The Trial (2014 opera)

Act 1#

On his 30th birthday, a bank manager, Josef K., is arrested at his flat for an unidentified crime. Neither the guards, Franz and Willem, nor the police inspector offer any explanation, although all of K.’s neighbours seem to understand better than K. why they are present. Franz and Willem inappropriately look through Josef K.’s belongings, to the latter’s annoyance. After observing Josef K.’s reaction to his arrest, the inspector allows K. to go to work. Later that same evening, K., apologises to his landlady, Frau Grubach, for the disturbance that morning resulting from his arrest. K. meets a fellow tenant, Fräulein Bürstner, and tells her of his arrest. She is drawn to his plight, and he abruptly kisses her. K. locates the court in an inconspicuous urban block. A washerwoman guides him in, where he learns that everyone there is waiting for him. K. protests the proceedings, and a sudden cry is heard, coming from the washerwoman, as a man presses himself on her. K. speaks in her defence and accuses the court of corruption. The magistrate warns K. that he is damaging his own case. K. returns to the court for a second hearing, to find that the court is not in session. The washerwoman tells K. that she is the wife of the bailiff. She offers herself to K. and says that she admired his protest, but that she meant her cry to interrupt him. K. examines the Magistrate’s books and finds that they contain pornography. Whilst the washerwoman continues her advances toward K., the student Berthold appears and carries her off. The court usher then arrives and registers his disdain that the inhabitants of the court always carry her off. The usher posits the scenario that K. could punish Berthold for his behaviour. K. requires assistance to leave the courtroom. In his office, K. receives a visit from his uncle Albert, who berates his nephew for concealing his arrest. He then offers to bring K. to an expert barrister. K. reluctantly consents to the visit. Whilst leaving work, K. hears odd noises from another room. A flogger is whipping Franz and Willem, for their misbehaviour during their arrest of K.. When asked about the noises, K. replies that it’s ‘only a dog’.

Act 2#

K. and his uncle Albert visit the barrister Huld. Huld’s maid, Leni, says that Huld is ailing. K. and Leni exchange glances. K. is surprised to hear that Huld knows all about his trial. Huld remarks on how interesting K.’s case is, and boasts of his standing in legal circles. The sound of a crashing plate in the next room causes K. to take momentary leave. Leni broke the plate deliberately to attract K.’s attention. Whilst seducing him, she suggests that he visit the painter Titorelli for assistance. Uncle Albert interrupts Leni and K. in flagrante, and berates K. for this behaviour, saying that K. has severely damaged his case by his flirtation with Huld’s mistress. K. visits Titorelli in the artist’s attic. Noisy neighbouring girls constantly interrupt Titorelli. Titorelli explains that he is acquainted with many judges. He asks K. whether he is innocent, and K. replies yes. K. then states his impression that once the court arrests someone, it is difficult to convince the court of his innocence. Titorelli replies that it is more than difficult, essentially impossible. He tells K. that his trial has three possible outcomes: genuine acquittal, apparent acquittal, or postponement. The last two require continual vigilance, which depresses K.’s spirits. Titorelli sells K. a set of identical paintings as K. departs. K. takes his leave, into what he recognises as the corridor to the court. Titorelli explains that everything there belongs to the court. At Huld’s establishment, Leni is with another of Huld’s clients, the businessman Block. K. sees Leni together with Block, and is jealous. Block separately confides to K. that he has 5 other barristers besides Huld on his case, unknown to Huld. He is spending all his money on his case. Block asks for a secret from K. in return. K. says that he intends to dismiss Huld as his barrister. When Huld appears and K. indicates his dispensation of Huld’s services, Huld is nonplussed. Huld indicates that he is aware of Block’s situation. He humiliates Block before K., querying how Block would react at the knowledge that his trial hasn’t even yet begun. K. is at the city’s cathedral, where a priest calls out his name. The priest states his knowledge of K.’s situation, and explains that the verdict of the trial is ’not suddenly pronounced’, but instead ‘slowly evolves from the proceedings’. He then tells K. a parable of ‘The Door of the Law’. K. loses all hope. On the eve of his 31st birthday, Franz and Willem retrieve Josef K. from his flat. K. does not resist the guards, and briefly sees Fräulein Bürstner as the guards take him away. They take out a knife, pass it between them over his head, and dispatch him, “like a dog”.

External links#

• Music Theatre Wales archived page on The Trial
• Music Theatre Wales introductor page on The Trial
• Butler, Lotte, “Michael McCarthy on Philip Glass’s The Trial: ‘an intensely musical experience’”. Royal Opera House blog, 11 July 2014
• Butler, Lotte, “Watch: Philip Glass introduces The Trial – ‘It’s a wise-comedy that goes right to the heart of social questions’”. Royal Opera House blog, 1 August 2014
• Butler, Lotte, Opera Essentials: Philip Glass’s The Trial. Royal Opera House blog, 11 July 2014
• Will Richmond, ‘Kafka’s daily grind: The Trial and the dehumanizing boredom of office life’. Royal Opera House blog, 9 October 2014