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		<title>AD on Music Theory Print</title>
		<link>https://musictheoryprint.com/genres/ad/</link>
		<description>Recent content in AD on Music Theory Print</description>
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				<title>Adult album alternative</title>
				<link>https://musictheoryprint.com/genres/ad/adult-album-alternative/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/genres/ad/adult-album-alternative/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;h2 id=&#34;format&#34;&gt;Format&lt;a class=&#34;anchor&#34; href=&#34;#format&#34;&gt;#&lt;/a&gt;&lt;/h2&gt;&#xA;&lt;p&gt;The format covers a broader, more diverse playlist than most other formats. Musical selection tends to be on the fringe of mainstream pop and rock. It also includes many other music genres such as indie rock, Americana, pop rock, classic rock, alternative rock, new wave, alternative country, jazz, folk, world music, jam band and blues. The musical selections tend to avoid hard rock and rap music. Music selection also includes tracks from albums that are not singles, which leads to the enhanced and larger playlist. Some AAA outlets focus more on classic rock artists, folk and blues while others focus on more contemporary artists and modern/indie rock.&lt;/p&gt;</description>
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				<title>Adult contemporary music</title>
				<link>https://musictheoryprint.com/genres/ad/adult-contemporary-music/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/genres/ad/adult-contemporary-music/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;h2 id=&#34;1960s-early-roots-easy-listening-and-soft-rock&#34;&gt;1960s: Early roots; easy listening and soft rock&lt;a class=&#34;anchor&#34; href=&#34;#1960s-early-roots-easy-listening-and-soft-rock&#34;&gt;#&lt;/a&gt;&lt;/h2&gt;&#xA;&lt;p&gt;Adult contemporary traces its roots to the 1960s easy listening format, which adopted a 70–80% instrumental to 20–30% vocal mix. A few offered 90% instrumentals, and a handful were entirely instrumental. The easy listening format, as it was first known, was born of a desire by some radio stations in the late 1950s and early 1960s to continue playing current hit songs, but distinguish themselves from being branded as &amp;ldquo;rock and roll&amp;rdquo; stations. Billboard first published the Easy Listening chart July 17, 1961, with 20 songs; the first number one was &amp;ldquo;Boll Weevil Song&amp;rdquo; by Brook Benton. The chart described itself as &amp;ldquo;not too far out in either direction&amp;rdquo;. Initially, the vocalists consisted of artists such as Frank Sinatra, Doris Day, Johnny Mathis, Connie Francis, Nat King Cole, Perry Como, and others. The custom recordings were usually instrumental versions of current or recent rock and roll or pop hit songs, a move intended to give the stations more mass appeal without selling out. Some stations would also occasionally play earlier big band-era recordings from the 1940s and early 1950s. After 1965, differences between the Hot 100 chart and the Easy Listening chart became more pronounced. Better reflecting what middle of the road stations were actually playing, the composition of the chart changed dramatically. As rock music continued to harden, there was much less crossover between the Hot 100 and Easy Listening chart than there had been in the early half of the 1960s. Roger Miller, Barbra Streisand and Bobby Vinton were among the chart&amp;rsquo;s most popular performers. One big impetus for the development of the AC radio format was that, when rock and roll music first became popular in the mid-1950s, many more conservative radio stations wanted to continue to play current hit songs while shying away from rock. These middle of the road (or &amp;ldquo;MOR&amp;rdquo;) stations also frequently included older, pre-rock-era adult standards and big band titles to further appeal to adult listeners who had grown up with those songs. Another big impetus for the evolution of the AC radio format was the popularity of easy listening or &amp;ldquo;beautiful music&amp;rdquo; stations, stations with music specifically designed to be purely ambient. Whereas most easy listening music was instrumental, created by relatively unknown artists, and rarely purchased (especially as singles, although Jackie Gleason&amp;rsquo;s beautiful music albums sold well in the 1950s), AC was an attempt to create a similar &amp;ldquo;lite&amp;rdquo; format by choosing certain tracks (both hit singles and album cuts) of popular artists.&lt;/p&gt;</description>
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				<title>Adult hits</title>
				<link>https://musictheoryprint.com/genres/ad/adult-hits/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/genres/ad/adult-hits/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;h2 id=&#34;history&#34;&gt;History&lt;a class=&#34;anchor&#34; href=&#34;#history&#34;&gt;#&lt;/a&gt;&lt;/h2&gt;&#xA;&lt;p&gt;Forerunners of the adult hits format appeared on radio during the 1970s. At the time, enough of a backlog of popular music from the rock and roll era had developed to support a format based on them; oldies stations, however, were still very rare, and instead, stations that did not want to bind themselves to the current top 40 playlist would mix in current hits with the hits of the past two decades. This hybrid format began to fall out of favor in the 1980s as self-contained oldies stations rose to prominence. The Adult Hits format dates back to 1990 when 98.9 WMMO was launched in Orlando, Florida. Another predecessor was the short-lived &amp;ldquo;rhythm and rock&amp;rdquo; format run by KYOT in Phoenix, Arizona in the early 1990s. Adult hits stations target adults 25–54, and more specifically at 35- to 44-year-olds. Freeform could also be seen as another forerunner due to the freedom of music choice the DJ&amp;rsquo;s had, very similar to what makes up the core basis of the adult hits format. A large number of adult hits stations utilize male names as their branding. The practice was popularized by the franchised Jack FM and Bob FM brands, and has been widely imitated with other common male names.&lt;/p&gt;</description>
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				<title>Advent song</title>
				<link>https://musictheoryprint.com/genres/ad/advent-song/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/genres/ad/advent-song/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;h2 id=&#34;4th-century&#34;&gt;4th century&lt;a class=&#34;anchor&#34; href=&#34;#4th-century&#34;&gt;#&lt;/a&gt;&lt;/h2&gt;&#xA;&lt;ul&gt;&#xA;&lt;li&gt;Veni redemptor gentium&lt;/li&gt;&#xA;&lt;/ul&gt;&#xA;&lt;/div&gt;&#xA;&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;h2 id=&#34;6th-century&#34;&gt;6th century&lt;a class=&#34;anchor&#34; href=&#34;#6th-century&#34;&gt;#&lt;/a&gt;&lt;/h2&gt;&#xA;&lt;ul&gt;&#xA;&lt;li&gt;O Antiphons&lt;/li&gt;&#xA;&lt;li&gt;Vox clara ecce intonat&lt;/li&gt;&#xA;&lt;/ul&gt;&#xA;&lt;/div&gt;&#xA;&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;h2 id=&#34;12th-century&#34;&gt;12th century&lt;a class=&#34;anchor&#34; href=&#34;#12th-century&#34;&gt;#&lt;/a&gt;&lt;/h2&gt;&#xA;&lt;ul&gt;&#xA;&lt;li&gt;Veni, veni, Emmanuel (the most common setting in the Anglophone world dates to the 19th century)&lt;/li&gt;&#xA;&lt;/ul&gt;&#xA;&lt;/div&gt;&#xA;&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;h2 id=&#34;13th-century&#34;&gt;13th century&lt;a class=&#34;anchor&#34; href=&#34;#13th-century&#34;&gt;#&lt;/a&gt;&lt;/h2&gt;&#xA;&lt;ul&gt;&#xA;&lt;li&gt;Angelus ad virginem&lt;/li&gt;&#xA;&lt;li&gt;Gabriel&amp;rsquo;s Message&lt;/li&gt;&#xA;&lt;/ul&gt;&#xA;&lt;/div&gt;&#xA;&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;h2 id=&#34;14th-century&#34;&gt;14th century&lt;a class=&#34;anchor&#34; href=&#34;#14th-century&#34;&gt;#&lt;/a&gt;&lt;/h2&gt;&#xA;&lt;ul&gt;&#xA;&lt;li&gt;Sei uns willkommen, Herre Christ&lt;/li&gt;&#xA;&lt;/ul&gt;&#xA;&lt;/div&gt;&#xA;&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;h2 id=&#34;15th-century&#34;&gt;15th century&lt;a class=&#34;anchor&#34; href=&#34;#15th-century&#34;&gt;#&lt;/a&gt;&lt;/h2&gt;&#xA;&lt;ul&gt;&#xA;&lt;li&gt;Adam lay ybounden&lt;/li&gt;&#xA;&lt;li&gt;The Cherry-Tree Carol&lt;/li&gt;&#xA;&lt;li&gt;Es kommt ein Schiff, geladen&lt;/li&gt;&#xA;&lt;li&gt;Ther is no rose of swych vertu&lt;/li&gt;&#xA;&lt;/ul&gt;&#xA;&lt;/div&gt;&#xA;&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;h2 id=&#34;16th-century&#34;&gt;16th century&lt;a class=&#34;anchor&#34; href=&#34;#16th-century&#34;&gt;#&lt;/a&gt;&lt;/h2&gt;&#xA;&lt;ul&gt;&#xA;&lt;li&gt;Der Morgenstern ist aufgedrungen&lt;/li&gt;&#xA;&lt;li&gt;Es ist ein Ros entsprungen&lt;/li&gt;&#xA;&lt;li&gt;Nun komm, der Heiden Heiland&lt;/li&gt;&#xA;&lt;li&gt;Of the Father&amp;rsquo;s Heart Begotten&lt;/li&gt;&#xA;&lt;li&gt;Tomorrow Shall Be My Dancing Day&lt;/li&gt;&#xA;&lt;li&gt;Wachet auf, ruft uns die Stimme&lt;/li&gt;&#xA;&lt;/ul&gt;&#xA;&lt;/div&gt;&#xA;&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;h2 id=&#34;17th-century&#34;&gt;17th century&lt;a class=&#34;anchor&#34; href=&#34;#17th-century&#34;&gt;#&lt;/a&gt;&lt;/h2&gt;&#xA;&lt;ul&gt;&#xA;&lt;li&gt;Conditor alme siderum&lt;/li&gt;&#xA;&lt;li&gt;Macht hoch die Tür&lt;/li&gt;&#xA;&lt;li&gt;Mit Ernst, o Menschenkinder&lt;/li&gt;&#xA;&lt;li&gt;O Heiland, reiß die Himmel auf&lt;/li&gt;&#xA;&lt;li&gt;Rorate cæli (as a separate Advent hymn)&lt;/li&gt;&#xA;&lt;li&gt;Venez divin Messie&lt;/li&gt;&#xA;&lt;li&gt;Wie soll ich dich empfangen&lt;/li&gt;&#xA;&lt;/ul&gt;&#xA;&lt;/div&gt;&#xA;&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;h2 id=&#34;18th-century&#34;&gt;18th century&lt;a class=&#34;anchor&#34; href=&#34;#18th-century&#34;&gt;#&lt;/a&gt;&lt;/h2&gt;&#xA;&lt;ul&gt;&#xA;&lt;li&gt;Come, Thou Long Expected Jesus&lt;/li&gt;&#xA;&lt;li&gt;Jesus Christ the Apple Tree&lt;/li&gt;&#xA;&lt;li&gt;Lo! He comes with clouds descending&lt;/li&gt;&#xA;&lt;li&gt;On Jordan&amp;rsquo;s Bank the Baptist&amp;rsquo;s Cry&lt;/li&gt;&#xA;&lt;li&gt;Tauet, Himmel, den Gerechten&lt;/li&gt;&#xA;&lt;/ul&gt;&#xA;&lt;/div&gt;&#xA;&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;h2 id=&#34;19th-century&#34;&gt;19th century&lt;a class=&#34;anchor&#34; href=&#34;#19th-century&#34;&gt;#&lt;/a&gt;&lt;/h2&gt;&#xA;&lt;ul&gt;&#xA;&lt;li&gt;Bereden väg för Herran&lt;/li&gt;&#xA;&lt;li&gt;The Holly and the Ivy&lt;/li&gt;&#xA;&lt;li&gt;Hosianna, Davids son&lt;/li&gt;&#xA;&lt;li&gt;Lasst uns froh und munter sein&lt;/li&gt;&#xA;&lt;li&gt;Leise rieselt der Schnee&lt;/li&gt;&#xA;&lt;li&gt;Macht weit die Pforten in der Welt&lt;/li&gt;&#xA;&lt;li&gt;Maria durch ein Dornwald ging&lt;/li&gt;&#xA;&lt;li&gt;Meine Seele, dank und singe&lt;/li&gt;&#xA;&lt;li&gt;Tochter Zion, freue dich&lt;/li&gt;&#xA;&lt;/ul&gt;&#xA;&lt;/div&gt;&#xA;&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;h2 id=&#34;20th-century&#34;&gt;20th century&lt;a class=&#34;anchor&#34; href=&#34;#20th-century&#34;&gt;#&lt;/a&gt;&lt;/h2&gt;&#xA;&lt;ul&gt;&#xA;&lt;li&gt;Advent är mörker och kyla&lt;/li&gt;&#xA;&lt;li&gt;Adventstid&lt;/li&gt;&#xA;&lt;li&gt;Det är advent&lt;/li&gt;&#xA;&lt;li&gt;Die Nacht ist vorgedrungen&lt;/li&gt;&#xA;&lt;li&gt;In das Warten dieser Welt&lt;/li&gt;&#xA;&lt;li&gt;Kündet allen in der Not&lt;/li&gt;&#xA;&lt;li&gt;Long Ago, Prophets Knew&lt;/li&gt;&#xA;&lt;li&gt;Singet fröhlich im Advent&lt;/li&gt;&#xA;&lt;li&gt;Und unser lieben Frauen&lt;/li&gt;&#xA;&lt;li&gt;Up, Awake, and Away! (Traditional Galician carol arranged by Philip Ledger)&lt;/li&gt;&#xA;&lt;li&gt;Vi tänder ett ljus i advent&lt;/li&gt;&#xA;&lt;li&gt;Wir sagen euch an den lieben Advent&lt;/li&gt;&#xA;&lt;/ul&gt;&#xA;&lt;/div&gt;&#xA;&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;h2 id=&#34;secular-advent-songs&#34;&gt;Secular Advent songs&lt;a class=&#34;anchor&#34; href=&#34;#secular-advent-songs&#34;&gt;#&lt;/a&gt;&lt;/h2&gt;&#xA;&lt;ul&gt;&#xA;&lt;li&gt;&#xA;&lt;ul&gt;&#xA;&lt;li&gt;Leise rieselt der Schnee *&lt;/li&gt;&#xA;&lt;/ul&gt;&#xA;&lt;/li&gt;&#xA;&lt;/ul&gt;&#xA;&lt;/div&gt;&#xA;&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;h2 id=&#34;literature&#34;&gt;Literature&lt;a class=&#34;anchor&#34; href=&#34;#literature&#34;&gt;#&lt;/a&gt;&lt;/h2&gt;&#xA;&lt;ul&gt;&#xA;&lt;li&gt;Gerhard Engelsberger: Bilder vom Kommen Gottes. Dichter, Bilder und Botschaft der Adventslieder. Evangelischer Presseverband für Baden, Karlsruhe 1992 , .&lt;/li&gt;&#xA;&lt;/ul&gt;&#xA;&lt;/div&gt;</description>
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