HY
Hyperrealism (music)
Hyperrealism is a term coined by the composer Noah Creshevsky to describe a musical language for his and his colleagues' compositional aesthetic. Creshevsky defines hyperrealism as "an
Articles and reviews#
- “STUFF MUZAK #1: A (VERY) SOFT FOCUS ON HYPERREALIST MUSIC” by Dwight Pavlovic, Decoder Magazine, June 7, 2016
- “Twilight of The Gods” by Allan Kozinn, The New York Times, June 18, 2010
- “Consistent lines: Creshevsky clearly builds his own reality.”, by Tobias Fischer, “Tokafi”, November 30, 2007
- “A Language We Already Understand: Noah Creshevsky’s Hyperrealism” by Dennis Báthory-Kitsz, “NewMusicBox”, June 13, 2007
- “Hyperrealism, Hyperdrama, Superperformers and Open Palette” by Noah Creshevsky, “Kalvos & Damian New Music Bazaar”, 2005
- “Slice ‘N’ Dice” by Kyle Gann, Village Voice, July 6, 2004
- “Traveling Through Hyperreality With Umberto Eco”, “Transparency”
- https://not.neroeditions.com/archive/orange-milk-records-elettronica-iperrealista/ ,https://not.neroeditions.com/archive/orange-milk-records-elettronica-iperrealista/ by Riccardo Papacci, Not, December 5, 2018
See also#
- Hyperreality (art)
- Hyperrealism
- Hyperdrama
- Genre family
- Contemporary classical music