BU
Bulgarian wedding music
Bulgarian wedding music is a genre of Svatbarska muzika () or a "wedding music" style that evolved in the late 1960s in Bulgaria. Its popularity has spread in Europe and North America. This style of
History#
The international marketing of wedding music includes Klezmer, Scottish, and Rom(an) music of Bulgarian roots. Ivan Paparov, the clarinetist, is considered the creator of the genre of wedding music in Bulgaria. In 1974, he established two bands as orchestral ensemble in the town of Stara Zagora in Thrace. He improvised the stylistic and eclectic forms of Narodna muzika, a Bulgarian form which incorporated music styles of Greece, Turkey, North Macedonia, Serbia, and Gypsies. This type of music is unlike concert music and involves participation by the dancers and the wedding party and hence it is “loose, spontaneous and dynamic” in structure. Solos are also part of the music which normally accentuates the final shape of the music. There is significant impact of American jazz (a feature noted in the music of Bulgaria since the 1950s) in the wedding music. Papasov termed this type of music also as of balkanski dzhaz (Balkan jazz). Todor Zhivkov, the autocratic dictator, during the period from 1954 to 1958, in his determination to preserve and promote Bulgarian folk music, took a particularly repressive approach against non-Bulgarian music of gypsy origin, which was the Bulgarian wedding music a genre of music well beyond the concept of traditional music. During his regime, in all official media, it was only folk music which was broadcast and promoted. In view of the external influence in this music the totalitarian regime (Leninist regime) in Bulgaria officially discouraged this music though it was very popular among the public. With the demise of the communist regime in 1989, this music form became even more popular.
Characteristics#
Wedding bands may contain both Bulgarian and Gypsy musicians who are master improvisors. Their instruments may include accordion, clarinet, electric bass, saxophone, and synthesizer. A chief characteristic is loudness. In Bulgaria, wedding music has a pivotal role in the rituals known as daruvane (meaning: reciprocal exchange of gifts), in the banquets, and the dancing that follows and is performed for several hours. There are two categories of wedding music which are popular in the Bulgarian music culture. One is the Bulgarian wedding music and the other is Roma music. Bulgarian wedding music in particular covers a wide repertoire and includes “all the additive meters of traditional music, but favors pravo horo (2/4), rachenitsa (7/16, 2-2-3), and lesno.” The music, considered “heartfelt”, is akin to the Middle Eastern, Mediterranean, and East European forms. However, wedding musicians encounter several issues within their industry, such as auditions, registration, ethnicity, freedom, money, and nationalism.
Western influence#
Several western musicians have been influenced by Bulgarian wedding music, particularly its unusual time signatures. American rock guitarist Steve Vai has professed a love of Bulgarian wedding music, describing its time signatures as “completely alien”. Bulgarian wedding music was a source of inspiration for the song “Freak Show Excess” from Vai’s 2005 album Real Illusions: Reflections.
External links#
*Bulgarian wedding songs and dances
- Genre family
- 20th-century music genres, Bulgarian styles of music, Romani music, Wedding music
- Region
- Bulgaria