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Celtic punk

Celtic punk is punk rock mixed with traditional Celtic music. Celtic punk bands often play traditional Celtic folk songs, contemporary/political folk songs, and original compositions. Common themes

History#

Celtic punk’s origins date back to 1960s and 1970s folk rock musicians who played Irish folk music and Celtic rock in the UK, as well as in more traditional Celtic folk bands such as the Dubliners and the Clancy Brothers. The Scottish band the Skids were possibly the first UK punk band to add a strong folk music element, as they did on their 1981 album Joy. Around the same time in London, Shane MacGowan and Spider Stacy began experimenting with a sound that became the Pogues, which most consider to be the prototypical Celtic punk band. Other early Celtic punk bands included Nyah Fearties, Australia’s Roaring Jack and Norway’s Greenland Whalefishers. The 1990s gave rise to a Celtic punk movement in North America, centered around the likes of the Dropkick Murphys of Quincy, Massachusetts, and Chicago’s The Tossers – both from cities with particularly large population of Irish Americans – as well as LA’s Flogging Molly (founded by Irish emigrant Dave King) and The Real McKenzies of Vancouver, B.C.. North American Celtic punk bands have been influenced by American forms of music, and commonly sing in English.

Fashion#

Like other punk subcultures, Celtic punk has its own fashions as well. Similar to the music, Celtic punk fashion is a mixture of standard punk fashion and traditional Celtic clothing, most notably (and sometimes erroneously) tartans. Standard items in Celtic punk fashion include leather jackets, tartans, chains, studs, kilts, and mohawks. The favored tartan among punks in 70s–80s Britain was the Royal Stewart tartan, due to both its widespread availability and perceived anti-establishment connotations.

Language#

The Scottish Gaelic punk scene can be considered a part of the larger Celtic punk subculture, as even though most bands from that scene did not incorporate traditional sounds into their music, they sang in Scottish Gaelic in support of their traditional language and in protest of linguistic homogenization (among many other issues). They taught each other the language in DIY classes called ‘Gaelic for Punks’, and the scene was centered around the Sabhal Mòr Ostaig college on the Isle of Skye, Scotland.

See also#

  • Celtic metal
  • Scottish Gaelic punk
  • Shite’n’Onions
  • Paddy Rock
  • Irish Punk
Genre family
British styles of music, Celtic music, Fusion music genres, Punk rock genres, Rock music genres