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		<title>PR on Music Theory Print</title>
		<link>https://musictheoryprint.com/composers/pr/</link>
		<description>Recent content in PR on Music Theory Print</description>
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				<title>Praiz</title>
				<link>https://musictheoryprint.com/composers/pr/praiz/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/pr/praiz/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Praise Ugbede Adejo (born 8 March 1985), better known by his stage name Praiz, is a Nigerian R&amp;amp;B singer, songwriter, and producer. Praiz finished second runner-up at the maiden season of Project Fame West Africa. He is best known for releasing singles &amp;ldquo;Rich and Famous&amp;rdquo;, &amp;ldquo;Sisi&amp;rdquo; and &amp;ldquo;I Love You&amp;rdquo;. He contributed guest vocals to Bez&amp;rsquo;s 2011 single &amp;ldquo;That Stupid Song&amp;rdquo;; the music video for the song mentioned was the first African video to make a world premiere on BET’s 106 &amp;amp; Park. He is currently signed to Cicada Music. Early life and education Praiz, a native of Igala in Kogi State, was born in Lagos but later relocated to Kaduna in 1992 after his father was transferred there on missionary work. He is the second child out of five children. He has a National Diploma in Computer Science after graduating from Kaduna Polytechnic. Career Project Fame West Africa Praiz had been doing well in music before he shot into the limelight after emerging second runner-up in the first edition of Project Fame West Africa, a music reality T.V show which Iyanya went on to win. His performance in the competition increased his fan base, making him one of the next-rated stars in the Nigerian music industry. 20&lt;/p&gt;</description>
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				<title>Prakash Alex</title>
				<link>https://musictheoryprint.com/composers/pr/prakash-alex/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/pr/prakash-alex/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Prakash Alex is an Indian composer and singer who primarily works in South Indian films. Early life Prakash Alex was born to Reverend K. P. Alexander and Leelamma, a school teacher, in Pathanamthitta, India. He has an older brother, Prasanth Alexander, an actor in the Malayalam film industry, and two older sisters, Priya and Preethy. Alex started learning piano at the age of 5, with his sister Preethy as his instructor. He was part of the choir team in his church. He has collaborated with musicians such as Poly Varghese, Stephen Devassy, Bijibal, Deepak Dev, and Mejo Joseph. He produced the song &amp;ldquo;Nenchodu Cherthu (Yuvvh).&amp;rdquo; His films include Kalyanam (2018), and Qalb (2024). &amp;ldquo;Monjathi&amp;rdquo; from Qalb, Personal life Prakash is married to Renu. He composed their wedding video song. The couple resides in Ernakulam. References&lt;/p&gt;</description>
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				<title>Praxilla</title>
				<link>https://musictheoryprint.com/composers/pr/praxilla/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/pr/praxilla/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Praxilla (), was a Greek lyric poet of the 5th century BC from Sicyon on the Gulf of Corinth. Five quotations attributed to Praxilla and three paraphrases from her poems survive. The surviving fragments attributed to her come from both religious choral lyric and drinking songs (skolia); the three paraphrases are all versions of myths. Various social contexts have been suggested for Praxilla based on this range of surviving works. These include that Praxilla was a hetaira (courtesan), or that she was a professional musician. Alternatively, the apparent implausibility of a respectable Greek woman writing drinking songs has been explained by suggesting that her poetry was in fact composed by two different authors, or that the drinking songs derive from a non-elite literary tradition rather than being authored by a single writer. Praxilla was apparently well-known in antiquity: she was sculpted in bronze by Lysippus and parodied by Aristophanes. In the modern world, she has been referenced in artworks by Cy Twombly and Judy Chicago, and one of her poems was adapted by the Irish poet Michael Longley. Life Praxilla was from Sicyon on the Gulf of Corinth. In the fourth century AD, the his&lt;/p&gt;</description>
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				<title>Predrag Milošević (composer)</title>
				<link>https://musictheoryprint.com/composers/pr/predrag-milosevic-composer/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/pr/predrag-milosevic-composer/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Predrag Milošević (Serbian Cyrillic: Предраг Милошевић; February 4, 1904 in Knjaževac – January 4, 1988 in Belgrade) was a composer, conductor, pianist, pedagogue, and music writer. As one of those musicians from Serbia who completed their university education in Prague, upon his return, Milošević significantly contributed to the foundation of music professionalism in his country. Biography Predrag Milošević was born in 1904 in Knjaževac. He began his music education at the Music School in Belgrade, and between 1922 and 1924 continued in Munich, and at the Prague State Conservatory. In Prague, he graduated in composition in 1926 with Professor Jaroslav Křička, in piano in 1928 with J. Prohaska, and conducting in 1931 with M. Doležil and P. Dědeček. Milošević supplemented his education at the Master school, where in 1930 he completed composition studies in the class of J. Suk and in 1931 a conducting seminar with N. Malko. Even as a student Milošević was a well known conductor of Prague&amp;rsquo;s choirs. In 1932 he became the leader of the First Belgrade Singing Society, with which he won the first-place prize at the choral competition in Budapest in 1937. Upon his return to Belgrade in 193&lt;/p&gt;</description>
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				<title>Prenk Jakova</title>
				<link>https://musictheoryprint.com/composers/pr/prenk-jakova/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/pr/prenk-jakova/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Prenk Jakova (; 27 June 191719 September 1969) was an Albanian composer, musician, and author of Mrika (1958), which is considered the first Albanian opera. External links * * *Full List of works&lt;/p&gt;&#xA;&lt;/div&gt;</description>
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				<title>Preston Ware Orem</title>
				<link>https://musictheoryprint.com/composers/pr/preston-ware-orem/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/pr/preston-ware-orem/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Preston Ware Orem (April 20, 1865 – December 20, 1938) was an American composer, pianist, and writer on music. He is frequently grouped with other composers as part of the Indianist movement in American music. Early life Born in Philadelphia, Orem received his secondary education at the Eastburn Academy, and did his undergraduate work at the University of Pennsylvania, where he received his degree in music. He studied organ and music theory with Hugh Archibald Clarke, and was instructed in piano by Charles H. Jarvis. Career From 1889 until 1895 he served as the organist of St. Paul&amp;rsquo;s Procathedral in Los Angeles; after this he returned home, teaching for one year at the Philadelphia Conservatory. From 1896 until 1905 he taught at the Combs Conservatory of Music. In 1900 Orem began a long association with Theodore Presser, serving as a music critic and editor for the publisher while conducting the Presser Choral Society. From 1901 until 1910 he again worked as an organist, this time at the Walnut Street Presbyterian Church. Orem also wrote theory books, including 1919&amp;rsquo;s Harmony Book for Beginners, and compiled nine books of musical exercises. It is for these that he is chiefly rememb&lt;/p&gt;</description>
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				<title>Priaulx Rainier</title>
				<link>https://musictheoryprint.com/composers/pr/priaulx-rainier/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/pr/priaulx-rainier/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Ivy Priaulx Rainier (3 February 190310 October 1986) was a South African-British composer. Although she lived most of her life in England and died in France, her compositional style was strongly influenced by the African music remembered from her childhood. One of her sisters was a cellist. She taught at Badminton School, Bristol, and also played violin in a string quartet. (1939). It was given a private performance in 1940 but not performed publicly until 1944, at Wigmore Hall. The music was used for a ballet titled Night Spell, performed by the José Limón company in the United States in 1951 and the Barbaric Dance Suite for piano (1949; premiered in November 1950 by Margaret Kitchin). There is also a Suite for clarinet and piano (1943), a Sinfonia da camera for strings (1947; commissioned by a close friend, where she remained until 1961. Jeremy Dale Roberts, Rachel Cavalho, and Christopher Small. She and Michael Tippett co-founded the St Ives September Festival, first presented in June 1953. Music The first of Priaulx Rainier&amp;rsquo;s large orchestral works was Phalaphala (the word refers to an African chief&amp;rsquo;s ceremonial horn), first heard in 1961, celebrating Sir Adrian Boult&amp;rsquo;s tenth a&lt;/p&gt;</description>
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				<title>Pril Smiley</title>
				<link>https://musictheoryprint.com/composers/pr/pril-smiley/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/pr/pril-smiley/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Pril Smiley (born 19 March 1943) is an American composer and pioneer of electronic music. Biography Pril Smiley was born in Mohonk Lake, New York. She worked at the Columbia-Princeton Electronic Music Center in the 1960s and 1970s with Milton Babbitt, Otto Luening, Vladimir Ussachevsky, Mario Davidovsky and Alice Shields. She became one of four primary instructors in electronic music at the center and also served as director. From 1968 to 1974 she worked as a consultant to the Lincoln Center Repertory Theater in New York City and was awarded a Guggenheim Fellowship in 1975. She ended her career as a composer in the mid-1980s, but continued to teach, and retired from Columbia in 1995. Her works have been performed internationally. Works Smiley composed over forty works for film, theater and dance. Selected works include: *Eclipse (1967) *Kolyosa (1970) *Forty-Three (1984) Discography *Pioneers of Electronic Music (2006) by New World Records *Columbia - Princeton Electronic Music Center: Original Four-Channel Versions of Electronic Compositions By Bulent Arel, Milton Babbitt, Mario Davidovsky, Alice Shields, Pril Smiley, Vladimir Ussachevsky (Quadraphonic vinyl LP) (1969) by Finnadar&lt;/p&gt;</description>
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				<title>Primož Ramovš</title>
				<link>https://musictheoryprint.com/composers/pr/primoz-ramovs/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/pr/primoz-ramovs/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Primož Ramovš (March 20, 1921 – January 10, 1999) was a Slovenian composer and librarian. Life Ramovš was born in Ljubljana, then the administrative centre of the Slovenian part of the Kingdom of Serbs, Croats and Slovenes. He studied at the Ljubljana Academy of Music from 1935 to 1941 under Slavko Osterc. Afterwards, he studied in Siena under Vito Frazzi in 1941 and in Rome with Goffredo Petrassi and Alfredo Casella from 1941 to 1943. From 1945, he worked as a librarian at the Slovenian Academy of Sciences and Arts and was the director of its library from 1952 until 1987. He also taught at the Ljubljana Conservatory from 1948 to 1964. He died in Ljubljana at the age of 78 years. Musical style Ramovš was a pioneer of Slovenian musical avant-garde and one of the most prolific Slovenian composers. Throughout his career, Ramovš wrote almost exclusively instrumental music, for which he found inspiration in the abstract world. His works from the 1960s and 70s employ serialism and other modernist techniques, including experiments bordering on graphic notation and use of indeterminacy. He often experimented, even in very extreme sense: &amp;ldquo;If the result is negative, it will fall away by itse&lt;/p&gt;</description>
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				<title>Prince Edmond de Polignac</title>
				<link>https://musictheoryprint.com/composers/pr/prince-edmond-de-polignac/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/pr/prince-edmond-de-polignac/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Prince Edmond Melchior Jean Marie de Polignac (19 April 18348 August 1901) was a French aristocrat and composer. Ancestry Edmond was a member of the Polignac family, one of the more illustrious families of France. His grandmother, the duchesse de Polignac, had been the close friend of Queen Marie Antoinette. His father, Jules de Polignac, prince de Polignac (1780–1847), was the Minister of State in the Restoration government of King Charles X and the author of the July Ordinances in 1830, which revoked the Constitution, suspended freedom of the press, and gave the king extraordinary powers, including absolute power in the name of &amp;ldquo;insuring the safety of the state&amp;rdquo;. The document resulted in the development of an insurgency and resulted in the &amp;ldquo;July Revolution&amp;rdquo; that ended the reign of the Bourbons. The king and his family went into exile, and his cabinet members were tried. Jules de Polignac was captured, tried, convicted and condemned in December 1830 to la mort civile: life imprisonment and a complete loss of civil rights. He was incarcerated in the Château de Ham. Early life By the time of his imprisonment Edmond&amp;rsquo;s father Jules de Polignac had two sons by his second wife, Mary Cha&lt;/p&gt;</description>
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				<title>Prince Joachim Albert of Prussia</title>
				<link>https://musictheoryprint.com/composers/pr/prince-joachim-albert-of-prussia/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/pr/prince-joachim-albert-of-prussia/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Prince Joachim of Prussia (27 September 1876 – 24 October 1939) was a member of the House of Hohenzollern. He was the second eldest son of Prince Albert of Prussia and his wife Princess Marie of Saxe-Altenburg. He is notable for composing music, in particular military waltzes. Family and early life Prince Joachim&amp;rsquo;s paternal grandparents were Prince Albert of Prussia and Princess Marianne of the Netherlands. His maternal grandparents were Ernst I, Duke of Saxe-Altenburg and Agnes of Anhalt-Dessau. Joachim had two brothers: Friedrich Heinrich Albrecht (1874–1940) and Friedrich Wilhelm (1880–1925). In 1885, Joachim&amp;rsquo;s father Prince Albert was chosen as regent for the Duchy of Brunswick. Like all male Hohenzollerns, Joachim and his brothers entered the army and became officers. Music always appealed to him however, and he soon made a name for himself composing. In 1898, he presented a military waltz he wrote to a family gathering at the Neues Palais in Potsdam. In 1920, Joachim was ordered under arrest by the German Minister of Defense Gustav Noske after he got into a fight with some French military officers. The dispute apparently began after a few of the aforementioned officers failed&lt;/p&gt;</description>
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				<title>Prince Johann Ernst of Saxe-Weimar</title>
				<link>https://musictheoryprint.com/composers/pr/prince-johann-ernst-of-saxe-weimar/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/pr/prince-johann-ernst-of-saxe-weimar/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Johann Ernst of Saxe-Weimar () (25 December 1696 – 1 August 1715) was a German prince, son by his second marriage of Johann Ernst III, Duke of Saxe-Weimar. Despite his early death he is remembered as a collector and commissioner of music and as a composer, some of whose concertos were arranged for harpsichord or organ by Johann Sebastian Bach, who was court organist in Weimar at the time. Life Johann Ernst was born in Weimar, the fourth son and sixth child of Johann Ernst III, Duke of Saxe-Weimar, and second child of the Duke&amp;rsquo;s second wife, Charlotte Dorothea Sophia of Hesse-Homburg. As a young child the prince took violin lessons from G.C. Eilenstein, who was a court musician. He studied at the University of Utrecht between February 1711 and July 1713. It is thought that Johann Ernst furthered his understanding of music at this time. From Utrecht, he could visit such centres as Amsterdam and Düsseldorf and it is known that he had copies of Italian music sent back to Weimar. (Household bills for the year from 1 June following his return record the cost of copying, binding and shelving music. On his return from university, Johann Ernst took lessons in composition with a focus on con&lt;/p&gt;</description>
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				<title>Prince Louis Ferdinand of Prussia (1772–1806)</title>
				<link>https://musictheoryprint.com/composers/pr/prince-louis-ferdinand-of-prussia-1772-1806/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/pr/prince-louis-ferdinand-of-prussia-1772-1806/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Prince Frederick Louis Christian &amp;ldquo;Ferdinand&amp;rdquo; of Prussia (; 18 November 1772 – 10 October 1806), was a Prussian prince, soldier, composer and pianist. Prince Louis Ferdinand fought in the Napoleonic Wars. The 1927 German film Prinz Louis Ferdinand depicts his life. Early life Louis Ferdinand was born on 18 November 1772 in Friedrichsfelde Palace, near Berlin. He was a son of Prince August Ferdinand of Prussia and Elisabeth Louise of Brandenburg-Schwedt, and was a nephew of King Frederick the Great. He was given the baptismal name Friedrich Ludwig Christian, but was known as Louis and was soon given the nickname Ferdinand (after his father), so that he could be distinguished from his cousin, also named Louis, Prince Friedrich Ludwig Karl of Prussia (1773–1796). Military career Louis Ferdinand participated in the French Revolutionary Wars, fighting in the War of the First Coalition in 1792 to 1794 near Longwy and Verdun, took part in the Valmy cannonade and was wounded during the Siege of Mainz. Newly promoted to major general, he took part in the Battle of Kaiserslautern in November 1793. On 23 February 1795 Louis Ferdinand was appointed chief of the “von Baden” infantry regiment. Fr&lt;/p&gt;</description>
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				<title>Princess Amalie of Saxony</title>
				<link>https://musictheoryprint.com/composers/pr/princess-amalie-of-saxony/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/pr/princess-amalie-of-saxony/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Amalie Marie Friederike Auguste (10 August 1794 – 18 September 1870), Princess of Saxony, full name Maria Amalia Friederike Augusta Karolina Ludovica Josepha Aloysia Anna Nepomucena Philippina Vincentia Franziska de Paula Franziska de Chantal, was a German composer writing under the pen name A. Serena, and a dramatist under the name Amalie Heiter. She was the daughter of Prince Maximilian of Saxony and Princess Carolina of Parma. Life Princess Amalie was the eldest child of Prince Maximilian of Saxony and Princess Carolina of Parma. She was named after her maternal grandmother, Maria Amalia, Duchess of Parma. She was also the granddaughter of Frederick Christian, Elector of Saxony; niece of Frederick Augustus I, King of Saxony and Anthony, King of Saxony; sister of Frederick Augustus II, King of Saxony and John, King of Saxony; and aunt of Albert, King of Saxony and George, King of Saxony. She spent most of her life in Pillnitz Castle near Dresden. Known for her education and intellectual interests, she composed chamber, opera, and sacred music, performed as a singer, wrote comedies, and played the harpsichord. Amalie was a young girl during the time of the Napoleonic Wars and had&lt;/p&gt;</description>
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				<title>Princess Anna of Montenegro</title>
				<link>https://musictheoryprint.com/composers/pr/princess-anna-of-montenegro/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/pr/princess-anna-of-montenegro/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Princess Anna of Montenegro (18 August 1874 – 22 April 1971) was the seventh child and sixth daughter of Nicholas I of Montenegro and his wife Queen Milena. Family and early life Anna was born on 18 August 1874 to Nicholas, Prince of Montenegro and his consort Princess Milena; on 28 August 1910, Nicholas would become King of Montenegro. Anna&amp;rsquo;s sisters were particularly noted for achieving marriages with powerful royal figures, causing their father, like the contemporary Christian IX of Denmark, to earn the sobriquet &amp;ldquo;father-in-law of Europe&amp;rdquo;; one source declared that these advantageous marriages &amp;ldquo;had done more for Montenegro than all the brave deeds of this nation of warriors&amp;rdquo;. For instance, Princesses Zorka, Milica, Anastasia and Elena all made important marriages into the royal families of Serbia, Russia and Italy, respectively. Like all her sisters, Anna was educated in Russia at the expense of the Russian imperial family, and upon each of their marriages, were given dowries by the Russian emperor. Marriage Background Anna met Prince Francis Joseph of Battenberg at Cimiez, France, where the prince was a guest of the visiting Queen Victoria and Anna was visiting her sister Prince&lt;/p&gt;</description>
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				<title>Princess Cecilia of Sweden (1807–1844)</title>
				<link>https://musictheoryprint.com/composers/pr/princess-cecilia-of-sweden-1807-1844/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/pr/princess-cecilia-of-sweden-1807-1844/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Cecilia of Sweden (22 June 1807 – 27 January 1844) was a composer, a Swedish princess by birth, and Grand Duchess of Oldenburg by marriage. She was the daughter of King Gustav IV Adolf of Sweden and Frederica of Baden. Biography After birth, she was raised under the supervision of the royal governess Charlotte Stierneld. The youngest of four children, Cecilia left Sweden in 1810 with her family after her father was deposed as king of Sweden by the Coup of 1809. She was raised in her mother&amp;rsquo;s home country, the Grand Duchy of Baden (Germany). After her parents were divorced in 1812, she was raised mainly by her grandmother Amalie of Hesse-Darmstadt in Bruchsal. She met Augustus, Grand Duke of Oldenburg in 1830, and after an hour&amp;rsquo;s conversation, the marriage was decided. She went to her brother in Vienna, where her wedding took place in the presence of the Austrian Emperor Francis I. She relocated to the city of Oldenburg in June 1831. Cecilia had an interest in culture. As Grand Duchess of Oldenburg she composed the melody of a hymn for Oldenburg. The hymn was later added with lyrics by Theodor von Kobbe and named ‘Heil dir, o Oldenburg’. In 1833, Cecila supported the founding of the&lt;/p&gt;</description>
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				<title>Princess Marie Elisabeth of Saxe-Meiningen</title>
				<link>https://musictheoryprint.com/composers/pr/princess-marie-elisabeth-of-saxe-meiningen/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/pr/princess-marie-elisabeth-of-saxe-meiningen/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Princess Marie Elisabeth of Saxe-Meiningen (23 September 1853 – 22 February 1923) was the only daughter of George II, Duke of Saxe-Meiningen, by his first wife, Princess Charlotte of Prussia. She was notable as a musician and composer. One of her most famous works is Romanze in F major for clarinet and piano. Early life Princess Marie Elisabeth was born on 23 September 1853 in Potsdam. She was the third child and only daughter of Georg, Hereditary Prince of Saxe-Meiningen, by his first wife, Princess Charlotte of Prussia, and had one surviving brother, Hereditary Prince Bernhard. Her parents&amp;rsquo; marriage was very happy, as it was the rare instance of a love match rather than a marriage of state. In 1855, tragedy struck with the death of their younger infant brother; Charlotte died three months later of complications after childbirth of a baby son, two months earlier. This youngest brother died, one day old. Georg was inconsolable, but remarried several years later to Princess Feodora of Hohenlohe-Langenburg in order to provide a mother for his remaining young children. Marie Elisabeth&amp;rsquo;s father succeeded as Duke Georg II of Saxe-Meiningen in 1866. His second marriage was unhappy; it pr&lt;/p&gt;</description>
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				<title>Priscilla McLean</title>
				<link>https://musictheoryprint.com/composers/pr/priscilla-mclean/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/pr/priscilla-mclean/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Priscilla McLean (née Taylor; born May 27, 1942) is an American composer, performer, video artist, writer, and music reviewer. Life Priscilla Taylor was born in Fitchburg, Massachusetts, the daughter of business manager Conrad Taylor and school teacher Grace Taylor. She graduated from Fitchburg State College, Massachusetts (BEd 1963) and the University of Massachusetts, Lowell (BME 1965). At Indiana University, Bloomington (MM 1969), she was greatly influenced by the music of Xenakis, who was teaching there. She has taught at Indiana University, Kokomo (1971–3), St. Mary&amp;rsquo;s College, Notre Dame (1973–6), and the University of Hawaii (1985) and the University of Malaysia (1996). From 1976 to 1980 she produced the American Society of Composers&amp;rsquo; Radiofest series. In 1974 she and her husband, Barton McLean, began to perform together as The McLean Mix, and in 1983 to present concerts of their own music full-time. She sings with extended vocal techniques and plays the piano, synthesizer, violin, percussion, and Amerindian wooden flutes, as well as newly created instruments. As The McLean Mix, the couple has performed throughout the United States and Europe, Southeast Asia, the United Kingd&lt;/p&gt;</description>
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				<title>Priti Paintal</title>
				<link>https://musictheoryprint.com/composers/pr/priti-paintal/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/pr/priti-paintal/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Priti Paintal (born 1960) is a British composer, performer, music producer and promoter who lives and works in England. Life Paintal was born in New Delhi, India, the daughter of the distinguished Indian scientist Autar Singh Paintal. She trained in both Indian and Western music and studied sitar and tabla as a child and piano and composition in India. Paintal received a master&amp;rsquo;s degree in ethnomusicology before moving to England to study composition at York University and the Royal Northern College of Music in Manchester with Anthony Gilbert. She founded the ensemble ShivaNova in 1988 to unite diverse musical traditions into a global sound. The ensemble collaborates with artists including storytellers, jugglers, dancers and orchestras, and provides workshops in schools and communities. A mainstream dance music spin-off of the group, SugarNova, had its debut single &amp;ldquo;Over and Over&amp;rdquo; reach the top 20 of the Music Week Club charts. Her music brings together traditional, classical and jazz performers in a unique mix of Indian roots and contemporary flair. In addition to her group pieces she wrote the mini-opera Survival Song for the Royal Opera House Garden Venture contemporary opera pr&lt;/p&gt;</description>
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				<title>Przemysław Gintrowski</title>
				<link>https://musictheoryprint.com/composers/pr/przemys-aw-gintrowski/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/pr/przemys-aw-gintrowski/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Przemysław Adam Gintrowski (21 December 1951 – 20 October 2012) was a Polish composer and musician. Gintrowski debuted in 1976 on a review of the Warsaw Riviera with the song &amp;ldquo;Epitaph for Sergei Yesenin&amp;rdquo;. Shortly afterwards, in 1979, he formed a trio with Jacek Kaczmarski and Zbigniew Łapiński, and initiated a poetic programme &amp;ldquo;Mury&amp;rdquo; (&amp;ldquo;Walls&amp;rdquo;). The title song of the programme, &amp;ldquo;Mury&amp;rdquo;, based on the song written by Catalan bard Lluis Llach L&amp;rsquo;Estaca – became an informal anthem of the Polish trade union Solidarity and the symbol of the fight against the regime. Other programs they created were &amp;ldquo;Raj&amp;rdquo; (Paradise) and &amp;ldquo;Museum&amp;rdquo;. With the declaration of martial law in December 1981 Trio broke up – Jacek Kaczmarski remained in exile in France, and Gintrowski started his own artistic activity. He made his debut as a composer of film music – during the next ten years he created music for over twenty fictional films and serials. Gintrowski&amp;rsquo;s songs were based on texts by Jacek Kaczmarski, Zbigniew Herbert, Tomasz Jastrun, Krzysztof Maria Sieniawski, Jerzy Czech, Tadeusz Nowak and Marek Tercz. For many years he did not record his own songs, although he still composed them for other artists and pre&lt;/p&gt;</description>
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