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		<title>XA on Music Theory Print</title>
		<link>https://musictheoryprint.com/composers/xa/</link>
		<description>Recent content in XA on Music Theory Print</description>
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				<title>Xaver Scharwenka</title>
				<link>https://musictheoryprint.com/composers/xa/xaver-scharwenka/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
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				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Theophil Franz Xaver Scharwenka (6 January 1850 – 8 December 1924) was a German pianist, composer and teacher of Polish descent. He was the brother of Ludwig Philipp Scharwenka (1847–1917), who was also a composer and teacher of music. Life and career Scharwenka was born in 1850 in Samter, Prussia (Polish: Szamotuły; until 1793 and since 1919 part of Poland). His paternal ancestors originally came from Prague, then moved to Frankfurt on the Oder in 1696 - probably for reasons of faith - and settled thereafter in Samter. His father, August Wilhelm, was a gifted master-builder but decidedly did not have an ear for music. His mother, née Golisch, was an ethnic Pole from a family of some means, who was musically inclined and early on instilled in her children a love of music. Although he began learning to play the piano by ear when he was 3, Scharwenka did not start formal music studies until he was 15, when his family moved to Berlin and he enrolled at the Akademie der Tonkunst. Under Theodor Kullak, his pianistic skills developed rapidly, and he made his debut at the Singakademie in 1869. He taught at the academy until entering military service in 1873. Upon his discharge in 1874, Sc&lt;/p&gt;</description>
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				<title>Xavier Boisselot</title>
				<link>https://musictheoryprint.com/composers/xa/xavier-boisselot/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
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				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Dominique-François-Xavier Boisselot (3 December 1811 – 8 April 1893) was a French composer and musical instrument manufacturer. He is the author of the opéra-comique in three acts Ne touchez pas à la reine to a libretto by Eugène Scribe and Gustave Vaëz. Boisselot left many art songs, including Villanella, whose text was written for Boisselot by Théophile Gautier in 1837. Biography Born in Montpellier, the younger son of Jean-Louis Boisselot, he learned the basic elements of music in Marseille, where his family had settled after 1823. In 1830, he moved to Paris, entered the Conservatory and there followed a course in harmony. After some time studying counterpoint and fugue under François-Joseph Fétis, and composition under Jean-François Le Sueur, whose second daughter, Louise Eugénie Félicité Lesueur (1808–1884), he would marry on 17 October 1833, he won second prize in 1834 and the Prix de Rome in 1836 for his cantata Velleda, which was performed at the Conservatoire on 8 October that same year. Despite the success of his musical debut, his career as a composer was short-lived. Boisselot had already assumed the management of his family business in Marseille and Barcelona, followin&lt;/p&gt;</description>
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				<title>Xavier Leroux</title>
				<link>https://musictheoryprint.com/composers/xa/xavier-leroux/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
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				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Xavier Henry Napoleón Leroux (; 11 October 1863 – 2 February 1919) was a French composer and a teacher at the Paris Conservatory. He was married to the famous soprano Meyrianne Héglon (1867–1942). Life Born in Italy at Velletri, 30 km south-east of Rome, Leroux was the son of a French military bandleader. He studied at the Conservatoire de Paris under Jules Massenet and Théodore Dubois, and won the Prix de Rome in 1885 with the cantata Endymion. From 1896 he taught harmony there. Notable students include Eugène Bigot, Georges Dandelot, Marc Delmas, Roger Désormière, Louis Fourestier, Henri Mulet, Paul Paray, Louis Vuillemin, and Albert Wolff. Leroux composed various orchestral and choral works, songs, and piano pieces, but he became known above all as a representative of naturalistic French opera. His masterpiece is the opera Le Chemineau, which was staged six times at the Opéra-Comique between 1907 and 1945. The music critic of Le Monde, Jacques-Emmanuel Fousnaquer, points out that &amp;ldquo;between 1907 (the year of its creation) and 1945, Le Chemineau was performed over a hundred times at the Opéra-Comique, with equal success.&amp;rdquo; It was revived at the Marseille Opera in January 1996, featu&lt;/p&gt;</description>
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				<title>Xavier Montsalvatge</title>
				<link>https://musictheoryprint.com/composers/xa/xavier-montsalvatge/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/xa/xavier-montsalvatge/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Xavier Montsalvatge i Bassols (; 11 March 1912 – 7 May 2002) was a Spanish composer and music critic. He was one of the most influential figures in Catalan music during the latter half of the 20th century. Biography Life Montsalvatge was born in Girona, and studied violin and composition at the Barcelona Conservatory. His principal teachers were Lluís Maria Millet, Enric Morera, Jaume Pahissa, and Eduard Toldrà. After the Spanish Civil War, Montsalvatge began work as a music critic when he joined the weekly Destino in 1942, a publication he would eventually direct in 1968 and 1975. He wrote additionally for the daily La Vanguardia after 1962. Montsalvatge also returned to teach at his alma mater, becoming a lecturer in 1970, and then a professor of composition in 1978. In 1982 he served on the jury of the Paloma O&amp;rsquo;Shea Santander International Piano Competition. He was awarded Spain&amp;rsquo;s Premio Nacional de Música for composition in 1985. He died in Barcelona, aged 90, and was buried at the Sant Gervasi Cemetery Barcelona. Work Montsalvatge&amp;rsquo;s style evolved over several different phases. At the start of his career, he was strongly influenced by the twelve-tone technique and by Wagnerism,&lt;/p&gt;</description>
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				<title>Xavier Moyano</title>
				<link>https://musictheoryprint.com/composers/xa/xavier-moyano/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/xa/xavier-moyano/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Xavier Moyano (born December 2, 1981) is an Argentine musician; producer, performer, composer, and educator. He began his career as a session guitarist in Tucuman in 1999. By 2003 was the guitarist for rock/pop band &amp;ldquo;AVe Cesar&amp;rdquo; until 2008, after that he became a solo rock instrumentalist. Between 2009 and 2011 he was guitarist and composer of metal band &amp;ldquo;Seliger&amp;rdquo; (Argentina/Brasil), between 2014 and 2019 he was guitarist and producer of &amp;ldquo;Cossas Novas&amp;rdquo; (Bossa / Fusion and Latin-Jazz), since 2018 he is guitarist and co-producer of &amp;ldquo;Rock Bro&amp;rsquo;s&amp;rdquo; (ClassicRock). He is currently a solo guitarist, session musician and producer. Xavier has taken his Art to more than a hundred cities in ten countries, and gives Workshops about Music, Improvisation, Musical Fusion, Cultural Management; guitar clinics and classes at conservatories, universities, academies, institutes, and schools of music in South America. Notable performances He&amp;rsquo;s performed with Pablo Soler (Buenos Aires) on several occasions, and in 2009 he performed with Carina Alfie (Buenos Aires) in the NOA (Tucuman, Salta and Santiago). He&amp;rsquo;s been part of several South American Guitar Masters tours in 2004, 2006 and 2007 along with Marcos&lt;/p&gt;</description>
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				<title>Xavier Pagès i Corella</title>
				<link>https://musictheoryprint.com/composers/xa/xavier-pages-i-corella/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
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				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Xavier Pagès i Corella (born 28 July 1971 in Sant Pere de Ribes) is a Catalan-Spanish composer and conductor. He studied at the Conservatori Superior de Música del Liceu and the :ca:Conservatori Superior Municipal de Música de Barcelona, where he graduated in piano with Margarita Serrat and Montserrat Almirall, composition with Salvador Pueyo and conducting with Albert Argudo. In 1994 he won the :ca:Concurs Josep Mirabent i Magrans for young musicians, with which he studied conducting and composition with Diego Masson, László Heltay and Lou Harrison at the Dartington International Summer School. In 2000 he was admitted in the Konservatorium Wien, where he studied conducting with Reinhard Schwarz and Georg Mark. As a composer he won the Oare String Orchestra International Music for Strings Composing Competition (United Kingdom, 2004) with the work Path of Seconds for string orchestra and the 17th Ciutat de Tarragona International Award for Musical Composition (Spain, 2010) with the work Echoes for piano and orchestra. As a conductor he has been invited to conduct orchestras such as the Orquesta Ciudad de Granada (Spain), Orquesta Sinfónica Sinaloa de las Artes (Mexico), the Orquesta&lt;/p&gt;</description>
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