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		<title>GQ on Music Theory Print</title>
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				<title>Gqom</title>
				<link>https://musictheoryprint.com/genres/gq/gqom/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/genres/gq/gqom/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;h2 id=&#34;lexicology-and-morphology&#34;&gt;Lexicology and morphology&lt;a class=&#34;anchor&#34; href=&#34;#lexicology-and-morphology&#34;&gt;#&lt;/a&gt;&lt;/h2&gt;&#xA;&lt;p&gt;The word gqom derives from an onomatopoeic combination of click consonants in the Zulu language (isiZulu) which could be interpreted as a &amp;ldquo;hitting drum&amp;rdquo;, &amp;ldquo;ricochet&amp;rdquo; or &amp;ldquo;bang&amp;rdquo;. Isgubhu and igqom are IsiZulu words to describe a drum sound or beat emanating from speakers, that became synonymous with Durban kwaito. The term &amp;ldquo;three-step&amp;rdquo; (3 step) was coined in the mid-2010s by gqom record producers Sbucardo and Citizen Boy to describe gqom music not only as a name, moreover attributed to a specific beat structure or pattern of gqom music preceding developing into a distinct subgenre of gqom.&lt;/p&gt;</description>
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