Francis Poulenc
Organ Concerto (Poulenc)
The Concerto pour orgue, cordes et timbales (Concerto for organ, timpani and strings) in G minor, FP 93, is an organ concerto composed by Francis Poulenc between 1934 and 1938. It has become one of
History of composition#
The organ concerto was commissioned by Princess Edmond de Polignac in 1934, as a piece with a chamber orchestra accompaniment and an easy organ part that the princess could probably play herself. The commission was originally given to Jean Françaix, who declined, but Poulenc accepted. Poulenc quickly abandoned this idea for something much more grandiose and ambitious; his earlier harpsichord concerto and double-piano concerto were simpler, more light-hearted pieces. As he wrote in a letter to Françaix, “The concerto…is not the amusing Poulenc of the Concerto for two pianos, but more like a Poulenc en route for the cloister.” Indeed, Poulenc referred to it as being on the fringe of his religious works.
Instrumentation#
As the full title of the piece denotes, the piece is scored for a solo organ, timpani and a string orchestra. The piece uses such comparatively small forces, relative to Poulenc’s other concertos (the Concert champêtre used a full orchestra as accompaniment), so that the piece could be played in a quite small space with an organ, such as Princess Edmond’s salon, that were quite popular in France at the time. The piece would have been premiered on a Cavaillé-Coll instrument, as the company supplied many organs to private customers, one of whom was the princess.
Analysis#
The piece is just over 20 minutes in duration and consists of a single continuous movement with seven tempo marks. Respectively, these are: Andante, Allegro giocoso, Subito andante moderato, Tempo allegro. Molto agitato, Très calme: Lent, Tempo de l’allegro initial and Tempo d’introduction: Largo. The sections differ substantially in style, tone and texture. For example, the opening sections are loud and quite violent, with substantial organ chords, while the following middle sections are much calmer and softer.
- Composer
- Francis Poulenc