Ten Easy Pieces (Bartók)

Composition#

Though initially it was conceived as Eleven Piano Recital Pieces, one of the pieces was dropped and used as a bagatelle in Bartók’s Fourteen Bagatelles. However, he was required by a contractual obligation with his publisher to write eleven pieces, so he wrote a dedication which is not numbered but serves to complement the set. For this reason, this set and his set of bagatelles are related, both in their harmonic and rhythmic styles and in their educational vocation. These works were heavily influenced by Bartók’s fascination with folk music and by his admiration for Claude Debussy, who had, by then, made a name for himself. Whereas Fourteen Bagatelles is decidedly more difficult for young pianists, this set was planned to serve as an easy contemporary preparation for students. It is, indeed, being used in the intermediate piano repertoire, together with his other set of short pieces, For Children. The set was published a year later, in 1909, by Rozsnyai Károly.

Structure#

The set consists of eleven pieces in total, although the initial dedication is not numbered. It has an overall approximate duration of 17 minutes. The movement list is as follows: # Dedication # Peasant Song # Frustration # Slovakian Boys’ Dance # Sostenuto # Evening in Transylvania # Hungarian Folksong # Dawn # Slovakian Folksong # Five-Finger Exercise # Bear Dance Bartók makes extensive use of pentatonic scales, modes, novel harmonies and ostinato. All the pieces have a duration of about one or two minutes. Of the eleven pieces, only three are based on folk tunes: numbers three, six and eight. The rest of the pieces were created in their entirety by Bartók, who used to make a great number of short pieces for piano using folk-like structures and melodies. The dedication uses material that he associated with his friend, the violinist Stefi Geyer, to whom he dedicated his first violin concerto. The motif in this dedication was thoroughly used both in the concerto and in his Two Portraits, as well as in the last of his Fourteen Bagatelles, all of them written between 1906 and 1908. Bartók is known to have played pieces five and ten for recording on November 20, 1929, although it is unknown if he ever recorded himself playing the rest of the pieces. Recording whole compositions used for educational purposes was an uncommon practice at the time, since recording at length was expensive.

See also#

• List of solo piano compositions by Béla Bartók