Béla Bartók

Mikrokosmos (Bartók)

Béla Bartók's Mikrokosmos () Sz. 107, BB 105 consists of 153 progressive piano pieces in six volumes, written between 1926 and 1939 and published in 1940. The individual pieces progress from very

Title#

The title Mikrokosmos comes from the Greek mikros kosmos, meaning “little world”, to reflect Bartók’s aim that the pieces “deal not only with the rhythmic, but also with melodic, harmonic and pianistic problems.” The works were first published with the subtitle “Progressive Pieces for Piano” to emphasise the collection’s didactic structure. Ernst Roth, as representative of the publisher Boosey & Hawkes, initially suggested “Progressive Piano Pieces in Modern Idiom”, but this was rejected by Bartok on the grounds that “in 20, or let us say in 40 years this work will cease to be ‘modern.’ And what does it mean ‘modern’? This word has no definite sense, can be misinterpreted, misunderstood!”

Volumes#

The pieces progress gradually in difficulty through the entire collection, from number 1 at the beginning of volume I to number 153 at the end of volume VI. * Volumes I and II: Pieces 1–36 and 37–66, beginner level * Volumes III and IV: Pieces 67–96 and 97–121, moderate to advanced level * Volumes V and VI: Pieces 122–139 and 140–153, professional level The list of pieces is as follows:

Music#

The opening (mm. 1–76) of “Boating” (V, 125) is typical of the modernist compositional techniques used in the later volumes, featuring the bimodal use of the pentatonic collection on E in the right hand and either G mixolydian or dorian collections in the left: : \override Score.TimeSignature #‘stencil = ##f \relative c’ \set Score.tempoHideNote = ##t \tempo 4 = 120 \clef treble \time 5/4 es^\markup RH ges aes bes des \bar " " \clef bass \time 6/4 \hide Staff.TimeSignature g,,,^\markup LH a c d e f \bar " " Volume VI contains the “Six Dances In Bulgarian Rhythm”, dedicated to the English pianist Harriet Cohen. Bulgarian folk music is characterized by additive rhythm, that is, rhythm where the beats in each bar are of unequal length. For example, the first dance (148) is grouped into (nine quavers in each bar), and the final dance (153) is grouped into (eight in each bar). Some pieces utilize extended technique, such as stomping or tapping in piece 9, holding down keys silently in piece 102, or singing in pieces 14, 65, and 127. Pianists who have recorded all six volumes include György Sándor, Edith Farnadi, Homero Francesch, Zoltán Kocsis, Dezső Ránki, Jenő Jandó, Claude Helffer, and . Bartók himself was the first to publicly perform pieces from Mikrokosmos, on February 9, 1937, in London.

Composer: Béla Bartók