Mlada (Rimsky-Korsakov)

Performance history#

The St. Petersburg premiere of Rimsky-Korsakov’s setting of the libretto was given on 1 November 1892 and conducted by Eduard Nápravník. The scene designers were Ivan Andreyev and Mikhail Bocharov; balletmasters were Lev Ivanov and Enrico Cecchetti. The first production of Mlada was not a success, and it did not become a regular repertory item. (The decor, however, was reused for Petipa’s 1896 revival of the ballet adaptation of the scenario by composer Ludwig Minkus, which had premiered in 1879). Other notable performances of Rimsky-Korsakov’s Mlada were given in 1904 in St. Petersburg in the Great Hall of the St. Petersburg Conservatory by Tsereteli’s opera company; in 1913 in Moscow by the Zimin Opera; and in 1923 in Petrograd at the State Theatre of Opera and Ballet. On 25 December 1988 a new production was mounted at the Bolshoi by its director Alexander Lazarev with designer Valery Levental, producer Boris Pokrovsky and ballet-master Andrei Petrov. The cast included Makvala Kasrashvili as Voislava, Oleg Kul’ko as Yaromir, Galina Borisova as Morena, Boris Morozov as Prince Mstivoi, and the ghost of Mlada and Cleopatra were danced by Nina Ananiashvili; it was also issued on video and DVD directed by Barrie Gavin. A semi-staged complete performance was given at the Barbican in London in May 1989 by the London Symphony Orchestra conducted by Michael Tilson Thomas with Sergei Leiferkus, Makvala Kasrashvili, Edward R. White jnr, Felicity Palmer, and Alfreda Hodgson among the cast. The Bolshoy production was performed in a 4,000-seat venue as part of Glasgow’s 1990 European City of Culture festival, which also marked the first British appearance of the Bolshoy Opera.

Synopsis#

:Time: The ninth or tenth century :Place: The Slavic lands of the Baltic sea-coast, in the city of Rethra, near the Labe (Elbe) river, in modern-day Germany.

Act 1#

Voyslava has killed Mlada, Yaromir’s bride, with a poisoned wedding-ring, in order to have him for herself but he rejects her. Voyslava’s old nurse offers to support her provided she pledges allegiance to Morena, the goddess of the underworld. When Prince Yaromir comes by his followers to celebrate mid-summer Morena’s bewitches him, but in his enchanted sleep he has a vision of Voyslava murdering Mlada with a poisoned ring.

Act 2#

At the midsummer folk festival near the city of Rethra the people dance. Entry of the princes. The priest of the god Radegast prophesies by means of a horse oracle. In the circle of dancing couples, the spirit of Mlada intervenes between Yaromir and Voyslava. Yaromir rushes off after Mlada and Voyslava curses Morena who spell has failed to overcome Yaromir’s love.

Act 3#

By night Mlada leads Yaromir up Mount Triglav, where the dead gather, and he begs her to welcome him to the spirit word. With thunder and a crimson moon the Witches’ Sabbath commences. Chernobog conjures a vision of Cleopatra for Yaromir but at cock’s crow he decides to return to the Temple of Radegast and ask assistance from the priests.

Act 4#

Yaromir, at the Temple of Radegast, is shown by the spirits that Voyslava is guilty. She arrives and confesses her sin while saying it was her love for him to caused it; he kills her with his sword. With her last breath she calls on Morena, with whom Voyslava had made a compact, who destroys the temple and the city of Rethra with storms and an earthquake, but Yaromir is united with Mlada in heaven.

Concert excerpts#

Two orchestral works were derived from the opera by the composer. The first, Night on Mt. Triglav, is an arrangement of Act 3. The second is a suite. *Night on Mt. Triglav (1899–1901) This is a purely orchestral arrangement of Act III, restyled as a lengthy symphonic poem for orchestra. Approximately a half-hour in duration, the program in the printed score follows the action of the opera during the corresponding act of the opera. *Suite from the Opera-Ballet Mlada (1903) The Redowa appears in Act 1. The Lithuanian Dance and the Indian Dance are taken from Act 2, Scene 5. The cortège is the well-known Procession of the Nobles (, literally, Procession of the Princes), and appears in Act 2, Scene 3.

Instrumentation#

Piccolo, 2 Flutes, Alto Flute (doubles on 3rd flute), 2 Oboes, English Horn, 3 Clarinets, Bass Clarinet, 3 Bassoons (3rd doubles on Contrabassoon), 6 Horns, 3 Trumpets, 3 Trombones, Tuba, Timpani, Bass Drum, Cymbals, Triangle, Side Drum, Strings.

Use in broadcast media#

“Procession of the Nobles” was used as the theme for the PBS public affairs program Agronsky & Co. and its successor, Inside Washington, and was used between 1957 and 1969 as the opening theme for the UK TV programme What the Papers Say.

Recordings#

role key: conductor/Voyslava/Morena/Yaromir/Mstivoy *Yevgeny Svetlanov/Tugarinova/Kulagina/Makhov/Korolyov, 1962, audio studio, with Tatyana Tugarinova (Voyslava), Nina Kulagina (Morena), Vladimir Makhov (Yaromir), Alexey Korolyov (Mstivoy), Moscow Radio Symphony Chorus, Moscow Radio Symphony Orchestra, Melodiya *Alexander Lazarev/Kasrashvili/Borisova/Kulko/Nikolsky, 1989, Moscow video, Videoland *Lazarev/Gavrilova/Borisova/Kulko/Nikolsky, 1992, Moscow video, Teldec *Michael Tilson Thomas/Kazarnovskaya/Poretsky/Grigorian/Martirossian, 2002, live in San Francisco, pirate *Valery Gergiev/Khudoley/Savova/Armonov/Petrenko-M, 2004, live in Amsterdam, Premiere Opera

References#

Notes Sources *Abraham, Gerald. “Rimsky-Korsakov’s Mlada,” in On Russian Music. London: W. Reeves, 1939; rpt. New York: Books for Libraries, 1980. *Rimsky-Korsakov, N.A. My Musical Life. Ed. with an introduction by Carl van Vechten; translated by Judah A. Joffe. 3rd American ed. A. A. Knopf, 1942.

External links#

• Piano-vocal score of the opera (Russian/French) at IMSLP
• Russian libretto in a Word .doc file