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		<title>ZH on Music Theory Print</title>
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		<description>Recent content in ZH on Music Theory Print</description>
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				<title>Zhongguo feng (music)</title>
				<link>https://musictheoryprint.com/genres/zh/zhongguo-feng-music/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
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				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;h2 id=&#34;history&#34;&gt;History&lt;a class=&#34;anchor&#34; href=&#34;#history&#34;&gt;#&lt;/a&gt;&lt;/h2&gt;&#xA;&lt;p&gt;It is hard to pinpoint the exact origins of Zhongguo feng music, although Jay Chou is largely credited as an influential figure in modern Zhongguo feng music in the early 2000s. Music ethnographers and researchers have also studied Zhongguo feng in relation to the sociocultural and political conditions in different time periods such as the May Fourth movement and the end of Cultural Revolution. Departing from the days of revolutionary and ultra-nationalistic songs during Mao&amp;rsquo;s dictatorship until the end of the 1970s, the 1980 saw the introduction of rock music into China, with its people beginning to embrace new steady and upbeat rhythms. Featured in his debut album Jay in 2000, &amp;ldquo;Wife&amp;rdquo; is one of Jay Chou&amp;rsquo;s most famous songs in the Zhongguo feng music genre. Leehom Wang is also known for his brand of Zhongguo feng music, known as &amp;ldquo;chinked-out&amp;rdquo;, since 2004. Other factors that contributed to the popularity of Zhongguo feng music include the efforts of the Chinese state in building a sense of nationalism, and national pride from the successful 2008 Beijing Olympics.&lt;/p&gt;</description>
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