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Guitar chord chart: open, barre and seventh chords

Printable guitar chord chart: 84 chord diagrams in all 12 keys, open, barre and seventh chords, with fingering and start fret. Hear each chord. Free PDF.

Three pages, A4 or Letter: open chords, barre chords, seventh chords. Black and white, nothing smaller than 7.5 pt.

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Quick answer

This is a printable guitar chord chart with 84 chord diagrams: 7 chord types (major, minor, sus2, sus4, dominant 7th, major 7th, minor 7th) on all 12 roots. 19 of them are open chords, 29 are barre chords and 36 are seventh chords, on three pages for A4 or Letter paper. Each diagram shows the strings, the frets, the finger for every dot and the fret where the shape starts, and there is a button to hear it. Every shape was checked against the standard tuning E A D G B E: it sounds only notes of its chord and always includes the root and the third.

On this page: printable chart · how to read it · movable shapes · chords in each key · progressions · real songs · data and checks · questions

Guitar open chords

Played in first position, with open strings · page 1 of 3

Major chords (5)

C
321

x 3 2 0 1 0

D
132

x x 0 2 3 2

E
231

0 2 2 1 0 0

G
213

3 2 0 0 0 3

A
123

x 0 2 2 2 0

Minor chords (5)

Cm
3214

x 3 1 0 1 3

Dm
231

x x 0 2 3 1

Em
23

0 2 2 0 0 0

Gm
2134

3 1 0 0 3 3

Am
231

x 0 2 2 1 0

Suspended chords (sus2, sus4) (9)

Csus2
314

x 3 0 0 1 3

Dsus2
23

x x 0 2 3 0

Gsus2
123

3 0 0 0 3 3

Asus2
23

x 0 2 2 0 0

Csus4
134

x 3 3 0 1 1

Dsus4
123

x x 0 2 3 3

Esus4
234

0 2 2 2 0 0

Gsus4
2314

3 3 0 0 1 3

Asus4
123

x 0 2 2 3 0

How to read: strings run left to right from the lowest (thickest). × = do not play that string, ○ = play it open, a number in a dot = the finger (1 index, 2 middle, 3 ring, 4 little), a long bar = barre (one finger across several strings), 3fr = the diagram starts at fret 3. Under each diagram: the fret of every string, lowest first (x = muted).

Shapes from chords-db (MIT licence), one first-choice shape per chord, each checked note by note against the tuning E A D G B E. musictheoryprint.com/charts/guitar-chord-chart

Guitar barre chords

Movable shapes: the same shape slides up the neck · page 2 of 3

Major chords (7)

D♭ / C♯
4fr1234

x 4 6 6 6 4

E♭
6fr1234

x 6 8 8 8 6

F
1342

1 3 3 2 1 1

F♯ / G♭
1342

2 4 4 3 2 2

A♭ / G♯
4fr1342

4 6 6 5 4 4

B♭
1234

x 1 3 3 3 1

B
1234

x 2 4 4 4 2

Minor chords (7)

C♯m / D♭m
4fr1342

x 4 6 6 5 4

E♭m
6fr1342

x 6 8 8 7 6

Fm
134

1 3 3 1 1 1

F♯m / G♭m
134

2 4 4 2 2 2

G♯m / A♭m
4fr134

4 6 6 4 4 4

B♭m
1342

x 1 3 3 2 1

Bm
1342

x 2 4 4 3 2

Suspended chords (sus2, sus4) (15)

D♭sus2 / C♯sus2
4fr134

x 4 6 6 4 4

E♭sus2
134

x x 1 3 4 1

Esus2
2fr134

x x 2 4 5 2

Fsus2
1234

1 3 3 x 1 3

F♯sus2 / G♭sus2
4fr134

x x 4 6 7 4

A♭sus2 / G♯sus2
4fr1234

4 6 6 x 4 6

B♭sus2
134

x 1 3 3 1 1

Bsus2
134

x 2 4 4 2 2

D♭sus4 / C♯sus4
4fr1234

x 4 6 6 7 4

E♭sus4
6fr1234

x 6 8 8 9 6

Fsus4
1234

1 3 3 3 1 1

F♯sus4 / G♭sus4
1234

2 4 4 4 2 2

A♭sus4 / G♯sus4
4fr1234

4 6 6 6 4 4

B♭sus4
1234

x 1 3 3 4 1

Bsus4
2fr1234

x 2 4 4 5 2

How to read: strings run left to right from the lowest (thickest). × = do not play that string, ○ = play it open, a number in a dot = the finger (1 index, 2 middle, 3 ring, 4 little), a long bar = barre (one finger across several strings), 3fr = the diagram starts at fret 3. Under each diagram: the fret of every string, lowest first (x = muted).

Shapes from chords-db (MIT licence), one first-choice shape per chord, each checked note by note against the tuning E A D G B E. musictheoryprint.com/charts/guitar-chord-chart

Guitar seventh chords

Dominant 7th, major 7th and minor 7th in all 12 keys · page 3 of 3

Dominant 7th chords (12)

C7
3241

x 3 2 3 1 0

D♭7 / C♯7
4fr134

x 4 6 4 6 4

D7
213

x x 0 2 1 2

E♭7
6fr134

x 6 8 6 8 6

E7
21

0 2 0 1 0 0

F7
132

1 3 1 2 1 1

F♯7 / G♭7
132

2 4 2 3 2 2

G7
321

3 2 0 0 0 1

A♭7 / G♯7
4fr132

4 6 4 5 4 4

A7
23

x 0 2 0 2 0

B♭7
134

x 1 3 1 3 1

B7
2134

x 2 1 2 0 2

Major 7th chords (12)

Cmaj7
231

3 3 2 0 0 0

D♭maj7 / C♯maj7
4fr1324

x 4 6 5 6 4

Dmaj7
1

x x 0 2 2 2

E♭maj7
6fr1324

x 6 8 7 8 6

Emaj7
312

0 2 1 1 0 0

Fmaj7
321

x x 3 2 1 0

F♯maj7 / G♭maj7
1423

2 4 3 3 2 2

Gmaj7
321

3 2 0 0 0 2

A♭maj7 / G♯maj7
4fr1423

4 6 5 5 4 4

Amaj7
213

x 0 2 1 2 0

B♭maj7
1324

x 1 3 2 3 1

Bmaj7
1324

x 2 4 3 4 2

Minor 7th chords (12)

Cm7
3fr132

x 3 5 3 4 3

C♯m7 / D♭m7
4fr132

x 4 6 4 5 4

Dm7
12

x x 0 2 1 1

E♭m7
6fr132

x 6 8 6 7 6

Em7
234

0 2 2 0 3 0

Fm7
13

1 3 1 1 1 1

F♯m7 / G♭m7
13

2 4 2 2 2 2

Gm7
3fr13

3 5 3 3 3 3

G♯m7 / A♭m7
4fr13

4 6 4 4 4 4

Am7
21

x 0 2 0 1 0

B♭m7
132

x 1 3 1 2 1

Bm7
132

x 2 4 2 3 2

How to read: strings run left to right from the lowest (thickest). × = do not play that string, ○ = play it open, a number in a dot = the finger (1 index, 2 middle, 3 ring, 4 little), a long bar = barre (one finger across several strings), 3fr = the diagram starts at fret 3. Under each diagram: the fret of every string, lowest first (x = muted).

Shapes from chords-db (MIT licence), one first-choice shape per chord, each checked note by note against the tuning E A D G B E. musictheoryprint.com/charts/guitar-chord-chart

How to read a guitar chord diagram

321
C major
4fr1234
D♭ major (starts at fret 4)
  • Vertical lines are the strings. The diagram is the neck seen from the front, as if the guitar stood on its end: the thickest string (low E, the 6th) is on the left and the thinnest (high E, the 1st) on the right.
  • Horizontal lines are the frets. The thick bar at the top is the nut. A diagram with a nut shows the first four frets of the neck.
  • 3fr, 4fr … A shape that is higher up the neck has no nut; the number at its left says which fret the first row is.
  • A black dot is a fingertip. The number in it is the finger: 1 index, 2 middle, 3 ring, 4 little finger.
  • × and ○ above a string. × means do not play that string; ○ means play it open.
  • A long rounded bar is a barre: one finger lies across several strings at the same fret.
  • The numbers under the diagram are the frets for the strings from low to high, the way tab reads: x 3 2 0 1 0 is C major.

Hear the strings: standard guitar tuning

From the thickest string to the thinnest: E A D G B E. Each pair of neighbouring strings is a fourth apart, except G–B, which is a major third.

StringOpen noteHear it
6thE2E
5thA2A
4thD3D
3rdG3G
2ndB3B
1stE4E

Barre chords are a few shapes you can slide

All 29 barre chords on the chart are the same few patterns moved along the neck. Put the root of the chord you want on the 6th string (E shape) or on the 5th string (A shape; the sus2 chord also has a D shape with the root on the 4th string) and use the pattern below, counted in frets above the fret of the root: 0 is the root fret itself, x is a string you leave out. The build script checked that every barre chord on the chart with the same type and root string uses exactly the same pattern.

Chord typeShapePattern, strings 6 to 1Used on the chart for
MajorE shape (root on string 6)0 2 2 1 0 0F (fret 1), F♯ (fret 2), A♭ (fret 4)
MajorA shape (root on string 5)x 0 2 2 2 0B♭ (fret 1), B (fret 2), D♭ (fret 4), E♭ (fret 6)
MinorE shape (root on string 6)0 2 2 0 0 0Fm (fret 1), F♯m (fret 2), G♯m (fret 4)
MinorA shape (root on string 5)x 0 2 2 1 0B♭m (fret 1), Bm (fret 2), C♯m (fret 4), E♭m (fret 6)
Suspended 2nd (sus2)E shape (root on string 6)0 2 2 x 0 2Fsus2 (fret 1), A♭sus2 (fret 4)
Suspended 2nd (sus2)A shape (root on string 5)x 0 2 2 0 0B♭sus2 (fret 1), Bsus2 (fret 2), D♭sus2 (fret 4)
Suspended 2nd (sus2)D shape (root on string 4)x x 0 2 3 0E♭sus2 (fret 1), Esus2 (fret 2), F♯sus2 (fret 4)
Suspended 4th (sus4)E shape (root on string 6)0 2 2 2 0 0Fsus4 (fret 1), F♯sus4 (fret 2), A♭sus4 (fret 4)
Suspended 4th (sus4)A shape (root on string 5)x 0 2 2 3 0B♭sus4 (fret 1), Bsus4 (fret 2), D♭sus4 (fret 4), E♭sus4 (fret 6)
Dominant 7thE shape (root on string 6)0 2 0 1 0 0F7 (fret 1), F♯7 (fret 2), A♭7 (fret 4)
Dominant 7thA shape (root on string 5)x 0 2 0 2 0B♭7 (fret 1), D♭7 (fret 4), E♭7 (fret 6)
Major 7thE shape (root on string 6)0 2 1 1 0 0F♯maj7 (fret 2), A♭maj7 (fret 4)
Major 7thA shape (root on string 5)x 0 2 1 2 0B♭maj7 (fret 1), Bmaj7 (fret 2), D♭maj7 (fret 4), E♭maj7 (fret 6)
Minor 7thE shape (root on string 6)0 2 0 0 0 0Fm7 (fret 1), F♯m7 (fret 2), Gm7 (fret 3), G♯m7 (fret 4)
Minor 7thA shape (root on string 5)x 0 2 0 1 0B♭m7 (fret 1), Bm7 (fret 2), Cm7 (fret 3), C♯m7 (fret 4), E♭m7 (fret 6)

Where is the root? Notes on the 6th and 5th strings

To play, say, B♭ major with the A shape: find B♭ on the 5th string (fret 1) and use the A-shape pattern from that fret. Frets 0 to 12 repeat an octave higher at fret 12.

Fret0123456789101112
6th string (low E)EFF♯/G♭GG♯/A♭AA♯/B♭BCC♯/D♭DD♯/E♭E
5th string (A)AA♯/B♭BCC♯/D♭DD♯/E♭EFF♯/G♭GG♯/A♭A

The chords of every key, with how often real songs use each one

Most songs in a major key are built from seven chords, one on each note of the scale: I, ii, iii, IV, V, vi and vii°. Read across for one key, down a column for the same job in every key. The share under each Roman numeral is how much of the chord labels in major-key passages of 1,156 classical art songs it makes up (see the scope note below: this is not pop music). Press a chord to hear it as the chart shape.

Chords in the 12 major keys
Major key I29.0%ii6.8%iii2.0%IV6.8%V24.3%vi4.5%vii°1.9%
C CDmEmFGAmBdim
D♭ D♭E♭mFmG♭A♭B♭mCdim
D DEmF♯mGABmC♯dim
E♭ E♭FmGmA♭B♭CmDdim
E EF♯mG♯mABC♯mD♯dim
F FGmAmB♭CDmEdim
F♯ F♯G♯mA♯mBC♯D♯mE♯dim
G GAmBmCDEmF♯dim
A♭ A♭B♭mCmD♭E♭FmGdim
A ABmC♯mDEF♯mG♯dim
B♭ B♭CmDmE♭FGmAdim
B BC♯mD♯mEF♯G♯mA♯dim

The diminished chord on the 7th degree (vii°) is not on this chart; its name is shown without a button.

Minor keys

Chords in the 12 minor keys (natural minor with the major V of harmonic minor)
Minor key i24.4%iv6.1%V20.1%VI4.6%vii°4.4%
Cm CmFmGA♭Bdim
C♯m C♯mF♯mG♯AB♯dim
Dm DmGmAB♭C♯dim
E♭m E♭mA♭mB♭C♭Ddim
Em EmAmBCD♯dim
Fm FmB♭mCD♭Edim
F♯m F♯mBmC♯DE♯dim
Gm GmCmDE♭F♯dim
G♯m G♯mC♯mD♯EF♯♯dim
Am AmDmEFG♯dim
B♭m B♭mE♭mFG♭Adim
Bm BmEmF♯GA♯dim

Chord progressions quick reference

A progression is a pattern of Roman numerals, so it works in every key. These are the well-known patterns for which this site has real counts, written out in six keys. Press a row to hear it. The last two columns are not about pop songs: they say in how many of the 1,156 art songs of the OpenScore Lieder corpus the pattern appears, in any major-key passage.

PatternIn CIn GIn DIn AIn EIn FSongsShare of songs
I–V–vi–IV C – G – Am – F G – D – Em – C D – A – Bm – G A – E – F♯m – D E – B – C♯m – A F – C – Dm – B♭ 181.6%
V–vi–IV–I G – Am – F – C D – Em – C – G A – Bm – G – D E – F♯m – D – A B – C♯m – A – E C – Dm – B♭ – F 121.0%
vi–IV–I–V Am – F – C – G Em – C – G – D Bm – G – D – A F♯m – D – A – E C♯m – A – E – B Dm – B♭ – F – C 221.9%
IV–I–V–vi F – C – G – Am C – G – D – Em G – D – A – Bm D – A – E – F♯m A – E – B – C♯m B♭ – F – C – Dm 161.4%
I–vi–IV–V C – Am – F – G G – Em – C – D D – Bm – G – A A – F♯m – D – E E – C♯m – A – B F – Dm – B♭ – C 131.1%
I–IV–V–I C – F – G – C G – C – D – G D – G – A – D A – D – E – A E – A – B – E F – B♭ – C – F 19116.5%
I–vi–ii–V C – Am – Dm – G G – Em – Am – D D – Bm – Em – A A – F♯m – Bm – E E – C♯m – F♯m – B F – Dm – Gm – C 524.5%
I–IV–V C – F – G G – C – D D – G – A A – D – E E – A – B F – B♭ – C 24120.8%
I–V–I C – G – C G – D – G D – A – D A – E – A E – B – E F – C – F 82971.7%
ii–V–I Dm – G – C Am – D – G Em – A – D Bm – E – A F♯m – B – E Gm – C – F 49843.1%
IV–V–I F – G – C C – D – G G – A – D D – E – A A – B – E B♭ – C – F 33929.3%
V–I G – C D – G A – D E – A B – E C – F 1,00687.0%

Counted by the same rules as on Chord progressions in real songs: sevenths and inversions count as the plain chord, repeated chords are merged, a pattern never crosses a change of key. A rotation such as vi–IV–I–V is the same loop starting on another chord and is counted separately.

What real songs use: the numbers behind the chart

In 1,156 art songs analysed by software, the most common two-chord move in a major key is V→I: 10,374 times in 1,006 songs, 19.2% of all two-chord moves. After a V chord the next chord is I 73.3% of the time. ii–V–I appears 1,256 times in 498 songs (43% of the songs). The loop I–V–vi–IV, which Wikipedia calls extremely common, is found, in any of its four rotations, in only 53 songs (4.6%).

  • In major-key passages the tonic I (29.0%) and the dominant V (24.3%) together are 53% of all chord labels. In minor-key passages the tonic i (24.4%) and V (20.1%) are 45%.
  • 35.2% of the chord labels carry a seventh (the pattern tables fold sevenths into the plain chord, so V7 counts as V). That is why the chart has a page of seventh chords.
  • By the lowest note, 59.8% of the labels are in root position, 21.3% in first inversion and 14.8% in second inversion.
  • A diminished chord (vii°) is 1.9% of the labels in major and 4.4% in minor.
How to read these numbers. Dataset: 1,156 OpenScore Lieder art songs that have an automatic Roman-numeral analysis (AugmentedNet v1.9.1, not checked by a person): classical art songs, mostly 19th-century, not pop music. Chords are Roman numerals in the local key; sevenths and inversions are counted as the same chord; repeated chords are merged. The chords were labelled by software (AugmentedNet), and nobody checked them by hand. They tell you how harmony behaves in 19th-century art songs, not which chords are in pop, rock or folk songs, and the repertoire is a volunteer-chosen sample. Full tables and the method: Chord progressions in real songs.

Where the shapes come from and how they were checked

The shapes come from chords-db, an open database of guitar chords by David Rubert and contributors (MIT licence). It lists 355 shapes for the 84 chords on this chart. The diagrams are drawn by the build script as static SVG, so they print sharply and need no JavaScript. Nothing was drawn or typed by hand.

The rule for the one shape shown

  1. Candidates: every shape that chords-db lists for the chord. For the 84 chords on this chart that is 355 shapes, 4.2 per chord.
  2. Pitch check: a shape is dropped if any sounding note is not a note of the chord, or if the root, the third (sus2: the 2nd, sus4: the 4th) or, in a seventh chord, the seventh does not sound. 1 shape was dropped: B♭ minor 7th as 5 x 5 5 5 x.
  3. Open chords first: the first shape in chords-db order that is played in first position, uses at least one open string and has the root as its lowest note (if several, the one with the most strings sounding). Open shapes of major, minor and suspended chords go on the open-chords page; seventh chords stay on the seventh-chords page, open or not.
  4. Otherwise the movable barre shape: among the remaining shapes those with a full barre (one finger across at least four strings) come first, then the one lowest on the neck. If the lowest string of a shape does not sound the root, that string is shown muted (x) as long as the rest of the shape still passes the pitch check; this was done for 20 chords.
  5. Only that one shape is drawn for each chord. Every barre chord on the chart turns out to be one of a few patterns slid along the neck, mostly the E shape and the A shape (see the section on movable shapes).

The checks

The build stops at the first failed check. This run passed 1,602 checks for this page:

CheckCount
Open-string notes of the tuning equal the standard tuning stored in chords-db7
The shape has the right number of strings and every dot lies on one of the 4 drawn frets588
Pitches worked out from the tuning and the frets equal the MIDI list stored in chords-db for that shape84
Every sounding note is a note of the chord (no foreign note)84
The root of the chord sounds84
The third sounds (sus2: the 2nd, sus4: the 4th)84
A usable shape was found for the chord by the selection rule52
A barre spans two or more strings and never covers an open string106
The seventh sounds in every 7, maj7 and m7 shape36
Chords of each key: spelled two ways (letters, and line of fifths) with the same result432
Every barre shape on the chart with the same chord type and root string is the same pattern slid along the neck15
Root-note map: each note name equals the open string plus the fret number26
Wikipedia excerpts contain only allowed markup, no leftovers, and name source, licence and article4

Checks use only the standard tuning (E2 A2 D3 G3 B3 E4) and the fret numbers: the pitch of a string is the open note plus the fret. The database itself had 1 shape for these chords that fail the check (B♭ minor 7th drawn as 5 x 5 5 5 x); it was left out. If you find a shape on this chart that sounds wrong, it is a bug in the page, not a different opinion about fingerings: tell us.

Licence

The chord data comes from chords-db, MIT licence, Copyright (c) 2016 David Rubert. The licence text is reproduced here as the licence requires:

MIT License

Copyright (c) 2016 David Rubert

Permission is hereby granted, free of charge, to any person obtaining a copy of this software and associated documentation files (the "Software"), to deal in the Software without restriction, including without limitation the rights to use, copy, modify, merge, publish, distribute, sublicense, and/or sell copies of the Software, and to permit persons to whom the Software is furnished to do so, subject to the following conditions:

The above copyright notice and this permission notice shall be included in all copies or substantial portions of the Software.

THE SOFTWARE IS PROVIDED "AS IS", WITHOUT WARRANTY OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO THE WARRANTIES OF MERCHANTABILITY, FITNESS FOR A PARTICULAR PURPOSE AND NONINFRINGEMENT. IN NO EVENT SHALL THE AUTHORS OR COPYRIGHT HOLDERS BE LIABLE FOR ANY CLAIM, DAMAGES OR OTHER LIABILITY, WHETHER IN AN ACTION OF CONTRACT, TORT OR OTHERWISE, ARISING FROM, OUT OF OR IN CONNECTION WITH THE SOFTWARE OR THE USE OR OTHER DEALINGS IN THE SOFTWARE.

The Wikipedia excerpts further down are under CC BY-SA 4.0 and say where they come from. The statistics come from the site’s own analysis of the CC0 OpenScore Lieder corpus. Sources and licences for everything on the page are listed on the credits page.

Every chord as fret numbers

The same shapes as text, one fret number per string from the low E string to the high E string; x means the string is not played. Use it to copy a chord, or when you cannot see the pictures.

Show the table (84 chords)
ChordFretsStarts at fret
Cx 3 2 0 1 01
D♭ / C♯x 4 6 6 6 44
Dx x 0 2 3 21
E♭x 6 8 8 8 66
E0 2 2 1 0 01
F1 3 3 2 1 11
F♯ / G♭2 4 4 3 2 21
G3 2 0 0 0 31
A♭ / G♯4 6 6 5 4 44
Ax 0 2 2 2 01
B♭x 1 3 3 3 11
Bx 2 4 4 4 21
Cmx 3 1 0 1 31
C♯m / D♭mx 4 6 6 5 44
Dmx x 0 2 3 11
E♭mx 6 8 8 7 66
Em0 2 2 0 0 01
Fm1 3 3 1 1 11
F♯m / G♭m2 4 4 2 2 21
Gm3 1 0 0 3 31
G♯m / A♭m4 6 6 4 4 44
Amx 0 2 2 1 01
B♭mx 1 3 3 2 11
Bmx 2 4 4 3 21
Csus2x 3 0 0 1 31
D♭sus2 / C♯sus2x 4 6 6 4 44
Dsus2x x 0 2 3 01
E♭sus2x x 1 3 4 11
Esus2x x 2 4 5 22
Fsus21 3 3 x 1 31
F♯sus2 / G♭sus2x x 4 6 7 44
Gsus23 0 0 0 3 31
A♭sus2 / G♯sus24 6 6 x 4 64
Asus2x 0 2 2 0 01
B♭sus2x 1 3 3 1 11
Bsus2x 2 4 4 2 21
Csus4x 3 3 0 1 11
D♭sus4 / C♯sus4x 4 6 6 7 44
Dsus4x x 0 2 3 31
E♭sus4x 6 8 8 9 66
Esus40 2 2 2 0 01
Fsus41 3 3 3 1 11
F♯sus4 / G♭sus42 4 4 4 2 21
Gsus43 3 0 0 1 31
A♭sus4 / G♯sus44 6 6 6 4 44
Asus4x 0 2 2 3 01
B♭sus4x 1 3 3 4 11
Bsus4x 2 4 4 5 22
C7x 3 2 3 1 01
D♭7 / C♯7x 4 6 4 6 44
D7x x 0 2 1 21
E♭7x 6 8 6 8 66
E70 2 0 1 0 01
F71 3 1 2 1 11
F♯7 / G♭72 4 2 3 2 21
G73 2 0 0 0 11
A♭7 / G♯74 6 4 5 4 44
A7x 0 2 0 2 01
B♭7x 1 3 1 3 11
B7x 2 1 2 0 21
Cmaj73 3 2 0 0 01
D♭maj7 / C♯maj7x 4 6 5 6 44
Dmaj7x x 0 2 2 21
E♭maj7x 6 8 7 8 66
Emaj70 2 1 1 0 01
Fmaj7x x 3 2 1 01
F♯maj7 / G♭maj72 4 3 3 2 21
Gmaj73 2 0 0 0 21
A♭maj7 / G♯maj74 6 5 5 4 44
Amaj7x 0 2 1 2 01
B♭maj7x 1 3 2 3 11
Bmaj7x 2 4 3 4 21
Cm7x 3 5 3 4 33
C♯m7 / D♭m7x 4 6 4 5 44
Dm7x x 0 2 1 11
E♭m7x 6 8 6 7 66
Em70 2 2 0 3 01
Fm71 3 1 1 1 11
F♯m7 / G♭m72 4 2 2 2 21
Gm73 5 3 3 3 33
G♯m7 / A♭m74 6 4 4 4 44
Am7x 0 2 0 1 01
B♭m7x 1 3 1 2 11
Bm7x 2 4 2 3 21

Guitar chords: questions people ask

What are the open chords on guitar?

An open chord is played in first position with at least one open string and no barre. In this chart the open chords are: C, D, E, G, A, Cm, Dm, Em, Gm, Am, Csus2, Dsus2, Gsus2, Asus2, Csus4, Dsus4, Esus4, Gsus4, Asus4. Seventh chords that can be played open (such as C7, G7, E7, A7 and D7) are on the seventh-chord page.

What is a barre chord?

A barre chord uses one finger (usually the first) laid flat across several strings at one fret, so the finger acts like a movable nut and the whole shape can slide up the neck. On this chart a barre is drawn as a long rounded bar, and the 29 barre chords on this chart are all built from a few patterns, mainly the E shape (root on the 6th string) and the A shape (root on the 5th string).

How do I read "3fr" or "4fr" next to a chord diagram?

It is the number of the first fret drawn. A diagram that starts at the nut (the thick line on top) shows the first four frets of the neck; "4fr" means the top row of the diagram is the fourth fret, so a dot in the top row is a note played at fret 4.

What do the x and o above the strings mean?

An x means that string is not played (damp it or avoid it), an open circle means that string is played open, without pressing any fret.

What do the numbers on the dots mean?

They are fingers of the fretting hand: 1 = index, 2 = middle, 3 = ring, 4 = little finger. The thumb is not used on these shapes.

Why does the chart show only one shape for each chord?

Most chords can be played in several places on the neck. To keep the chart readable it shows one first-choice shape per chord, chosen by a fixed rule: open shapes first, then the lowest full barre shape (E shape or A shape). The rule and the checks are explained in the data section of the page.

Is C♯ the same chord as D♭?

On the guitar yes: C♯ major and D♭ major use the same notes and the same shape, because the two names are two spellings of the same pitches. Which name is correct depends on the key of the piece. The chart prints both names for the five black-key roots that have two common names.

Which chords do songs use most?

This site only has chord counts for 1,156 classical art songs from the OpenScore Lieder corpus, analysed by software, so the counts say nothing about pop or rock. In major-key passages of those songs the tonic (I) and dominant (V) chords make up 53% of all chord labels (I 29.0%, V 24.3%), followed by IV (6.8%) and ii (6.8%). In the key of C those are C, G, F and Dm. See the real-song section of this page for the method and the limits.

Can I print the guitar chord chart?

Yes. The chart is three pages (open chords, barre chords, seventh chords) and every page fits on one sheet of A4 or Letter paper in black and white with all text at 7.5 pt or larger. Use the print buttons or the PDF downloads at the top of the page.

musictheoryprint.com · free to print and share

How the guitar chord chart is organised#

The chart has three pages. Open chords are played in first position and use at least one open string, so they ring; they are listed for major, minor and suspended chords. Barre chords are the chords that have no open-string shape, drawn as movable shapes: one finger lies across several strings and the whole shape slides up the neck. Seventh chords (dominant 7th, major 7th and minor 7th) have a page of their own and mix open and barre shapes, because the seventh is the note most guitarists look for when a song says C7 or Am7.

Every chord appears once, with the shape chosen by a fixed rule (open shapes first, then the lowest full barre shape). If you know another fingering for a chord, it is not wrong; it is just not the one this chart prints. The rule, the number of shapes that were considered and the list of checks are in the data section above.

Chord names on the chart#

  • C is C major, Cm is C minor, C7 is the dominant seventh, Cmaj7 the major seventh, Cm7 the minor seventh, Csus2 and Csus4 the suspended chords.
  • Three black-key roots have two common names for the same notes, C♯/D♭, F♯/G♭ and G♯/A♭, and the chart prints both. On the guitar both names use the same shape. E♭ and B♭ are written with the flat.
  • A chord symbol names only the chord. Which strings you play, and in which order, is shown by the diagram.

Open chords first, barre chords next#

An open chord needs few fingers and lets some strings ring open. A barre chord asks one finger to press several strings at once, which takes strength and a good wrist position, but the payoff is large: one shape plays all twelve roots. That is why the page on movable shapes shows only two patterns, the E shape and the A shape, with the notes of the 6th and 5th strings so you can find the root.

Glossary#

  • Nut: the thin bar at the top of the neck where the strings start. A diagram drawn with a thick top line starts at the nut.
  • Fret: the metal bar across the neck; fret 1 is the one nearest the nut.
  • Open string: a string played without pressing any fret.
  • Barre: one finger pressed across several strings at the same fret.
  • Root: the note the chord is named after (C in C major).
  • Capo: a clamp that moves the nut up the neck. With a capo on fret 2, an open C shape sounds as D. The shapes on the chart do not change; their names do.

Background

Excerpts from open reference works, reproduced as published (references, images and tables removed). Every excerpt names its source, licence and original article.

Guitar chord: what a chord is on the guitar

Overview

In music, a guitar chord is a set of notes played on a guitar. A chord's notes are often played simultaneously, but they can be played sequentially in an arpeggio. The implementation of guitar chords depends on the guitar tuning. Most guitars used in popular music have six strings with the "standard" tuning of the Spanish classical guitar, namely E–A–D–G–B–E' (from the lowest pitched string to the highest); in standard tuning, the intervals present among adjacent strings are perfect fourths except for the major third (G,B). Standard tuning requires four chord-shapes for the major triads.

Playing chords: open strings, inversion, and note doubling

The implementation of musical chords on guitars depends on the tuning. Since standard tuning is most commonly used, expositions of guitar chords emphasize the implementation of musical chords on guitars with standard tuning. The implementation of chords using particular tunings is a defining part of the literature on guitar chords, which is omitted in the abstract musical-theory of chords for all instruments.

For example, in the guitar (like other stringed instruments but unlike the piano), open-string notes are not fretted and so require less hand-motion. Thus chords that contain open notes are more easily played and hence more frequently played in popular music, such as folk music. Many of the most popular tunings—standard tuning, open tunings, and new standard tuning—are rich in the open notes used by popular chords. Open tunings allow major triads to be played by barring one fret with only one finger, using the finger like a capo. On guitars without a zeroth fret (after the nut), the intonation of an open note may differ from then note when fretted on other strings; consequently, on some guitars, the sound of an open note may be inferior to that of a fretted note.

Unlike the piano, the guitar has the same notes on different strings. Consequently, guitar players often double notes in chord, so increasing the volume of sound. Doubled notes also changes the chordal timbre: Having different "string widths, tensions and tunings, the doubled notes reinforce each other, like the doubled strings of a twelve-string guitar add chorusing and depth". Notes can be doubled at identical pitches or in different octaves. For triadic chords, doubling the third interval, which is either a major third or a minor third, clarifies whether the chord is major or minor.

Source: Wikipedia, “Guitar chord” — CC BY-SA 4.0 — text excerpted; see the article for the full text and authors. Revision of 2026-05-20.

Open chords

Overview

In music for stringed instruments, especially guitar, an open chord (open-position chord) is a chord that includes one or more strings that are not fingered. An open string vibrates freely, whereas a fingered string will be partially dampened unless fingered with considerable pressure, which is difficult for beginner players. In an open chord, the unfingered strings are undampened, and the player is able to exert maximum pressure on the fretted strings, to avoid unwanted dampening. On a regular six-string guitar, an open chord can have from one to six open strings sounding. In contrast, all of the strings are fingered for a barre chord, which requires greater technique to be allowed to ring freely. To dampen a barre chord, a player simply needs to relax the fingers. Fully dampening an open chord requires the player to roll the fingers of the left hand over the open strings, or else dampen with the right hand.

Guitarists use capos, which are devices that clamp down the strings to create a movable nut, to play open chords in different keys. With a capo on the first fret, the guitarist can finger the shape of the open A minor chord, but the result will be a B♭ minor chord. Open chords on guitar are used in a wide range of popular music and traditional music styles.

Cowboy chords

In guitar music, open chords are also called cowboy chords owing to their simplicity and reminiscence of a "cowboy strummin' away on the prairie."

Advanced open chords

Advanced guitar chords may rely on the use of open strings alongside strings fretted in higher positions. For example fretting the E-barre shape on the fifth fret without the barre allows the open E, A and E to ring alongside the higher position E, A and C#. The strumming on the middle section of "Stairway to Heaven" is played using such chords. Chord books are available including such chords, but many guitarists experiment to form their own distinctive chords.

Source: Wikipedia, “Open chord” — CC BY-SA 4.0 — text excerpted; see the article for the full text and authors. Revision of 2025-07-15.

Chord (music): the idea behind every diagram

Definition

A chord is the sound of two or more notes being played at the same time. The term derives from "accord", which became "cord" in Middle English. The original meaning was an agreement or harmonious sound. In the 17th century, the spelling was changed to "chord" to prevent confusion with "cord".

Until the Middle Ages, harmony was any combination of two notes. In the Renaissance, the simultaneous sound of three notes began to be understood as the working definition of harmony. An arpeggio is a broken chord where each note is sounded successively instead of simultaneously. Chords can also be implied by melodies.

A chord progression is a collection of harmonies with a specific destination or purpose, such as reinforcing the tonic or modulation to a new pitch center. Chord progressions are common in Western music. Homophonic textures where the melody and harmony generally move in unison are considered the standard practice in classical music and remain central to music instruction. The study of harmony involves chords and progressions and the principles of connection that govern them.

Structure

Just as scales derive from the harmonic series, the major chord is likewise formed by overtones 4, 5, and 6. The next overtone creates a seventh chord. A common triad has three notes: the root, third, and fifth. The intervals are identified by their distance from the root of the chord. The notes that form a chord are sometimes called members or factors.

Continuing up in thirds yields a seventh, ninth, eleventh, and thirteenth before returning to the root again. Complex sonorities larger than a tetrad are sometimes called polychords because they can be seen as combinations of two different chords. Extended chords are one of the central characteristics of jazz harmony.

Chords are identified by their intervals. The four basic triad qualities are major, minor, diminished, and augmented. Major and minor chords derive from the quality of their thirds. Diminished and augmented chords describe the quality of the fifth. Additional intervals like sevenths are also described by their quality in relation to the root.

Composers began expanding tonality beyond the common practice and often structured chords in fourths and fifths. They were more tonally ambiguous, enabling new patterns for music. Chords also shrunk to tone clusters made of small intervals like seconds. The resulting sound mass was a common feature in the 20th century. Microtonal chords are also used by many contemporary composers.

Theorists began to analyze the structure of chords in the 16th century. Jean-Philippe Rameau developed the nomenclature for chord inversion that is still in use today.

Root position is when the lowest note of a chord is the root, regardless of how the other members are arranged above it. The chord is considered inverted when the root is not the lowest voice. When the third is the lowest sounding pitch, the chord is in first inversion. The second inversion puts the fifth in the bass and was widely seen as dissonant, even as composers put it into frequent practice.

Source: Wikipedia, “Chord (music)” — CC BY-SA 4.0 — text excerpted; see the article for the full text and authors. Revision of 2026-04-05.

Sources and licences for the text, scores and recordings on this page are on the credits page.

Sources: chords-db (MIT licence), Wikipedia: Guitar chord, Wikipedia: Open chord, Wikipedia: Chord (music), OpenScore Lieder Corpus.