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		<title>JP on Music Theory Print</title>
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		<description>Recent content in JP on Music Theory Print</description>
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				<title>J-pop</title>
				<link>https://musictheoryprint.com/genres/jp/j-pop/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
				<guid>https://musictheoryprint.com/genres/jp/j-pop/</guid>
				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;h2 id=&#34;form-and-definition&#34;&gt;Form and definition&lt;a class=&#34;anchor&#34; href=&#34;#form-and-definition&#34;&gt;#&lt;/a&gt;&lt;/h2&gt;&#xA;&lt;p&gt;The origin of modern J-pop is said to be Japanese-language rock music inspired by the likes of The Beatles. One notable singer to do so is Keisuke Kuwata, who pronounced the Japanese word karada (&amp;ldquo;body&amp;rdquo;) as kyerada. When the Group Sounds genre, which was inspired by Western rock, became popular, Japanese pop music adopted the major second, which was used in the final sounds of The Beatles&amp;rsquo; song &amp;ldquo;I Want to Hold Your Hand&amp;rdquo; and The Rolling Stones&amp;rsquo; song &amp;ldquo;(I Can&amp;rsquo;t Get No) Satisfaction&amp;rdquo;. However, the term became a blanket term, covering other music genres—such as the majority of Japanese rock music of the 1990s. Ito Music City, a Japanese record store, adopted expanded classifications including Group Sounds, idol of the 1970s–1980s, enka, folk and established musicians of the 1970s–1980s, in addition to the main J-pop genres. Because the band did not want to perform J-pop music, their album featured the 1980s Pop of MTV. One term recently coined in relation to &amp;ldquo;J-pop&amp;rdquo; is coming from the industry&amp;rsquo;s association with other popular cultures within Japan that has gained international attention like city pop, anisong, Vocaloids and VTubing.&lt;/p&gt;</description>
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