https://musictheoryprint.com/genres/ul/ Recent content in UL on Music Theory Print Hugo en https://musictheoryprint.com/genres/ul/ultra-music/ Mon, 01 Jan 0001 00:00:00 +0000 https://musictheoryprint.com/genres/ul/ultra-music/ <div class="mtp-special-block"> <h2 id="mekanik-kommando">Mekanik Kommando<a class="anchor" href="#mekanik-kommando">#</a></h2> <ul> <li>It Would Be Quiet in the Woods If Only a Few Birds Sing (Torso, 1981)</li> <li>Dancing Elephants (EP, Torso, 1982)</li> <li>Snake Is Queen (Wereld Rekord, EMI, 1982)</li> <li>Bay the Moon (Wereld Rekord, 1984)</li> <li>Do (Rosebud Records, 1984)</li> <li>&hellip;And the Wind Died Down (Rosebud Records, 1986)</li> <li>Shadow of a Rose (Rosebud Records, 1986)</li> <li>The Castle of Fair Welcome (Rosebud Records, 1988)</li> </ul> </div> <div class="mtp-special-block"> <h2 id="minny-pops">Minny Pops<a class="anchor" href="#minny-pops">#</a></h2> <ul> <li>Drastic Measures, Drastic Movement (1979), Plurex; (re-released 2004, LTMCD 2384, LTM)</li> <li>Sparks in a Dark Room (1982), Factory Benelux; (re-released 2003, LTMCD 2351, LTM and 2014, FBN 15 CD, Factory Benelux)</li> <li>Secret Stories (2003), LTMCD 2353, LTM</li> <li>Standstill to Motion (2012), LTMCD 2566, LTM - CD/DVD</li> </ul> </div> <div class="mtp-special-block"> <h2 id="nasmak">Nasmak<a class="anchor" href="#nasmak">#</a></h2> <ul> <li>Nasmak Plus Instruments/Instruments Plus Nasmak (Plurex, 1980)</li> <li>Indecent Exposure 1 &amp; 2 (Music For Brass, Wood, Drums And Violins) (cassette, self-released, 1981)</li> <li>Indecent Exposure 3 &amp; 4 (The Smell Remains) (Plurex, 1981)</li> <li>4our Clicks (Plurex, 1982)</li> <li>Indecent Exposure 5 &amp; 6 (Only This Day And 77 Others) (Plurex, 1982)</li> <li>Duel (Plurex, 1983)</li> <li>Silhouette (Plurex, 1983)</li> </ul> </div> <div class="mtp-special-block"> <h2 id="tox-modell">Tox Modell<a class="anchor" href="#tox-modell">#</a></h2> <ul> <li>Parkhof 11/04/1981 C30 cassette (Lebel PERIOD, Amsterdam 1981)</li> <li>Groote Keyser 21-3-81 C46 cassette (Lebel PERIOD, Amsterdam 1981)</li> </ul> </div> <div class="mtp-special-block"> <h2 id="the-young-lions">The Young Lions<a class="anchor" href="#the-young-lions">#</a></h2> <ul> <li>No News, Strange Rumours, Plurex 0013 (Amsterdam, 1980)</li> <li>Small World (live at Ultra, cassette), Amphibious (Amsterdam, 1983)</li> </ul> </div> <div class="mtp-special-block"> <h2 id="compilations">Compilations<a class="anchor" href="#compilations">#</a></h2> <ul> <li>Ultra - Octopus Amsterdam, C90 cassette (Lebel PERIOD, Amsterdam 1981)</li> </ul> </div> <div class="mtp-special-block"> <h2 id="literature">Literature<a class="anchor" href="#literature">#</a></h2> <ul> <li>Harold Schellinx, ULTRA. Opkomst en ondergang van de Ultramodernen, een unieke Nederlandse muziekstroming (1978-1983), Lebowski Publishers, Amsterdam, 2012. ISBN 9789048812400.</li> <li>Dirk Polak. Mecano: een muzikaal egodocument. Lebowski Publishers, Amsterdam, 2011. ISBN 978-9048851751</li> <li>Oscar Smit. De Paradiso Punk Jaren Deel 4: 1979-1981 Nederpunk(s) En Ultra.Black Olive Press, Amstelveen, 2021. ISBN 9789072811271.</li> <li>Foster, R. (2020), Mapping Subcultures from Scratch: Moving Beyond the Mythology of Dutch Post-Punk. In: van der Steen, B., Verburgh, T. (eds) Researching Subcultures, Myth and Memory. Palgrave Studies in the History of Subcultures and Popular Music. Palgrave Macmillan, Cham.</li> <li>Richard Foster, “Afwijkende mensen.” Formulating perspectives on the Dutch ULTRA scene. studenttheses Universiteit Leiden</li> </ul> </div>