Silent Worship

Handel / Somervell comparison#

Musically Arthur Somervell’s song is a simple arrangement of the original Handel aria – with the orchestral parts reduced for piano, one or two slight changes in harmony, and the instrumental ending (postlude) omitted. The text is treated quite differently in the two versions: * In the original Italian baroque aria as set by Handel, the first part of the aria uses a single couplet to express a single two-fold thought: “I will not say it with my lips, they do not have the courage”. The words are repeated several times, to emphasize the lack of courage. The second part of the aria expresses a complement to the first, its antithesis – twice as many words for half as much music – and therefore not repeated: “Perhaps, with sparks from yearning eyes, my gaze will speak to reveal how I am consumed by flames”. The first part of the aria is then repeated, in A–B–A da capo aria form. * Somervell’s unrelated English text consists of a 16-line narrative, in which only a single line is repeated. Even the da capo – the reprise of the first part at the end – has a new paraphrase of the first text rather than the simple verbatim repetition which the baroque aria uses.

Popular culture#

“Silent Worship” is featured in the 1996 film adaptation of Jane Austen’s novel Emma, where it is sung by Gwyneth Paltrow (as Emma) and Ewan McGregor (as Frank Churchill). Somervell’s English adaptation was done more than a century after Austen’s 1815 novel, but the original Italian aria was recorded in Jane Austen’s own handwritten songbooks. In the film, Somervell’s piano introduction to the song is shortened.

“Silent Worship”#

Did you not hear my lady Go down the garden singing? Blackbird and thrush were silent To hear the alleys ringing. Oh saw you not my lady Out in the garden there? Shaming the rose and lily For she is twice as fair. Though I am nothing to her Though she must rarely look at me And though I could never woo her I love her till I die. Surely you heard my lady Go down the garden singing? Silencing all the songbirds And setting the alleys ringing. But surely you see my lady Out in the garden there, Rivaling the glittering sunshine With a glory of golden hair.

“Non lo dirò col labbro”#

Allessandro’s cavatina in act 1 of Tolomeo: Non lo dirò col labbro Che tanto ardir non hà. Forse con le faville Dell’avide pupille, Per dir come tutt’ardo, Lo sguardo parlerà. I won’t say it with my lips— they don’t have such boldness. Perhaps with the sparks of my longing eyes, to show how completely I burn, my gaze will speak instead.

Score comparison#

% Source: “Silent Worship” in Arthur Somervell: Ten Songs, (1928), pp. 34–37 – via IMSLP \header tagline = ##f title = “Silent Worship” \paper paper-height = 61\cm system-system-spacing = #’((basic-distance . 5) (padding . 5)) system-separator-markup = \slashSeparator \layout indent = 0 \set Score.tempoHideNote = ##t global = \key g \major \numericTimeSignature \time 4/4 \tempo “Andante” tenorVoice = \relative c’ \global \autoBeamOff \set Score.currentBarNumber = #6 \bar "" \override Score.BarNumber.break-visibility = ##(#f #f #t) b'8 c16 d c8 b a d r8 fis, \override Score.BarNumber.break-visibility = ##(#f #f #f) g c16 b a8 g g fis r4 b8 c16 b a8 g c b r8 b e, fis16 g a8 g fis16 e d8 r8 d’ g, a16 b c8 c c b r a fis g16 a b8 a16. g32 g4. r8 e fis16 g a8 g fis d'4 c8 \tempo 4 = 62 b^“rall.” a16 g fis8. g16 \tempo 4 = 68 g2 R1 b8 c16 d e8 d c16 b c8 r8 r8 a8 b16 c d8 c b16 a b4 a8 g a16 b c8 b a16 g a4 a8 b e cis8. d16 d2 b8 c16 d c8 b a d r fis, g c16 b a8 g g fis r4 b8 c16 b a8 g c b r b e, fis16 g a8 g fis16 e d4 d'8 g, a16 b c8 c c b r a fis g16 a b8 a g4. r8 e fis16 g a8 g fis d'4 \tempo 4 = 62 c16^“rall.” c b8 a16 g fis8. g16 \tempo 4 = 68 g2 R1 \bar " ." verse = \lyricmode \override LyricHyphen.minimum-distance = #0.5 Did you not hear my la – dy Go down the gar – den sing – ing? Black – bird and thrush were si – lent To hear the al – leys ring – ing. O saw you not my la – dy Out in the gar – den there? Sham – ing the rose and li – ly For she is twice as fair. Though I am noth – ing to her Though she must rare – ly look at me, And though I could nev – er woo her I love her till I die. Sure – ly you heard my la – dy Go down the gar – den sing – ing? Si – len – cing all the song – birds And set – ting the al – leys ring – ing. But sure – ly you see my la – dy Out in the gar – den there, Riv’l – ing the glit’r – ing sun – shine With a glo – ry of gol – den hair. verseI = \lyricmode \override LyricText.font-shape = #‘italic Non lo di – rò col – lab – ro che tan – toar – dir non hà __ , non lo di – rò col – lab – ro non lo di – rò col – lab – ro che tan – toar – dir non hà __ , che tan – toar – dir non hà, non lo di – rò col – lab – ro che tan – toar – dir non hà. For – se con le fa – vil – le dell’a — vi – de pu – pil — le, per dir co – me tut – to ar – do, lo sguar – do par – le – rà. Non lo di – rò col – lab – ro che tan – to ar – dir non hà, non lo di – rò col – lab – ro non lo di – rò col – lab – ro ___ che tan – to ar – dir non hà, ___ che tan – to_ar – dir non hà, non lo di – rò col – lab – ro che ___ tan – to ar – dir non hà. rightOne = \relative c \global 4 ( 8 a4 fis) g4 ( 8 ) g (fis) \appoggiatura d d’ c 4 ( 8 ) r ( e8 d 4) 16 (g fis e) 8 ( ) e (a) g (fis16 e d8) e ( d a’ g fis) fis (g) a 16 g 4 g'8 fis16 e 8 16 a8. g16 2 b8 (c16 d 8 4. 8) a b16 a 8 4. 8 g4 ( 8 fis a) \tempo 4 = 62 a g fis( \tempo 4 = 68 fis16 g a8 ) 4 ( 8 \stemDown 4 ) \stemUp g4 8 g fis r 4 8 e d 4 a16 (g fis e) 8 ( ) e (a) ( ) g8. (fis16) g8 (fis16 e d8 ) e ( d a’ g fis) fis (g) 16 g 4 g'8 fis16 e 8 16 a8. g16 2 \bar " ." rightTwo = \relative c \global d,2 d b8 c16 d s4 4 s2. r8 s8 g,4 s2. s4 c4 d s4 s2 b4. s8 g4 c8 d16 e s8 d4 s8 s2. 4 d,8 e s2 4 g s2 fis8 s2. e8 d s2 4 b 4. s8 s4 d \stemUp fis2 \stemDown b,8 c16 d s4 r8 s8 s1 g,4 s2. s4 c d e s4 d8 c b4. s8 g4 c8 d16 e s8 d4 s8 s2. 4 d,8 e s2 \bar " ." left = \relative c’ \global g4 (a8 g fis4 d) e8. (d16 c8 a) d (d,) r fis g4 (c8 b a g g'4) c,8 (b c a d c b b’) e,4 a8. (g16) fis8 (g) c,4 d8 e d16 d, d'8 e (d16 c b8) g c (b a b16 c d8) b (e,) fis g c d d, g g'16 fis e8 d16 c b8 c d d, g2 g'8 (a16 b c8 b a e a, c) d (c’ b a g d g, b) c (b a g fis e d fis) g e a~ (d16 e fis8 d) g,4 (fis8 g d'4 b) e8. d16 c8 a d a d, fis g4 c8 b a g4 b8 c b c a d c b b’ e,4 a8. (g16) fis8 (g) c,4 d8 e d16 d, d'8 e (d16 c b8 g) c (b a b16 c d8 b e, fis) g c d d, g'16 fis e8 d16 c b8 c d d, 2 \bar " ." tenorVoicePart = \new Staff \with midiInstrument = “tenor sax” %“synth voice” \tenorVoice \addlyrics \verse \addlyrics \verseI pianoPart = \new PianoStaff > \new Staff = “left” \with midiInstrument = “harpsichord” \clef bass \left » \score > \layout \midi \tempo 4=68 % Source: Georg Friedich Händels Werke, vol 75, 1878, plate H.W. 76, pp. 11–12 (via IMSLP) % omitting 5-bar instrumental pre- and postludes. \header tagline = ##f title = “Non lo dirò collabro” \paper paper-height = 40\cm system-system-spacing = #’((basic-distance . 5) (padding . 5)) system-separator-markup = \slashSeparator \layout indent = 1.5\cm short-indent = 0.5\cm \set Score.tempoHideNote = ##t \context \Staff \RemoveEmptyStaves \context \Voice \remove “Dynamic_engraver” global = \key e \major \time 4/4 violin = \relative c \global \set Score.currentBarNumber = #6 \bar "" \override Score.BarNumber.break-visibility = ##(#f #f #t) \repeat volta 2 \tempo “Andante” gis8\p a16 b a8 gis fis b r dis, \override Score.BarNumber.break-visibility = ##(#f #f #f) e a16 gis fis8 e e dis r4 gis'8 a16 gis fis8 e a gis r4 cis,8 dis16 e fis8 e dis16 cis b8 r8 b’ e, fis16 gis a8 a a gis4 fis8 dis e16 fis gis8 fis16 e e4 r4 cis8 dis16 e fis8 e dis b'4 a8 \tempo 4 = 62 \alternative gis8 fis16 e dis8. e16 e8 \tempo 4 = 68 e, e’\f dis16 cis b8 a16 gis fis8. e16 e4 r4 gis'8\p a16 b cis8 b a16 gis a8 r8 gis fis gis16 a b8 a gis16 fis gis8 r8 fis e fis16 gis a8 gis fis16 e fis8 r fis gis cis ais4 b2 gis8 fis16 e dis8. e16 e4 r4 \bar " ." viola = \relative c’ \global \repeat volta 2 e8\p fis16 gis fis8 e dis gis r8 dis cis4 r8 cis8 b4 r4 R1*5 \alternative r2 r8 gis’ gis a e8 e e dis e4 r r2 cis8 dis16 e fis8 e dis cis b cis16 dis e8 b e dis cis4 dis8 e dis fis b dis, \tempo 4 = 62 b e dis fis dis \tempo 4 = 68 dis16 e (fis8) dis R1 tenorVoice = \relative c \global \autoBeamOff \repeat volta 2 gis8 a16 b a8 gis fis b r dis, e a16 gis fis8 e e dis r4 gis8 a16 gis fis8 e a gis r4 cis,8 dis16 e fis8 e dis16 cis b8 r8 b’ e, fis16 gis a8 a a (gis4) fis8 dis e16 fis gis8 (fis16) e e4 r4 cis8 dis16 e fis8 e dis b'4 a8 \alternative gis8 \tempo 4 = 62 fis16 e dis8. e16 e4 r4 R1 gis8 a16 b cis8 b a16 gis a8 r8 gis fis gis16 a b8 a gis16 fis gis8 r8 fis e fis16 gis a8 gis fis16 e fis8 r fis gis cis ais8. b16 b2 gis8 fis16 e dis8. e16 e4 r4 verse = \lyricmode \override LyricHyphen.minimum-distance = #1.0 \repeat volta 2 Non lo di – rò col – lab – ro che tan – to ar – dir non hà __ non lo di – rò col – lab – ro non lo di – rò col – lab – ro che tan – to ar – dir non hà, __ che tan – to ar – dir non hà, non lo di – rò col – lab – ro che \alternative tan – to ar – dir non hà. For – se con le fa – vil – le dell’ a – vi – de pu – pil – le, per dir co – me tut’ ar – do, lo sguar – do par – le – rà. tan – to ar – dir non hà. contrabass = \relative c \global \repeat volta 2 e'4 a,8 e b’ gis r8 b cis a fis a b b,16 cis dis8 b e4 a8 gis fis e r4 a8 gis a fis b a b gis cis b cis dis e e, a4 b8 cis16 a b8 b, e fis gis e a gis fis gis16 a b8 gis cis, dis \alternative e a b b, e dis cis b16 a gis8 a’ b b, e4 r4 e8 fis16 e a8 gis fis4 r8 a b a gis fis e4 r8 gis a gis fis e b’ b, dis b e cis fis fis, b b'16 cis dis8 b e, a b b, e4 r4 violinPart = \new Staff \with instrumentName = “Violino I, II” shortInstrumentName = “Vl.” midiInstrument = “violin” \violin violaPart = \new Staff \with instrumentName = \markup \column “Violino III” \line “e viola” shortInstrumentName = \markup \column “Vl. III” \line “& Vla.” midiInstrument = “viola” \clef alto \viola tenorVoicePart = \new Staff \with instrumentName = “Alessandro” shortInstrumentName = “A.” midiInstrument = “tenor sax” %“synth voice” \clef alto \tenorVoice \addlyrics \verse contrabassPart = \new Staff \with instrumentName = “Bassi” shortInstrumentName = “B.” midiInstrument = “contrabass” \clef bass \contrabass \score > \layout \score \unfoldRepeats > \midi \tempo 4=68

External links#

• , Kenneth McKellar (tenor), Orchestra of the Royal Opera House, Adrian Boult (conductor)
• , Thomas Allen (baritone)
• , Romina Basso (mezzo-soprano), Il Complesso Barocco, Alan Curtis (conductor)
• , David Walker countertenor