Christoph Willibald von Gluck
Notable works by Christoph Willibald von Gluck.
Alceste (Gluck)
Alceste, Wq. 37 (the later French version is Wq. 44), is an opera by Christoph Willibald Gluck from 1767. The Italian libretto was written by Ranieri de' Calzabigi and based on the play Alcestis by
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Antigono is a three act opera seria composed by Christoph Willibald Gluck. It premiered February 9, 1756, at the Teatro Argentina in Rome. The Italian libretto was written by Pietro Metastasio, who
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Armide is an opera by Christoph Willibald Gluck, set to a libretto by Philippe Quinault. Gluck's fifth production for the Parisian stage and the composer's own favourite among his works, it was first
Read → WorkChaconne (ballet)
Chaconne is a ballet made by New York City Ballet co-founder and ballet master George Balanchine to ballet music from Gluck's Orfeo ed Euridice (Vienna, 1762; Paris, 1774). The premiere took place
Read → WorkDon Juan (ballet)
Don Juan ou Le Festin de Pierre (Don Juan, or the Stone Guest's Banquet) is a ballet with a libretto by Ranieri de' Calzabigi, music by Christoph Willibald von Gluck, and choreography by Gasparo
Read → WorkÉcho et Narcisse
Écho et Narcisse (Echo and Narcissus) is a 1779 drame lyrique in three acts, the last original opera written by Christoph Willibald Gluck, his sixth for the French stage. The libretto, written by
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Ezio is an opera seria from the Early Classical Period in three acts composed by Christoph Willibald Gluck, staged in 1750 and revised in
Read → WorkIphigénie en Aulide
Iphigénie en Aulide (Iphigeneia in Aulis) is an opera in three acts by Christoph Willibald Gluck, the first work he wrote for the Paris stage. The libretto was written by François-Louis Gand Le Bland
Read → WorkIphigénie en Tauride
Iphigénie en Tauride (, Iphigenia in Tauris) is a 1779 opera by Christoph Willibald Gluck in four acts. It was his fifth opera for the French stage. The libretto was written by Nicolas-François
Read → WorkL'arbre enchanté
L'arbre enchanté, ou Le tuteur dupé (The Magic Tree, or, the Tutor Duped), Wq 42, is a one-act opéra comique by Christoph Willibald Gluck to a libretto based on the 1752 opéra-comique Le poirier
Read → WorkLa clemenza di Tito (Gluck)
La clemenza di Tito (The Clemency of Titus) is an opera by the composer Christoph Willibald Gluck. It takes the form of a dramma per musica in three acts. The Italian-language libretto is by Pietro
Read → WorkLa corona (Gluck)
La corona (The Crown) is an opera by the composer Christoph Willibald Gluck. It takes the form of an azione teatrale in one act. The Italian-language libretto is by Pietro Metastasio. The opera was
Read → WorkLa rencontre imprévue
Wq. 32 (The Unexpected Encounter, or The Pilgrims to Mecca) is a three-act opéra comique, composed in 1763 by Christoph Willibald Gluck to a libretto by Louis Dancourt after the 1726 comédie en
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Le cadi dupé (The Duped Qadi, or The Duped Judge) is an opéra comique in one act by Christoph Willibald Gluck. It has a French-language libretto by Pierre-René Lemonnier. It premiered at the
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Le cinesi (The Chinese Women) is an opera in one act, with music composed by Christoph Willibald Gluck. The Italian-language libretto was by Pietro Metastasio, and he described it as a . This
Read → WorkLe diable à quatre (opera)
Le diable à quatre (The Devil to Pay) is an opéra comique in three acts by Christoph Willibald Gluck. The French-language libretto is by Michel-Jean Sedaine and Pierre Baurans, after a translation by
Read → WorkLe feste d'Apollo
Le feste d'Apollo (The Festivals of Apollo) is an operatic work by Christoph Willibald von Gluck, first performed at the Teatrino della Corte, Parma, Italy, on 24 August 1769 for the wedding
Read → WorkOrfeo ed Euridice
(; ; ) is an opera composed by Christoph Willibald Gluck, based on the myth of Orpheus and set to a libretto by Ranieri de' Calzabigi. It belongs to the genre of the azione teatrale, meaning an opera
Read → WorkParide ed Elena
(; Paris and Helen) is an opera by Christoph Willibald Gluck. It is the third of Gluck's so-called reform operas for Vienna, following Orfeo ed Euridice and Alceste, and the least often performed of
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