Tui St. George Tucker

Tui St. George Tucker (born Lorraine St. George Tucker; November 25, 1924 – April 21, 2004) was an American modernist composer, conductor, recorder virtuoso and creator of unique musical instruments. Her compositions often feature microtonality and are strongly influenced by jazz, Buddhism, the music of Medieval Europe, and more. She developed special recorders with extra holes, in addition to unique fingerings for modern recorders to allow for the playing of quarter tones, typically in 24-tone equal temperament. Her avant-garde disposition and unique compositional language made her a staple in the 1940s New York scene, being encouraged by musicians such as John Cage and Larry Polansky. After relocating to North Carolina in 1947, however, she fell into obscurity – but continued to write a large number of works for various ensembles. The exact size of her oeuvre is debated, but is believed to comprise around one hundred works, a few being unfinished. Early life Childhood Tucker was born in Fullerton, California, the daughter of an English father and a mother from New Zealand. Her family often referred to her as “Tui”; named for the eponymous bird native to New Zealand, where her mot