Symphony No. 104 (Haydn)

Music#

The symphony is scored for two flutes, two oboes, two clarinets in A, two bassoons, two horns in D and G, two trumpets in D, timpani, violins 1 & 2, violas, cellos, and double basses. It has four movements:

I. Adagio – Allegro#

The symphony opens with a slow and grand introduction in D minor, whose first two bars are as follows: : 4 8.. 32 2\fermata 4 8.. 32 2\fermata \new Staff \relative a, \key d \minor \clef bass 4 8.. 32 2\fermata 4 8.. 32 2\fermata » Note that since the only notes used are the tonic and dominant, it is not clear whether the movement is in the major or minor key. This heralds a lengthy introduction in the minor key – in performance, the introduction is typically two minutes of the movement’s overall nine-minute length. The introduction transitions to the main body of the movement in D major, which is in sonata form. Its opening theme is as follows: : \relative a’ \key d \major \time 2/2 \tempo “Allegro” \tempo 4 = 230 fis2\p (g4 e) d2~ d8 e fis g a4\staccato a\staccato a\staccato a\staccato b2 (a) d (cis b a~) a8 g (b a) g4 fis4 a4. (fis8 e4\staccato) r 4 fis2\p (g4 e) d2~ d8 e fis g a4\staccato a\staccato a\staccato a\staccato b2 (a) d (e fis g~) g8 fis (g e) d4 cis4 2\f b4 g a d,,16 (cis d cis) d4 d4 The movement is monothematic: the second theme is simply the first theme transposed to A major. The exposition is in D major, with the strings playing the first theme. The theme goes straight into A major with the woodwinds to form a second theme. The exposition closes with a codetta and is followed by the development which begins in B minor, using the rhythmic pattern of the second half of the theme. The development ends with the full orchestra. In the recapitulation, the first theme is heard again in D major. It uses imitative patterns of the woodwinds in the second theme. The movement closes with a coda, also in D major.

II. Andante#

: \relative a’ \key g \major \time 2/4 \tempo “Andante” \tempo 4 = 55 b8..\p (c32) a8\staccato d\staccato g,\staccato r8 r e'8\fz (fis,)\staccato g\p\staccato a\staccato b\staccato c\staccato c32 b a b a8 r8 b8..\p (c32) a8\staccato d\staccato g,\staccato b8\staccato e,\staccato bes'8\fz (d,)\staccato g\p\staccato fis\staccato e\staccato d4\staccato r4 This movement, in G major, opens with the main theme in the strings. After this, a brief episode highlighting A minor and D minor leads to a modified repeat of the main theme in both strings and bassoon. From here, a second section begins which modulates to various other keys, including G minor and B major, but continues to feature the melody of the main theme. After arriving on the dominant of G major, the music of the first section returns. The rest of the movement consists of a modification of the first section of music, with several changes in rhythm and more prominence to the winds, especially the flute.

III. Menuetto and Trio: Allegro#

: \relative a \key d \major \time 3/4 \partial 4 \tempo “Allegro di molto” \tempo 4 = 180 d,,8\f (fis) a4\staccato a\staccato b\fz (a)\staccato a\staccato gis\fz (a)\staccato a\staccato d8\fz (b) a4\staccato a\staccato d,8 (fis) g4\staccato g (fis) e\staccato e\staccato b’\fz\staccato cis,2.\trill (\grace b16 cis ) d4 r4 The third movement is a minuet and trio in D major. The minuet section consists of a rounded binary (A,B,A’) form with an opening section emphasizing the tonic, while the second section visits the relative minor (B minor) and the dominant (A major). The trio is in B major, and uses the oboe and bassoon extensively. Like in the minuet, this trio’s B section emphasizes the relative minor (in this case, G minor). The trio ends with a transition back to dominant of the main key in preparation for the return to the minuet.

IV. Finale: Spiritoso#

: > The exuberant finale, in fast tempo and in sonata form, opens in the mode of folk music, using a drone bass and a theme often claimed to have originated as a Croatian folk song; for details see Haydn and folk music. The development section settles on the dominant of the main key, as is typical, but the recapitulation does not occur immediately. Instead, the development is extended with a section in F minor, after which the recapitulation in D major follows immediately.

See also#

*List of symphonies by name

External links#

• Symphony No. 104: Haydn’s autograph manuscript in the Berlin State Library
• Symphony No. 104: Copyist’s manuscript in the British Library
• The Finale can be found on http://www.pointclassics.com/dl/2650902.4.Finale-%20spirituoso.48k.mp3 to listen to.
• Piano reduction (pdf)