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		<title>Slovenia on Music Theory Print</title>
		<link>https://musictheoryprint.com/nationalities/slovenia/</link>
		<description>Recent content in Slovenia on Music Theory Print</description>
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				<title>Alojz Ajdič</title>
				<link>https://musictheoryprint.com/composers/al/alojz-ajdic/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
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				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Alojz Ajdič (born September 6, 1939, Fojnica) is a multiple-time awarded Slovenian composer. Ajdič lives in Britof pri Kranju. Recognitions In 1994, Ajdič received the Župančič Award for his second symphony, named Window of the Soul. In 1997, he received the Prešeren Fund Award for his third symphony, entitled Symphony for Percussion and Symphony Orchestra. In 2009, he received the Kozina Award, bestowed by the Society of Slovenian Composers. In 2012, his work Concert for Trombone and Orchestra was performed by the New York Philharmonic Orchestra. In April 2012, Ajdič&amp;rsquo;s Rhapsody for Trumpet and Orchestra was performed in Huddersfield by the Slaithwaite Philharmonic Orchestra, with guest soloist, Rebecca Robertson. The composition received great acclaim. Avdič listened to it in the honorary lodge in the company of the mayor of Huddersfield and the leadership of the orchestra. Works Among the more notable Ajdič&amp;rsquo;s works are: * Phantasy (Slovene: ; 1971) * Colour Vision (; 1972) * Concert Music for Horn and Orchestra (; 1978) * Concert for Piano (; 1988) * Mirage (; 1984) References See also *List of Slovenian composers&lt;/p&gt;</description>
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				<title>Avgust Ipavec</title>
				<link>https://musictheoryprint.com/composers/av/avgust-ipavec/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
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				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Avgust Ipavec (2 June 1940 – 3 October 2023) was a Slovenian Roman Catholic priest and composer. Biography Ipavec was born at the onset of World War II in Gorizia. In the 1960s, he studied theology at the in Ljubljana and was ordained a priest in 1966 in . He graduated from composition at the Academy of Music in Ljubljana in 1974. After graduation, he moved to Vienna to further his musical knowledge, and he then worked there as a hospital priest for almost 50 years. In his free time, he composed works mostly for large ensembles, such as oratorios, symphonies, and cantatas. His major compositions were the Christmas Pastorale; the oratory titled (&amp;ldquo;The Mass in the Field&amp;rdquo;) he wrote for the 900th anniversary of Cistercians in Stična; the only existent mass in four languages titled (&amp;ldquo;The Mass of the Nations&amp;rdquo;); and the symphony Colours of the Green Emerald, which premiered in September 2016, dedicated to the memory of the 100th anniversary of World War I. He occasionally visited his house in Bovec. In December 2006, the Chancellor of Austria awarded Ipavec the Decoration of Merit in Gold of the Republic of Austria for his music, which &amp;ldquo;connects peoples as music is the only language that c&lt;/p&gt;</description>
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				<title>Božidar Kantušer</title>
				<link>https://musictheoryprint.com/composers/bo/bozidar-kantuser/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
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				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Božidar Kantušer (Bozidar Kantuser) (December 5, 1921, Pavlovski Vrh, Slovenia – May 9, 1999, Paris) was a Slovene composer of classical music. He was a Slovenian citizen and an American citizen. Kantušer is the author of symphonic music, ballets, chamber music and solo pieces. He lived in France since 1950. He was married to the American painter Grace Renzi. Since 1968, Kantušer was the director of the International Library of Contemporary Music (B.I.M.C.). He is buried in Paris, at the Père Lachaise Cemetery. Music List of compositions by Božidar Kantušer Life Božidar Kantušer was born on the farm of Pavlovski vrh, in the countryside of northeastern Slovenia. He was the first of the five children of Blaž Kantušer and his wife Katarina, born Hočevar. The father, from a family of farmers near Celje, and the mother, from a family of blacksmiths from Kamnik, were both employed in Ljutomer after World War I and lived at Pavlovski vrh, close to Ljutomer, from 1919 to 1929. The rural environment, the cultural heritage and the nature of his native Prlekija, where he lived the first seven years, left a lasting impression on the composer. The dances of masks of pagan origin (Kurenti) and t&lt;/p&gt;</description>
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				<title>Jakob Jež</title>
				<link>https://musictheoryprint.com/composers/ja/jakob-jez/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
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				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Jakob Jež (23 November 1928 – 8 March 2022) was a Slovenian composer. Life Jakob Jež was born on 23 November 1928 in Boštanj, a village in eastern Slovenia. In 1954, he graduated from the Academy of Music in Ljubljana, Department of Music History. His dissertation, defended in 1959, focused on the early works of Slovenian composer Marij Kogoj. Kogoj remained a consistent influence for Jež throughout his career. Although he did not obtain a degree in composition, Jež studied composition with Marijan Lipovský and Karol Pahor. The Lexicon of Yugoslav Music describes his musical style as follows: &amp;ldquo;By adopting some modern compositional procedures, Jež creates a distinctive musical language, full of intimate expressiveness, with a developed sense of colour, lyricism and loose structures - a modern and contemporary language which is never incomprehensibly aggressive.&amp;rdquo; Jež taught throughout his career, first at a music school and a high school, and then at the Music and Ballet School in Ljubljana (1955–1970). From 1992 until his retirement, he was a full-time professor of music education at the Faculty of Pedagogy in Ljubljana. From 1960 to 1965, he was a member of the composers&amp;rsquo; group Pro&lt;/p&gt;</description>
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				<title>Janez Matičič</title>
				<link>https://musictheoryprint.com/composers/ja/janez-maticic/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
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				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Janez Matičič (3 June 1926 – 18 April 2022) was a Slovenian composer and pianist. He was a regular member of the Slovenian Academy of Sciences and Arts starting in 2007. Matičič was born in Ljubljana, and was the brother of writer Nada Matičič. He graduated in composition from the Ljubljana Academy of Music in 1950 and conducting in 1951. From 1959 to 1961 he studied in Paris with Nadia Boulanger. Then, from 1959 to 1975, he collaborated with the Groupe de Recherches Musicales, who were experimenting with electroacoustic music under the direction of Pierre Schaeffer. Among Matičič&amp;rsquo;s works are two concertos for piano and orchestra, a concerto for cello and orchestra, and a number of pieces created in a modernist and experimental mode. In 2007 he received the Prešeren Award for his lifetime achievement in music. He died on April 17, 2022, at the age of 95. Works (Selection) Choir and Orchestra *Vision for choir and orchestra, op. 19 (1950) *Artemis for choir and orchestra, op. 69 (2012) Orchestra *Symphony No. 1, op. 21 (1950–1953) *Suite for string orchestra, op. 24 (1951–1955) *Trans…, op. 56 (1997) *Symphony No. 2, op. 58 (1997) Solo Instrument and Orchestra *Piano Concerto No. 1,&lt;/p&gt;</description>
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				<title>Jani Golob</title>
				<link>https://musictheoryprint.com/composers/ja/jani-golob/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
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				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Jani Golob (born 18 January 1948) is a Slovenian composer, violinist, arranger and professor. His music opus is often on the thin line of classic, pop and jazz. Golob has composed operas, ballets, orchestral works, chamber and vocal music, and music for television and for advertising purposes. His most important works are probably three operas: Krpan&amp;rsquo;s mare (1992), Medeja (1999) and Love Capital (2010); and others as Four Slovene Folk Songs (1979 and 2005), Concerto for violin and orchestra (1998) and ballet The Baptism at the Savica (1989). He is most recognized by his contribution in Slovenian popular music. His internationally best-known piece of work is the unofficially named &amp;ldquo;Planica Slow Motion Theme&amp;rdquo; (1997), an instrumental piece of music played in slow motion replays annually on worldwide broadcasting of FIS Ski Jumping/Flying World Cup events from Planica, Slovenia. Especially because of this melody Golob became famous worldwide. Each year since 1997 this piece of music is played in Planica slow motion replays live to millions of people worldwide. Other hit songs are &amp;ldquo;Prisluhni školjki/A Song In a Seashell&amp;rdquo; (1985), &amp;ldquo;Moja dežela/My Country&amp;rdquo; (1986) and &amp;ldquo;Pustite nam ta svet/L&lt;/p&gt;</description>
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				<title>Jože Humer</title>
				<link>https://musictheoryprint.com/composers/jo/joze-humer/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
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				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Jože Humer (24 June 1936 – 13 June 2012) was a Slovenian composer, choirmaster, lyricist, translator, and cultural organiser. He was also a judge, a secretary of the Supreme Court of Slovenia, In March 2012, he was decorated by Slovenian President Danilo Türk with the Order for Merits of Slovenia, with a rationale that described him as an &amp;ldquo;above-average deserving personality of the Slovenian cultural life.&amp;rdquo; References&lt;/p&gt;&#xA;&lt;/div&gt;</description>
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				<title>Lojze Lebič</title>
				<link>https://musictheoryprint.com/composers/lo/lojze-lebic/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
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				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Lojze Lebič (born 23 August 1934) is a Slovenian composer and conductor of choral and instrumental music. Life Lebič was born on 23 August 1934 in Prevalje, in the Carinthia region of Slovenia (then part of Yugoslavia). He attended the University of Ljubljana for a bachelor&amp;rsquo;s degree in archaeology and the Academy of Music in Ljubljana, where he studied with composition with Marjan Kozina and conducting with Danilo Švara. He was the youngest member of the Pro musica viva group, a group of composers based in Ljubljana that was advocated for Slovenian modernism. Music Lebič&amp;rsquo;s early style was fairly traditional, but his work from after 1965 demonstrates the influence of the European avant-garde. The opening of Slovenia to foreign travel in the 1950s and 60s allowed for greater musical and cultural exchange with the rest of Yugoslavia and Europe, encouraging the development of a Slovenian avant garde. Lebič&amp;rsquo;s 1965 works Meditacije za dva for viola and cello and the cantata Požgana trava are examples of his use of new melodic and vocal techniques. Later, he developed a style that balanced respect for traditional culture with cosmopolitan modernism. References Further reading *Barbo, Matj&lt;/p&gt;</description>
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				<title>Pavel Šivic</title>
				<link>https://musictheoryprint.com/composers/pa/pavel-sivic/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
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				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Pavel Šivic (born February 2, 1908, in Radovljica, Slovenia — died May 31, 1995, in Ljubljana ) was a Slovenian composer, concert pianist, and music educator. Šivic wrote the libretto to this opera himself, which is based on the 1967 play of the same name by Andrej Hieng. He was also active as concert pianist and accompanist in Ljubljana; contributing greatly to the music life of that city. He was given the Prešeren Award in 1965. Partial list of works *Oj, ta prešmentana ljubezen Oh, that Cursed Love (operetta in 3 Acts, libretto by M. Simončič); 29 April 1931 *Dogodek v mestu Gogi An Event in the Town of Goga (ballet), 1967 *Cortesova vrnitev The Return of Cortés , 1971 (opera in 3 Acts, libretto by Šivic, after A. Hieng); 20 March 1974 *Svitanje The Daybreak (opera in 1 Act, libretto by Šivic, after B. Šömen); 10 May 1979 *Samorog The Unicorn (opera in 3 Acts, libretto by Šivic, after G. Strniša), 1981 *Kaznovana radovednost Curiosity Punished (Children&amp;rsquo;s opera in 1 Act, libretto by Šivic and V. Rudolph); 9 February 1988 *Hiša iz kart (opera), 1989 References&lt;/p&gt;</description>
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				<title>Primož Ramovš</title>
				<link>https://musictheoryprint.com/composers/pr/primoz-ramovs/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
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				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Primož Ramovš (March 20, 1921 – January 10, 1999) was a Slovenian composer and librarian. Life Ramovš was born in Ljubljana, then the administrative centre of the Slovenian part of the Kingdom of Serbs, Croats and Slovenes. He studied at the Ljubljana Academy of Music from 1935 to 1941 under Slavko Osterc. Afterwards, he studied in Siena under Vito Frazzi in 1941 and in Rome with Goffredo Petrassi and Alfredo Casella from 1941 to 1943. From 1945, he worked as a librarian at the Slovenian Academy of Sciences and Arts and was the director of its library from 1952 until 1987. He also taught at the Ljubljana Conservatory from 1948 to 1964. He died in Ljubljana at the age of 78 years. Musical style Ramovš was a pioneer of Slovenian musical avant-garde and one of the most prolific Slovenian composers. Throughout his career, Ramovš wrote almost exclusively instrumental music, for which he found inspiration in the abstract world. His works from the 1960s and 70s employ serialism and other modernist techniques, including experiments bordering on graphic notation and use of indeterminacy. He often experimented, even in very extreme sense: &amp;ldquo;If the result is negative, it will fall away by itse&lt;/p&gt;</description>
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				<title>Vinko Globokar</title>
				<link>https://musictheoryprint.com/composers/vi/vinko-globokar/</link>
				<pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
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				<description>&lt;div class=&#34;mtp-special-block&#34;&gt;&#xA;&lt;p&gt;Vinko Globokar (born 7 July 1934) is a French-Slovenian avant-garde composer and trombonist. Globokar&amp;rsquo;s music uses unconventional and extended techniques, places great emphasis on spontaneity and creativity, and often relies on improvisation. His extensive output is largely unknown outside of experimental music circles. As a trombonist, he has premiered works by Luciano Berio, Mauricio Kagel, René Leibowitz, Karlheinz Stockhausen, and Toru Takemitsu, as well as his own compositions. Biography Globokar was born in Anderny, Meurthe-et-Moselle, France. In 1947 he moved to Yugoslavia, where he attended DIC in Ljubljana, Slovenia. Here, he played jazz trombone until 1955, at which point he moved to Paris to study at the Conservatoire de Paris. At the Conservatoire, he studied composition with René Leibowitz (a disciple of Arnold Schoenberg) and trombone with André Lafosse. In 1965, he moved to Berlin and began composition lessons with Luciano Berio, whose Sequenza V he later premiered at Carnegie Recital Hall in 1966. He has conducted his compositions with Finnish Radio Symphony Orchestra, Orchestre philharmonique de Radio France, Jerusalem Symphony Orchestra, RTV Slovenia Symphony Orch&lt;/p&gt;</description>
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