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		<title>EP on Music Theory Print</title>
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		<description>Recent content in EP on Music Theory Print</description>
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				<title>Epadunk</title>
				<link>https://musictheoryprint.com/genres/ep/epadunk/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/genres/ep/epadunk/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;h2 id=&#34;background&#34;&gt;Background&lt;a class=&#34;anchor&#34; href=&#34;#background&#34;&gt;#&lt;/a&gt;&lt;/h2&gt;&#xA;&lt;p&gt;Epadunk has been described as a cross between electronic dance music (EDM) and könsrock, a Swedish term for a type of Swedish rock music characterized by humoristic and irreverent lyrics that often include sexually explicit lyrics, innuendos, toilet humor and positive descriptions of alcohol consumption and drunkenness. Among the precursors and sources of inspiration for the genre are the Norwegian genre russemusikk Dansband and hiphop music have also been cited as sources of inspiration.&lt;/p&gt;</description>
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				<title>Epinikion</title>
				<link>https://musictheoryprint.com/genres/ep/epinikion/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
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				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;h2 id=&#34;origins&#34;&gt;Origins&lt;a class=&#34;anchor&#34; href=&#34;#origins&#34;&gt;#&lt;/a&gt;&lt;/h2&gt;&#xA;&lt;p&gt;Since the poets most often call their victory songs hymnoi (), it has been conjectured that hymns for Heracles, honored as the founder of the Olympic Games, were the original model for the athletic epinikion. Victory odes are also associated with the Dioscuri; Pindar uses the term &amp;ldquo;Castor-song&amp;rdquo; (), and Polydeuces (Pollux), the mortal twin of Castor, was a boxer. Although the best-known epinikia appear to have been composed for a chorus, they may have originally been performed by a soloist. Pindar says that a lyric by Archilochus was sung at Olympia, and a scholiast to the passage gives a quotation. The performance of these songs seems to have led in the 6th century BC to aristocratic commissions for more elaborate numbers. The earliest epinikia, surviving only in fragments, were composed by Simonides of Ceos in the 520s BC. Simonides was the first professional poet known to write odes in honor of victorious athletes at the games; in antiquity, he was also notorious for being the first poet to charge a fee for his services. The epinikia of Bacchylides were formerly considered lost and were known only from quotations in other authors, until the discovery in the late 19th century of a papyrus manuscript containing fifteen of his odes. Pindar&amp;rsquo;s four surviving books of epinikia, called one of &amp;ldquo;the great monuments of Greek lyric&amp;rdquo;, correspond to each of the four major festivals of the Panhellenic Games: Olympian, Pythian, Isthmian, and Nemean. Many of Pindar&amp;rsquo;s odes can be identified by event, champion, and year.&lt;/p&gt;</description>
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