankworth&amp;rsquo;s orchestra, during which time he also studied composition with Richard Rodney Bennett (1962-3) and Bill Russo (1963-4).&lt;/p&gt;</description>
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				<title>Kent Devereaux</title>
				<link>https://musictheoryprint.com/composers/ke/kent-devereaux/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/ke/kent-devereaux/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Kent Devereaux is an American composer, director, academic administrator, and the 12th and current president of Goucher College. He was previously the president of the New Hampshire Institute of Art (NHIA) from 2015 to 2019. Education Devereaux attended the University of California, Santa Cruz and Cornish College of the Arts in Seattle, where he graduated magna cum laude with a BFA in music composition in 1982. His teachers included Lou Harrison, Anthony Braxton, and Gil Evans. He briefly studied computer science at Stanford University and earned an MFA in Art from the School of the Art Institute of Chicago in 1985, where he was an Andrew W. Mellon Fellow. Career Academia From 1985 to 1993, Devereaux served on the faculty of the School of the Art Institute of Chicago with a one-year appointment at the California Institute of the Arts. Additional academic appointments include serving as Senior Vice President and Dean of Curriculum at Kaplan University from 2001 to 2008. He also served as professor and chair of the music department at Cornish College of the Arts from 2008 to 2014, where he curated the college&amp;rsquo;s presenting series, Cornish Presents, and co-founded and directed the Seat&lt;/p&gt;</description>
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				<title>Kent Isaacs</title>
				<link>https://musictheoryprint.com/composers/ke/kent-isaacs/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/ke/kent-isaacs/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Kent Isaacs is a Swedish producer, mixer, musician, songwriter and music entrepreneur. He is co-owner and operator of Cosmos Music, an independent Scandinavian music label. Isaacs has been known to work with Robyn, RZA, Slick Rick, Yusuf Islam (Cat Stevens), Clay Aiken, Eagle Eye Cherry, Infinite Mass, Arnthor and Stina Nordenstam (showcased on the hit 1996 soundtrack to Romeo + Juliet). Isaacs has been in the music industry since the early 1980s. He began his career as a musician both in the studio and touring with Swedish artists. He later transitioned beyond the stage and studio to the technical side, where he acted as producer, mixer, and technician alongside numerous Grammy-winning and well-known artists, both international and Swedish, including Robyn, Eagle Eye Cherry, and others. Isaacs has owned and maintained large studios, including Cosmos Studios. The first Cosmos Studios was sold to Max Martin, who produced and recorded the music of internationally known, Grammy/Platinum-winning artists. After selling that studio, he bought the formerly EMI-Abbey Road Studios, which became Cosmos Studios in Stockholm. Kent Isaacs sold Cosmos Studios in 2014, and it is now known as Bagg&lt;/p&gt;</description>
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				<title>Kent Kennan</title>
				<link>https://musictheoryprint.com/composers/ke/kent-kennan/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/ke/kent-kennan/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Kent Wheeler Kennan (April 18, 1913, in Milwaukee, Wisconsin – November 1, 2003, in Austin, Texas) was an American composer, author, educator, and professor. Biography He learned to play the organ and the piano and received degrees in composition and music theory from the University of Michigan and the Eastman School of Music. At the age of 23, he was awarded the Rome Prize, which allowed him to study for three years in Europe, primarily at the American Academy in Rome. He was the half brother of the diplomat and historian George F. Kennan. For most of his career, Kennan was a professor at the University of Texas at Austin, also teaching briefly at Kent State University. His work as a professor was briefly interrupted by World War II, when he served as a bandmaster for the United States Army. Upon his release, he taught for two years (1947-1949) at Ohio State University before returning to the University of Texas. His compositions include works for orchestra, chamber ensemble and solo instrument as well as songs and choral music. His Sonata for Trumpet and Piano is part of the standard repertoire for many collegiate trumpet studios. His Night Soliloquy was written in 1936 and is se&lt;/p&gt;</description>
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				<title>Kenta Hamano</title>
				<link>https://musictheoryprint.com/composers/ke/kenta-hamano/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/ke/kenta-hamano/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;is a Japanese musician, composer, and actor who is represented by the talent agency Kakubarhythm. He played the trombone in the band Sakerock. Filmography TV dramas Film Video games Dubbing *Soul, Joe Gardner References&lt;/p&gt;&#xA;&lt;/div&gt;</description>
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				<title>Kentaro Sato</title>
				<link>https://musictheoryprint.com/composers/ke/kentaro-sato/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/ke/kentaro-sato/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;, aka Ken-P, is a composer/conductor/orchestrator/clinician of media music (Film/TV/Game) and concert music (Symphonic and Choral). He is also an accomplished lyricist and voice-over artist. His works have been broadcast, performed, and recorded in North and South America, Asia, and Europe by well-known groups including the London Symphony Orchestra, Philharmonia Orchestra and Sydney Symphony Orchestra. In 2005, he was appointed a resident composer/assistant conductor of the Torrance Symphony. He is also a frequent guest conductor and lecturer for various workshops and reading sessions on choral music and composition/orchestration around the world. Sato was born in Hamamatsu, Shizuoka, Japan, known as the city of music and instruments. He holds a Master of Music in Conducting (choral emphasis) with Distinction and a Bachelor of Music in Media and Commercial Writing from California State University, Northridge (CSUN). In addition to his degree in Music, he also holds degree in Cinema from Santa Monica College. Musical style His choral works, especially a cappella works, are full of rich and colorful harmony with sense of movement provided by individually moving vocal lines within cl&lt;/p&gt;</description>
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				<title>Kenton Coe</title>
				<link>https://musictheoryprint.com/composers/ke/kenton-coe/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/ke/kenton-coe/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Kenton Summers Coe (November 11, 1930 – December 29, 2021) was an American composer. Biography Coe was born in Johnson City, Tennessee, the younger of two sons born to Cleveland Beach Coe (1893-1945) and Margaret Rebecca (Summers) Coe (1893-1981). He spent the first five years of his life in Johnson City, after which he moved with his family to Knoxville and Chattanooga, where they lived from 1935-1945 while Coe’s father worked for the Tennessee Valley Authority and served in WWII. It was during that time, around 1936, that Coe first began his musical training at the Cadek Conservatory in Chattanooga. Coe attended Sewanee Military Academy from 1946-1947 and then returned to Johnson City with his mother (his father died in 1945 while serving in WWII) where he graduated from Science Hill High School in 1948. He attended Hobart College in New York for two years before transferring to Yale University in 1950 to study composition with Paul Hindemith and Quincy Porter. Coe graduated from Yale in May 1953 and left that summer for Paris, France to study music composition with Nadia Boulanger at the Paris Conservatory and the American School at Fontainebleau. What was initially a six-week s&lt;/p&gt;</description>
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				<title>Kenzie (songwriter)</title>
				<link>https://musictheoryprint.com/composers/ke/kenzie-songwriter/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/ke/kenzie-songwriter/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Kim Yeon-jung (; born February 3, 1976), known professionally as Kenzie (), is a South Korean songwriter and record producer signed under SM Entertainment. She has written and produced songs for SM artists such as BoA, Isak N Jiyeon, Super Junior, The Grace, TVXQ, Girls&amp;rsquo; Generation, Shinee, f(x), Exo, Red Velvet, SuperM, Aespa, NCT, Riize and Hearts2Hearts, as well as non-SM artists such as Twice, CIX, BAE173, The Boyz, Zerobaseone and TWS. Biography Kim is a 1999 Alumna of Berklee College of Music, having majored in music production and engineering (MP&amp;amp;E). She moved to the US to further her studies, though her goal was still to be a music producer and composer in her native country of South Korea. Although she had been trained in classical music and knew how to play the piano and trumpet, she acquainted herself with the pop scene, and through the knowledge of the success of S.M. Entertainment groups like S.E.S. and H.O.T., she set herself a goal to work with S.M., which she accomplished after graduating and meeting the CEO Lee Soo-man himself. Her favourite songs amongst her own work include BoA&amp;rsquo;s &amp;ldquo;My Name&amp;rdquo;, Girls&amp;rsquo; Generation&amp;rsquo;s debut song &amp;ldquo;Into The New World&amp;rdquo;, and &amp;ldquo;Oh!&amp;rdquo; by the sam&lt;/p&gt;</description>
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				<title>Kerensa Briggs</title>
				<link>https://musictheoryprint.com/composers/ke/kerensa-briggs/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/ke/kerensa-briggs/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Kerensa Rosie Joanne Briggs (born 1991) is a British composer, primarily of choral and organ music. In 2022 she began a three-year term as composer-in-residence with the Saint Louis Chamber Chorus in Missouri, USA. Family and education Briggs was born in Truro, Cornwall, in 1991, while her father, David, was organist and master of the choristers at Truro Cathedral. After her father moved to Gloucester Cathedral, she sang in the youth choir there. She attended The King&amp;rsquo;s School in Gloucester from 1995 to 2002 and later studied music at the University of Bristol. Afterwards she sang with the Choir of King&amp;rsquo;s College London, where she held a choral scholarship and was awarded a Master of Music degree in composition. She became composer-in-residence at Godolphin and Latymer School. Briggs&amp;rsquo;s music, which is inspired by the Anglican choral tradition, Gregorian chant, early music and jazz, has been performed at St Paul&amp;rsquo;s Cathedral and the Sistine Chapel and has been broadcast on BBC Radio and Classic FM by ensembles such as the Tallis Scholars and the BBC Singers. and by the choir of Pembroke College, Cambridge, under the direction of Anna Lapwood. Briggs has been described as writing in a&lt;/p&gt;</description>
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				<title>Kermit Poling</title>
				<link>https://musictheoryprint.com/composers/ke/kermit-poling/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/ke/kermit-poling/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Kermit Poling (born 1960 in Cleveland, Ohio, United States) is an American conductor, violinist, and composer. Kermit Poling is Music Director of both the South Arkansas Symphony and the Shreveport Metropolitan Ballet. He has performed extensively throughout the United States and abroad, including concerts in Mexico, England, Ireland, France, Austria, Italy and Switzerland. His many guest conducting appearances have included the Orquesta Sinfónica del Estado de México, the Riverside (NJ) Symphonia, the Moscow Chamber Orchestra and Moscow Ballet, Filharmonia Veneta, Ballet South, Opera Lewanee!, the Adrian Symphony, the Mayormente Mozart Festival of Puerto Rico, and the Inter-American Festival of Contemporary Music. A virtuoso violinist, he performed 27 seasons as concertmaster of the Shreveport Symphony Orchestra, having also performed many solo works with the orchestra. He remains the Shreveport Symphony&amp;rsquo;s Associate Conductor, having previously served as Interim Music Director. Also a composer and arranger, Poling&amp;rsquo;s has composed a dozen ballets including Snow White, Wizard of Oz, Aladdin, Phantom of the Opera and Beauty and the Beast. In 2003, he also arranged and conducted a new&lt;/p&gt;</description>
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				<title>Kerry Muzzey</title>
				<link>https://musictheoryprint.com/composers/ke/kerry-muzzey/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/ke/kerry-muzzey/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Kerry Muzzey (born 1970) is an American classical composer. Early life Muzzey was born and raised in Joliet, Illinois. Muzzey graduated from Millikin University in Decatur, Illinois, with a degree in piano performance. Career In 2007, he was commissioned by director Bill Purple and Iron Ocean Films&amp;rsquo; executive producers Jessica Biel and Michelle Purple to create the score for Iron Ocean Films&amp;rsquo; first film, Hole in the Paper Sky. In that same year he also lent several instrumental compositions to the Robert Redford– and Terrence Malick–produced documentary, The Unforeseen. Muzzey also scored the film Amexicano. In 2009, Kerry Muzzey was approached by the music supervisor of Glee about using Muzzey&amp;rsquo;s composition &amp;ldquo;Looking Back&amp;rdquo; as a love theme in the first two episodes of the series. The music was well received and was used in multiple episodes of the series. In 2011, Muzzey was commissioned to score the Wendie Malick film What Happens Next, followed by Holiday Engagement. Kerry Muzzey&amp;rsquo;s contemporary classical music has been featured on So You Think You Can Dance, for which Muzzey created a custom version of his composition &amp;ldquo;Bernini&amp;rsquo;s Angels&amp;rdquo; In 2012, choreographer Christopher Scott use&lt;/p&gt;</description>
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				<title>Kerstin Jeppsson</title>
				<link>https://musictheoryprint.com/composers/ke/kerstin-jeppsson/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/ke/kerstin-jeppsson/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Kerstin Jeppsson (born 29 October 1948) is a Swedish composer. She was born in Nyköping, Sweden, and graduated from the Royal College of Music in Stockholm, where she studied composition with Maurice Karkoff. She received a fellowship to continue her studies at the Kraków Conservatory, where she studied with Krzysztof Meyer and Krzysztof Penderecki for composition and Jozef Radwan for conducting. Jeppsson received a bachelor of arts degree from the Stockholm University in 1977, and graduated with a Master of Fine Arts from the California Institute of the Arts in Santa Clarita in 1979, where she studied with Mel Powell for composition and Daniel Schulman for conducting. Works Jeppsson has composed vocal compositions, instrumental works and chamber music, many of which have been recorded. Recorded works include: *4 småstycken En dröm *Percussione con forza *Prometheus *Embrio *Stråkkvartett no. 2 *I förändring Lyrics: Ulla Olin *Impossibile Lyrics: Göran Sonnevi *I Till Dig Lyrics: Karin Boye *I Rosen Lyrics: Edith Södergran *III Gå ut i skogen Lyrics: Ulla Olin *II Ovetande Lyrics: Ulla Olin *III Kärleksdikt Lyrics: Elsa Grave *II Upptäckt Lyrics: Edith Södergran *II Du är min renas&lt;/p&gt;</description>
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				<title>Kerstin Thieme</title>
				<link>https://musictheoryprint.com/composers/ke/kerstin-thieme/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/ke/kerstin-thieme/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Kerstin Thieme (23 June 1909, as Karl Thieme – 26 November 2001) was a German composer, composition teacher, music educator and music writer. Life and career Thieme was born in Bad Schlema, Ore Mountains. After her Abitur at the in Aue, she studied music education and composition at the University of Music and Theatre Leipzig with Hermann Grabner from 1929 to 1934. Her fellow students included Hugo Distler and Miklós Rózsa. In 1933, she successfully passed the Staatsexamen for teaching at secondary schools and received her doctorate in 1934 with a thesis on the topic of &amp;ldquo;Klangstil des Mozartorchesters&amp;rdquo;. Her first teaching activities in Leipzig followed. From 1939 to 1945, Thieme was obliged to serve as a soldier on the front in the Second World War and later became a prisoner of war in Italy. After her political escape from the Soviet occupation zone in 1948, she obtained a position as Studienrat at the Labenwolf-Oberrealschule in Nuremberg, an arts grammar school, from 1950 to 1951. From 1956 to 1960, she was a lecturer at the Hochschule für Musik Nürnberg, where she taught music theory. From 1960 to 1974, she was a lecturer in the Department of Music Education at the Friedrich-Al&lt;/p&gt;</description>
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				<title>Kerzelli family</title>
				<link>https://musictheoryprint.com/composers/ke/kerzelli-family/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/ke/kerzelli-family/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Kerzelli (Russian: Керцелли, Керцель or Керцеллий; also spelled Cherzelli, Kerzelly, Kertsel, Kercel, Kerzel, or Kerzell) is the surname of a large family of musicians of Italian, Czech or Austrian origin, who settled in Russia in the 18th century. They were active in Moscow in the late eighteenth century and known for their contributions to the Russian musical stage. *Iosif Kerzelli or Iohann (also known as I. B. Kerzelli) was a composer and journalist working for the magazine «Музыкальные увеселения» (&amp;ldquo;Muzykalye uveseleniya&amp;rdquo; –&amp;ldquo;The Musical Amusements&amp;rdquo;, 1774-1775). His trios, choruses, dances etc. were printed there. In 1773 he started a musical college in Moscow, where his sons taught. *Franz Iosifovich Kerzelli was a cellist, Kapellmeister and composer of a cello concerto, a son of Iosif Kerzelli. He ran a series of concerts with symphony and rogovoi (horn) orchestras until the middle of the 1790s. *Ivan Kerzelli or Iohann Kerzelly (also known as I. I. Kerzelli, Iosif Iosifovich Kerzelli, or Iosif Kertsel, Russian: Иван Керцелли, Иосиф Иосифович Керцелли, И. И. Керцелли, or Иосиф Керцель) was a conductor in 18th-century Imperial Russia. (see main article) *Mikhail Franzevich Kerz&lt;/p&gt;</description>
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				<title>Kevin Brady (musician)</title>
				<link>https://musictheoryprint.com/composers/ke/kevin-brady-musician/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/ke/kevin-brady-musician/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Kevin Brady (born 23 January 1974) is an Irish jazz drummer, composer and music educator. Early life and education Brady was born in Dublin. He studied classical piano and trumpet in childhood, later turning to drums. He trained at the Newpark Academy of Music and the Drummers Collective in New York. He holds a master&amp;rsquo;s degree from the Cork School of Music and a performance diploma from the Guildhall School of Music and Drama. Career Brady co-founded the Hammond organ trio Organics in 1997, which received the Young Musicwide Award. He later formed the Kevin Brady Trio with pianist Bill Carrothers and bassist Dave Redmond. In 2019, the ensemble expanded into the Kevin Brady Electric Quartet, which released the album Plan B in 2021. He has performed with musicians such as Seamus Blake, Peter Bernstein, Norma Winstone, Van Morrison, and Larry Coryell. His appearances include international festivals and venues such as the Sydney Opera House and Ronnie Scott&amp;rsquo;s Jazz Club. Discography * Common Ground (LPR, 2011) * Ensam (LPR, 2016) * Zeitgeist (LPR, 2019) * Plan B (Ubuntu Music, 2021) Reception Plan B received four-star reviews from The Irish Times and DownBeat magazine, with 4.5 stars in&lt;/p&gt;</description>
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				<title>Kevin James Maher</title>
				<link>https://musictheoryprint.com/composers/ke/kevin-james-maher/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/ke/kevin-james-maher/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Kevin James Maher (born April 20, 1988), better known as Kevvy Mental, is a Canadian musician, producer, film composer and remix artist most notable for his work in Fake Shark as lead vocalist and programmer. Early life Maher was born an only child in Edmonton, Alberta, and raised in Langley, British Columbia, by a single mother. Maher attended Langley Fine Arts School majoring in visual art. Maher was kicked out of Langley Fine Arts in his grade 12 year. Maher attended Walnut Grove Secondary to finish his high school education. Musical career Maher is primarily a vocalist in the band Fake Shark, but also plays guitar, piano and programs electronics. He has done a variety of remixes, listed below. He has also programmed electronics and contributed vocals to Jakalope, as well as working alongside Dave Ogilvie coproducing the debut album by former Lillix bass player Louise Burns. The record was nominated for the Polaris Music Prize. In 2008, Maher teamed up with writer/director CJ Wallis to score the Sarah Slean short film Last Flowers. The film received a pair of Leo Awards nominations in 2009. In 2012, co-wrote and produced part of Carly Rae Jepsen&amp;rsquo;s new record, Kiss, and wrote the&lt;/p&gt;</description>
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				<title>Kevin Keller (composer)</title>
				<link>https://musictheoryprint.com/composers/ke/kevin-keller-composer/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/ke/kevin-keller-composer/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Kevin Keller (born April 27, 1967) is an American composer and recording artist known primarily for &amp;ldquo;ambient chamber music&amp;rdquo;, a style that combines live instruments with electronic effects. Biography Starting out as a guitarist in his teen years, Keller turned to the piano while attending Jesuit High School, inspired by the music of Claude Debussy, Brian Eno, and Harold Budd. As a composition student, Keller composed ballet scores and chamber music, including a string quartet premiered by the Kronos Quartet at the 1986 Festival of New American Music. Keller later studied Film Scoring at Berklee College of Music under the tutelage of Pinar Toprak. Keller&amp;rsquo;s first solo recording &amp;ldquo;The Mask of Memory&amp;rdquo; (1994) came to the attention of radio producer Stephen Hill, who included several tracks on a Hearts of Space program titled &amp;ldquo;Digital Planet&amp;rdquo; in 1995. This was followed by a Living Room Concert and feature on Echoes, whose host John Diliberto named Keller&amp;rsquo;s second CD &amp;ldquo;Intermezzo&amp;rdquo; as one of the Top 25 records of 1996. In total, Keller has released 15 full-length recordings and several EPs and compilations, working with musicians such as cellist David Darling, guitarist Jeff Pearce and Keller&lt;/p&gt;</description>
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				<title>Kevin MacNeil</title>
				<link>https://musictheoryprint.com/composers/ke/kevin-macneil/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/ke/kevin-macneil/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Kevin MacNeil (born 20th century) is a Scottish novelist, poet, screenwriter, lyricist, playwright and educator. Early life and education MacNeil was born and raised on the Isle of Lewis in the Outer Hebrides. Career Artistic collaborations MacNeil has collaborated with Hebridean musician Willie Campbell. In 2011, they released the album Visible From Space together. Teaching and fellowships MacNeil has undertaken teaching posts and writing residencies in Sweden (Uppsala University), Bavaria (Villa Concordia), Shetland, the University of Edinburgh, and Kingston University. He has held the Hawthornden Fellowship and was Inaugural Recipient of the Iain Crichton Smith Bilingual Writing Fellowship. He has been a judge for the Highland Book Prize, the Wigtown Poetry Prize and the Scottish Book Trust New Writers&amp;rsquo; Award. He is a remote mentor and on-site residential short-course tutor for the Moniack Mhor Writers&amp;rsquo; Centre. In 2017, he began a post at the University of Stirling, where he works as a tutor and supervisor for both undergraduate and postgraduate creative-writing–degree programs. Awards * Tivoli Europa Giovani International Poetry Prize Works As author * Poetry collection: Love a&lt;/p&gt;</description>
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				<title>Kevin Penkin</title>
				<link>https://musictheoryprint.com/composers/ke/kevin-penkin/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/ke/kevin-penkin/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Kevin Penkin (born 22 May 1992) is a British-born Australian composer, primarily for video games and anime. He is best known for composing the score of the anime Made in Abyss, which won Best Score at the 2nd Crunchyroll Anime Awards, and the score for the Tower of God anime adaptation, also won the same category at the fifth edition. Biography Penkin was born on 22 May 1992 in the United Kingdom, and grew up in Perth, Western Australia. Penkin&amp;rsquo;s interest in video game music started from when he first heard the &amp;ldquo;Phendrana Drifts&amp;rdquo; theme from Metroid Prime; In 2013, Penkin received a Bachelor of Music in Composition and Music Technology at Edith Cowan University&amp;rsquo;s Western Australian Academy of Performing Arts. In 2015, Penkin graduated from the Royal College of Music with a Master of Composition degree in Composition for Screen. His studies were supported by a grant from the Tait Memorial Trust as the inaugural Tait Scholar at the Royal College of Music. In 2016, Penkin collaborated with Kinema Citrus on the Norn9 anime and the Under the Dog original video animation soundtracks. Penkin composed the music for Kinema Citrus&amp;rsquo; anime adaptation of The Rising of the Shield Hero and NetEase&lt;/p&gt;</description>
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				<title>Kevin Puts</title>
				<link>https://musictheoryprint.com/composers/ke/kevin-puts/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/ke/kevin-puts/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Kevin Matthew Puts (born January 3, 1972) is an American composer, best known for his opera The Hours and for winning a Pulitzer Prize in 2012 for his first opera, Silent Night, He studied composition and piano at the Eastman School of Music and Yale University, earning the Doctor of Musical Arts degree from Eastman School of Music. Among his teachers were Samuel Adler, Jacob Druckman, David Lang, Christopher Rouse, Joseph Schwantner, Martin Bresnick, and, in piano, Nelita True. He also studied at the Tanglewood Music Festival with William Bolcom and Bernard Rands. Career He is composer-in-residence at the Fort Worth Symphony and has received a commission from the Aspen Music Festival. His Cello Concerto was premiered by Yo-Yo Ma. Puts&amp;rsquo; works have been performed by the St. Louis Symphony, the Pacific Symphony, the Utah Symphony (with Evelyn Glennie as percussion soloist), the Miró Quartet, and Concertante. He is a frequent composer in residence at the Cabrillo Festival of Contemporary Music, which commissioned his fourth symphony and his flute concerto. His alma mater commented: :For several years, Kevin Puts received reviews describing him as a &amp;ldquo;promising composer&amp;rdquo; and &amp;ldquo;a young co&lt;/p&gt;</description>
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				<title>Kevin Volans</title>
				<link>https://musictheoryprint.com/composers/ke/kevin-volans/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/ke/kevin-volans/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Kevin Volans (born 26 July 1949) is a South African-born Irish composer and pianist. He studied with Karlheinz Stockhausen and Mauricio Kagel in Cologne in the 1970s and later became associated with the Neue Einfachheit (New Simplicity) movement in the city. In the late 1970s he became interested in the indigenous music of his homeland and began a series of pieces which attempted to combine aspects of African and contemporary European music. Although Volans later moved away from any direct engagement with African music, certain residual elements such as interlocking rhythms, repetition and open forms are still detectable in his music since the early 1990s which have taken a new direction more redolent of certain schools of abstract art. He settled in Ireland permanently in 1986 and was granted Irish citizenship in 1994. Biography Volans was born in Pietermaritzburg, South Africa, on 26 July 1949. During his teenage years, he developed an interest in the music of the post-war avant-garde as well as abstract painting. He pursued a Bachelor of Music degree at the University of the Witwatersrand graduating in 1972, where June Schneider was one of his teachers. After postgraduate study&lt;/p&gt;</description>
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				<title>Keyla Orozco</title>
				<link>https://musictheoryprint.com/composers/ke/keyla-orozco/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/ke/keyla-orozco/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Keyla María Orozco Alemán (born 22 September 1969) is a Cuban composer based in the Netherlands and the United States. A 2000 Guggenheim Fellow, her music has drawn inspiration from Cuban music. Biography Keyla María Orozco Alemán was born on 22 September 1969 in Santiago de Cuba. She studied at the Conservatorio Esteban Salas de Santiago de Cuba and National Art Schools, before studying composition at Instituto Superior de Arte with Harold Gramatges. She later studied at the Royal Conservatory of The Hague and the Sweelinck Conservatorium, the former under Theo Loevendie, who encouraged incorporation of Cuban elements towards her work. In July 1999, her piece Perpetuum was performed at the Uncommon Voices: A New Presence in Music event at Abby Aldrich Rockefeller Sculpture Garden. In 2007, her piece Para Ti Nengon, inspired by the Cuban genre , appeared at a Merkin Hall concert on Cuban music. In May 2018, she appeared at the Kennedy Center. In November 2021, her piece Viajeros was the finale at Zofo&amp;rsquo;s Zofomama show in Saint Paul, Minnesota; Sheila Regan said that Orozco &amp;ldquo;offered a richly theatrical piece of music&amp;rdquo; with a transition from Russian to Cuban music, noting that the bac&lt;/p&gt;</description>
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				<title>Keyna Wilkins</title>
				<link>https://musictheoryprint.com/composers/ke/keyna-wilkins/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/ke/keyna-wilkins/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Keyna Wilkins is an Australian/British composer-musician. Her compositions are published and distributed by Wiripang Music. Wilkins was a finalist in the Australian Music Centre and APRA AMCOS 2021 Art Music Awards in the category Award for Excellence in Experimental Music, for &amp;ldquo;recording and developing new projects in 2020&amp;rdquo;. She was also a finalist in the 2018 Art Music Awards, in the category Award for Excellence by an Individual, for her &amp;ldquo;activities in original art music throughout 2017 as a composer-musician including releasing three original albums&amp;rdquo;. Wilkins is passionate about supporting refugees being detained in Immigration Detention. In 2021 she collaborated with visual artist and poet Jalal Mahamede, who is currently being held in Brisbane&amp;rsquo;s immigration detention centre. They have released an album, featuring original music by Wilkins and poetry by Mahamede. Education Wilkins holds a Master of Music Composition from the Sydney Conservatorium of Music. Her thesis is titled Astronomical Phenomena in Music Composition and explores &amp;ldquo;the astronomical phenomena in music composition&amp;rdquo;. Prior to moving to Australia, Wilkins studied at Bristol University (UK) where is obtained a MA&lt;/p&gt;</description>
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