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		<title>YA on Music Theory Print</title>
		<link>https://musictheoryprint.com/composers/ya/</link>
		<description>Recent content in YA on Music Theory Print</description>
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				<title>Yair Elazar Glotman</title>
				<link>https://musictheoryprint.com/composers/ya/yair-elazar-glotman/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/ya/yair-elazar-glotman/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Yair Elazar Glotman is a composer and musician based in Berlin. He releases his own music and composes film scores, most recently Netflix&amp;rsquo;s &amp;ldquo;Reptile&amp;rdquo;, A24&amp;rsquo;s &amp;ldquo;False Positive&amp;rdquo; (co-composed with Lucy Railton) and Johann Johannsson’s film Last and First Men (co-composed with Jóhann Jóhannsson). In addition, he collaborates and contributes double bass recordings for other composers, including Hildur Guðnadóttir, Ben Frost and Geoff Barrow. His musical output within these various mediums and collaborations is strongly anchored in his training as an orchestral double bass player and in electroacoustic composition. His practice employs a range of improvisation, extended double bass techniques, and a special interest in textural, spatial and spectral compositions and combining analog and digital processing. Early life Glotman studied orchestral double bass at the Berlin University of the Arts under Prof. Michael Wolf. He later expanded his studies to include electroacoustic composition as well as media and sound art under Prof. Dr. phil. Alberto de Campo. He completed his Meisterschule degree in 2015 Musical career In recent years, Glotman has been increasingly composing for film and media,&lt;/p&gt;</description>
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				<title>Yakamoto Kotzuga</title>
				<link>https://musictheoryprint.com/composers/ya/yakamoto-kotzuga/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/ya/yakamoto-kotzuga/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Giacomo Mazzucato (born 10 January 1994), known by his stage name Yakamoto Kotzuga, is an Italian musician, composer and record producer. Biography The eclectic young artist studied at the Conservatorium of Venice. He began his career in 2013 with: * The EP, “Rooms of Emptiness” published by Bad Panda Records * The EP, “Lost Keys &amp;amp; Stolen Kisses” for the French of Highlife Recordings He worked on a few musical productions for the rappers Ghemon and Mecna, with various remixes and collaborations, such as “Your Smell” chosen as the soundtrack for Vogue&amp;rsquo;s news report at Paris Fashion Week. In 2014 he published the single All These Things I Used To Have. In 2014 he also won an artistic residence in Fabrica, at the communication research centre for the Benetton Group, where he worked as a composer and sound designer, creating soundtracks for documentaries, installations and commercial spots for the brand. In 2015: * He signed a contract for exclusive publishing with Sugar, one of the most important independent publishers in Europe, which gives the young musician and producer access to his own Italian and international network. * He published his debut album &amp;ldquo;Usually Nowhere&amp;rdquo; for La Temp&lt;/p&gt;</description>
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				<title>Yakhiel Sabzanov</title>
				<link>https://musictheoryprint.com/composers/ya/yakhiel-sabzanov/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/ya/yakhiel-sabzanov/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Yakhiel Rafaelovich Sabzanov (Tajik: Якуб Рафаэлович Сабзанов; Russian: Яхиэль Рафаэлович Сабзанов) (February 20, 1929 – September 10, 2013) was a Soviet Bukharian composer of Bukharan Jewish descent. Life Yakhiel Sabzanov, a Bukharian Jew, was born in Dushanbe, and discovered his passion for music as a young boy in the early 1940&amp;rsquo;s. His first teacher named Nasimjon Pulatov taught him how to play a folk instrument called gidzhak. As Sabzanov became more proficient in gidzhak, he started taking lessons in another folk instrument called tunbura, which is an ancient folk string instrument. His teacher was legendary Shashmakom expert Neryo Aminov, who was a singer and musician. In addition to those instruments, Sabzanov learned how to play a third stringed instrument called Rubabe from the Peoples Artist of Tajikistan Avner Mullokandov. In 1943, Sabzanov entered the music school located in S. Ayni Theater of Opera and Ballet taught by Nadezhda Andreyevna Budkevich, an Honored worker of Arts in Tajikistan. Sabzanov continued to study Gidzhak in Music School and learned under R. Shakhmurov. There he acquired the foundation of performance on a gidzhak. With the help of R. Shakhmurov the y&lt;/p&gt;</description>
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				<title>Yakiv Stepovy</title>
				<link>https://musictheoryprint.com/composers/ya/yakiv-stepovy/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/ya/yakiv-stepovy/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Yakiv Stepanovych Stepovy (; ; 20 October 18834 November 1921) was a Ukrainian composer, music teacher, and music critic. Biography Early life and education Stepovy was born on 20 October 1883 as Yakiv Yakymenko (Akimenko) in Kharkiv, in the Russian Empire (in present-day Ukraine). His older brother was also a composer. From 1895 to 1898, Yakiv sang as a boy chorister in the Imperial Court Chapel in Saint Petersburg. From 1898 to 1902, he attended chapel classes, learning to play the piano, and studying music theory and conducting. Stepovy attended the Saint Petersburg Conservatory from 1902 to 1909, where he studied with the Russian composers Anatoly Lyadov, Nikolai Rimsky-Korsakov, Career Stepovy was a representative of the Ukrainian musical intelligentsia of the 20th century. He was one of the founders of the national school of composition and composed in the tradition of the Ukrainian composer Mykola Lysenko. During World War I, Stepovy was recruited to the military, where he worked as a secretary on a hospital train. and the biography of Stepovy by V.L. Goshovsky in Musical Encyclopedia. Stepovy developed the traditions established by previous Ukrainian and Russian classical c&lt;/p&gt;</description>
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				<title>Yang Jing (composer)</title>
				<link>https://musictheoryprint.com/composers/ya/yang-jing-composer/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/ya/yang-jing-composer/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Yang Jing (; born Dec.1963) is a composer based in central Switzerland, a legendary concert pipa soloist and Bandleader. Early life and education Yang was born in Anyang in Henan province, China. According to Yang, she came from an educated family that was regarded with suspicion during the Cultural Revolution. Her mother worked in a hospital, and her father was an army officer. Her grandfather died in prison after being accused of counterrevolution. She started playing the pipa, the Chinese plucked lute, at the age of six. From 1976, at the age of 12, she started performing in an ensemble at the Henan Opera music Theater. From the age of 18, Yang studied at the Shanghai Conservatory of Music, and graduated in 1986. In 1997, she went to Japan to study with composer Minoru Miki, as she started to explore contemporary music, and later performed and recorded pipa concertos by Miki with Japanese orchestras. She worked with Japanese traditional instrumental soloists. In 2003, she moved with her family to Switzerland and completed a Master&amp;rsquo;s degree in Contemporary music Composition and Theory, as well as Jazz music at the Hochschule der Künste Bern 10 years later. Career Yang worked in t&lt;/p&gt;</description>
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				<title>Yankel Talmud</title>
				<link>https://musictheoryprint.com/composers/ya/yankel-talmud/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/ya/yankel-talmud/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Yaakov Dov (Yankel) Talmud (; 18 December 1885 – October 1965) was a Hasidic composer of Jewish liturgical music and choirmaster in the main synagogue of the Gerrer Rebbes both in Ger, Poland, and in Jerusalem, Israel. Known as &amp;ldquo;the Beethoven of the Gerrer Rebbes&amp;rdquo;, Talmud received many requests from other choirs and musicians to compose music for them, but he demurred, reserving his talent solely for the Gerrer Rebbes and their Hasidim. Move to Mandatory Palestine Talmud married, went into business, and served as a community activist in Poland. He was a representative to the first Knessiah Gedolah of the World Agudath Israel in Frankfurt in 1923. He traveled to Jerusalem for every Shabbat Mevorchim (the Shabbat preceding a new month) to lead the prayers in the synagogue of the fourth Gerrer Rebbe, Rabbi Yisrael Alter (the Beis Yisrael, who succeeded his father as Rebbe in 1948), and to eat a meal by the Rebbe. Talmud suffered a heart attack in his later years and underwent surgery in 1963. Shortly after conducting the Ger choir in Jerusalem for Rosh Hashana and Yom Kippur 1965, he fell ill. He died a few days later during the Sukkot holiday. The Beis Yisrael led his funeral. As soo&lt;/p&gt;</description>
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				<title>Yann Tiersen</title>
				<link>https://musictheoryprint.com/composers/ya/yann-tiersen/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/ya/yann-tiersen/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Yann Pierre Tiersen (born 23 June 1970) is a French musician and composer from Brittany. His musical career is split between studio recordings, music collaborations, and film soundtracks songwriting. His music incorporates a large variety of classical and contemporary instruments, primarily the electric guitar, the piano, synthesisers, and the violin, but he also includes instruments such as the melodica, xylophone, toy piano, harpsichord, piano accordion, and even a typewriter. Tiersen is often mistaken for a soundtrack composer; he himself states that &amp;ldquo;I&amp;rsquo;m not a composer and I really don&amp;rsquo;t have a classical background,&amp;rdquo; but his real focus is on touring and recording studio albums, which are often used for film soundtracks. Tracks taken from his first three studio albums were used for the soundtrack of the 2001 French film Amélie. Biography and career The early years: 1970–1992 Tiersen was born in 1970 in Brest, in the department of Finistère, part of Brittany in northwestern France, into a French family of Belgian and Norwegian origins. He started learning to play the piano at the age of four, the violin at the age of six, and received classical training at several musical academi&lt;/p&gt;</description>
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				<title>Yanni</title>
				<link>https://musictheoryprint.com/composers/ya/yanni/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/ya/yanni/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Yiannis Chryssomallis After touring with Chameleon from 1980 to 1984, Without financial backing, Yanni risked $2 million of his personal fortune in the Acropolis production Yanni later related that he had become depressed, and returned to Greece to live with his parents for three months before traveling the world. Influences, music and concerts Musical influences From childhood, Yanni accepted a wide variety of musical styles, listening to radio stations from Northern Africa, Arab countries, and Europe. two videos for which topped Billboard&amp;rsquo;s Top Facebook Live Videos chart before other Yanni videos topped the same chart in October December 2019, and February 2020. Honors, awards and distinctions In addition to performing at venues such as Royal Albert Hall (London; 1995 &amp;amp; 2014), Yanni has performed at such world landmarks as the Acropolis of Athens (Greece; 1993), the Taj Mahal (Agra, India; 1997), the Forbidden City (Beijing, China; 1997), the Burj Khalifa (the world&amp;rsquo;s tallest building; Dubai, United Arab Emirates; 2011), the Kremlin (Moscow, Russia; 2011), the Castillo San Felipe del Morro (&amp;ldquo;El Morro&amp;rdquo; UNESCO World Heritage Site, in San Juan, Puerto Rico, U.S. territory; 2011), th&lt;/p&gt;</description>
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				<title>Yannis Markopoulos</title>
				<link>https://musictheoryprint.com/composers/ya/yannis-markopoulos/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/ya/yannis-markopoulos/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Yannis Markopoulos (; 18 March 1939 – 10 June 2023) was a Greek composer. Biography Early life and education Yannis Markopoulos was born in 1939 in Heraklion, Crete. Born into one of the old families of the island — his father was an attorney and later a Prefect — he spent his childhood in the seaside town of Ierapetra. The Byzantine liturgy heard regularly from the church opposite his family home, Cretan traditional music, with its rapid dances of repeated small motifs, played by local instruments at the town’s weekly festivities, but at the same time the sound of the waves, and the detonation of land-mines in the aftermath of World War II, all these formed part of the acoustic universe of the composer as a child. He took his first lessons in music theory and the violin at the local conservatory and played the clarinet in the municipal band. Other musical experiences of importance were classical music as well as the music of the wider Eastern Mediterranean and that of nearby Egypt, which he heard either over the radio or from musicians and travellers passing through his hometown. Due to his father’s extensive private library he had the opportunity to deepen his knowledge, beyond s&lt;/p&gt;</description>
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				<title>Yardena Alotin</title>
				<link>https://musictheoryprint.com/composers/ya/yardena-alotin/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/ya/yardena-alotin/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Yardena Alotin (Hebrew: ירדנה אלוטין; October 19, 1930 in Tel Aviv – October 4, 1994 in New York City) was an Israeli composer and pianist. As a pianist and teacher, Alotin also wrote educational music and music for young musicians, such as Six Piano Pieces for Children. Alotin won the Nissimov Prize for her 1956 work, Yefei Nof. Biography Yardena Alotin began studying piano at the age of five with Rivka Sharett-Hoz, the sister of Moshe Sharett, and the wife of Dov Hoz. Yardena Alotin studied from 1948 to 1950 at the Music Teachers&amp;rsquo; College in Tel Aviv and then from 1950 to 1952 at the Israel Music Academy. Among her teachers were Alexander Uriah Boskovich (theory), Mordecai Seter (harmony, counterpoint), Paul Ben-Haim (orchestrator), Ilona Vincze-Kraus (piano) and Ödön Pártos (composition). Her first workYefei Nof (&amp;lsquo;Beautiful Landscape&amp;rsquo;), composed in 1952 for mixed choir, won the Nissimov Prize and was premiered by the Rinat Choir (of which she was a member) in Tel Aviv and at the Paris International Festival in 1956. Cantata for a cappella choir (1958) was performed at the Perugia Religious Music Festival in 1960. She produced both didactic and commissioned work, and rewrote Yefe&lt;/p&gt;</description>
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				<title>Yared</title>
				<link>https://musictheoryprint.com/composers/ya/yared/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/ya/yared/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Saint Yared (Ge&amp;rsquo;ez: ቅዱስ ያሬድ; 25 April 505 – 20 May 571) was an Aksumite composer, hymnwriter and scholar. He was credited with inventing the traditional music of Ethiopia, he developed the music of the Ethiopian Orthodox Church and Eritrean Orthodox Church. In a broader context, he helped establish liturgical music in the Coptic Orthodox Church and Syriac Orthodox Church, as well as create the Ethiopian musical notation system. Additionally, he composed Zema, or the chant tradition of Ethiopia, particularly the chants of the Ethiopian-Eritrean Orthodox Tewahedo Churches, which are still performed today. According to the medieval chronicle The Gadla Yared (Acts of Yared), Yared was born in Axum. After the death of his father, his activity in education gradually declined which led him to be sent to parish priest Abba Gedeon. Yared then went to his uncle birthplace in Murade Qal. He saw a worm trying to climb tree with numerous attempts until the last moment. The worm struggle had inspire him and pursue to read and study Holy Scriptures. He became a priest at Church of Our Lady, Mary of Zion, then attracted to the Aksum king Gebre Meskel. He developed musical notation, including Zema&lt;/p&gt;</description>
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				<title>Yasuaki Fujita</title>
				<link>https://musictheoryprint.com/composers/ya/yasuaki-fujita/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/ya/yasuaki-fujita/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;is a video game composer and sound designer. Best known for his work with Capcom, he normally went by the alias of Bun Bun. During the NES era, he worked on the music for Mega Man 3 (in lieu of Harumi Fujita), Tenchi wo Kurau II, The Little Mermaid, and Darkwing Duck for Capcom. After the NES era, he created the majority of the music for Breath of Fire (video game), while doing a few pieces for Final Fight 2, along with a few other projects. He was also one of the keyboardists for the Capcom house band, Alph Lyla, before they disbanded in the late 1990s. He also designed the well known 16-bit era Capcom logo jingle. Works References External links * Official website&lt;/p&gt;</description>
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				<title>Yasuhiko Fukuda</title>
				<link>https://musictheoryprint.com/composers/ya/yasuhiko-fukuda/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/ya/yasuhiko-fukuda/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;is a Japanese composer and keyboardist. History and career Born in Tokyo&amp;rsquo;s Itabashi prefecture, Fukuda began playing piano at the age of 4, and while at school became interested in anime (&amp;ldquo;We were the first anime generation&amp;rdquo;). He graduated from Takeheya Senior High School in 1976 and began attending the department of literature at Waseda University in 1978. Around this time, he won a prize for excellence in the Yamaha-sponsored band tournament EAST WEST 78. Graduating from Waseda in 1980, Fukuda went on to make his professional debut, playing keyboards in the band QUYS. The band was formed alongside bassist Yoshihiro Naruse (currently of Casiopea) and drummer Okai Daiji (ex-member of Yonin Bayashi). The following year marked his recording debut as a session musician on June Yamagishi&amp;rsquo;s 1981 solo album All The Same, along with his major debut with Hideo Saito in the band YOU. In 1982 he was a participating member of Bakufu Slump prior to their debut, and in 1983 played with Minami Kousetsu as a live tour musician. Following these early exposures to the industry, Fukuda became a frequently employed studio musician - he went from playing for artists such as Kodomo Band, Shogo Hamada,&lt;/p&gt;</description>
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				<title>Yasuhiko Fukuoka</title>
				<link>https://musictheoryprint.com/composers/ya/yasuhiko-fukuoka/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/ya/yasuhiko-fukuoka/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Yasuhiko Fukuoka is a composer for concerts, film, and television. A native of Japan, he studied Film Scoring and Music Synthesis at Berklee College of Music. His works have been performed in North America, Central America, Europe and Asia, and his appearances include Carnegie Hall, Lincoln Center, Birdland, Festival de Cannes (Cannes Film Festival), and many others. Yasuhiko currently lives and works based out of New York, NY. Biography Yasuhiko Fukuoka is a composer, pianist, and arranger By the age of 12, Yasuhiko knew he wanted to be a musician. Born in Nara, Japan, he studied classical piano, composition and percussion with various prestigious professors in Japan. At the age of 15, his self-published CD caught the attention of a producer at Kintetsu Cable Network (Japan), and he began his career in music. By the time he graduated from high school, he had already written and produced music for TV and film, as well as composed for various bands and concerts. At 18, he was granted a scholarship to attend Berklee College of Music and moved to Boston. While working with great musicians from all over the world, he learned different genres of music including classical, contemporary,&lt;/p&gt;</description>
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				<title>Yasuji Kiyose</title>
				<link>https://musictheoryprint.com/composers/ya/yasuji-kiyose/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/ya/yasuji-kiyose/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Yasuji Kiyose (清瀬 保二 Kiyose Yasuji, 13 January 1900 – 14 September 1981) was a Japanese composer. He studied composition privately with Kōsaku Yamada and Kōsuke Komatsu and in 1930, took an active part in organizing the Shinkō Sakkyokuka Renmei, (which later grew into the Japanese section of the ISCM). In 1948, Kiyose took on Hiroyoshi Suzuki and Tōru Takemitsu for a brief period as pupils in composition. His music at times incorporates Japanese pentatonic scales, and other elements of Japanese folk-song; his far better known pupil Takemitsu, developed this tendency further in a great number of his works. Major works *Six Japanese Folk Songs from Shinano District for voice and piano (1929) *Country Dances for piano (1930) *Short Suite for piano (1931) *Piano Compositions No. 1 (1931–34) *Dance on the Seashore for piano (1932) *Spring Time at the Hills for piano (1932) *Folk Dances for piano (1933) *Two Dances for piano (1934) *Little Suite for piano (1935) *Ryūkyū Dances for piano (1936) *To Ancient Times for orchestra (1937) *Scherzo for two pianos (1937) *Piano Compositions No. 2 (1937–40) *Japanese Festival Dance for orchestra (1942) *Violin Sonata No. 1 (1942) *Ballade for pian&lt;/p&gt;</description>
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				<title>Yasunori Mitsuda</title>
				<link>https://musictheoryprint.com/composers/ya/yasunori-mitsuda/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/ya/yasunori-mitsuda/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;is a Japanese composer. He is best known for his work in video games, primarily for the Chrono, Xeno, Shadow Hearts, and Inazuma Eleven franchises, among various others. Mitsuda founded a music production studio and record company, Procyon Studio and Sleigh Bells, in 2001. Mitsuda joined Square upon graduation in 1992. He worked there designing sound effects for two years before being assigned his debut project in Chrono Trigger (1995). Mitsuda went on to compose for several other games at Square, including Xenogears (1998) and Chrono Cross (1999). He left the company and became independent in 1998. Mitsuda has also worked on anime series, films, and television programs. His music in Chrono Trigger, Xenogears, and Chrono Cross has since been cited as among the best in video games. Biography Early life Mitsuda was born in Tokuyama, Japan, on January 21, 1972, and was raised in the Kumage District of Yamaguchi Prefecture. He took piano lessons beginning at the age of five, but was more interested in sports at the time and did not take music seriously, quitting by the age of six. Around the same time, Mitsuda also began to compose for non-video game media, including several NHK-produc&lt;/p&gt;</description>
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				<title>Yasuo Kuwahara</title>
				<link>https://musictheoryprint.com/composers/ya/yasuo-kuwahara/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/ya/yasuo-kuwahara/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Yasuo Kuwahara (, Kuwahara Yasuo; December 12, 1946, in Kobe, Japan – December 6, 2003) was a Japanese mandolin player and composer for mandolin orchestra. He was chairman of various musical institutions and organizations, including the Nara National Women&amp;rsquo;s College, the Kuwahara Mandolin Institute and the Japan Association of Music Exchange. *Song of the Japanese Autumn *Novemberfest *Steamy Steaming *Outward of Forest *Pear-shaped Dance *Within the Fence Mandolin solo *Moon and Yamanba *Jongara *Winter Light *Impromptu *Perpetual Movement *Silent Door *Improvised Poem Compositions Yasuo Kuwahara&amp;rsquo;s expressive compositions tell stories in musical fashion. : Track 7, The Song of the Japanese Autumn: I. Andante : Track 8, The Song of the Japanese Autumn: II. Allegro non troppo : Track 9, The Song of the Japanese Autumn: III. Meno mosso : Track 10, The Song of the Japanese Autumn: IV. Allegro non troppo : Track 11, The Song of the Japanese Autumn: V. Andante References See also * List of mandolinists (sorted) * List of Japanese composers&lt;/p&gt;</description>
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				<title>Yasushi Akutagawa</title>
				<link>https://musictheoryprint.com/composers/ya/yasushi-akutagawa/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/ya/yasushi-akutagawa/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;was a Japanese composer and conductor. His father was Ryūnosuke Akutagawa. Biography Akutagawa was born and raised in Tabata, Tokyo, the son of writer Ryūnosuke Akutagawa, who died when he was two years old. Akutagawa studied composition with Kunihiko Hashimoto, Kan&amp;rsquo;ichi Shimofusa and Akira Ifukube at the Tokyo Music School. He was one of the members of Sannin no kai (The Three) along with Ikuma Dan and Toshiro Mayuzumi. In 1954, when Japan did not have diplomatic relations with the Soviet Union yet, Akutagawa entered the Soviet Union illegally, and made friends with Dmitri Shostakovich, Aram Khachaturian and Dmitri Kabalevsky. Akutagawa was the only Japanese composer whose works were officially published in the Soviet Union at that time. His 1950 Music for Symphony Orchestra reflects his love of the music of Shostakovich and Prokofiev. Akutagawa&amp;rsquo;s compositions were influenced by Stravinsky, Shostakovich, Prokofiev and Akira Ifukube. His film scores include works for directors like Kon Ichikawa, Heinosuke Gosho, Tomu Uchida and Tadashi Imai. He was popular as a master of ceremonies of TV shows. As an educator, he devoted himself to training an amateur orchestra, Shin Kokyo Gakudan&lt;/p&gt;</description>
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				<title>Yasushi Ishii</title>
				<link>https://musictheoryprint.com/composers/ya/yasushi-ishii/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/ya/yasushi-ishii/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;is a Japanese musician from Utsunomiya, Tochigi Prefecture, Japan. He specializes in experimental, jazz fusion and hard rock. He is famous for his work with anime scores. He composed music for and scored the first Hellsing anime, with the music released as two separate soundtracks. He also was the voice for the Intelligencer in the video game Chaos Legion. *MINI-ALBUM (2009) *Darker than Black: Origins * Drifters References External links *&lt;/p&gt;</description>
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				<title>Yaya Sherfedinov</title>
				<link>https://musictheoryprint.com/composers/ya/yaya-sherfedinov/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/composers/ya/yaya-sherfedinov/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Yaya Sherfedinov (, ; 16 March 1894 — 29 January 1975) was a Soviet-Crimean Tatar composer, musician, and poet. Born to a poor family in Feodosia, he began playing the violin at a young age. He was a graduate of the prestigious Moscow Conservatory. Before exile from Crimea, he worked in Crimea for the Crimean Radio Committee, the Crimean Tatar State Drama Theater, and the State Song and Dance Ensemble of the Crimean Tatars. When he was not composing new music, he wrote down compilations of many Crimean Tatar folksongs. In exile in Uzbekistan, he continued his musical work, and expanded to writing music for an Uzbek play, working with Uzbek composer Toʻxtasin Jalilov; however, most of his work centered around Crimean Tatar folksongs. His works spanned many themes. See also * Enver Sherfedinov References Literature * * External links * Biography at gasprinskylibrary.ru&lt;/p&gt;</description>
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