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Comédie mêlée d'ariettes
The French term (, 'comedy mixed with little songs') was frequently used during the late ancien régime for certain types of opéra comique (French opera with spoken dialogue). The term became popular
See also#
*:Category:Comédies mêlées d’ariettes
Sources#
- Bartlet, M. Elizabeth C. (1992). “Comédie mêlée d’ariettes” in Sadie 1992, vol. 1, p. 910.
- Cook, Elizabeth (1992a). “Anseaume, Louis” in Sadie 1992, vol. 1, p. 144.
- Cook, Elizabeth (1992b). “Peintre amoureux de son modèle, Le” in Sadie 1992, vol. 3, p. 932.
- Libby, Dennis; Willaert, Saskia; Jackman, James L. work-list (1992). “Ciampi, Vincenzo (Legrenzio)” in Sadie 1992, vol. 1, pp. 858–859.
- Loewenberg, Alfred (1978). Annals of Opera 1597–1940 (third edition, revised). Totowa, New Jersey: Rowman and Littlefield. .
- Sadie, Stanley, editor (1992). The New Grove Dictionary of Opera (4 volumes). London: Macmillan. .
- Sonneck, Oscar G. (1911). “Ciampi’s Bertoldo, Bertoldino e Cacasenno and Favart’s Ninette à la cour: A Contribution to the History of Pasticcio (Sämmelbände der I. M. G., 1911)”, pp. 111–179, in Miscellaneous Studies in the History of Music, edited by O. G. Sonneck. New York: Macmillan, 1921.
- Warrack, John; West, Ewan (1992). The Oxford Dictionary of Opera. Oxford/New York: Oxford University Press. .
- Wild, Nicole; Charlton, David (2005). Théâtre de l’Opéra-Comique Paris: répertoire 1762-1972. Sprimont, Belgium: Editions Mardaga. .
- Genre family
- Opera genres