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Johann Sebastian Bach

BWV Anh.

The BWV Anh. () is a list of lost, doubtful, and spurious compositions by, or once attributed to, Johann Sebastian

First edition of the Bach-Werke-Verzeichnis (1950)#

In 1950 the Bach-Werke-Verzeichnis was published, allocating a unique number to every known composition by Bach. Wolfgang Schmieder, the editor of that catalogue, grouped the compositions by genre, largely following the 19th-century (BG) edition for the collation (e.g. BG cantata number = BWV number of the cantata): # Kantaten (Cantatas), BWV 1–224 # Motetten (Motets), BWV 225–231 # Messen, Messensätze, Magnificat (Masses, Mass movements, Magnificat), BWV 232–243 # Passionen, Oratorien (Passions, Oratorios), BWV 244–249 # Vierstimmige Choräle (Four-part chorales), BWV 250–438 # Lieder, Arien, Quodlibet (Songs, Arias and Quodlibet), BWV 439–524 # Werke für Orgel (Works for organ), BWV 525–771 # Werke für Klavier (Keyboard compositions), BWV 772–994 # Werke für Laute (Lute compositions), BWV 995–1000 # Kammermusik (Chamber music), BWV 1001–1040 # Orchesterwerke (Works for orchestra), BWV 1041–1071, originally in two separate chapters: Concertos (BWV 1041–1065) and Overtures (BWV 1066–1071) # Kanons (Canons), BWV 1072–1078 # Musikalisches Opfer, Kunst der Fuge (Musical Offering, Art of the Fugue), BWV 1079–1080 The of the BWV listed works that were not suitable for the main catalogue, in three sections: * I – lost works, or works of which only a tiny fraction had survived (BWV Anh. 1–23) * II – works of dubious authenticity (BWV Anh. 24–155) * III – works that were once attributed to Bach, but for which it had been established they were not composed by him (BWV Anh. 156–189) Within each section of the the works are sorted by genre, following the same sequence of genres as the main catalogue.

Second edition of the Bach-Werke-Verzeichnis (1990 and 1998)#

Schmieder published the BWV’s second edition in 1990, with some modifications regarding authenticity discriminations, and more works added to the main catalogue and the . A strict numerical collation was abandoned to insert additions, or when for another reason compositions were regrouped. A uthenticity discriminations, based on new research, could lead to such repositionings within the catalogue, e.g. "" became "" indicating it was now considered a spurious work. In 1998 Alfred Dürr and Yoshitake Kobayashi published a small edition of the catalogue, based on the 1990 second edition. This edition, known as BWV 2a , contained a few further updates and collation rearrangements. New additions (Nachträge) to BWV 2 /BWV 2a included: * BWV 1081–1126 * BWV Anh. 190–213 A few exceptions to the principle that compositions were not renumbered were when a composition from the could be recovered and/or authenticated as Bach’s, so that it deserved a place in the main catalogue, in which case it was given a number above 1080. So, for example, BWV Anh. 205 (BWV 2 ) → BWV 1121 (BWV 2a , where it is in section 7 as a work for organ). Other renumberings and additional numbers involved alternative or earlier versions of basically the same composition, which were indicated by adding a lower case letter to the BWV number. For example, was renumbered to BWV 149/1a (earlier abandoned version of the opening movement of Cantata BWV 149) Slashes indicate movements: e.g. BWV 149/1 indicates the first movement of the Cantata BWV 149. Another example: the Agnus Dei of the Mass in B minor can be indicated as BWV 232/22 (22nd movement of the composition), or alternatively as BWV 232 IV /4 (BWV 232, fourth movement of Part IV).

Bachs Notenbibliothek (1992)#

published Bachs Notenbibliothek (BNB) in 1992. As a compendium of works in Bach’s musical library, it listed as well Bach’s own compositions, as works by other composers of which Bach owned a copy. Several compositions of this latter group are listed in the BWV Anh. (mostly Anh. III). For example, the Kyrie–Gloria Mass for double choir, BWV Anh. 167, is listed as BNB I/An/3 in Beißwenger’s catalogue.

21st century#

As of mid-2018 the Bach Digital website started to implement the new numbers of the next edition of the Bach-Werke-Verzeichnis. The editors of this third edition of the Bach-Werke-Verzeichnis (BWV³: officially presented to the public on June 13, 2022, during the Leipzig Bachfest ) recognised that the BWV Anh. had become largely unworkable, calling for a new approach.

Table#

  • id=“BWV Anhang” style=“background: #D8D8D8;” data-sort-value=“A000.001” Anh. I data-sort-value=“449.020” colspan=“8” Fragments – lost works data-sort-value=“1307a” Up ↑ - id=“BWV Anh. 1” data-sort-value=“A001.000” I 1 data-sort-value=“449.051” I data-sort-value=“1725-07-15” 1725-07-15? Cantata Gesegnet ist die Zuversicht (Trinity VII) SATB 2Fl Str Bc data-sort-value=“by Telemann (TWV 1:0617)” by Telemann (TWV 1:617)?; text by Neumeister? - id=“BWV Anh. 2” data-sort-value=“A002.000” I 2 data-sort-value=“449.052” I data-sort-value=“1729-10-23” —- data-sort-value=“Cantata (sketch: Gott, du Richter der Gedanken for Trinity XIX?)” —- —- data-sort-value=“SATB Vl Str Bc” —- —- data-sort-value=“III/01” —- see BWV 1137 - data-sort-value=“A003.000” I 3 data-sort-value=“449.053” I data-sort-value=“1730-08-25” —- data-sort-value=“Cantata Gott, gib dein Gerichte dem Könige (council election)” —- —- —- —- data-sort-value=“I/32.2” —- see BWV 1140 - id=“BWV Anh. 4” data-sort-value=“A004.000” I 4 data-sort-value=“450.001” I data-sort-value=“1725-08-27” —- data-sort-value=“Cantata Wünschet Jerusalem Glück (council election)” —- —- —- —- —- see BWV 1139.1 - id=“BWV Anh. 4a” data-sort-value=“A004.a00” I 4a data-sort-value=“450.002” I data-sort-value=“1730-06-27” —- data-sort-value=“Cantata Wünschet Jerusalem Glück (200th anniversary of the Augsburg Confession)” —- —- —- —- —- see BWV 1139.2 - data-sort-value=“A005.000” I 5 data-sort-value=“450.003” I data-sort-value=“1718-12-10” —- data-sort-value=“Cantata Lobet den Herrn, alle seine Heerscharen (birthday of Leopold of Anhalt-Köthen)” —- —- —- —- data-sort-value=“I/34” —- see BWV 1147 - id=“BWV Anh. 6” data-sort-value=“A006.000” I 6 data-sort-value=“450.004” I data-sort-value=“1720-01-01” —- data-sort-value=“Secular cantata Dich loben die lieblichen Strahlen der Sonne (New Year)” —- —- —- —- data-sort-value=“I/35” —- see BWV 1151 - id=“BWV Anh. 7” data-sort-value=“A007.000” I 7 data-sort-value=“450.005” I data-sort-value=“1720-12-10” —- data-sort-value=“Secular cantata Heut ist gewiß ein guter Tag (birthday of Leopold of Anhalt-Köthen)” —- —- —- —- data-sort-value=“I/35” —- see BWV 1153 - id=“BWV Anh. 8” data-sort-value=“A008.000” I 8 data-sort-value=“451.001” I data-sort-value=“1723-01-01” —- data-sort-value=“Secular cantata for New Year (congratulation of Leopold of Anhalt-Köthen and his wife Frederica Henriette)” —- —- —- —- data-sort-value=“I/35” —- see BWV 1152 - data-sort-value=“A009.000” I 9 data-sort-value=“451.002” I data-sort-value=“1727-05-12” —- data-sort-value=“Secular cantata Entfernet euch, ihr heitern Sterne (57th birthday of Augustus II)” —- —- —- —- data-sort-value=“I/36” —- see BWV 1156 - id=“BWV Anh. 10” data-sort-value=“A010.000” I 10 data-sort-value=“451.003” I data-sort-value=“1731-08-25” —- data-sort-value=“Secular cantata So kampfet nur, ihr muntern Tone (birthday of Joachim Friedrich von Flemming)” —- —- —- —- data-sort-value=“I/39” —- see BWV 1160 - data-sort-value=“A011.000” I 11 data-sort-value=“451.004” I data-sort-value=“1732-08-03” —- data-sort-value=“Secular cantata Es lebe der König, der Vater im Lande (name day of Augustus II)” —- —- —- —- data-sort-value=“I/36” —- see BWV 1157 - id=“BWV Anh. 12” data-sort-value=“A012.000” I 12 data-sort-value=“451.005” I data-sort-value=“1733-08-03” —- data-sort-value=“Secular cantata Frohes Volk, vergnügte Sachsen (name day of Augustus III)” —- —- —- —- data-sort-value=“I/36” —- see BWV 1158 - id=“BWV Anh. 13” data-sort-value=“A013.000” I 13 data-sort-value=“452.001” I data-sort-value=“1738-04-28” —- data-sort-value=“Secular cantata Willkommen! Ihr herrschenden Götter der Erden” —- —- —- —- data-sort-value=“I/37” —- see BWV 1161 - id=“BWV Anh. 14” data-sort-value=“A014.000” I 14 data-sort-value=“452.002” I data-sort-value=“1725-02-12” —- data-sort-value=“Cantata Sein Segen fließt daher wie ein Strom (wedding)” —- —- —- —- —- see BWV 1144 - id=“BWV Anh. 15” data-sort-value=“A015.000” I 15 data-sort-value=“452.003” I data-sort-value=“1724-04-27” —- data-sort-value=“Cantata Siehe, der Hüter Israel (doctorate)” —- —- data-sort-value=“SATB 3Tr Tmp 2Ob 3Vl Va Bc” —- —- data-sort-value=“I/34” —- see BWV 1148 - id=“BWV Anh. 16” data-sort-value=“A016.000” I 16 data-sort-value=“452.004” I 1735-11-09 Cantata Schließt die Gruft! ihr Trauerglocken (mourning of Hedwig of Merseburg) by Roemhildt; text by Hoffmann, B. - id=“BWV Anh. 17” data-sort-value=“A017.000” I 17 data-sort-value=“453.001” I Cantata Mein Gott, nimm die gerechte Seele (funeral) SATB 2Oba Str Bas Bc I/33 - data-sort-value=“A018.000” I 18 data-sort-value=“453.002” I data-sort-value=“1732-06-05” —- data-sort-value=“Secular cantata Froher Tag, verlangte Stunden (inauguration of St. Thomas school after renovation)” —- —- —- —- data-sort-value=“I/39” —- see BWV 1162 - id=“BWV Anh. 19” data-sort-value=“A019.000” I 19 data-sort-value=“453.003” I 1734-11-21 Secular cantata Thomana saß annoch betrübt (welcome to Johann August Ernesti as new rector of St. Thomas school) I/39 text by ? - id=“BWV Anh. 20” data-sort-value=“A020.000” I 20 data-sort-value=“453.004” I data-sort-value=“1723-08-09” —- data-sort-value=“Ode in Latin (birthday of Frederick II of Saxe-Gotha)” —- —- —- —- data-sort-value=“I/38” —- see BWV 1155 - id=“BWV Anh. 190” style=“background: #F5F6CE;” data-sort-value=“A190.000” N 190 data-sort-value=“454.003” I 1729-04-18 Cantata Ich bin ein Pilgrim auf der Welt (Easter 2) b Bc … I/33 by Bach, C. P. E.?; text by Picander - id=“BWV Anh. 191” data-sort-value=“A191.000” N 191 data-sort-value=“454.004” I 1715-05-19 Cantata Leb ich oder leb ich nicht (Cantate) text by Franck, S. - data-sort-value=“A192.000” N 192 data-sort-value=“454.005” I data-sort-value=“1709-02-04 —- data-sort-value=“Cantata for Ratswahl in Mühlhausen No. 2 —- —- —- —- —- see BWV 1138.1 - id=“BWV Anh. 193” data-sort-value=“A193.000” N 193 data-sort-value=“454.006” I data-sort-value=“1740-08-29” —- data-sort-value=“Cantata Herrscher des Himmels, König der Ehren (council election)” —- —- —- —- data-sort-value=“I/32.2” —- see BWV 1141 - id=“BWV Anh. 194” data-sort-value=“A194.000” N 194 data-sort-value=“455.001” I data-sort-value=“1722-07-29” —- data-sort-value=“Cantata O vergnügte Stunden (birthday of John Augustus of Anhalt-Zerbst)” —- —- —- —- —- see BWV 1154 - id=“BWV Anh. 195” data-sort-value=“A195.000” N 195 data-sort-value=“455.002” I 1723-06-09 Secular cantata Murmelt nur, ihr heitern Bäche (celebration of ) text in - id=“BWV Anh. 196” data-sort-value=“A196.000” N 196 data-sort-value=“455.003” I data-sort-value=“1725-11-27” —- data-sort-value=“Secular cantata Auf, süß entzückende Gewalt (wedding of Peter, eldest son of Peter Hohmann, and Christiana Sibylla Mencke)” —- —- —- —- data-sort-value=“I/40” —- see BWV 1163 - id=“BWV Anh. 197” data-sort-value=“A197.000” N 197 data-sort-value=“455.004” I data-sort-value=“1721-07-01” —- data-sort-value=“Cantata Ihr wallenden Wolken (New Year)” —- —- data-sort-value=“b Flx2 Str Vc Hc Bc” —- —- data-sort-value=“I/04” —- see BWV 1150 - data-sort-value=“A198.000” N 198 data-sort-value=“455.005” I data-sort-value=“1729-09-28” —- data-sort-value=“Cantata Man…” —- —- data-sort-value=“SATB 3Tr Tmp 2Ob Str Bc” —- —- data-sort-value=“I/40” —- see BWV 149/1a - id=“BWV Anh. 199” data-sort-value=“A199.000” N 199 data-sort-value=“455.006” I data-sort-value=“1724-03-25” —- data-sort-value=“Cantata Siehe, eine Jungfrau ist schwanger (25 March: Annunciation)” —- —- —- —- —- see BWV 1135 - style=“background: #E3F6CE;” data-sort-value=“A200.000” N 200 data-sort-value=“456.002” I data-sort-value=“1740-07-01” 1740 chorale setting “O Traurigkeit, o Herzeleid” (unused sketch for Orgelbüchlein) Organ data-sort-value=“IV/01: 046” IV/1: 46 after Z 1915; in SBB P 283 - id=“BWV Anh. 209” data-sort-value=“A209.000” N 209 data-sort-value=“456.003” I data-sort-value=“1712-12-31” —- data-sort-value=“Cantata Liebster Gott, vergißt du mich (1711: libretto for Trin. VII; 1725: Trin. XV?; 1727: funeral in Pomßen)” —- —- —- —- —- see BWV 1136 - id=“BWV Anh. 210” data-sort-value=“A210.000” N 210 data-sort-value=“456.004” I 1734-10-04 (leave-taking of Johann Matthias Gesner) text in 2° Poet. Germ. I, 6425: 4 Rara; /1 → BWV 193a/7, 193/3? - id=“BWV Anh. 211” data-sort-value=“A211.000” N 211 data-sort-value=“456.005” I data-sort-value=“1729-01-18” —- data-sort-value=“Cantata Der Herr ist freundlich dem, der auf ihn harret (wedding)” —- —- —- —- —- see BWV 1145 - id=“BWV Anh. 212” data-sort-value=“A212.000” N 212 data-sort-value=“457.001” I data-sort-value=“1729-07-26” —- data-sort-value=“Cantata Vergnügende Flammen, verdoppelt die Macht (wedding)” —- —- —- —- —- see BWV 1146 - data-sort-value=“A213.000” N 213 data-sort-value=“457.002” I Concerto F maj. Org by Telemann; arr. by Bach - data-sort-value=“0223.000” 223 data-sort-value=“457.003” I data-sort-value=“1717-07-01” 1717–1718? Cantata Meine Seele soll Gott loben B♭ maj. I/34 by Handel? - data-sort-value=“0224.000” 224 data-sort-value=“457.004” I data-sort-value=“1732-07-01” 1732 Aria “Reißt euch los, bekränkte Sinnen” (fragment) S I/41 by Bach, C. P. E.?; in SBB P 491 - id=“BWV Anhang II” style=“background: #D8D8D8;” data-sort-value=“A023.999” Anh. II data-sort-value=“459.000” colspan=“8” Works of doubtful authenticity data-sort-value=“1331a” Up ↑ - data-sort-value=“0053.000” 53 data-sort-value=“459.001” II Aria “Schlage doch, gewünschte Stunde” (Funeral) E maj. a Bel Str Bc data-sort-value=“000.12 2: 053” 12 2 : 53 I/41 by Hoffmann, M.? - data-sort-value=“0142.000” 142 data-sort-value=“459.002” II Cantata Uns ist ein Kind geboren (Christmas) A min. data-sort-value=“atbSATB Flx2 Obx2 Str Bc” atbSATB 2Fl 2Ob Str Bc data-sort-value=“000.30: 019” 30: 19 I/41 text by Neumeister (reworked) - data-sort-value=“0189.000” 189 data-sort-value=“459.003” II Cantata Meine Seele rühmt und preist (German Magnificat, Visitation) B♭ maj. t Fl Ob Vl Bc data-sort-value=“000.37: 213” 37: 213 I/41 by Hoffmann, M. - data-sort-value=“0217.000” 217 data-sort-value=“459.004” II Cantata Gedenke, Herr, wie es uns gehet (Epiphany I) satbSATB Fl Str Bc data-sort-value=“000.41: 207” 41: 207 I/41 by Altnickol? - data-sort-value=“0220.000” 220 data-sort-value=“459.005” II Cantata Lobt ihn mit Herz und Munde (24 June: feast of John the Baptist) atbSATB Fl 2Ob Str Bc data-sort-value=“000.41: 259” 41: 259 I/41 - data-sort-value=“0221.000” 221 data-sort-value=“459.006” II Cantata Wer sucht die Pracht, wer wünscht den Glanz tb 2Vl Bas Vc Org I/41 data-sort-value=“in SBB P 0191” in SBB P 191: 83–113 - data-sort-value=“A159.000” III 159 data-sort-value=“459.007” II data-sort-value=“1712-07-01” —- —- —- data-sort-value=“SATBx2” —- data-sort-value=“000.39: 157” —- data-sort-value=“III/03” —- see BWV 1164 - style=“background: #E3F6CE;” data-sort-value=“A025.000” II 25 data-sort-value=“459.008” II data-sort-value=“1741-07-01” 1740–1742 (JSB) Kyrie–Gloria Mass C maj. SATB 2Tr 2Vl Org data-sort-value=“000.11 1: XVI” 11 1 : XVI II/9 by Bach, J. L.? - style=“background: #E3F6CE;” data-sort-value=“0239.000” 239 data-sort-value=“460.002” II data-sort-value=“1739-12-31” 1738–1741 (JSB) Sanctus D min. SATB Str Bc data-sort-value=“000.11 1: 089” 11 1 : 89 data-sort-value=“II/09” II/9 after Caldara, Missa Providentiae/4 - data-sort-value=“A028.000” II 28 data-sort-value=“460.004” II Sanctus B♭ maj. SATB 2Ob 2Cor Str Bc data-sort-value=“000.11 1: XVII” 11 1 : XVII II/9 - style=“background: #E3F6CE;” data-sort-value=“A029.000” II 29 data-sort-value=“460.005” II data-sort-value=“1716-01-01” 1714–17 Kyrie–Gloria Mass (only cello part extant) C min. II/9 in BKraków St 547 - style=“background: #E3F6CE;” data-sort-value=“A167.000” III 167 data-sort-value=“460.006” II data-sort-value=“1739-01-01” 1738–1739 (JSB) Kyrie–Gloria Mass for two choirs G maj. data-sort-value=“SATBx3 Obx3 Tai Vlx2 Vax2 Vnex2 Bc Org” 3SATB 3Ob Tai 2Vl 2Va 2Vne Bc Org II/9 by Bernhard, Krieger or Pohle?; in SBB P 659 - style=“background: #E3F6CE;” data-sort-value=“A030.000” II 30 data-sort-value=“460.007” II data-sort-value=“1742-07-01” 1690s (Tor.) 1742 (JSB) Magnificat for double choir C maj. data-sort-value=“SATBx2 Trx3 Tmp 2Vl 2Vla Bc” 2SATB 3Tr Tmp 2Vl 2Vla Bc data-sort-value=“000.11 1: XV” 11 1 : XV II/9 after Torri, Magnificat; Tr3, Tmp by Bach - style=“background: #E3F6CE;” data-sort-value=“0246.000” 246 data-sort-value=“460.008” II 1732-04-11 (JSB) Passion St Luke Passion data-sort-value=“ssatbSATB Flx2 Obx2 Tai Bas Str Bc” ssatbSATB 2Fl 2Ob Tai Bas Str Bc data-sort-value=“000.45 2: 000” 45 2 data-sort-value=“II/09: 065” II/9: 65 data-sort-value="→ BWB 246/40a” → BWV 246/40a; in SBB P 1017 - id=“BWV Anh. 31” data-sort-value=“A031.000” II 31 data-sort-value=“460.009” II chorale setting “Herr Gott, dich loben alle wir” SATB 2Tr 3Ob Str Bc data-sort-value=“in SBB P 0101” in SBB P 101 - id=“BWV Anh. 201” data-sort-value=“A201.000” N 201 data-sort-value=“460.010” II chorale setting “Du Friedefürst, Herr Jesu Christ” SATB by Vetter, D. - id=“BWV Anh. 202” data-sort-value=“A202.000” N 202 data-sort-value=“460.011” II chorale setting “Gott hat das Evangelium” SATB by Vetter, D. - id=“BWV Anh. 203” data-sort-value=“A203.000” N 203 data-sort-value=“460.012” II chorale setting “Ich hebe meine Augen auf” SATB by Vetter, D. - id=“BWV Anh. 204” data-sort-value=“A204.000” N 204 data-sort-value=“460.013” II chorale setting “O Traurigkeit, o Herzeleid” SATB by Vetter, D. - data-sort-value=“A032.000” II 32 data-sort-value=“460.014” II data-sort-value=“1704-07-01” 1704 data-sort-value=“Geistliche Oden, Sieben und ein Gedicht No. 1” No. 1 “Getrost mein Geist, wenn Wind und Wetter krachen” Voice Bc in Deutsche Übersetzungen und Gedichte - data-sort-value=“A033.000” II 33 data-sort-value=“460.015” II data-sort-value=“1704-07-01” 1704 data-sort-value=“Geistliche Oden, Sieben und ein Gedicht No. 2” No. 2 “Mein Jesus, spare nicht” Voice Bc in Deutsche Übersetzungen und Gedichte - data-sort-value=“A034.000” II 34 data-sort-value=“460.016” II data-sort-value=“1704-07-01” 1704 data-sort-value=“Geistliche Oden, Sieben und ein Gedicht No. 3” No. 3 “Kann ich mit einem Tone” Voice Bc in Deutsche Übersetzungen und Gedichte - data-sort-value=“A035.000” II 35 data-sort-value=“460.017” II data-sort-value=“1704-07-01” 1704 data-sort-value=“Geistliche Oden, Sieben und ein Gedicht No. 4” No. 4 “Meine Seele lass die Flügel” Voice Bc in Deutsche Übersetzungen und Gedichte - data-sort-value=“A036.000” II 36 data-sort-value=“460.018” II data-sort-value=“1704-07-01” 1704 data-sort-value=“Geistliche Oden, Sieben und ein Gedicht No. 5” No. 5 “Ich stimm’ itzund ein Straff-Lied an” Voice Bc in Deutsche Übersetzungen und Gedichte - data-sort-value=“A037.000” II 37 data-sort-value=“460.019” II data-sort-value=“1704-07-01” 1704 data-sort-value=“Geistliche Oden, Sieben und ein Gedicht No. 6” No. 6 “Der schwarze Flügel trüber Nacht” Voice Bc in Deutsche Übersetzungen und Gedichte - data-sort-value=“A038.000” II 38 data-sort-value=“460.020” II data-sort-value=“1704-07-01” 1704 data-sort-value=“Geistliche Oden, Sieben und ein Gedicht No. 7” No. 7 “Das Finsterniß tritt ein” Voice Bc in Deutsche Übersetzungen und Gedichte - data-sort-value=“A039.000” II 39 data-sort-value=“460.021” II data-sort-value=“1704-07-01” 1704 data-sort-value=“Geistliche Oden, Sieben und ein Gedicht No. 8” No. 8 “Ach was wollt ihr trüben Sinnen” Voice Bc in Deutsche Übersetzungen und Gedichte - data-sort-value=“A040.000” II 40 data-sort-value=“460.022” II data-sort-value=“1736-07-01” 1736 Voice Kb in - data-sort-value=“A041.000” II 41 data-sort-value=“460.023” II data-sort-value=“1732-07-01” 1736 Voice Kb in - data-sort-value=“0571.000” 571 data-sort-value=“461.001” II data-sort-value=“1704-07-01” Fantasia, a.k.a. Concerto G maj. Organ data-sort-value=“000.38: 067” 38: 67 data-sort-value=“IV/11: 035” IV/11: 35 - data-sort-value=“0580.000” 580 data-sort-value=“461.002” II Fugue D maj. Organ data-sort-value=“000.38: 213” 38: 215 - data-sort-value=“A042.000” II 42 data-sort-value=“461.003” II F maj. Organ data-sort-value=“in SBB P 0817” in SBB P 817: 1–3 - data-sort-value=“0576.000” 576 data-sort-value=“461.004” II Fugue G maj. Organ data-sort-value=“000.38: 106” 38: 106 IV/11 - data-sort-value=“0577.000” 577 data-sort-value=“461.005” II Fugue G maj. Organ data-sort-value=“000.38: 111” 38: 111 data-sort-value=“IV/11: 044” IV/11: 44 - data-sort-value=“0581.000” 581 data-sort-value=“461.006” II G maj. Organ IV/11 by Homilius? - data-sort-value=“0131.a00” 131a data-sort-value=“461.007” II Fugue G min. Organ data-sort-value=“000.38: 217” 38: 217 data-sort-value=“IV/11: 003” IV/11: 3 data-sort-value=“after BWV 0131/5” after BWV 131/5 - data-sort-value=“0534.000” 534 data-sort-value=“461.008” II Prelude and Fugue F min. Organ data-sort-value=“000.15: 104” 15: 104 data-sort-value=“IV/05: 130” IV/5: 130 by Bach, W. F.? - style=“background: #E3F6CE;” data-sort-value=“0536.A00” 536a data-sort-value=“461.012” II data-sort-value=“1774-12-31” 1760–1789? Prelude and Fugue A maj. Organ data-sort-value=“IV/06: 114” IV/6: 114 data-sort-value=“after BWV 0536” after BWV 536, 152/1; arr. by Scholz? - id=“BWV 545b” data-sort-value=“0545.b00” 545b data-sort-value=“461.013” II data-sort-value=“1712-12-31” 1708–1717 Prelude, Trio and Fugue B♭ maj. Organ data-sort-value=“IV/11: 006” IV/11: 6 data-sort-value=“after BWV 0545a” after BWV 545a; ↔ 545, 1029/3 - data-sort-value=“0553.000” 553 data-sort-value=“461.014” II data-sort-value=“Short Prelude and Fuguex8 No. 1” Eight Short Preludes and Fugues No. 1 C maj. Organ data-sort-value=“000.38: 023” 38: 23 IV/11 by Krebs, J. T. or J. L.? - data-sort-value=“0554.000” 554 data-sort-value=“461.015” II data-sort-value=“Short Prelude and Fuguex8 No. 2” Eight Short Preludes and Fugues No. 2 D min. Organ data-sort-value=“000.38: 027” 38: 27 IV/11 by Krebs, J. T. or J. L.? - data-sort-value=“0555.000” 555 data-sort-value=“461.016” II data-sort-value=“Short Prelude and Fuguex8 No. 3” Eight Short Preludes and Fugues No. 3 E min. Organ data-sort-value=“000.38: 030” 38: 30 IV/11 by Krebs, J. T. or J. L.? - data-sort-value=“0556.000” 556 data-sort-value=“461.017” II data-sort-value=“Short Prelude and Fuguex8 No. 4” Eight Short Preludes and Fugues No. 4 F maj. Organ data-sort-value=“000.38: 033” 38: 33 IV/11 by Krebs, J. T. or J. L.? - data-sort-value=“0557.000” 557 data-sort-value=“461.018” II data-sort-value=“Short Prelude and Fuguex8 No. 5” Eight Short Preludes and Fugues No. 5 G maj. Organ data-sort-value=“000.38: 036” 38: 36 IV/11 by Krebs, J. T. or J. L.? - data-sort-value=“0558.000” 558 data-sort-value=“461.019” II data-sort-value=“Short Prelude and Fuguex8 No. 6” Eight Short Preludes and Fugues No. 6 G min. Organ data-sort-value=“000.38: 039” 38: 39 IV/11 by Krebs, J. T. or J. L.? - data-sort-value=“0559.000” 559 data-sort-value=“461.020” II data-sort-value=“Short Prelude and Fuguex8 No. 7” Eight Short Preludes and Fugues No. 7 A min. Organ data-sort-value=“000.38: 042” 38: 42 IV/11 by Krebs, J. T. or J. L.? - data-sort-value=“0560.000” 560 data-sort-value=“461.021” II data-sort-value=“Short Prelude and Fuguex8 No. 8” Eight Short Preludes and Fugues No. 8 B♭ maj. Organ data-sort-value=“000.38: 045” 38: 45 IV/11 by Krebs, J. T. or J. L.? - data-sort-value=“0561.000” 561 data-sort-value=“461.022” II Fantasia and Fugue A min. Organ data-sort-value=“000.38: 048” 38: 48 - data-sort-value=“0568.000” 568 data-sort-value=“461.023” II Prelude G maj. Organ data-sort-value=“000.38: 85” 38: 85 data-sort-value=“IV/06: 051” IV/6: 51 - data-sort-value=“0584.000” 584 data-sort-value=“462.002” II G min. Organ data-sort-value=“I/12: 023” I/12: 23 IV/11 data-sort-value=“after BWV 0166/2” after BWV 166/2 - id=“BWV 1027/1a /2a /4a” data-sort-value=“1027.a00” 1027 /1a /2a /4a data-sort-value=“462.003” II G maj. Organ IV/11 after BWV 1027/1–2 /4, 1039/1–2 /4; arr. by Kellner, J. P.? - data-sort-value=“0591.000” 591 data-sort-value=“462.004” II Kleines harmonisches Labyrinth Organ data-sort-value=“000.38: 225” 38: 225 data-sort-value=“IV/11: 050” IV/11: 50 by Heinichen? - data-sort-value=“0597.000” 597 data-sort-value=“462.005” II Concerto for solo organ E♭ maj. Organ IV/11 after lost model? - data-sort-value=“0598.000” 598 data-sort-value=“462.006” II Pedal-Exercitium (fragment) Organ data-sort-value=“000.38: 210” 38: 210 by Bach, C. P. E.? - data-sort-value=“0676.a00” 676a data-sort-value=“462.007” II data-sort-value=“1763-07-01” 1739–1789 chorale setting “Allein Gott in der Höh sei Ehr” (later variant) Organ data-sort-value=“000.40: 208” 40: 208 data-sort-value=“IV/04: KB 048” IV/4: KB 48 data-sort-value=“after BWV 0676” after BWV 676 - data-sort-value=“0683.a00” 683a data-sort-value=“462.008” II data-sort-value=“1763-07-01” 1739–1789 chorale setting “Vater unser im Himmelreich” (later variant) Organ data-sort-value=“IV/04: KB 051” IV/4: KB 51 data-sort-value=“after BWV 0683” after BWV 683 - data-sort-value=“A205.000” N 205 data-sort-value=“462.009” II —- data-sort-value=“Fantasia” —- data-sort-value=“C min.” —- data-sort-value=“Organ” —- —- —- see BWV 1121 - data-sort-value=“A048.000” II 48 data-sort-value=“462.010” II chorale setting “Allein Gott in der Höh sei Ehr” Organ by Walther (& Scholz?) - data-sort-value=“A049.000” II 49 data-sort-value=“462.011” II chorale setting “Ein feste Burg ist unser Gott” Organ by Walther? - data-sort-value=“A050.000” II 50 data-sort-value=“462.012” II chorale setting “Erhalt uns, Herr, hei deinem Wort” Organ - data-sort-value=“A051.000” II 51 data-sort-value=“462.013” II chorale setting “Erstanden ist der heilge Christ” Organ - data-sort-value=“A052.000” II 52 data-sort-value=“462.014” II chorale setting “Freu dich sehr, o meine Seele” Organ - data-sort-value=“A053.000” II 53 data-sort-value=“462.015” II chorale setting “Freu dich sehr, o meine Seele” Organ - rowspan=“2” data-sort-value=“A054.000” II 54 rowspan=“2” data-sort-value=“462.016” II rowspan=“2” chorale setting “Helft mir Gotts Güte preisen” rowspan=“2” rowspan=“2” Organ rowspan=“2” rowspan=“2” rowspan=“2” rowspan=“2” - chorale setting “Von Gott will ich nicht lassen” - style=“background: #F6E3CE;” data-sort-value=“A055.000” II 55 data-sort-value=“462.017” II data-sort-value=“1715-12-31” 1714-1717 or earlier Organ - data-sort-value=“A058.000” II 58 data-sort-value=“462.020” II chorale setting “Jesu, meine Freude” Organ - data-sort-value=“A059.000” II 59 data-sort-value=“462.021” II chorale setting “Jesu, meine Freude” Organ - data-sort-value=“A060.000” II 60 data-sort-value=“462.022” II Organ by Walther? - data-sort-value=“A062.a00” II 62a data-sort-value=“462.023” II chorale setting “Sei Lob und Ehr mit hohem Preis” Organ - data-sort-value=“A062.b00” II 62b data-sort-value=“462.024” II chorale setting “Sei Lob und Ehr mit hohem Preis” Organ - data-sort-value=“A063.000” II 63 data-sort-value=“462.025” II chorale setting “Vom Himmel hoch” Organ - data-sort-value=“A064.000” II 64 data-sort-value=“462.026” II chorale setting “Vom Himmel hoch” Organ - style=“background: #F6E3CE;” data-sort-value=“A065.000” II 65 data-sort-value=“462.027” II chorale setting “Vom Himmel hoch” Organ - data-sort-value=“A066.000” II 66 data-sort-value=“462.028” II chorale setting “Wachet auf, ruft uns” Organ Tr by Krebs, J. L.? - data-sort-value=“A067.000” II 67 data-sort-value=“462.029” II chorale setting “Was Gott tut, das ist wohlgetan” Organ - data-sort-value=“A068.000” II 68 data-sort-value=“462.030” II chorale setting “Wer nur den lieben Gott läßt walten” Organ - data-sort-value=“A069.000” II 69 data-sort-value=“462.031” II chorale setting “Wir glauben all an einen Gott” Organ - data-sort-value=“A070.000” II 70 data-sort-value=“462.032” II Organ - data-sort-value=“A071.000” II 71 data-sort-value=“462.033” II —- data-sort-value=“chorale setting Wo Gott der Herr nicht bei uns hält” —- —- data-sort-value=“Organ” —- —- —- see BWV 1128 - data-sort-value=“A072.000” II 72 data-sort-value=“462.034” II chorale setting “Christus der uns selig macht” (Canon) Organ - data-sort-value=“A074.000” II 74 data-sort-value=“462.036” II Organ - data-sort-value=“A075.000” II 75 data-sort-value=“462.037” II Organ - data-sort-value=“A076.000” II 76 data-sort-value=“462.038” II Organ - style=“background: #F6E3CE;” data-sort-value=“A077.000” II 77 data-sort-value=“462.039” II Organ - data-sort-value=“A078.000” II 78 data-sort-value=“463.001” II Organ - data-sort-value=“A079.000” II 79 data-sort-value=“463.002” II chorale setting “Befiehl du deine Wege” Organ - data-sort-value=“0691.a00” 691a data-sort-value=“463.003” II data-sort-value=“1754-12-31” 1720–1789 chorale setting “Wer nur den lieben Gott läßt walten” (variant) Organ data-sort-value=“000.40: 151” 40: 151 data-sort-value=“after BWV 0691” after BWV 691 - data-sort-value=“0705.000” 705 data-sort-value=“463.004” II chorale setting “Durch Adams Fall ist ganz verderbt” (Kirnb. coll. No. 16) Organ data-sort-value=“000.40: 023” 40: 23 data-sort-value=“IV/10: 047” IV/10: 47 after Z 7549 - data-sort-value=“0708.000” 708 data-sort-value=“344.008” II data-sort-value=“1744-12-31” 1700–1789 chorale setting “Ich hab mein Sach Gott heimgestellt” (alio modo; Kirnb. coll. No. 19) Organ data-sort-value=“000.40: 030” 40: 30 data-sort-value=“IV/10: 086” IV/10: 86 after Z 1679 - data-sort-value=“0708.A00” 708a data-sort-value=“344.009” II data-sort-value=“1744-12-31” 1700–1789 chorale setting “Ich hab mein Sach Gott heimgestellt” Organ data-sort-value=“000.40: 152” 40: 152 data-sort-value=“IV/10: 086” IV/10: 86 after Z 1679 - data-sort-value=“0716.000” 716 data-sort-value=“345.004” II chorale setting “Allein Gott in der Höh sei Ehr” (Fantasia) Organ data-sort-value=“000.40: 045” 40: 45 data-sort-value=“IV/10: 014” IV/10: 14 after Z 4457 - style=“background: #F6E3CE;” data-sort-value=“0726.000” 726 data-sort-value=“345.015” II data-sort-value=“1712-12-31” bef. 1727 chorale setting “Herr Jesu Christ, dich zu uns wend” Organ data-sort-value=“000.40: 072” 40: 72 data-sort-value=“IV/03: 045” IV/3: 45 data-sort-value=“after Z 0624” after Z 624 - data-sort-value=“0743.000” 743 data-sort-value=“347.004” II data-sort-value=“1708-12-31” bef. 1740 Organ data-sort-value=“IV/10: 011” IV/10: 11 after Z 1208b; by Buttstett, J. H.? - data-sort-value=“0745.000” 745 data-sort-value=“347.006” II data-sort-value=“1743-07-01” 1700–1788 chorale setting “Aus der Tiefe rufe ich” Organ data-sort-value=“000.40: 171” 40: 171 data-sort-value=“IV/10: 022” IV/10: 22 after Z 1217; by Bach, C. P. E.? - data-sort-value=“0749.000” 749 data-sort-value=“347.011” II data-sort-value=“1708-12-31” 1700–1717 Organ data-sort-value=“IV/10: 080” IV/10: 80 data-sort-value=“after Z 0624” after Z 624; by Bach, J. Christoph or Telemann? - data-sort-value=“0750.000” 750 data-sort-value=“347.012” II data-sort-value=“1701-12-31” 1700–1703 Organ data-sort-value=“IV/10: 081” IV/10: 81 - data-sort-value=“0752.000” 752 data-sort-value=“347.014” II data-sort-value=“1708-12-31” 1700–1717 Organ after Z 6779a - data-sort-value=“0754.000” 754 data-sort-value=“347.016” II data-sort-value=“1708-12-31” bef. 1740 Organ after Z 3498b - data-sort-value=“0755.000” 755 data-sort-value=“347.017” II Organ after Z 4429a - data-sort-value=“0756.000” 756 data-sort-value=“347.018” II Organ after Z 2293b - data-sort-value=“0757.000” 757 data-sort-value=“347.019” II Organ after Z 5690 - data-sort-value=“0758.000” 758 data-sort-value=“347.020” II chorale setting “O Vater, allmächtiger Gott” Organ data-sort-value=“000.40: 179” 40: 179 data-sort-value=“IV/11: 069” IV/11: 69 after Z 8603b - style=“background: #F6E3CE;” data-sort-value=“0762.000” 762 data-sort-value=“348.002” II data-sort-value=“1708-12-31” bef. 1717 Organ IV/10: 142 after Z 2561 - data-sort-value=“0763.000” 763 data-sort-value=“348.003” II Organ after Z 8359 - style=“background: #F6E3CE;” data-sort-value=“0765.000” 765 data-sort-value=“348.005” II data-sort-value=“1705-07-01” bef. 1717 chorale setting “Wir glauben all an einen Gott” Organ data-sort-value=“000.40: 187” 40: 187 after Z 7971 - style=“background: #F6E3CE;” rowspan= “2” data-sort-value=“A206.000” N 206 rowspan= “2” data-sort-value=“463.004” II rowspan= “2” rowspan= “2” rowspan= “2” Organ rowspan= “2” rowspan= “2” rowspan= “2” by Pachelbel (P 376) rowspan= “2” - style=“background: #F6E3CE;” - data-sort-value=“A080.000” II 80 data-sort-value=“463.005” II data-sort-value=“1707-12-31” 1707–1708 or earlier F maj. Keyboard V/12 - data-sort-value=“0821.000” 821 data-sort-value=“463.006” II Suite B♭ maj. Keyboard data-sort-value=“000.42: 213” 42: 213 data-sort-value=“V/12: 003” V/12: 3 - data-sort-value=“0834.000” 834 data-sort-value=“463.007” II Allemande C min. Keyboard data-sort-value=“000.42: 259” 42: 259 V/12 - data-sort-value=“0839.000” 839 data-sort-value=“463.008” II data-sort-value=“1735-03-07” 1735-03-07 or earlier G min. Keyboard V/12 in Notenbuch der Zeumerin - data-sort-value=“0844.000” 844 data-sort-value=“463.009” II Toccatina No. 4 Scherzo D min. Keyboard data-sort-value=“000.42: 220” 42: 220 data-sort-value=“V/12: 016” V/12: 16 by Bach, W. F.? ↔ BWV 844a - data-sort-value=“0844.a00” 844a data-sort-value=“463.010” II Scherzo E min. Keyboard data-sort-value=“000.42: 281” 42: 281 data-sort-value=“V/12: 022” V/12: 22 by Bach, W. F.? (BR A55); ↔ BWV 844 - data-sort-value=“0845.000” 845 data-sort-value=“463.011” II Gigue F min. Keyboard data-sort-value=“000.42: 263” 42: 263 V/12 - data-sort-value=“A081.000” II 81 data-sort-value=“463.012” II (incomplete) D min. Keyboard V/12 by Kellner, J. P.? - data-sort-value=“A082.000” II 82 data-sort-value=“463.013” II B♭ maj. Keyboard V/12 by Bach, J. B.? - data-sort-value=“A083.000” II 83 data-sort-value=“463.014” II A maj. Keyboard V/12 by Bach, J. B. or H.? - data-sort-value=“A084.000” II 84 data-sort-value=“463.015” II G maj. Keyboard V/12 by Bach, J. B.? - data-sort-value=“A085.000” II 85 data-sort-value=“463.016” II F min. Keyboard data-sort-value=“000.42: XXXV” 42: XXXV V/12: 114, 122 by Dobenecker? - data-sort-value=“0898.000” 898 data-sort-value=“463.017” II on B-A-C-H B♭ maj. Keyboard data-sort-value=“000.42: XXXIV” 42: XXXIV V/12 - data-sort-value=“A086.000” II 86 data-sort-value=“463.018” II Fantasia C min. Keyboard data-sort-value=“000.42: 243” 42: 243 V/12 by Gronau? - data-sort-value=“A087.000” II 87 data-sort-value=“464.001” II C maj. Keyboard V/12 by Benda? - data-sort-value=“0905.000” 905 data-sort-value=“464.002” II Fantasia and Fugue D min. Keyboard data-sort-value=“000.42: 179” 42: 179 data-sort-value=“V/12: 024” V/12: 24 - data-sort-value=“0907.000” 907 data-sort-value=“464.003” II Fantasia and Fughetta B♭ maj. Keyboard data-sort-value=“000.42: 268” 42: 268 data-sort-value=“V/12: 028” V/12: 28 by ? - data-sort-value=“0908.000” 908 data-sort-value=“464.004” II Fantasia and Fughetta D maj. Keyboard data-sort-value=“000.42: 272” 42: 272 data-sort-value=“V/12: 034” V/12: 34 by ? - data-sort-value=“0909.000” 909 data-sort-value=“464.005” II Concerto e Fuga C min. Keyboard data-sort-value=“000.42: 190” 42: 190 data-sort-value=“V/12: 038” V/12: 38 - data-sort-value=“0919.000” 919 data-sort-value=“464.006” II Fantasia C min. Keyboard data-sort-value=“000.36: 152” 36: 152 data-sort-value=“V/12: 048” V/12: 48 by Bach, J. B. or J. B. the Younger? - data-sort-value=“0920.000” 920 data-sort-value=“464.007” II Fantasia G min. Keyboard data-sort-value=“000.42: 183” 42: 183 V/12 - data-sort-value=“0923.a00” 923a data-sort-value=“464.008” II Toccatina No. 3 Prelude A min. Keyboard data-sort-value=“000.42: 279” 42: 279 data-sort-value=“V/12: 014” V/12: 14 data-sort-value=“after BWV 0923” after BWV 923 - data-sort-value=“A089.000” II 89 data-sort-value=“464.010” II C maj. Keyboard data-sort-value=“000.42: XXXIV” 42: XXXIV V/12 - data-sort-value=“A090.000” II 90 data-sort-value=“464.011” II Fugue C maj. Kb (with ped?) data-sort-value=“000.38: 213” 38: 213 data-sort-value=“IV/11: 058” IV/11: 58, 61 by Bach, C. P. E. (H 388) or Pachelbel? - data-sort-value=“A091.000” II 91 data-sort-value=“464.012” II G maj. Keyboard data-sort-value=“000.42: XXXIV” 42: XXXIV V/12 - data-sort-value=“A092.000” II 92 data-sort-value=“464.013” II G maj. Keyboard V/12 - data-sort-value=“A093.000” II 93 data-sort-value=“464.014” II E min. Keyboard data-sort-value=“000.42: XXXIV” 42: XXXIV V/12 - data-sort-value=“A095.000” II 95 data-sort-value=“464.016” II E min. Keyboard data-sort-value=“000.42: XXXIV” 42: XXXIV V/12 - data-sort-value=“A096.000” II 96 data-sort-value=“464.017” II D maj. Keyboard V/12 by Bach, C. P. E.? (H 373.5) - data-sort-value=“A098.000” II 98 data-sort-value=“464.018” II D min. Keyboard V/12 by Bach, C. P. E.? (H 373.5) - data-sort-value=“A099.000” II 99 data-sort-value=“464.019” II D min. Keyboard V/12 - data-sort-value=“A100.000” II 100 data-sort-value=“464.020” II D min. Keyboard V/12 by Bach, C. P. E.? (H 373.5) - data-sort-value=“A101.000” II 101 data-sort-value=“464.021” II G min. Keyboard data-sort-value=“000.42: XXXV” 42: XXXV data-sort-value=“V/12: 130” V/12: 130 by Dobenecker? - data-sort-value=“A102.000” II 102 data-sort-value=“464.022” II E♭ min. Keyboard V/12 - data-sort-value=“0897.002” 897/2 data-sort-value=“464.023” II Fugue A min. Keyboard data-sort-value=“000.42: 175” 42: 175 V/12 by Dretzel or Bach, W. F.? - data-sort-value=“0945.000” 945 data-sort-value=“464.024” II Fugue E min. Keyboard data-sort-value=“000.36: 155” 36: 155 V/12 by Graupner? - data-sort-value=“0956.000” 956 data-sort-value=“464.025” II Fugue E min. Keyboard data-sort-value=“000.42: 200” 42: 200 data-sort-value=“V/12: 070” V/12: 70 - data-sort-value=“0958.000” 958 data-sort-value=“465.001” II Fugue A min. Keyboard data-sort-value=“000.42: 205” 42: 205 data-sort-value=“V/12: 074” V/12: 74 - data-sort-value=“0960.000” 960 data-sort-value=“465.002” II Fugue (incomplete) E min. Keyboard data-sort-value=“000.42: 276” 42: 276 V/12 - data-sort-value=“A207.000” N 207 data-sort-value=“465.003” II Fugue E min. Keyboard IV/11 by Seger? - data-sort-value=“A109.000” II 109 data-sort-value=“465.011” II on B-A-C-H G min. Keyboard V/12 - style=“background: #F5F6CE;” data-sort-value=“0964.000” 964 data-sort-value=“465.012” II Sonata D min. Keyboard data-sort-value=“000.42: 003” 42: 3 data-sort-value=“V/12: 078” V/12: 78 after BWV 1003 - data-sort-value=“A111.000” II 111 data-sort-value=“465.013” II G maj. Keyboard data-sort-value=“000.42: XXXV” 42: XXXV V/12 - style=“background: #F5F6CE;” data-sort-value=“0968.000” 968 data-sort-value=“465.014” II Adagio G maj. Keyboard data-sort-value=“000.42: 027” 42: 27 data-sort-value=“V/12: 094” V/12: 94 after BWV 1005/1 - data-sort-value=“0969.000” 969 data-sort-value=“465.015” II Toccatina No. 5 Andante G min. Keyboard data-sort-value=“000.42: 218” 42: 218 data-sort-value=“V/12: 018” V/12: 18 - style=“background: #F5F6CE;” data-sort-value=“A113.000” II 113 data-sort-value=“465.016” II data-sort-value=“1725-07-01” 1725 (AMB) data-sort-value=“Notebook A. M. Bach (1725) No. 03” Notebook A. M. Bach (1725) No. 3 Minuet F maj. Keyboard data-sort-value=“000.43 2: 025” 43 2 : 25 data-sort-value=“V/04: 082” V/4: 82 - style=“background: #F5F6CE;” data-sort-value=“A116.000” II 116 data-sort-value=“465.017” II data-sort-value=“1725-07-01” 1725 (AMB) data-sort-value=“Notebook A. M. Bach (1725) No. 07” Notebook A. M. Bach (1725) No. 7 Minuet G maj. Keyboard data-sort-value=“000.43 2: 028” 43 2 : 28 data-sort-value=“V/04: 087” V/4: 87 - style=“background: #F5F6CE;” data-sort-value=“A117.000” II 117 data-sort-value=“465.018” II data-sort-value=“1725-07-01” 1725 (AMB) data-sort-value=“Notebook A. M. Bach (1725) No. 08” Notebook A. M. Bach (1725) No. 8a and 8b two Polonaises F maj. Keyboard data-sort-value=“000.43 2: 028” 43 2 : 28 data-sort-value=“V/04: 088” V/4: 88 data-sort-value=“01427” - style=“background: #F5F6CE;” data-sort-value=“A118.000” II 118 data-sort-value=“465.019” II data-sort-value=“1725-07-01” 1725 (AMB) data-sort-value=“Notebook A. M. Bach (1725) No. 09” Notebook A. M. Bach (1725) No. 9 Minuet B♭ maj. Keyboard data-sort-value=“000.43 2: 029” 43 2 : 29 data-sort-value=“V/04: 089” V/4: 89 - style=“background: #F5F6CE;” data-sort-value=“A119.000” II 119 data-sort-value=“465.020” II data-sort-value=“1725-07-01” 1725 (AMB) Notebook A. M. Bach (1725) No. 10 Polonaise G min. Keyboard data-sort-value=“000.43 2: 030” 43 2 : 30 data-sort-value=“V/04: 090” V/4: 90 - style=“background: #F5F6CE;” data-sort-value=“A120.000” II 120 data-sort-value=“465.021” II data-sort-value=“1725-07-01” 1725 (AMB) Notebook A. M. Bach (1725) No. 14 Minuet A min. Keyboard data-sort-value=“000.43 2: 031” 43 2 : 31 data-sort-value=“V/04: 092” V/4: 92 - style=“background: #F5F6CE;” data-sort-value=“A121.000” II 121 data-sort-value=“465.022” II data-sort-value=“1725-07-01” 1725 (AMB) Notebook A. M. Bach (1725) No. 15 Minuet C min. Keyboard data-sort-value=“000.43 2: 032” 43 2 : 32 data-sort-value=“V/04: 092” V/4: 92 - style=“background: #F5F6CE;” data-sort-value=“A126.000” II 126 data-sort-value=“465.023” II data-sort-value=“1725-07-01” 1725 (AMB) Notebook A. M. Bach (1725) No. 22 Musette D maj. Keyboard data-sort-value=“000.43 2: 035” 43 2 : 35 data-sort-value=“V/04: 099” V/4: 99 - style=“background: #F5F6CE;” data-sort-value=“A127.000” II 127 data-sort-value=“465.024” II data-sort-value=“1725-07-01” 1725 (AMB) Notebook A. M. Bach (1725) No. 23 March E♭ maj. Keyboard data-sort-value=“000.43 2: 035” 43 2 : 35 data-sort-value=“V/04: 100” V/4: 100 by Bach, C. P. E. - style=“background: #F5F6CE;” data-sort-value=“A128.000” II 128 data-sort-value=“465.025” II data-sort-value=“1725-07-01” 1725 (AMB) Notebook A. M. Bach (1725) No. 24 (Polonaise) D min. Keyboard data-sort-value=“000.43 2: 036” 43 2 : 36 data-sort-value=“V/04: 101” V/4: 101 - style=“background: #F5F6CE;” data-sort-value=“A132.000” II 132 data-sort-value=“465.026” II data-sort-value=“1725-07-01” 1725 (AMB) Notebook A. M. Bach (1725) No. 36 Minuet D min. Keyboard data-sort-value=“000.43 2: 048” 43 2 : 48 data-sort-value=“V/04: 125” V/4: 125 - data-sort-value=“A151.000” II 151 data-sort-value=“465.027” II Concerto C maj. Keyboard data-sort-value=“000.42: XXXIV” 42: XXXIV V/12 - data-sort-value=“A152.000” II 152 data-sort-value=“465.028” II Concerto G maj. Vl Hc data-sort-value=“000.42: XXXIV” 42: XXXIV VI/5 - data-sort-value=“0990.000” 990 data-sort-value=“465.029” II Sarabanda con Partitis C maj. Keyboard data-sort-value=“000.42: 221” 42: 221 data-sort-value=“V/12: 097” V/12: 97 - data-sort-value=“A153.000” II 153 data-sort-value=“465.030” II Sonata A maj. Vl Bc VI/5 - data-sort-value=“A154.000” II 154 data-sort-value=“466.001” II Sonata E♭ maj. Vl Hc VI/5 - data-sort-value=“1020.000” 1020 data-sort-value=“466.002” II Sonata G min. Vl Hc data-sort-value=“000.09: 274” 9: 274 VI/5 by Bach, C. P. E.? (H 542.5) - data-sort-value=“1022.000” 1022 data-sort-value=“466.003” II F maj. Vl Hc data-sort-value=“VI/5: 027” VI/5: 27 by Bach, C. P. E.?; after BWV 1021; ↔ BWV 1038 - data-sort-value=“1024.000” 1024 data-sort-value=“466.004” II C min. Vl Bc VI/5 - data-sort-value=“1031.000” 1031 data-sort-value=“466.005” II Sonata E♭ maj. Fl Hc data-sort-value=“000.09: 022” 9: 22 data-sort-value=“VI/5: 013” VI/5: 13 by Bach, C. P. E.? (H 545) - data-sort-value=“1033.000” 1033 data-sort-value=“466.006” II Sonata C maj. Fl Bc data-sort-value=“000.43 1: 003” 43 1 : 3 data-sort-value=“VI/5: 003” VI/5: 3 by Bach, C. P. E.? (H 564.5) - style=“background: #E3F6CE;” data-sort-value=“1038.000” 1038 data-sort-value=“466.007” II data-sort-value=“1734-01-01” 1732–1735 Sonata G maj. Fl Vl Bc data-sort-value=“000.09: 219” 9: 219 data-sort-value=“VI/5: 045” VI/5: 45 by Bach, C. P. E.? (H 590.5); after BWV 1021; ↔ BWV 1022 - id=“BWV 525a” data-sort-value=“0525.a00” 525a data-sort-value=“466.008” II Concerto (Trio sonata) C maj. Vl Vc Bc VI/5 data-sort-value=“after BWV 0525, 1032” after BWV 525/1, 1032/2, 525/3 - data-sort-value=“A155.000” II 155 data-sort-value=“466.009” II Concerto A maj. Kb Str Bc VI/5 - data-sort-value=“A022.000” I 22 data-sort-value=“466.010” II B♭ maj. Ob Vl Str Bc VI/5 by Förster (C.?)? - data-sort-value=“1070.000” 1070 data-sort-value=“466.011” II data-sort-value=“Orchestral Suite No. 5” Orchestral Suite (No. 5) G min. Str Bc data-sort-value=“000.45 1: 190” 45 1 : 190 VI/5 by Bach, W. F.? - id=“BWV Anhang III” style=“background: #D8D8D8;” data-sort-value=“A155.999” Anh. III data-sort-value=“467.000” colspan=“8” Works of other composers, spuriously attributed to Bach data-sort-value=“1466a” Up ↑ - data-sort-value=“A156.000” III 156 data-sort-value=“467.001” III Cantata Herr Christ, der einge Gottes Sohn (Annunciation) SATB Str Bc data-sort-value=“by Telemann (TWV 1:0732)” by Telemann (TWV 1:732) - data-sort-value=“A157.000” III 157 data-sort-value=“467.002” III Cantata Ich habe Lust zu scheiden (Purification) data-sort-value=“s Flx2 Str Bc” s 2Fl Str Bc data-sort-value=“by Telemann (TWV 1:0836)” by Telemann (TWV 1:836) - style=“background: #E3F6CE;” data-sort-value=“0015.000” 15 data-sort-value=“467.003” III 1726-04-21 (JSB) Cantata Denn du wirst meine Seele nicht in der Hölle lassen (Easter) data-sort-value=“satbSATB Trx3 Tmp Str Bc” satbSATB 3Tr Tmp Str Bc data-sort-value=“000.02: 135” 2: 135 I/41 by Bach, J. L. (JLB 21); text in - data-sort-value=“0141.000” 141 data-sort-value=“467.004” III Cantata Das ist je gewißlich wahr (3rd Sunday of Advent) data-sort-value=“atbSATB Obx2 Str Bc” atbSATB 2Ob Str Bc data-sort-value=“000.30: 003” 30: 3 I/41 data-sort-value=“by Telemann (TWV 1:0183)” by Telemann (TWV 1:183) - data-sort-value=“0145.b00” 145/b data-sort-value=“467.005” III Cantata movement So du mit deinem Munde bekennest Jesum (Easter) D maj. data-sort-value=“SATB Tr Str Bc” SATB Tr Str Bc data-sort-value=“000.30: 096” 30: 96 I/10: 142 data-sort-value=“by Telemann (TWV 1:1350/1)” by Telemann (TWV 1:1350/1) - data-sort-value=“0160.000” 160 data-sort-value=“467.006” III data-sort-value=“1728-12-31” 1725–1732? Cantata Ich weiß, daß mein Erlöser lebt (Easter) C maj. t Vl Bas Bc data-sort-value=“000.32: 171” 32: 171 I/41 data-sort-value=“by Telemann (TWV 1:0877)” by Telemann (TWV 1:877) - data-sort-value=“0218.000” 218 data-sort-value=“467.007” III Cantata Gott der Hoffnung erfülle euch (Pentecost) data-sort-value=“satbSATB Hnx2 Str Bc” satbSATB 2Hn Str Bc data-sort-value=“000.41: 223” 41: 223 data-sort-value=“by Telemann (TWV 1:0634)” by Telemann (TWV 1:634) - data-sort-value=“0219.000” 219 data-sort-value=“467.008” III Cantata Siehe, es hat überwunden der Löwe (Michaelmas) sabSATB Str Bc data-sort-value=“000.41: 239” 41: 239 data-sort-value=“by Telemann (TWV 1:1328)” by Telemann (TWV 1:1328) - data-sort-value=“0222.000” 222 data-sort-value=“467.009” III Cantata Mein Odem ist schwach (Purification) sabSATB Str Bc by Bach, J. Ernst; → BWV Anh. 165 - data-sort-value=“A158.000” III 158 data-sort-value=“467.010” III Aria “Andrò dall’colle al Prato” data-sort-value=“s Flx2 (Hnx2) Str Bc” s 2Fl (2Hn) Str Bc by Bach, J. C. - data-sort-value=“A160.000” III 160 data-sort-value=“467.012” III data-sort-value=“1752-12-31” 1750–1755? (Harrer?) Motet Jauchzet dem Herrn alle Welt, TWV 8:10 C maj. data-sort-value=“SATBx2” 2SATB data-sort-value=“III/03: 015” III/3: 15 after Telemann (/1; /3 after TWV 1:1066), BWV 28/2 (/2 = BWV 28/2a); text after Psalm 100 - data-sort-value=“A161.000” III 161 data-sort-value=“467.013” III Motet Kündlich groß ist das gottselige Geheimnis/1 (Christmas) D maj. SATB Str? Bc data-sort-value=“III/03” III/3 by Graun (C. H.?), precedes laudes A and B of BWV 243a - data-sort-value=“A162.000” III 162 data-sort-value=“467.014” III Motet Lob und Ehre und Weisheit und Dank data-sort-value=“SATBx2” 2SATB data-sort-value=“III/03” III/3 by Wagner, G. G. - data-sort-value=“A163.000” III 163 data-sort-value=“467.015” III Motet Merk auf, mein Herz, und sieh dorthin data-sort-value=“SATBx2” 2SATB data-sort-value=“III/03” III/3 by Bach, J. B. or J. Ernst - data-sort-value=“A164.000” III 164 data-sort-value=“467.016” III SSATB data-sort-value=“III/03: 052” III/3: 52 by Altnickol - data-sort-value=“A165.000” III 165 data-sort-value=“467.017” III Motet Unser Wandel ist im Himmel SATB data-sort-value=“III/03” III/3 by Bach, J. Ernst; after BWV 222/3 /4 /6 - style=“background: #E3F6CE;” data-sort-value=“A166.000” III 166 data-sort-value=“467.018” III data-sort-value=“1729-07-01” 1729 (JSB) Kyrie–Gloria Mass Missa sopra cantilena “Allein Gott in der Höh’ sei Ehr” E min. SSATB 2Vl 2Vla Vc Bc data-sort-value=“000.11 1: XV” 11 1 : XV 41: 276 II/9 by Bach, J. L. (JLB 38), start of Gloria arr. by Bach - style=“background: #E3F6CE;” data-sort-value=“A024.000” II 24 data-sort-value=“467.020” III data-sort-value=“1724-01-01” 1715–1717, 1724 (JSB) Kyrie–Gloria Mass A min. SATB Str Bc data-sort-value=“000.11 1: XV” 11 1 : XV II/9 after Missa Sancti Lamberti by Pez, J. C. - id=“BWV Anh. 26” style=“background: #E3F6CE;” data-sort-value=“A026.000” II 26 data-sort-value=“467.021” III data-sort-value=“1729-12-31” 1727–1732 (JSB) C min. data-sort-value=“satbSATB Tbnx3 Vlx2 Bc” satbSATB 3Tbn 2Vl Bc data-sort-value=“000.41: 193” 41: 193 11 1 : XVI data-sort-value=“II/02: 295” II/2: 295 by Durante (alternative Christe: BWV 242) - style=“background: #F6E3CE;” data-sort-value=“A027.000” II 27 data-sort-value=“467.022” III data-sort-value=“1745-07-01” ? (JLK) Sanctus F maj. data-sort-value=“SATB Hnx2 Obx2 Str Bc” SATB 2Hn 2Ob Str Bc data-sort-value=“000.11 1: XVII” 11 1 : XVII II/9 by Krebs, J. L. (Krebs‑WV 104) - id=“BWV Anh. 168” style=“background: #F5F6CE;” data-sort-value=“A168.000” III 168 data-sort-value=“467.023” III data-sort-value=“1747-07-01” ? (WFB) Kyrie and German Gloria G min. sSATB Str Bc data-sort-value=“000.11 1: XVII” 11 1 : XVII II/9 by Bach, W. F. (BR E1 F 100) - data-sort-value=“A021.000” I 21 data-sort-value=“467.024” III data-sort-value=“1707-07-01” (MH) Magnificat Meine Seel erhebt den Herren A min. data-sort-value=“s Fl Vlx2 Bc” s Fl 2Vl Bc data-sort-value=“000.11 1: XVIII” 11 1 : XVIII II/9 by Hoffmann, M. - data-sort-value=“A169.000” III 169 data-sort-value=“468.001” III data-sort-value=“1724-01-01” 1724–1725 Passion Erbauliche Gedanken auf den Grünen Donnerstag und Charfreitag über den Leidenden Jesum text by Picander partly used in BWV 244 but no other known setting - id=“BWV 8/6” style=“background: #E3F6CE;” data-sort-value=“0008.106” rowspan=“3” 8/6 data-sort-value=“468.002” rowspan=“3” III data-sort-value=“1724-09-24” rowspan=“3” 1713 (Vet.) 1724-09-24 (JSB) rowspan=“3” chorale setting “Liebster Gott, wenn werd ich sterben” (s. 5) rowspan=“2” E maj. rowspan=“3” SATB data-sort-value=“000.01: 241” rowspan=“2” 1: 241 data-sort-value=“I/23: 161” I/23: 161 rowspan=“3” by Vetter, D. (Z 6634); text by Neumann - style=“background: #E3F6CE;” data-sort-value=“III/02 1: 088” III/2.1: 63 III/2.2: 25 - style=“background: #E3F6CE;” D maj. data-sort-value=“I/23: 219” I/23: 219 - id=“BWV Anh. 170” style=“background: #E3F6CE;” data-sort-value=“0027.006” 27/6 data-sort-value=“468.003” rowspan=“2” III data-sort-value=“1726-10-06” rowspan=“2” 1652 (Ros.) 1726-10-06 (JSB) rowspan=“2” chorale setting “Welt, ade, ich bin dein müde” (s. 1) rowspan=“2” B♭ maj. rowspan=“2” SSATB data-sort-value=“000.05 1: 244” rowspan=“2” 5 1 : 244 data-sort-value=“I/23: 251” I/23: 251 rowspan=“2” by Rosenmüller (Z 6531); text by Albinus - style=“background: #E3F6CE;” data-sort-value=“A170.000” III 170 data-sort-value=“III/02 2: 086” III/2.2: 86 - style=“background: #E3F6CE;” data-sort-value=“0043.011” rowspan=“2” 43/11 data-sort-value=“468.004” rowspan=“2” III data-sort-value=“1726-05-30” rowspan=“2” 1652 (Pet.) 1726-05-30 (JSB) (ss. 1, 13) rowspan=“2” G maj. rowspan=“2” SATB data-sort-value=“000.10: 126” rowspan=“2” 10: 126 data-sort-value=“I/12: 164” I/12: 164 rowspan=“2” by after Z 5741b; text by Rist rowspan=“2” - style=“background: #E3F6CE;” chorale setting “Ermuntre dich, mein schwacher Geist” data-sort-value=“III/02 1: 107” III/2.1: 74 III/2.2: 57 - style=“background: #F6E3CE;” data-sort-value=“0567.000” 567 data-sort-value=“468.005” III Prelude C maj. Organ data-sort-value=“000.38: 084” 38: 84 IV/11 by Krebs, J. L. (Krebs‑WV 401) - data-sort-value=“A178.000” III 178 data-sort-value=“468.006” III data-sort-value=“1685-01-01” last third of 17th century Toccata quasi Fantasia con Fuge A maj. Organ data-sort-value=“000.42: 250” 42: 250 V/12 by Reincken? - data-sort-value=“A043.000” II 43 data-sort-value=“468.007” III data-sort-value=“1788-07-01” B min. Organ IV/11 by ; after H 776/18 - data-sort-value=“A044.000” II 44 data-sort-value=“468.008” III G maj. Organ IV/11 by Kellner, J. P. or J. C. - data-sort-value=“A045.000” II 45 data-sort-value=“468.009” III data-sort-value=“1799-07-01” on B-A-C-H B♭ maj. Organ IV/11 by Knecht - data-sort-value=“A088.000” II 88 data-sort-value=“468.010” III data-sort-value=“1765-07-01” 1765 C maj. Keyboard V/12 by Kellner, J. C. - data-sort-value=“A097.000” II 97 data-sort-value=“468.011” III F♯ maj. Keyboard data-sort-value=“000.42: XXXV” 42: XXXV data-sort-value=“IV/11: 63” IV/11: 63 by Krebs, J. L. (Krebs‑WV 409/2) - data-sort-value=“A103.000” II 103 data-sort-value=“468.012” III data-sort-value=“1714-12-31” (GFH) A min. Keyboard V/12 by Handel () - data-sort-value=“A104.000” II 104 data-sort-value=“468.013” III data-sort-value=“1714-12-31” (GFH) C min. Keyboard V/12 by Handel () - data-sort-value=“A105.000” II 105 data-sort-value=“468.014” III data-sort-value=“1714-12-31” (GFH) B♭ maj. Keyboard V/12 by Handel () - data-sort-value=“A106.000” II 106 data-sort-value=“468.015” III data-sort-value=“1714-12-31” (GFH) G min. Keyboard V/12 by Handel () - data-sort-value=“A208.000” N 208 data-sort-value=“468.016” III data-sort-value=“1747-07-01” 1747 (JEE) Fugue E♭ min. Keyboard IV/11 After by Eberlin - data-sort-value=“A046.000” II 46 data-sort-value=“468.017” III C min. Organ IV/11 by Krebs, J. T. - data-sort-value=“0692.000” 692 data-sort-value=“468.018” III chorale setting “Ach Gott und Herr” (Kirnb. coll. No. 3) C maj. Organ data-sort-value=“000.40: 004” 40: 4 IV/11 by Walther; after BWV 692a - style=“background: #F6E3CE;” data-sort-value=“0692.a00” 692a data-sort-value=“468.019” III chorale setting “Ach Gott und Herr” (early version) C maj. Organ data-sort-value=“000.40: 152” 40: 152 IV/11 by Walther; → BWV 692 - data-sort-value=“0693.000” 693 data-sort-value=“468.020” III chorale setting “Ach Gott und Herr” (Kirnb. coll. No. 4) C maj. Organ data-sort-value=“000.40: 005” 40: 5 IV/11 by Walther - data-sort-value=“0723.000” 723 data-sort-value=“345.012” III chorale setting “Gelobet seist du, Jesu Christ” (also in Neumeister Collection) Organ data-sort-value=“000.40: 063” 40: 63 after Z 1947; by Bach, J. Michael - data-sort-value=“0740.000” 740 data-sort-value=“347.001” III chorale setting “Wir glauben all an einen Gott” Organ data-sort-value=“000.40: 103” 40: 103 after Z 4000; by Krebs, J. L. (Krebs‑WV 554c) - style=“background: #F6E3CE;” data-sort-value=“0744.000” 744 data-sort-value=“347.005” III chorale setting “Auf meinen lieben Gott” Organ data-sort-value=“000.40: 170” 40: 170 data-sort-value=“IV/10: 020” IV/10: 20 after Z 2164; by Krebs, J. L. (Krebs‑WV 517) - data-sort-value=“0746.000” 746 data-sort-value=“468.021” III data-sort-value=“1715-07-01” 1715 or earlier (JCFF) chorale setting “Christ ist erstanden” D min. Organ data-sort-value=“000.40: 173” 40: 173 IV/10 by Fischer ( No. 24) - data-sort-value=“0748.000” 748 data-sort-value=“468.022” III data-sort-value=“1719-12-31” 1700–1739 chorale setting “Gott der Vater wohn uns bei” D maj. Organ data-sort-value=“000.40: 177” 40: 177 IV/10 by Walther; → BWV 748a - data-sort-value=“0748.A00” 748a data-sort-value=“468.023” III data-sort-value=“1744-12-31” 1700–1789 chorale setting “Gott der Vater wohn uns bei” (variant) D maj. Organ IV/10 by Scholz (arr.)?; after BWV 748 - data-sort-value=“0751.000” 751 data-sort-value=“468.024” III (also in Neumeister Collection) Organ IV/10 by Bach, J. Michael - data-sort-value=“0759.000” 759 data-sort-value=“468.025” III chorale setting “Schmücke dich, o liebe Seele” F maj. Organ data-sort-value=“000.40: 181” 40: 181 IV/10 by Homilius () - style=“background: #E3F6CE;” data-sort-value=“0760.000” 760 data-sort-value=“468.026” III chorale setting “Vater unser im Himmelreich” Organ data-sort-value=“000.40: 183” 40: 183 IV/10 by Böhm - style=“background: #E3F6CE;” data-sort-value=“0761.000” 761 data-sort-value=“468.027” III chorale setting “Vater unser im Himmelreich” Organ data-sort-value=“000.40: 184” 40: 184 IV/10 by Böhm - id=“BWV 1096” rowspan=“2” 1096 rowspan=“2” data-sort-value=“468.028” III rowspan=“2” (3 versions; Neumeister Chorales No. 8) rowspan=“2” A min. rowspan=“2” Organ rowspan=“2” rowspan=“2” data-sort-value=“IV/09: 016” IV/9: 16, 76 rowspan=“2” by Pachelbel? rowspan=“2” - (3 versions; Neumeister Chorales No. 8) - data-sort-value=“0771.000” 771 data-sort-value=“468.029” III chorale setting “Allein Gott in der Höh sei Ehr” G maj. Organ data-sort-value=“000.40: 195” 40: 195 IV/11 by Vetter, A. N. - rowspan=“2” data-sort-value=“A047.000” II 47 rowspan=“2” data-sort-value=“468.030” III rowspan=“2” rowspan=“2” A min. rowspan=“2” Organ rowspan=“2” rowspan=“2” IV/10 rowspan=“2” by Kellner, J. P. rowspan=“2” - - data-sort-value=“A056.000” II 56 data-sort-value=“468.031” III data-sort-value=“1735-07-01” 1735 (Telem.) Organ IV/10 by Telemann (TWV 31:8) - style=“background: #F6E3CE;” data-sort-value=“A057.000” II 57 data-sort-value=“468.032” III Organ IV/10 by Vogler - data-sort-value=“A061.000” II 61 data-sort-value=“468.033” III F maj. Organ IV/10 by Pachelbel (P 396) - data-sort-value=“A073.000” II 73 data-sort-value=“468.034” III data-sort-value=“1753-07-01” 1720–1788 F min. Organ IV/10 by Bach, C. P. E.; after BWV 639 - data-sort-value=“A171.000” III 171 data-sort-value=“468.035” III Organ data-sort-value=“000.40: 174” 40: 174 IV/10 by Pachelbel (P 58) - data-sort-value=“A172.000” III 172 data-sort-value=“468.036” III G maj. Organ IV/10 by Krebs, J. L. (Krebs‑WV 524) - style=“background: #F5F6CE;” data-sort-value=“0824.000” 824 data-sort-value=“468.037” III data-sort-value=“1720-07-01” 1720 (WFB) data-sort-value=“Klavierbüchlein für Wilhelm Friedemann Bach No. 47” Klavierbüchlein WFB No. 47: Suite A maj. Keyboard data-sort-value=“000.36: 231” 36: 231 data-sort-value=“V/05: 078” V/5: 78 by Telemann (TWV 32:14) - data-sort-value=“0835.000” 835 data-sort-value=“468.038” III data-sort-value=“1761-07-01” 1761 (Kirnb.) Allemande A min. Keyboard data-sort-value=“000.42: 267” 42: 267 V/12 by Kirnberger (EngK 74) - data-sort-value=“0838.000” 838 data-sort-value=“468.039” III Allemande and Courante A maj. Keyboard data-sort-value=“000.42: 265” 42: 265 V/12 by Graupner (GWV 849/2 /3) - data-sort-value=“0840.000” 840 data-sort-value=“469.001” III G maj. Keyboard V/12 by Telemann (TWV 32:13/2) - data-sort-value=“0897.001” 897/1 data-sort-value=“469.002” III data-sort-value=“1739-12-31” (CHD) Prelude A min. Keyboard data-sort-value=“000.42: 173” 42: 173 V/12 by Dretzel (“Adagiosissimo”) - data-sort-value=“0962.000” 962 data-sort-value=“469.003” III data-sort-value=“1783-07-01” (JGA) Fugue E min. Keyboard data-sort-value=“000.42: 198” 42: 198 V/12 by Albrechtsberger (Op. 1/8) - data-sort-value=“0970.000” 970 data-sort-value=“469.004” III Toccatina No. 6 Presto D min. Keyboard data-sort-value=“000.42: XXXIV” 42: XXXIV V/12 by Bach, W. F. (BR A49 F 25/2) - data-sort-value=“A094.000” II 94 data-sort-value=“469.005” III data-sort-value=“1774-07-01” 1774 (Kirnb.) E min. Keyboard data-sort-value=“000.42: XXXIV” 42: XXXIV V/12 by Kirnberger (EngK 35) - data-sort-value=“A107.000” II 107 data-sort-value=“469.006” III on B-A-C-H C maj. Keyboard data-sort-value=“000.42: XXXIV” 42: XXXIV V/12 by Sorge? - data-sort-value=“A108.000” II 108 data-sort-value=“469.007” III on B-A-C-H C maj. Keyboard data-sort-value=“000.42: XXXIV” 42: XXXIV V/12 by Bach, C. P. E. (H 373) or Sorge? - data-sort-value=“A110.000” II 110 data-sort-value=“469.008” III on B-A-C-H C min. Keyboard data-sort-value=“000.42: XXXIV” 42: XXXIV V/12 by Sorge? - data-sort-value=“A112.000” II 112 data-sort-value=“469.009” III data-sort-value=“1780-07-01” 1780 (Kirnb.) E min. Keyboard V/12 by Kirnberger (EngK 16) - style=“background: #F5F6CE;” data-sort-value=“A114.000” II 114 data-sort-value=“469.010” III data-sort-value=“1725-07-01” data-sort-value=“Notebook A. M. Bach (1725) No. 04 Minuet” Notebook A. M. Bach (1725) No. 4 Minuet G maj. Keyboard data-sort-value=“000.43 2: 026” 43 2 : 26 data-sort-value=“V/04: 083” V/4: 83 by Petzold - style=“background: #F5F6CE;” data-sort-value=“A115.000” II 115 data-sort-value=“469.011” III data-sort-value=“1725-07-01” 1725 (AMB) data-sort-value=“Notebook A. M. Bach (1725) No. 05 Minuet” Notebook A. M. Bach (1725) No. 5 Minuet G min. Keyboard data-sort-value=“000.43 2: 026” 43 2 : 26 data-sort-value=“V/04: 084” V/4: 84 by Petzold - style=“background: #F5F6CE;” data-sort-value=“A122.000” II 122 data-sort-value=“469.012” III data-sort-value=“1725-07-01” Notebook A. M. Bach (1725) No. 16 March D maj. Keyboard data-sort-value=“000.43 2: 032” 43 2 : 32 data-sort-value=“V/04: 094” V/4: 94 data-sort-value=“by Bach, C. P. E. (H 001.1)” by Bach, C. P. E. (H 1/1) - style=“background: #F5F6CE;” data-sort-value=“A123.000” II 123 data-sort-value=“469.013” III data-sort-value=“1725-07-01” 1725 (CPE) Notebook A. M. Bach (1725) No. 17 Polonaise G min. Keyboard data-sort-value=“000.43 2: 032” 43 2 : 32 data-sort-value=“V/04: 095” V/4: 95 data-sort-value=“by Bach, C. P. E. (H 001.2)” by Bach, C. P. E. (H 1/2) - style=“background: #F5F6CE;” data-sort-value=“A124.000” II 124 data-sort-value=“469.014” III data-sort-value=“1725-07-01” 1725 (CPE) Notebook A. M. Bach (1725) No. 18 March G maj. Keyboard data-sort-value=“000.43 2: 033” 43 2 : 33 data-sort-value=“V/04: 096” V/4: 96 data-sort-value=“by Bach, C. P. E. (H 001.3)” by Bach, C. P. E. (H 1/3) - style=“background: #F5F6CE;” data-sort-value=“A125.000” II 125 data-sort-value=“469.015” III data-sort-value=“1725-07-01” 1725 (CPE) Notebook A. M. Bach (1725) No. 19 Polonaise G min. Keyboard data-sort-value=“000.43 2: 033” 43 2 : 33 data-sort-value=“V/04: 097” V/4: 97 data-sort-value=“by Bach, C. P. E. (H 001.4)” by Bach, C. P. E. (H 1/4) - style=“background: #F5F6CE;” data-sort-value=“A129.000” II 129 data-sort-value=“469.016” III data-sort-value=“1725-07-01” 1725 (AMB) Notebook A. M. Bach (1725) No. 27 Solo per il cembalo E maj. Keyboard data-sort-value=“000.43 2: 038” 43 2 : 38 data-sort-value=“V/04: 104” V/4: 104 data-sort-value=“by Bach, C. P. E. (H 016.0” by Bach, C. P. E. (H 16) - style=“background: #F5F6CE;” data-sort-value=“A130.000” II 130 data-sort-value=“469.017” III data-sort-value=“1725-07-01” 1725 (AMB) Notebook A. M. Bach (1725) No. 28 Polonaise G maj. Keyboard data-sort-value=“000.43 2: 039” 43 2 : 39 data-sort-value=“V/04: 106” V/4: 106 by Hasse - style=“background: #F5F6CE;” data-sort-value=“A131.000” II 131 data-sort-value=“469.018” III data-sort-value=“1745-07-01” 1745? Notebook A. M. Bach (1725) No. 32 F maj. Keyboard data-sort-value=“000.43 2: 046” 43 2 : 46 data-sort-value=“V/04: 121” V/4: 121 by Bach, J. C. (W A22) - data-sort-value=“A133.000” II 133 data-sort-value=“469.019” III data-sort-value=“1763-12-31” 1763 or later data-sort-value=“Musical clock, No. 01” No. 1 Fantasia G maj. Musical clock V/12 by Bach, W. F. (BR A63 F 207) - data-sort-value=“A134.000” II 134 data-sort-value=“469.020” III data-sort-value=“1763-12-31” 1763 or later data-sort-value=“Musical clock, No. 02” No. 2 Scherzo G maj. Musical clock V/12 by Bach, W. F. (BR A64 F 207) - data-sort-value=“A135.000” II 135 data-sort-value=“469.021” III data-sort-value=“1763-12-31” 1763 or later data-sort-value=“Musical clock, No. 03” No. 3 Bourlesca A min. Musical clock V/12 by Bach, W. F. (BR A65 F 207) - data-sort-value=“A136.000” II 136 data-sort-value=“469.022” III data-sort-value=“1763-12-31” 1763 or later data-sort-value=“Musical clock, No. 04” No. 4 Trio A min. Musical clock V/12 by Bach, W. F. (BR A66 F 207) - data-sort-value=“A137.000” II 137 data-sort-value=“469.023” III data-sort-value=“1763-12-31” 1763 or later data-sort-value=“Musical clock, No. 05” No. 5 L’Intrada della Caccia E♭ maj. Musical clock V/12 by Bach, W. F. (BR A67 F 207) - data-sort-value=“A138.000” II 138 data-sort-value=“469.024” III data-sort-value=“1763-12-31” 1763 or later data-sort-value=“Musical clock, No. 06” No. 6 Continuazione della Caccia E♭ maj. Musical clock V/12 by Bach, W. F. (BR A68 F 207) - data-sort-value=“A139.000” II 139 data-sort-value=“469.025” III data-sort-value=“1763-12-31” 1763 or later data-sort-value=“Musical clock, No. 07” No. 7 Il Fine delle Caccia I D maj. Musical clock V/12 by Bach, W. F. (BR A69 F 207) - data-sort-value=“A140.000” II 140 data-sort-value=“469.026” III data-sort-value=“1763-12-31” 1763 or later data-sort-value=“Musical clock, No. 08” No. 8 Il Fine delle Caccia II D min. Musical clock V/12 by Bach, W. F. (BR A70 F 207) - data-sort-value=“A141.000” II 141 data-sort-value=“469.027” III data-sort-value=“1763-12-31” 1763 or later data-sort-value=“Musical clock, No. 09” No. 9 Song “O Gott die Christenheit” F maj. Musical clock V/12 by Bach, W. F. (BR A71 F 207) - data-sort-value=“A142.000” II 142 data-sort-value=“469.028” III data-sort-value=“1763-12-31” 1763 or later No. 10 Psalm 110 A min. Musical clock V/12 by Bach, W. F. (BR A72 F 207) - data-sort-value=“A143.000” II 143 data-sort-value=“469.029” III data-sort-value=“1763-12-31” 1763 or later No. 11 Polonaise E min. Musical clock V/12 by Bach, W. F. (BR A73 F 207) - data-sort-value=“A144.000” II 144 data-sort-value=“469.030” III data-sort-value=“1763-12-31” 1763 or later No. 12 Polonaise Trio A min. Musical clock V/12 by Bach, W. F. (BR A74 F 207) - data-sort-value=“A145.000” II 145 data-sort-value=“469.031” III data-sort-value=“1763-12-31” 1763 or later No. 13 March C maj. Musical clock V/12 by Bach, W. F. (BR A75 F 207) - data-sort-value=“A146.000” II 146 data-sort-value=“469.032” III data-sort-value=“1763-12-31” 1763 or later No. 14 March F maj. Musical clock V/12 by Bach, W. F. (BR A76 F 207) - data-sort-value=“A147.000” II 147 data-sort-value=“469.033” III data-sort-value=“1763-12-31” 1763 or later No. 15 La Combattuta G maj. Musical clock V/12 by Bach, W. F. (BR A77 F 207) - data-sort-value=“A148.000” II 148 data-sort-value=“469.034” III data-sort-value=“1763-12-31” 1763 or later No. 16 Scherzo G min. Musical clock V/12 by Bach, W. F. (BR A78 F 207) - data-sort-value=“A149.000” II 149 data-sort-value=“469.035” III data-sort-value=“1763-12-31” 1763 or later No. 17 Minuet G maj. Musical clock V/12 by Bach, W. F. (BR A79 F 207) - data-sort-value=“A150.000” II 150 data-sort-value=“469.036” III data-sort-value=“1763-12-31” 1763 or later No. 18 Trio G min. Musical clock V/12 by Bach, W. F. (BR A80 F 207) - data-sort-value=“A177.000” III 177 data-sort-value=“469.037” III Prelude and Fugue E♭ maj. Keyboard data-sort-value=“000.36: 088” 36: 88 V/12: 134 by Bach, J. Christoph? - data-sort-value=“A179.000” III 179 data-sort-value=“469.038” III 1728 (JDH) A min. Keyboard V/12 by Heinichen - data-sort-value=“A180.000” III 180 data-sort-value=“469.039” III Fugue D min. Keyboard data-sort-value=“000.36: 188” 36: 188 V/12 by Kellner, J. P. - data-sort-value=“A181.000” III 181 data-sort-value=“469.040” III A min. Keyboard V/12 by Krebs, J. L. (Krebs‑WV 825/2) - data-sort-value=“A182.000” III 182 data-sort-value=“469.041” III Passacaglia D min. Keyboard data-sort-value=“000.42: 234” 42: 234 V/12 by Witt - style=“background: #F5F6CE;” data-sort-value=“A183.000” III 183 data-sort-value=“469.042” III data-sort-value=“1725-07-01” 1725 (AMB) data-sort-value=“Notebook A. M. Bach (1725) No. 06 Rondeau” Notebook A. M. Bach (1725) No. 6 Rondeau B♭ maj. Keyboard data-sort-value=“000.43 2: 027” 43 2 : 27 data-sort-value=“V/04: 085” V/4: 85 by Couperin (6 ième Ordre: Les Bergeries) - data-sort-value=“1036.000” 1036 data-sort-value=“469.043” III data-sort-value=“1731-07-01” 1731 (CPE) Trio D min. data-sort-value=“Vl Hc (Vlx2 Bc)” Vl Hc (2Vl Bc) data-sort-value=“VI/05” VI/5 by Bach, C. P. E. (H 569; Wq 145) - data-sort-value=“1037.000” 1037 data-sort-value=“469.044” III data-sort-value=“1745-01-01” (JGG) Sonata C maj. data-sort-value=“Vlx2 Bc” 2Vl Bc data-sort-value=“000.09: 229” 9: 229 data-sort-value=“VI/05” VI/5 by Goldberg - style=“background: #E3F6CE;” data-sort-value=“A173.000” III 173 data-sort-value=“469.045” III data-sort-value=“1723-07-01” 1712 (FAB) (JSB) Invention B min. Vl Kb data-sort-value=“000.45 1: 172” 45 1 : 172 data-sort-value=“VI/05” VI/5 by Bonporti (Op. 10 No. 2) - style=“background: #E3F6CE;” data-sort-value=“A174.000” III 174 data-sort-value=“469.046” III data-sort-value=“1723-07-01” 1712 (FAB) (JSB) Invention B♭ maj. Vl Kb data-sort-value=“000.45 1: 176” 45 1 : 176 data-sort-value=“VI/05” VI/5 by Bonporti (Op. 10 No. 5) - style=“background: #E3F6CE;” data-sort-value=“A175.000” III 175 data-sort-value=“469.047” III data-sort-value=“1723-07-01” 1712 (FAB) (JSB) Invention C min. Vl Kb data-sort-value=“000.45 1: 181” 45 1 : 181 data-sort-value=“VI/05” VI/5 by Bonporti (Op. 10 No. 6) - style=“background: #E3F6CE;” data-sort-value=“A176.000” III 176 data-sort-value=“469.048” III data-sort-value=“1723-07-01” 1712 (FAB) (JSB) Invention D maj. Vl Kb data-sort-value=“000.45 1: 185” 45 1 : 185 data-sort-value=“VI/05” VI/5 by Bonporti (Op. 10 No. 7) - data-sort-value=“A184.000” III 184 data-sort-value=“469.049” III data-sort-value=“1747-07-01” (Zuc.) Sonata A min. Vl Bc data-sort-value=“VI/05” VI/5 by Zuccari ( No. 10) - data-sort-value=“A185.000” III 185 data-sort-value=“469.050” III Sonata D maj. data-sort-value=“Vlx2 Bc” 2Vl Bc data-sort-value=“VI/05” VI/5 by Bach, C. P. E. (H 585; ≈H 507; Wq 74) - id=“BWV Anh. 186” data-sort-value=“A186.000” III 186 data-sort-value=“469.051” III F maj. data-sort-value=“Vlx2 Bc” 2Vl Bc data-sort-value=“VI/05” VI/5 by Bach, C. P. E. (H 576; Wq 154) - data-sort-value=“A187.000” III 187 data-sort-value=“469.052” III F maj. Bas Fl Vne data-sort-value=“VI/05” VI/5 by Bach, C. P. E. (H 589) - data-sort-value=“A188.000” III 188 data-sort-value=“469.053” III data-sort-value=“1740-07-01” (WFB) Sonata (Concerto) F maj. data-sort-value=“Hcx2” 2Hc data-sort-value=“000.43 1: 047” 43 1 : 47 V/12 by Bach, W. F. (BR A12 F 10) - style=“background: #E3F6CE;” data-sort-value=“A023.000” I 23 data-sort-value=“469.054” III data-sort-value=“1710-07-01” 1710 (Alb.) 1710 (JSB) E min. data-sort-value=“Vlx2 Va Vc Vne” 2Vl Va Vc Vne data-sort-value=“VI/05” VI/5 by Albinoni (Op. 2 No. 4 = 2nd Concerto) - style=“background: #E3F6CE;” data-sort-value=“A189.000” III 189 data-sort-value=“469.055” III data-sort-value=“1746-07-01” 1745–1747 (JSB) A min. data-sort-value=“Hc Str Bc” Hc Str Bc data-sort-value=“VI/05” VI/5 by Bach, C. P. E. (H 403; Wq 1) - id=“BWV Anhang New” style=“background: #D8D8D8;” data-sort-value=“A189.z99” Anh. N data-sort-value=“470.000” colspan=“8” New additions to the data-sort-value=“1500a” Up ↑

Sources#

  • Not a Bach-autograph: The manuscript Brussels, Royal Library, II 4093 (Fétis 2960)
  • Preface in English and German.
  • Meiningen 1704:
  • Unaltered up unto its eighth printing in 1986.
  • Volume I
  • Volume II
  • Volume III
    • BWV Anh. I, II and III at
Composer
Johann Sebastian Bach