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		<title>XH on Music Theory Print</title>
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		<description>Recent content in XH on Music Theory Print</description>
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				<title>Xhosa music</title>
				<link>https://musictheoryprint.com/genres/xh/xhosa-music/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
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				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;h2 id=&#34;structure&#34;&gt;Structure&lt;a class=&#34;anchor&#34; href=&#34;#structure&#34;&gt;#&lt;/a&gt;&lt;/h2&gt;&#xA;&lt;p&gt;Leader and Chorus * Xhosa traditional music commonly uses a leader and chorus format, also known as call-and-response. One lead singer will introduce a phrase, and the responding group will answer with recurring patterns. Vocals will typically enter in staggered intervals. Cyclical/Repetition * Songs also typically use a cyclical/repetitive structure. There is usually a very basic two-chord harmonic progression, either being V–IV or I–♭7, occasionally supported by an ostinato bass line. While this may seem simple, there is an intentional depth to the minimalism. Layered Voices * Layered vocals typically reinforce the importance of community behind Xhosa music. Different vocals often overlap one another, intensifying the music and emphasizing the collective voices. Improvisation * Improvisation is very common, especially in contemporary adaptations, adding to the established structures of the music. Because a cyclical structure is very common, performers will often improvise their vocals, emphasis, and rhythms, while maintaining the original structure.&lt;/p&gt;</description>
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